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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E22B7D it is the complementary color #1DD482. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E22B7D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E22B7D shade: #E72B78, #F83D8B, #FF4F9E, #FF61B1 and #FF73C4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E22B7D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E22B7D shade: #E22B7D, #D1196A, #C00757, #AF0044 and #9E0031

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E22B7D shade: #E22C7D, #E22C4C and #E22C2C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E22B7D shade: #E22C7D, #E22CAE, #E22CDF, #B32CE2 and #822CE2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E22B7D shade matches the following richer shades: #E22C7D and #F5187B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E22B7D shade: #E22C7D, #CE3F7F, #BB5281, #A86683 and #947985

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E22B7D shade: #E22CDF, #E22CAE, #E22C7E, #E22C4D and #E23B2C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E22B7D shade: #A51656, #C91B69, #E22C7D, #E75093 and #EC74AA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E22B7D shade: #E22B7D, #E2B42C and #2CC6E2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E22B7D shade: #E22B7D, #7EE22C and #2C7EE2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E22B7D shade: #E22B7D, #E2B42C, #2CE290 and #2C59E2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E22B7D shade: #E22B7D, #D9E22C, #2CE290 and #352CE2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 81 / 45 / 11

HEX #E22B7D

RGB 226 43 125

HSL 333.11, 0.76%, 0.53%

LAB 51.13, 72.19, -0.27

 

Complementary color

CMYK 86 / 0 / 39 / 17

HEX #1DD482

RGB 29 212 130

HSL 153.11, 0.76%, 0.47%

LAB 75.43, -61.07, 28.82

 

CMYK 0 / 81 / 48 / 9

HEX #E72B78

RGB 231 43 120

HSL 335.43, 0.8%, 0.54%

LAB 51.92, 73.01, 4.02

 

CMYK 0 / 75 / 44 / 3

HEX #F83D8B

RGB 248 61 139

HSL 334.97, 0.93%, 0.61%

LAB 57.23, 74.17, 0.75

 

CMYK 0 / 69 / 38 / 0

HEX #FF4F9E

RGB 255 79 158

HSL 333.07, 1%, 0.65%

LAB 61.06, 72.01, -4.61

 

CMYK 0 / 62 / 31 / 0

HEX #FF61B1

RGB 255 97 177

HSL 329.62, 1%, 0.69%

LAB 64.15, 67.24, -10.95

 

CMYK 0 / 55 / 23 / 0

HEX #FF73C4

RGB 255 115 196

HSL 325.29, 1%, 0.73%

LAB 67.66, 61.89, -16.43

 

CMYK 0 / 81 / 45 / 11

HEX #E22B7D

RGB 226 43 125

HSL 333.11, 0.76%, 0.53%

LAB 51.13, 72.19, -0.27

 

CMYK 0 / 88 / 49 / 18

HEX #D1196A

RGB 209 25 106

HSL 333.59, 0.79%, 0.46%

LAB 46.03, 70.17, 3.55

 

CMYK 0 / 96 / 55 / 25

HEX #C00757

RGB 192 7 87

HSL 334.05, 0.93%, 0.39%

LAB 41.29, 67.03, 8.24

 

CMYK 0 / 100 / 61 / 31

HEX #AF0044

RGB 175 0 68

HSL 336.69, 1%, 0.34%

LAB 36.99, 62.53, 13.91

 

CMYK 0 / 100 / 69 / 38

HEX #9E0031

RGB 158 0 49

HSL 341.39, 1%, 0.31%

LAB 32.9, 57.34, 20.24

 

CMYK 0 / 81 / 45 / 11

HEX #E22C7D

RGB 226 44 125

HSL 333.3, 0.76%, 0.53%

LAB 51.21, 71.95, -0.15

 

CMYK 0 / 81 / 66 / 11

HEX #E22C4C

RGB 226 44 76

HSL 349.45, 0.76%, 0.53%

LAB 50.09, 68.57, 28.01

 

CMYK 0 / 81 / 81 / 11

HEX #E22C2C

RGB 226 44 44

HSL 0, 0.76%, 0.53%

LAB 49.68, 67.32, 45.87

 

CMYK 0 / 81 / 45 / 11

HEX #E22C7D

RGB 226 44 125

HSL 333.3, 0.76%, 0.53%

LAB 51.21, 71.95, -0.15

 

CMYK 0 / 81 / 23 / 11

HEX #E22CAE

RGB 226 44 174

HSL 317.14, 0.76%, 0.53%

LAB 52.98, 77.08, -26.66

 

CMYK 0 / 81 / 1 / 11

HEX #E22CDF

RGB 226 44 223

HSL 300.99, 0.76%, 0.53%

LAB 55.38, 83.71, -51.1

 

CMYK 21 / 81 / 0 / 11

HEX #B32CE2

RGB 179 44 226

HSL 284.51, 0.76%, 0.53%

LAB 48.1, 75.89, -64.89

 

CMYK 42 / 81 / 0 / 11

HEX #822CE2

RGB 130 44 226

HSL 268.35, 0.76%, 0.53%

LAB 41.28, 68.42, -76.31

 

CMYK 0 / 81 / 45 / 11

HEX #E22C7D

RGB 226 44 125

HSL 333.3, 0.76%, 0.53%

LAB 51.21, 71.95, -0.15

 

CMYK 0 / 90 / 50 / 4

HEX #F5187B

RGB 245 24 123

HSL 333.12, 0.92%, 0.53%

LAB 53.49, 79.98, 4.81

 

CMYK 0 / 81 / 45 / 11

HEX #E22C7D

RGB 226 44 125

HSL 333.3, 0.76%, 0.53%

LAB 51.21, 71.95, -0.15

 

