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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E234B4 it is the complementary color #1DCB4B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E234B4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E234B4 shade: #E734AF, #F846C2, #FF58D5, #FF6AE8 and #FF7CFB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E234B4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E234B4 shade: #E234B4, #D122A1, #C0108E, #AF007B and #9E0068

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E234B4 shade: #E236B4, #E23686, #E23657 and #E23636

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E234B4 shade: #E236B4, #E136E2, #B236E2, #8436E2 and #5636E2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E234B4 shade matches the following richer shades: #E236B4 and #F423BD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E234B4 shade: #E236B4, #CF48AC, #BD5BA3, #AA6D9A and #988091

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E234B4 shade: #B136E2, #DF36E2, #E236B7, #E23689 and #E2365B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E234B4 shade: #AD1885, #D11DA1, #E236B4, #E75AC2 and #EC7ECF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E234B4 shade: #E234B4, #E28336 and #36E2C8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E234B4 shade: #E234B4, #B7E236 and #36B7E2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E234B4 shade: #E234B4, #E28336, #36E261 and #3694E2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E234B4 shade: #E234B4, #E2B736, #36E261 and #3661E2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 77 / 20 / 11

HEX #E234B4

RGB 226 52 180

HSL 315.86, 0.75%, 0.55%

LAB 53.94, 75.79, -28.67

 

Complementary color

CMYK 86 / 0 / 63 / 20

HEX #1DCB4B

RGB 29 203 75

HSL 135.86, 0.75%, 0.45%

LAB 71.88, -66.62, 50.98

 

CMYK 0 / 77 / 24 / 9

HEX #E734AF

RGB 231 52 175

HSL 318.77, 0.79%, 0.55%

LAB 54.6, 76.31, -24.67

 

CMYK 0 / 72 / 22 / 3

HEX #F846C2

RGB 248 70 194

HSL 318.2, 0.93%, 0.62%

LAB 60.1, 77.33, -26.93

 

CMYK 0 / 65 / 16 / 0

HEX #FF58D5

RGB 255 88 213

HSL 315.09, 1%, 0.67%

LAB 64.2, 75.33, -31.28

 

CMYK 0 / 58 / 9 / 0

HEX #FF6AE8

RGB 255 106 232

HSL 309.26, 1%, 0.71%

LAB 67.57, 70.97, -36.64

 

CMYK 0 / 51 / 2 / 0

HEX #FF7CFB

RGB 255 124 251

HSL 301.83, 1%, 0.74%

LAB 71.31, 66.11, -41.26

 

CMYK 0 / 77 / 20 / 11

HEX #E234B4

RGB 226 52 180

HSL 315.86, 0.75%, 0.55%

LAB 53.94, 75.79, -28.67

 

CMYK 0 / 84 / 23 / 18

HEX #D122A1

RGB 209 34 161

HSL 316.46, 0.72%, 0.48%

LAB 48.6, 74.03, -26.01

 

CMYK 0 / 92 / 26 / 25

HEX #C0108E

RGB 192 16 142

HSL 317.05, 0.85%, 0.41%

LAB 43.55, 71.21, -22.65

 

CMYK 0 / 100 / 30 / 31

HEX #AF007B

RGB 175 0 123

HSL 317.83, 1%, 0.34%

LAB 38.8, 67.27, -18.54

 

CMYK 0 / 100 / 34 / 38

HEX #9E0068

RGB 158 0 104

HSL 320.51, 1%, 0.31%

LAB 34.54, 61.65, -13.37

 

CMYK 0 / 76 / 20 / 11

HEX #E236B4

RGB 226 54 180

HSL 316.05, 0.75%, 0.55%

LAB 54.14, 75.24, -28.37

 

CMYK 0 / 76 / 41 / 11

HEX #E23686

RGB 226 54 134

HSL 332.09, 0.75%, 0.55%

LAB 52.43, 70.08, -3.78

 

CMYK 0 / 76 / 62 / 11

HEX #E23657

RGB 226 54 87

HSL 348.49, 0.75%, 0.55%

LAB 51.26, 66.41, 22.91

 

CMYK 0 / 76 / 76 / 11

HEX #E23636

RGB 226 54 54

HSL 0, 0.75%, 0.55%

LAB 50.77, 64.84, 41.58

 

CMYK 0 / 76 / 20 / 11

HEX #E236B4

RGB 226 54 180

HSL 316.05, 0.75%, 0.55%

LAB 54.14, 75.24, -28.37

 

CMYK 0 / 76 / 0 / 11

HEX #E136E2

RGB 225 54 226

HSL 299.65, 0.75%, 0.55%

LAB 56.22, 81.53, -51.46

 

CMYK 21 / 76 / 0 / 11

HEX #B236E2

RGB 178 54 226

HSL 283.26, 0.75%, 0.55%

LAB 49, 72.69, -63.44

 

CMYK 42 / 76 / 0 / 11

HEX #8436E2

RGB 132 54 226

HSL 267.21, 0.75%, 0.55%

LAB 42.82, 64.96, -73.78

 

CMYK 62 / 76 / 0 / 11

HEX #5636E2

RGB 86 54 226

HSL 251.16, 0.75%, 0.55%

LAB 38.04, 58.85, -81.81

 

CMYK 0 / 76 / 20 / 11

HEX #E236B4

RGB 226 54 180

HSL 316.05, 0.75%, 0.55%

LAB 54.14, 75.24, -28.37

 

CMYK 0 / 86 / 23 / 4

HEX #F423BD

RGB 244 35 189

HSL 315.79, 0.9%, 0.55%

LAB 56.2, 84.46, -30.15

 

CMYK 0 / 76 / 20 / 11

HEX #E236B4

RGB 226 54 180

HSL 316.05, 0.75%, 0.55%

LAB 54.14, 75.24, -28.37

 

