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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E2341B it is the complementary color #1DCBE4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E2341B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E2341B shade: #E73416, #F84629, #FF583C, #FF6A4F and #FF7C62

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E2341B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E2341B shade: #E2341B, #D12208, #C01000, #AF0000 and #9E0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E2341B shade: #E4341A and #E41A1A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E2341B shade: #E4341A, #E46A1A, #E4A01A, #E4D71A and #BBE41A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E2341B shade matches the following richer shades: #E4341A and #F82406

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E2341B shade: #E4341A, #CF432F, #BA5244, #A66258 and #91716D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E2341B shade: #E41A6E, #E41A38, #E4321A, #E4671A and #E49D1A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E2341B shade: #9A2312, #BF2B16, #E4341A, #E8543F and #EC7564

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E2341B shade: #E2341B, #A4E41A and #1A53E4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E2341B shade: #E2341B, #1AE432 and #321AE4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E2341B shade: #E2341B, #A4E41A, #1ACCE4 and #5A1AE4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E2341B shade: #E2341B, #67E41A, #1ACCE4 and #971AE4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 77 / 88 / 11

HEX #E2341B

RGB 226 52 27

HSL 7.54, 0.79%, 0.5%

LAB 50.34, 64.73, 54.52

 

Complementary color

CMYK 87 / 11 / 0 / 11

HEX #1DCBE4

RGB 29 203 228

HSL 187.54, 0.79%, 0.5%

LAB 75.19, -31.73, -23.92

 

CMYK 0 / 77 / 90 / 9

HEX #E73416

RGB 231 52 22

HSL 8.61, 0.83%, 0.5%

LAB 51.27, 66.11, 57.56

 

CMYK 0 / 72 / 83 / 3

HEX #F84629

RGB 248 70 41

HSL 8.41, 0.94%, 0.57%

LAB 56.58, 65.86, 55.24

 

CMYK 0 / 65 / 76 / 0

HEX #FF583C

RGB 255 88 60

HSL 8.62, 1%, 0.62%

LAB 60.4, 61.97, 50.14

 

CMYK 0 / 58 / 69 / 0

HEX #FF6A4F

RGB 255 106 79

HSL 9.2, 1%, 0.65%

LAB 63.45, 55.17, 43.61

 

CMYK 0 / 51 / 62 / 0

HEX #FF7C62

RGB 255 124 98

HSL 9.94, 1%, 0.69%

LAB 66.94, 47.86, 37.59

 

CMYK 0 / 77 / 88 / 11

HEX #E2341B

RGB 226 52 27

HSL 7.54, 0.79%, 0.5%

LAB 50.34, 64.73, 54.52

 

CMYK 0 / 84 / 96 / 18

HEX #D12208

RGB 209 34 8

HSL 7.76, 0.93%, 0.43%

LAB 45.24, 64.34, 56.08

 

CMYK 0 / 92 / 100 / 25

HEX #C01000

RGB 192 16 0

HSL 5, 1%, 0.38%

LAB 40.54, 62.95, 54.52

 

CMYK 0 / 100 / 100 / 31

HEX #AF0000

RGB 175 0 0

HSL 0, 1%, 0.34%

LAB 36.2, 60.4, 50.58

 

CMYK 0 / 100 / 100 / 38

HEX #9E0000

RGB 158 0 0

HSL 0, 1%, 0.31%

LAB 32.41, 56.02, 46.44

 

CMYK 0 / 77 / 89 / 11

HEX #E4341A

RGB 228 52 26

HSL 7.72, 0.8%, 0.5%

LAB 50.72, 65.3, 55.38

 

CMYK 0 / 89 / 89 / 11

HEX #E41A1A

RGB 228 26 26

HSL 0, 0.8%, 0.5%

LAB 48.64, 71.18, 53.85

 

CMYK 0 / 77 / 89 / 11

HEX #E4341A

RGB 228 52 26

HSL 7.72, 0.8%, 0.5%

LAB 50.72, 65.3, 55.38

 

CMYK 0 / 54 / 89 / 11

HEX #E46A1A

RGB 228 106 26

HSL 23.76, 0.8%, 0.5%

LAB 58.86, 43.51, 61.51

 

CMYK 0 / 30 / 89 / 11

HEX #E4A01A

RGB 228 160 26

HSL 39.8, 0.8%, 0.5%

LAB 70.67, 15.4, 70.59

 

CMYK 0 / 6 / 89 / 11

HEX #E4D71A

RGB 228 215 26

HSL 56.14, 0.8%, 0.5%

LAB 84.57, -13.13, 81.45

 

CMYK 18 / 0 / 89 / 11

HEX #BBE41A

RGB 187 228 26

HSL 72.18, 0.8%, 0.5%

LAB 85.06, -36.27, 80.56

 

CMYK 0 / 77 / 89 / 11

HEX #E4341A

RGB 228 52 26

HSL 7.72, 0.8%, 0.5%

LAB 50.72, 65.3, 55.38

 

CMYK 0 / 85 / 98 / 3

HEX #F82406

RGB 248 36 6

HSL 7.44, 0.95%, 0.5%

LAB 53.2, 74.45, 64.88

 

CMYK 0 / 77 / 89 / 11

HEX #E4341A

RGB 228 52 26

HSL 7.72, 0.8%, 0.5%

LAB 50.72, 65.3, 55.38

 

CMYK 0 / 68 / 77 / 19

HEX #CF432F

RGB 207 67 47

HSL 7.5, 0.63%, 0.5%

LAB 48.87, 54.1, 42.31

 

