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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E21E99 it is the complementary color #1DE166. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E21E99. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E21E99 shade: #E71E94, #F830A7, #FF42BA, #FF54CD and #FF66E0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E21E99. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E21E99 shade: #E21E99, #D10C86, #C00073, #AF0060 and #9E004D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E21E99 shade: #E11D98, #E11D63, #E11D2E and #E11D1D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E21E99 shade: #E11D98, #E11DCD, #C01DE1, #8B1DE1 and #571DE1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E21E99 shade matches the following richer shades: #E11D98 and #F6089D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E21E99 shade: #E11D98, #CD3193, #B8468E, #A35B88 and #8F6F83

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E21E99 shade: #C01DE1, #E11DCE, #E11D99, #E11D65 and #E11D30

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E21E99 shade: #981367, #BD187F, #E11D98, #E641A9 and #EB66B9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E21E99 shade: #E21E99, #E18C1D and #1DE1DB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E21E99 shade: #E21E99, #99E11D and #1D99E1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E21E99 shade: #E21E99, #E18C1D, #1DE165 and #1D72E1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E21E99 shade: #E21E99, #E1C71D, #1DE165 and #1D37E1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 87 / 32 / 11

HEX #E21E99

RGB 226 30 153

HSL 322.35, 0.77%, 0.5%

LAB 51.15, 77.54, -17.06

 

Complementary color

CMYK 87 / 0 / 55 / 12

HEX #1DE166

RGB 29 225 102

HSL 142.35, 0.77%, 0.5%

LAB 79.08, -70.05, 47.24

 

CMYK 0 / 87 / 36 / 9

HEX #E71E94

RGB 231 30 148

HSL 324.78, 0.81%, 0.51%

LAB 51.9, 78.12, -12.85

 

CMYK 0 / 81 / 33 / 3

HEX #F830A7

RGB 248 48 167

HSL 324.3, 0.93%, 0.58%

LAB 56.94, 80.27, -16.15

 

CMYK 0 / 74 / 27 / 0

HEX #FF42BA

RGB 255 66 186

HSL 321.9, 1%, 0.63%

LAB 60.52, 79.26, -21.6

 

CMYK 0 / 67 / 20 / 0

HEX #FF54CD

RGB 255 84 205

HSL 317.54, 1%, 0.66%

LAB 63.35, 75.71, -28.08

 

CMYK 0 / 60 / 12 / 0

HEX #FF66E0

RGB 255 102 224

HSL 312.16, 1%, 0.7%

LAB 66.63, 71.43, -33.66

 

CMYK 0 / 87 / 32 / 11

HEX #E21E99

RGB 226 30 153

HSL 322.35, 0.77%, 0.5%

LAB 51.15, 77.54, -17.06

 

CMYK 0 / 94 / 36 / 18

HEX #D10C86

RGB 209 12 134

HSL 322.84, 0.89%, 0.43%

LAB 46.36, 74.36, -13.18

 

CMYK 0 / 100 / 40 / 25

HEX #C00073

RGB 192 0 115

HSL 324.06, 1%, 0.38%

LAB 41.91, 70.02, -8.5

 

CMYK 0 / 100 / 45 / 31

HEX #AF0060

RGB 175 0 96

HSL 327.09, 1%, 0.34%

LAB 37.77, 64.6, -3.04

 

CMYK 0 / 100 / 51 / 38

HEX #9E004D

RGB 158 0 77

HSL 330.76, 1%, 0.31%

LAB 33.57, 59.14, 2.71

 

CMYK 0 / 87 / 32 / 12

HEX #E11D98

RGB 225 29 152

HSL 322.35, 0.77%, 0.5%

LAB 50.87, 77.39, -16.91

 

CMYK 0 / 87 / 56 / 12

HEX #E11D63

RGB 225 29 99

HSL 338.57, 0.77%, 0.5%

LAB 49.24, 72.85, 12.85

 

CMYK 0 / 87 / 80 / 12

HEX #E11D2E

RGB 225 29 46

HSL 354.8, 0.77%, 0.5%

LAB 48.37, 70.34, 43.42

 

CMYK 0 / 87 / 87 / 12

HEX #E11D1D

RGB 225 29 29

HSL 0, 0.77%, 0.5%

LAB 48.23, 69.94, 51.94

 

CMYK 0 / 87 / 32 / 12

HEX #E11D98

RGB 225 29 152

HSL 322.35, 0.77%, 0.5%

LAB 50.87, 77.39, -16.91

 

CMYK 0 / 87 / 9 / 12

HEX #E11DCD

RGB 225 29 205

HSL 306.12, 0.77%, 0.5%

LAB 53.27, 83.8, -44.2

 

CMYK 15 / 87 / 0 / 12

HEX #C01DE1

RGB 192 29 225

HSL 289.9, 0.77%, 0.5%

LAB 48.91, 81.2, -62.92

 

CMYK 38 / 87 / 0 / 12

HEX #8B1DE1

RGB 139 29 225

HSL 273.67, 0.77%, 0.5%

LAB 40.9, 73.7, -76.31

 

CMYK 61 / 87 / 0 / 12

HEX #571DE1

RGB 87 29 225

HSL 257.76, 0.77%, 0.5%

LAB 34.68, 68.46, -86.77

 

CMYK 0 / 87 / 32 / 12

HEX #E11D98

RGB 225 29 152

HSL 322.35, 0.77%, 0.5%

LAB 50.87, 77.39, -16.91

 

CMYK 0 / 97 / 36 / 4

HEX #F6089D

RGB 246 8 157

HSL 322.44, 0.94%, 0.5%

LAB 54.24, 84.56, -14.39

 

CMYK 0 / 87 / 32 / 12

HEX #E11D98

RGB 225 29 152

HSL 322.35, 0.77%, 0.5%

LAB 50.87, 77.39, -16.91

 