CMYK 0 / 65 / 17 / 19

HEX #CF48AC

RGB 207 72 172

HSL 315.56, 0.58%, 0.55%

LAB 52.82, 63.44, -26

 

CMYK 0 / 52 / 14 / 26

HEX #BD5BA3

RGB 189 91 163

HSL 315.92, 0.43%, 0.55%

LAB 52.89, 48.48, -20.84

 

CMYK 0 / 36 / 9 / 33

HEX #AA6D9A

RGB 170 109 154

HSL 315.74, 0.26%, 0.55%

LAB 53.83, 31.21, -14.37

 

CMYK 0 / 16 / 5 / 40

HEX #988091

RGB 152 128 145

HSL 317.5, 0.1%, 0.55%

LAB 56.25, 12.25, -5.71

 

CMYK 22 / 76 / 0 / 11

HEX #B136E2

RGB 177 54 226

HSL 282.91, 0.75%, 0.55%

LAB 48.85, 72.51, -63.69

 

CMYK 1 / 76 / 0 / 11

HEX #DF36E2

RGB 223 54 226

HSL 298.95, 0.75%, 0.55%

LAB 55.9, 81.14, -51.99

 

CMYK 0 / 76 / 19 / 11

HEX #E236B7

RGB 226 54 183

HSL 315, 0.75%, 0.55%

LAB 54.27, 75.63, -29.91

 

CMYK 0 / 76 / 39 / 11

HEX #E23689

RGB 226 54 137

HSL 331.05, 0.75%, 0.55%

LAB 52.52, 70.37, -5.43

 

CMYK 0 / 76 / 60 / 11

HEX #E2365B

RGB 226 54 91

HSL 347.09, 0.75%, 0.55%

LAB 51.34, 66.66, 20.61

 

CMYK 0 / 86 / 23 / 32

HEX #AD1885

RGB 173 24 133

HSL 316.11, 0.76%, 0.39%

LAB 39.97, 64.8, -22.98

 

CMYK 0 / 86 / 23 / 18

HEX #D11DA1

RGB 209 29 161

HSL 316, 0.76%, 0.47%

LAB 48.27, 74.99, -26.52

 

CMYK 0 / 76 / 20 / 11

HEX #E236B4

RGB 226 54 180

HSL 316.05, 0.75%, 0.55%

LAB 54.14, 75.24, -28.37

 

CMYK 0 / 61 / 16 / 9

HEX #E75AC2

RGB 231 90 194

HSL 315.74, 0.75%, 0.63%

LAB 60.07, 65.68, -27.2

 

CMYK 0 / 47 / 12 / 7

HEX #EC7ECF

RGB 236 126 207

HSL 315.82, 0.74%, 0.71%

LAB 67.47, 52.57, -23.1

 

CMYK 0 / 77 / 20 / 11

HEX #E234B4

RGB 226 52 180

HSL 315.86, 0.75%, 0.55%

LAB 53.94, 75.79, -28.67

 

CMYK 0 / 42 / 76 / 11

HEX #E28336

RGB 226 131 54

HSL 26.86, 0.75%, 0.55%

LAB 63.89, 30.79, 55.11

 

CMYK 76 / 0 / 12 / 11

HEX #36E2C8

RGB 54 226 200

HSL 170.93, 0.75%, 0.55%

LAB 81.48, -48.18, 0.51

 

CMYK 0 / 77 / 20 / 11

HEX #E234B4

RGB 226 52 180

HSL 315.86, 0.75%, 0.55%

LAB 53.94, 75.79, -28.67

 

CMYK 19 / 0 / 76 / 11

HEX #B7E236

RGB 183 226 54

HSL 75, 0.75%, 0.55%

LAB 84.34, -36.03, 73.31

 

CMYK 76 / 19 / 0 / 11

HEX #36B7E2

RGB 54 183 226

HSL 195, 0.75%, 0.55%

LAB 69.57, -20.34, -31.42

 

CMYK 0 / 77 / 20 / 11

HEX #E234B4

RGB 226 52 180

HSL 315.86, 0.75%, 0.55%

LAB 53.94, 75.79, -28.67

 

CMYK 0 / 42 / 76 / 11

HEX #E28336

RGB 226 131 54

HSL 26.86, 0.75%, 0.55%

LAB 63.89, 30.79, 55.11

 

CMYK 76 / 0 / 57 / 11

HEX #36E261

RGB 54 226 97

HSL 135, 0.75%, 0.55%

LAB 79.64, -68.51, 50.26

 

CMYK 76 / 35 / 0 / 11

HEX #3694E2

RGB 54 148 226

HSL 207.21, 0.75%, 0.55%

LAB 59.39, -1.07, -47.34

 

CMYK 0 / 77 / 20 / 11

HEX #E234B4

RGB 226 52 180

HSL 315.86, 0.75%, 0.55%

LAB 53.94, 75.79, -28.67

 

CMYK 0 / 19 / 76 / 11

HEX #E2B736

RGB 226 183 54

HSL 45, 0.75%, 0.55%

LAB 76.25, 3.17, 67

 

CMYK 76 / 0 / 57 / 11

HEX #36E261

RGB 54 226 97

HSL 135, 0.75%, 0.55%

LAB 79.64, -68.51, 50.26

 

CMYK 76 / 57 / 0 / 11

HEX #3661E2

RGB 54 97 226

HSL 225, 0.75%, 0.55%

LAB 45.39, 30.39, -69.82

 

Description

Color code: HEX #E234B4 | qconv.com Color code: HEX #E234B4 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 226 red, 52 green and 180 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
226 52 180 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 77 magenta, 20 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 77% 20% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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