CMYK 0 / 56 / 63 / 27

HEX #BA5244

RGB 186 82 68

HSL 7.12, 0.46%, 0.5%

LAB 48.12, 41, 28.76

 

CMYK 0 / 41 / 47 / 35

HEX #A66258

RGB 166 98 88

HSL 7.69, 0.31%, 0.5%

LAB 48.94, 26.4, 17.52

 

CMYK 0 / 22 / 25 / 43

HEX #91716D

RGB 145 113 109

HSL 6.67, 0.14%, 0.5%

LAB 50.61, 11.97, 7.04

 

CMYK 0 / 89 / 52 / 11

HEX #E41A6E

RGB 228 26 110

HSL 335.05, 0.8%, 0.5%

LAB 49.93, 74.82, 7.17

 

CMYK 0 / 89 / 75 / 11

HEX #E41A38

RGB 228 26 56

HSL 351.09, 0.8%, 0.5%

LAB 48.91, 71.93, 38.52

 

CMYK 0 / 78 / 89 / 11

HEX #E4321A

RGB 228 50 26

HSL 7.13, 0.8%, 0.5%

LAB 50.51, 65.88, 55.23

 

CMYK 0 / 55 / 89 / 11

HEX #E4671A

RGB 228 103 26

HSL 22.87, 0.8%, 0.5%

LAB 58.29, 44.96, 61.08

 

CMYK 0 / 31 / 89 / 11

HEX #E49D1A

RGB 228 157 26

HSL 38.91, 0.8%, 0.5%

LAB 69.95, 17, 70.04

 

CMYK 0 / 77 / 88 / 40

HEX #9A2312

RGB 154 35 18

HSL 7.5, 0.79%, 0.34%

LAB 34.22, 47.81, 39.75

 

CMYK 0 / 77 / 88 / 25

HEX #BF2B16

RGB 191 43 22

HSL 7.46, 0.79%, 0.42%

LAB 42.55, 56.89, 47.7

 

CMYK 0 / 77 / 89 / 11

HEX #E4341A

RGB 228 52 26

HSL 7.72, 0.8%, 0.5%

LAB 50.72, 65.3, 55.38

 

CMYK 0 / 64 / 73 / 9

HEX #E8543F

RGB 232 84 63

HSL 7.46, 0.79%, 0.58%

LAB 55.94, 56.12, 42.65

 

CMYK 0 / 50 / 58 / 7

HEX #EC7564

RGB 236 117 100

HSL 7.5, 0.78%, 0.66%

LAB 62.91, 44.47, 30.83

 

CMYK 0 / 77 / 88 / 11

HEX #E2341B

RGB 226 52 27

HSL 7.54, 0.79%, 0.5%

LAB 50.34, 64.73, 54.52

 

CMYK 28 / 0 / 89 / 11

HEX #A4E41A

RGB 164 228 26

HSL 79.01, 0.8%, 0.5%

LAB 83.68, -45.11, 78.87

 

CMYK 89 / 64 / 0 / 11

HEX #1A53E4

RGB 26 83 228

HSL 223.07, 0.8%, 0.5%

LAB 41.23, 37.9, -77.8

 

CMYK 0 / 77 / 88 / 11

HEX #E2341B

RGB 226 52 27

HSL 7.54, 0.79%, 0.5%

LAB 50.34, 64.73, 54.52

 

CMYK 89 / 0 / 78 / 11

HEX #1AE432

RGB 26 228 50

HSL 127.13, 0.8%, 0.5%

LAB 79.58, -76.36, 68.11

 

CMYK 78 / 89 / 0 / 11

HEX #321AE4

RGB 50 26 228

HSL 247.13, 0.8%, 0.5%

LAB 31.85, 68.03, -93.29

 

CMYK 0 / 77 / 88 / 11

HEX #E2341B

RGB 226 52 27

HSL 7.54, 0.79%, 0.5%

LAB 50.34, 64.73, 54.52

 

CMYK 28 / 0 / 89 / 11

HEX #A4E41A

RGB 164 228 26

HSL 79.01, 0.8%, 0.5%

LAB 83.68, -45.11, 78.87

 

CMYK 89 / 11 / 0 / 11

HEX #1ACCE4

RGB 26 204 228

HSL 187.13, 0.8%, 0.5%

LAB 75.46, -32.37, -23.51

 

CMYK 61 / 89 / 0 / 11

HEX #5A1AE4

RGB 90 26 228

HSL 259.01, 0.8%, 0.5%

LAB 35.03, 70.27, -87.91

 

CMYK 0 / 77 / 88 / 11

HEX #E2341B

RGB 226 52 27

HSL 7.54, 0.79%, 0.5%

LAB 50.34, 64.73, 54.52

 

CMYK 55 / 0 / 89 / 11

HEX #67E41A

RGB 103 228 26

HSL 97.13, 0.8%, 0.5%

LAB 80.99, -64.77, 75.53

 

CMYK 89 / 11 / 0 / 11

HEX #1ACCE4

RGB 26 204 228

HSL 187.13, 0.8%, 0.5%

LAB 75.46, -32.37, -23.51

 

CMYK 34 / 89 / 0 / 11

HEX #971AE4

RGB 151 26 228

HSL 277.13, 0.8%, 0.5%

LAB 42.64, 76.47, -75.1

 

Description

Color code: HEX #E2341B | qconv.com Color code: HEX #E2341B | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 226 red, 52 green and 27 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
226 52 27 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 77 magenta, 88 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 77% 88% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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