CMYK 0 / 76 / 28 / 20

HEX #CD3193

RGB 205 49 147

HSL 322.31, 0.61%, 0.5%

LAB 48.61, 67.66, -17.68

 

CMYK 0 / 62 / 23 / 28

HEX #B8468E

RGB 184 70 142

HSL 322.11, 0.45%, 0.5%

LAB 47.65, 53.66, -16.47

 

CMYK 0 / 44 / 17 / 36

HEX #A35B88

RGB 163 91 136

HSL 322.5, 0.28%, 0.5%

LAB 48.32, 35.64, -12.15

 

CMYK 0 / 22 / 8 / 44

HEX #8F6F83

RGB 143 111 131

HSL 322.5, 0.13%, 0.5%

LAB 50.51, 16.12, -6.14

 

CMYK 15 / 87 / 0 / 12

HEX #C01DE1

RGB 192 29 225

HSL 289.9, 0.77%, 0.5%

LAB 48.91, 81.2, -62.92

 

CMYK 0 / 87 / 8 / 12

HEX #E11DCE

RGB 225 29 206

HSL 305.82, 0.77%, 0.5%

LAB 53.32, 83.93, -44.69

 

CMYK 0 / 87 / 32 / 12

HEX #E11D99

RGB 225 29 153

HSL 322.04, 0.77%, 0.5%

LAB 50.9, 77.49, -17.45

 

CMYK 0 / 87 / 55 / 12

HEX #E11D65

RGB 225 29 101

HSL 337.96, 0.77%, 0.5%

LAB 49.28, 72.98, 11.69

 

CMYK 0 / 87 / 79 / 12

HEX #E11D30

RGB 225 29 48

HSL 354.18, 0.77%, 0.5%

LAB 48.39, 70.4, 42.33

 

CMYK 0 / 88 / 32 / 40

HEX #981367

RGB 152 19 103

HSL 322.11, 0.78%, 0.34%

LAB 34.23, 57.41, -13.31

 

CMYK 0 / 87 / 33 / 26

HEX #BD187F

RGB 189 24 127

HSL 322.55, 0.77%, 0.42%

LAB 42.77, 67.65, -14.71

 

CMYK 0 / 87 / 32 / 12

HEX #E11D98

RGB 225 29 152

HSL 322.35, 0.77%, 0.5%

LAB 50.87, 77.39, -16.91

 

CMYK 0 / 72 / 27 / 10

HEX #E641A9

RGB 230 65 169

HSL 322.18, 0.77%, 0.58%

LAB 55.55, 71.47, -19.72

 

CMYK 0 / 57 / 21 / 8

HEX #EB66B9

RGB 235 102 185

HSL 322.56, 0.77%, 0.66%

LAB 62.23, 60.35, -18.7

 

CMYK 0 / 87 / 32 / 11

HEX #E21E99

RGB 226 30 153

HSL 322.35, 0.77%, 0.5%

LAB 51.15, 77.54, -17.06

 

CMYK 0 / 38 / 87 / 12

HEX #E18C1D

RGB 225 140 29

HSL 33.98, 0.77%, 0.5%

LAB 65.63, 24.85, 65.73

 

CMYK 87 / 0 / 3 / 12

HEX #1DE1DB

RGB 29 225 219

HSL 178.16, 0.77%, 0.5%

LAB 81.42, -44.52, -9.71

 

CMYK 0 / 87 / 32 / 11

HEX #E21E99

RGB 226 30 153

HSL 322.35, 0.77%, 0.5%

LAB 51.15, 77.54, -17.06

 

CMYK 32 / 0 / 87 / 12

HEX #99E11D

RGB 153 225 29

HSL 82.04, 0.77%, 0.5%

LAB 82.22, -47.8, 76.89

 

CMYK 87 / 32 / 0 / 12

HEX #1D99E1

RGB 29 153 225

HSL 202.04, 0.77%, 0.5%

LAB 60.32, -6.53, -45.35

 

CMYK 0 / 87 / 32 / 11

HEX #E21E99

RGB 226 30 153

HSL 322.35, 0.77%, 0.5%

LAB 51.15, 77.54, -17.06

 

CMYK 0 / 38 / 87 / 12

HEX #E18C1D

RGB 225 140 29

HSL 33.98, 0.77%, 0.5%

LAB 65.63, 24.85, 65.73

 

CMYK 87 / 0 / 55 / 12

HEX #1DE165

RGB 29 225 101

HSL 142.04, 0.77%, 0.5%

LAB 79.07, -70.19, 47.69

 

CMYK 87 / 49 / 0 / 12

HEX #1D72E1

RGB 29 114 225

HSL 213.98, 0.77%, 0.5%

LAB 49.17, 17.06, -63.16

 

CMYK 0 / 87 / 32 / 11

HEX #E21E99

RGB 226 30 153

HSL 322.35, 0.77%, 0.5%

LAB 51.15, 77.54, -17.06

 

CMYK 0 / 12 / 87 / 12

HEX #E1C71D

RGB 225 199 29

HSL 52.04, 0.77%, 0.5%

LAB 80.15, -6.29, 77.29

 

CMYK 87 / 0 / 55 / 12

HEX #1DE165

RGB 29 225 101

HSL 142.04, 0.77%, 0.5%

LAB 79.07, -70.19, 47.69

 

CMYK 87 / 76 / 0 / 12

HEX #1D37E1

RGB 29 55 225

HSL 232.04, 0.77%, 0.5%

LAB 34.86, 53.72, -86.59

 

Description

Color code: HEX #E21E99 | qconv.com Color code: HEX #E21E99 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 226 red, 30 green and 153 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
226 30 153 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 87 magenta, 32 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 87% 32% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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