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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E217C8 it is the complementary color #1DE837. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E217C8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E217C8 shade: #E717C3, #F829D6, #FF3BE9, #FF4DFC and #FF5FFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E217C8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E217C8 shade: #E217C8, #D105B5, #C000A2, #AF008F and #9E007C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E217C8 shade: #E316C9, #E31691, #E3165A, #E31623 and #E31616

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E217C8 shade: #E316C9, #C616E3, #8F16E3, #5716E3 and #2016E3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E217C8 shade matches the following richer shades: #E316C9 and #F702D8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E217C8 shade: #E316C9, #CF2ABA, #BA3EAB, #A6539C and #92678D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E217C8 shade: #8E16E3, #C416E3, #E316CB, #E31694 and #E3165E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E217C8 shade: #980F86, #BD12A7, #E316C9, #EB37D4 and #EF5DDC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E217C8 shade: #E217C8, #E35716 and #16E3A9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E217C8 shade: #E217C8, #CBE316 and #16CBE3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E217C8 shade: #E217C8, #E35716, #16E32E and #16A2E3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E217C8 shade: #E217C8, #E39416, #16E32E and #1665E3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 90 / 12 / 11

HEX #E217C8

RGB 226 23 200

HSL 307.68, 0.82%, 0.49%

LAB 52.9, 84.16, -41.9

 

Complementary color

CMYK 88 / 0 / 76 / 9

HEX #1DE837

RGB 29 232 55

HSL 127.68, 0.82%, 0.51%

LAB 80.88, -76.94, 67.86

 

CMYK 0 / 90 / 16 / 9

HEX #E717C3

RGB 231 23 195

HSL 310.38, 0.82%, 0.5%

LAB 53.54, 84.44, -37.94

 

CMYK 0 / 83 / 14 / 3

HEX #F829D6

RGB 248 41 214

HSL 309.86, 0.94%, 0.57%

LAB 58.41, 87.26, -40.96

 

CMYK 0 / 77 / 9 / 0

HEX #FF3BE9

RGB 255 59 233

HSL 306.73, 1%, 0.62%

LAB 61.89, 87.18, -46.11

 

CMYK 0 / 70 / 1 / 0

HEX #FF4DFC

RGB 255 77 252

HSL 301.01, 1%, 0.65%

LAB 64.64, 84.79, -52.3

 

CMYK 0 / 63 / 0 / 0

HEX #FF5FFF

RGB 255 95 255

HSL 300, 1%, 0.69%

LAB 67.02, 78.97, -50.18

 

CMYK 0 / 90 / 12 / 11

HEX #E217C8

RGB 226 23 200

HSL 307.68, 0.82%, 0.49%

LAB 52.9, 84.16, -41.9

 

CMYK 0 / 98 / 13 / 18

HEX #D105B5

RGB 209 5 181

HSL 308.24, 0.95%, 0.42%

LAB 48.26, 80.34, -38.37

 

CMYK 0 / 100 / 16 / 25

HEX #C000A2

RGB 192 0 162

HSL 309.38, 1%, 0.38%

LAB 43.97, 75.24, -34.08

 

CMYK 0 / 100 / 18 / 31

HEX #AF008F

RGB 175 0 143

HSL 310.97, 1%, 0.34%

LAB 39.74, 69.66, -29.44

 

CMYK 0 / 100 / 22 / 38

HEX #9E007C

RGB 158 0 124

HSL 312.91, 1%, 0.31%

LAB 35.45, 63.98, -24.64

 

CMYK 0 / 90 / 11 / 11

HEX #E316C9

RGB 227 22 201

HSL 307.61, 0.82%, 0.49%

LAB 53.08, 84.6, -42.17

 

CMYK 0 / 90 / 36 / 11

HEX #E31691

RGB 227 22 145

HSL 324, 0.82%, 0.49%

LAB 50.63, 78.15, -13.05

 