CMYK 0 / 69 / 38 / 19

HEX #CE3F7F

RGB 206 63 127

HSL 333.15, 0.59%, 0.53%

LAB 49.75, 61, -3.92

 

CMYK 0 / 56 / 31 / 27

HEX #BB5281

RGB 187 82 129

HSL 333.14, 0.44%, 0.53%

LAB 49.72, 47.32, -5.51

 

CMYK 0 / 39 / 22 / 34

HEX #A86683

RGB 168 102 131

HSL 333.64, 0.28%, 0.53%

LAB 51.23, 30.57, -4.76

 

CMYK 0 / 18 / 10 / 42

HEX #947985

RGB 148 121 133

HSL 333.33, 0.11%, 0.53%

LAB 53.67, 12.56, -2.59

 

CMYK 0 / 81 / 1 / 11

HEX #E22CDF

RGB 226 44 223

HSL 300.99, 0.76%, 0.53%

LAB 55.38, 83.71, -51.1

 

CMYK 0 / 81 / 23 / 11

HEX #E22CAE

RGB 226 44 174

HSL 317.14, 0.76%, 0.53%

LAB 52.98, 77.08, -26.66

 

CMYK 0 / 81 / 44 / 11

HEX #E22C7E

RGB 226 44 126

HSL 332.97, 0.76%, 0.53%

LAB 51.24, 72.04, -0.71

 

CMYK 0 / 81 / 66 / 11

HEX #E22C4D

RGB 226 44 77

HSL 349.12, 0.76%, 0.53%

LAB 50.1, 68.62, 27.43

 

CMYK 0 / 74 / 81 / 11

HEX #E23B2C

RGB 226 59 44

HSL 4.95, 0.76%, 0.53%

LAB 51.24, 62.94, 47.39

 

CMYK 0 / 87 / 48 / 35

HEX #A51656

RGB 165 22 86

HSL 333.15, 0.76%, 0.37%

LAB 36.45, 58.27, 1.21

 

CMYK 0 / 87 / 48 / 21

HEX #C91B69

RGB 201 27 105

HSL 333.1, 0.76%, 0.45%

LAB 44.55, 67.82, 1.83

 

CMYK 0 / 81 / 45 / 11

HEX #E22C7D

RGB 226 44 125

HSL 333.3, 0.76%, 0.53%

LAB 51.21, 71.95, -0.15

 

CMYK 0 / 65 / 36 / 9

HEX #E75093

RGB 231 80 147

HSL 333.38, 0.76%, 0.61%

LAB 56.91, 63.79, -4.76

 

CMYK 0 / 51 / 28 / 7

HEX #EC74AA

RGB 236 116 170

HSL 333, 0.76%, 0.69%

LAB 64.34, 52.12, -6.96

 

CMYK 0 / 81 / 45 / 11

HEX #E22B7D

RGB 226 43 125

HSL 333.11, 0.76%, 0.53%

LAB 51.13, 72.19, -0.27

 

CMYK 0 / 20 / 81 / 11

HEX #E2B42C

RGB 226 180 44

HSL 44.84, 0.76%, 0.53%

LAB 75.45, 4.39, 69.58

 

CMYK 81 / 12 / 0 / 11

HEX #2CC6E2

RGB 44 198 226

HSL 189.23, 0.76%, 0.53%

LAB 73.81, -28.88, -24.92

 

CMYK 0 / 81 / 45 / 11

HEX #E22B7D

RGB 226 43 125

HSL 333.11, 0.76%, 0.53%

LAB 51.13, 72.19, -0.27

 

CMYK 44 / 0 / 81 / 11

HEX #7EE22C

RGB 126 226 44

HSL 92.97, 0.76%, 0.53%

LAB 81.3, -56.77, 72.23

 

CMYK 81 / 44 / 0 / 11

HEX #2C7EE2

RGB 44 126 226

HSL 212.97, 0.76%, 0.53%

LAB 52.89, 11.1, -57.71

 

CMYK 0 / 81 / 45 / 11

HEX #E22B7D

RGB 226 43 125

HSL 333.11, 0.76%, 0.53%

LAB 51.13, 72.19, -0.27

 

CMYK 0 / 20 / 81 / 11

HEX #E2B42C

RGB 226 180 44

HSL 44.84, 0.76%, 0.53%

LAB 75.45, 4.39, 69.58

 

CMYK 81 / 0 / 36 / 11

HEX #2CE290

RGB 44 226 144

HSL 152.97, 0.76%, 0.53%

LAB 80.15, -62.05, 27.96

 

CMYK 81 / 61 / 0 / 11

HEX #2C59E2

RGB 44 89 226

HSL 225.16, 0.76%, 0.53%

LAB 43.02, 34.52, -73.71

 

CMYK 0 / 81 / 45 / 11

HEX #E22B7D

RGB 226 43 125

HSL 333.11, 0.76%, 0.53%

LAB 51.13, 72.19, -0.27

 

CMYK 4 / 0 / 81 / 11

HEX #D9E22C

RGB 217 226 44

HSL 62.97, 0.76%, 0.53%

LAB 86.67, -22.69, 79.04

 

CMYK 81 / 0 / 36 / 11

HEX #2CE290

RGB 44 226 144

HSL 152.97, 0.76%, 0.53%

LAB 80.15, -62.05, 27.96

 

CMYK 77 / 81 / 0 / 11

HEX #352CE2

RGB 53 44 226

HSL 242.97, 0.76%, 0.53%

LAB 34.09, 60.75, -88.42

 

Description

Color code: HEX #E22B7D | qconv.com Color code: HEX #E22B7D | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 226 red, 43 green and 125 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
226 43 125 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 81 magenta, 45 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 81% 45% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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