CMYK 0 / 90 / 60 / 11

HEX #E3165A

RGB 227 22 90

HSL 340.1, 0.82%, 0.49%

LAB 49.06, 73.85, 18.2

 

CMYK 0 / 90 / 85 / 11

HEX #E31623

RGB 227 22 35

HSL 356.2, 0.82%, 0.49%

LAB 48.29, 71.68, 49.29

 

CMYK 0 / 90 / 90 / 11

HEX #E31616

RGB 227 22 22

HSL 0, 0.82%, 0.49%

LAB 48.21, 71.45, 55.1

 

CMYK 0 / 90 / 11 / 11

HEX #E316C9

RGB 227 22 201

HSL 307.61, 0.82%, 0.49%

LAB 53.08, 84.6, -42.17

 

CMYK 13 / 90 / 0 / 11

HEX #C616E3

RGB 198 22 227

HSL 291.51, 0.82%, 0.49%

LAB 49.65, 83.56, -62.81

 

CMYK 37 / 90 / 0 / 11

HEX #8F16E3

RGB 143 22 227

HSL 275.41, 0.82%, 0.49%

LAB 41.15, 76.05, -77.02

 

CMYK 62 / 90 / 0 / 11

HEX #5716E3

RGB 87 22 227

HSL 259.02, 0.82%, 0.49%

LAB 34.29, 70.82, -88.58

 

CMYK 86 / 90 / 0 / 11

HEX #2016E3

RGB 32 22 227

HSL 242.93, 0.82%, 0.49%

LAB 30.47, 68.4, -95.04

 

CMYK 0 / 90 / 11 / 11

HEX #E316C9

RGB 227 22 201

HSL 307.61, 0.82%, 0.49%

LAB 53.08, 84.6, -42.17

 

CMYK 0 / 99 / 13 / 3

HEX #F702D8

RGB 247 2 216

HSL 307.59, 0.98%, 0.49%

LAB 56.86, 91.67, -44.56

 

CMYK 0 / 90 / 11 / 11

HEX #E316C9

RGB 227 22 201

HSL 307.61, 0.82%, 0.49%

LAB 53.08, 84.6, -42.17

 

CMYK 0 / 80 / 10 / 19

HEX #CF2ABA

RGB 207 42 186

HSL 307.64, 0.66%, 0.49%

LAB 50.06, 75.09, -38.48

 

CMYK 0 / 67 / 8 / 27

HEX #BA3EAB

RGB 186 62 171

HSL 307.26, 0.5%, 0.49%

LAB 48.04, 61.83, -33.1

 

CMYK 0 / 50 / 6 / 35

HEX #A6539C

RGB 166 83 156

HSL 307.23, 0.33%, 0.49%

LAB 47.87, 44.28, -24.71

 

CMYK 0 / 29 / 3 / 43

HEX #92678D

RGB 146 103 141

HSL 306.98, 0.17%, 0.49%

LAB 49.17, 23.79, -14.04

 

CMYK 37 / 90 / 0 / 11

HEX #8E16E3

RGB 142 22 227

HSL 275.12, 0.82%, 0.49%

LAB 41.01, 75.93, -77.26

 

CMYK 14 / 90 / 0 / 11

HEX #C416E3

RGB 196 22 227

HSL 290.93, 0.82%, 0.49%

LAB 49.32, 83.26, -63.36

 

CMYK 0 / 90 / 11 / 11

HEX #E316CB

RGB 227 22 203

HSL 307.02, 0.82%, 0.49%

LAB 53.19, 84.86, -43.16

 

CMYK 0 / 90 / 35 / 11

HEX #E31694

RGB 227 22 148

HSL 323.12, 0.82%, 0.49%

LAB 50.74, 78.44, -14.68

 

CMYK 0 / 90 / 59 / 11

HEX #E3165E

RGB 227 22 94

HSL 338.93, 0.82%, 0.49%

LAB 49.15, 74.09, 15.86

 

CMYK 0 / 90 / 12 / 40

HEX #980F86

RGB 152 15 134

HSL 307.88, 0.82%, 0.33%

LAB 35.48, 62.15, -30.91

 

CMYK 0 / 90 / 12 / 26

HEX #BD12A7

RGB 189 18 167

HSL 307.72, 0.83%, 0.41%

LAB 44.29, 73.51, -36.59

 

CMYK 0 / 90 / 11 / 11

HEX #E316C9

RGB 227 22 201

HSL 307.61, 0.82%, 0.49%

LAB 53.08, 84.6, -42.17

 

CMYK 0 / 77 / 10 / 8

HEX #EB37D4

RGB 235 55 212

HSL 307.67, 0.82%, 0.57%

LAB 57.22, 81.21, -41.85

 

CMYK 0 / 61 / 8 / 6

HEX #EF5DDC

RGB 239 93 220

HSL 307.81, 0.82%, 0.65%

LAB 62.8, 70.41, -37.57

 

CMYK 0 / 90 / 12 / 11

HEX #E217C8

RGB 226 23 200

HSL 307.68, 0.82%, 0.49%

LAB 52.9, 84.16, -41.9

 

CMYK 0 / 62 / 90 / 11

HEX #E35716

RGB 227 87 22

HSL 19.02, 0.82%, 0.49%

LAB 55.28, 51.92, 60.04

 

CMYK 90 / 0 / 26 / 11

HEX #16E3A9

RGB 22 227 169

HSL 163.02, 0.82%, 0.49%

LAB 80.72, -58.66, 15.74

 

CMYK 0 / 90 / 12 / 11

HEX #E217C8

RGB 226 23 200

HSL 307.68, 0.82%, 0.49%

LAB 52.9, 84.16, -41.9

 

CMYK 11 / 0 / 90 / 11

HEX #CBE316

RGB 203 227 22

HSL 67.02, 0.82%, 0.49%

LAB 85.85, -29.45, 82.26

 

CMYK 90 / 11 / 0 / 11

HEX #16CBE3

RGB 22 203 227

HSL 187.02, 0.82%, 0.49%

LAB 75.09, -32.39, -23.52

 

CMYK 0 / 90 / 12 / 11

HEX #E217C8

RGB 226 23 200

HSL 307.68, 0.82%, 0.49%

LAB 52.9, 84.16, -41.9

 

CMYK 0 / 62 / 90 / 11

HEX #E35716

RGB 227 87 22

HSL 19.02, 0.82%, 0.49%

LAB 55.28, 51.92, 60.04

 

CMYK 90 / 0 / 80 / 11

HEX #16E32E

RGB 22 227 46

HSL 127.02, 0.82%, 0.49%

LAB 79.22, -76.57, 68.9

 

CMYK 90 / 29 / 0 / 11

HEX #16A2E3

RGB 22 162 227

HSL 199.02, 0.82%, 0.49%

LAB 62.98, -11.26, -42.28

 

CMYK 0 / 90 / 12 / 11

HEX #E217C8

RGB 226 23 200

HSL 307.68, 0.82%, 0.49%

LAB 52.9, 84.16, -41.9

 

CMYK 0 / 35 / 90 / 11

HEX #E39416

RGB 227 148 22

HSL 36.88, 0.82%, 0.49%

LAB 67.7, 21.3, 69.17

 

CMYK 90 / 0 / 80 / 11

HEX #16E32E

RGB 22 227 46

HSL 127.02, 0.82%, 0.49%

LAB 79.22, -76.57, 68.9

 

CMYK 90 / 56 / 0 / 11

HEX #1665E3

RGB 22 101 227

HSL 216.88, 0.82%, 0.49%

LAB 45.67, 25.77, -69.98

 

Description

Color code: HEX #E217C8 | qconv.com Color code: HEX #E217C8 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 226 red, 23 green and 200 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
226 23 200 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 90 magenta, 12 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 90% 12% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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