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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E231AA it is the complementary color #1DCE55. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E231AA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E231AA shade: #E731A5, #F843B8, #FF55CB, #FF67DE and #FF79F1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E231AA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E231AA shade: #E231AA, #D11F97, #C00D84, #AF0071 and #9E005E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E231AA shade: #E131AA, #E1317A, #E1314B and #E13131

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E231AA shade: #E131AA, #E131D9, #BA31E1, #8A31E1 and #5B31E1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E231AA shade matches the following richer shades: #E131AA and #F41EB0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E231AA shade: #E131AA, #CE44A3, #BB579C, #A86A95 and #957D8E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E231AA shade: #B831E1, #E131DB, #E131AC, #E1317D and #E1314F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E231AA shade: #A8187B, #CC1D95, #E131AA, #E655B8 and #EB79C7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E231AA shade: #E231AA, #E18931 and #31E1D0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E231AA shade: #E231AA, #ACE131 and #31ACE1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E231AA shade: #E231AA, #E18931, #31E166 and #3189E1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E231AA shade: #E231AA, #E1BE31, #31E166 and #3154E1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 78 / 25 / 11

HEX #E231AA

RGB 226 49 170

HSL 318.98, 0.75%, 0.54%

LAB 53.24, 75.36, -23.91

 

Complementary color

CMYK 86 / 0 / 59 / 19

HEX #1DCE55

RGB 29 206 85

HSL 138.98, 0.75%, 0.46%

LAB 72.93, -66.34, 47.76

 

CMYK 0 / 79 / 29 / 9

HEX #E731A5

RGB 231 49 165

HSL 321.76, 0.79%, 0.55%

LAB 53.92, 75.92, -19.85

 

CMYK 0 / 73 / 26 / 3

HEX #F843B8

RGB 248 67 184

HSL 321.22, 0.93%, 0.62%

LAB 59.37, 77.05, -22.31

 

CMYK 0 / 67 / 20 / 0

HEX #FF55CB

RGB 255 85 203

HSL 318.35, 1%, 0.67%

LAB 63.4, 75.09, -26.87

 

CMYK 0 / 60 / 13 / 0

HEX #FF67DE

RGB 255 103 222

HSL 313.03, 1%, 0.7%

LAB 66.7, 70.72, -32.44

 

CMYK 0 / 53 / 5 / 0

HEX #FF79F1

RGB 255 121 241

HSL 306.27, 1%, 0.74%

LAB 70.38, 65.83, -37.24

 

CMYK 0 / 78 / 25 / 11

HEX #E231AA

RGB 226 49 170

HSL 318.98, 0.75%, 0.54%

LAB 53.24, 75.36, -23.91

 

CMYK 0 / 85 / 28 / 18

HEX #D11F97

RGB 209 31 151

HSL 319.55, 0.74%, 0.47%

LAB 47.97, 73.45, -21.01

 

CMYK 0 / 93 / 31 / 25

HEX #C00D84

RGB 192 13 132

HSL 320.11, 0.87%, 0.4%

LAB 43, 70.44, -17.38

 

CMYK 0 / 100 / 35 / 31

HEX #AF0071

RGB 175 0 113

HSL 321.26, 1%, 0.34%

LAB 38.39, 66.21, -12.91

 

CMYK 0 / 100 / 41 / 38

HEX #9E005E

RGB 158 0 94

HSL 324.3, 1%, 0.31%

LAB 34.14, 60.64, -7.53

 

CMYK 0 / 78 / 24 / 12

HEX #E131AA

RGB 225 49 170

HSL 318.75, 0.75%, 0.54%

LAB 53.07, 75.13, -24.19

 

CMYK 0 / 78 / 46 / 12

HEX #E1317A

RGB 225 49 122

HSL 335.11, 0.75%, 0.54%

LAB 51.39, 70.14, 1.91

 

CMYK 0 / 78 / 67 / 12

HEX #E1314B

RGB 225 49 75

HSL 351.14, 0.75%, 0.54%

LAB 50.35, 66.92, 28.89

 

CMYK 0 / 78 / 78 / 12

HEX #E13131

RGB 225 49 49

HSL 0, 0.75%, 0.54%

LAB 50.01, 65.85, 43.46

 

CMYK 0 / 78 / 24 / 12

HEX #E131AA

RGB 225 49 170

HSL 318.75, 0.75%, 0.54%

LAB 53.07, 75.13, -24.19

 

CMYK 0 / 78 / 4 / 12

HEX #E131D9

RGB 225 49 217

HSL 302.73, 0.75%, 0.54%

LAB 55.29, 81.46, -47.85

 

CMYK 17 / 78 / 0 / 12

HEX #BA31E1

RGB 186 49 225

HSL 286.7, 0.75%, 0.54%

LAB 49.58, 75.49, -61.88

 

CMYK 39 / 78 / 0 / 12

HEX #8A31E1

RGB 138 49 225

HSL 270.34, 0.75%, 0.54%

LAB 42.82, 67.56, -73.17

 

CMYK 60 / 78 / 0 / 12

HEX #5B31E1

RGB 91 49 225

HSL 254.32, 0.75%, 0.54%

LAB 37.58, 61.4, -81.96

 

CMYK 0 / 78 / 24 / 12

HEX #E131AA

RGB 225 49 170

HSL 318.75, 0.75%, 0.54%

LAB 53.07, 75.13, -24.19

 

CMYK 0 / 88 / 28 / 4

HEX #F41EB0

RGB 244 30 176

HSL 319.07, 0.91%, 0.54%

LAB 55.38, 83.79, -23.86

 

CMYK 0 / 78 / 24 / 12

HEX #E131AA

RGB 225 49 170

HSL 318.75, 0.75%, 0.54%

LAB 53.07, 75.13, -24.19

 

CMYK 0 / 67 / 21 / 19

HEX #CE44A3

RGB 206 68 163

HSL 318.7, 0.58%, 0.54%

LAB 51.72, 63.48, -22.41

 

CMYK 0 / 53 / 17 / 27

HEX #BB579C

RGB 187 87 156

HSL 318.6, 0.42%, 0.54%

LAB 51.59, 48.73, -18.75

 

CMYK 0 / 37 / 11 / 34

HEX #A86A95

RGB 168 106 149

HSL 318.39, 0.26%, 0.54%

LAB 52.73, 31.31, -13.12

 

CMYK 0 / 16 / 5 / 42

HEX #957D8E

RGB 149 125 142

HSL 317.5, 0.1%, 0.54%

LAB 55.08, 12.3, -5.73

 

CMYK 18 / 78 / 0 / 12

HEX #B831E1

RGB 184 49 225

HSL 286.02, 0.75%, 0.54%

LAB 49.28, 75.13, -62.38

 

CMYK 0 / 78 / 3 / 12

HEX #E131DB

RGB 225 49 219

HSL 302.05, 0.75%, 0.54%

LAB 55.4, 81.76, -48.81

 

CMYK 0 / 78 / 24 / 12

HEX #E131AC

RGB 225 49 172

HSL 318.07, 0.75%, 0.54%

LAB 53.15, 75.37, -25.24

 

CMYK 0 / 78 / 44 / 12

HEX #E1317D

RGB 225 49 125

HSL 334.09, 0.75%, 0.54%

LAB 51.48, 70.41, 0.22

 

CMYK 0 / 78 / 65 / 12

HEX #E1314F

RGB 225 49 79

HSL 349.77, 0.75%, 0.54%

LAB 50.42, 67.13, 26.59

 

CMYK 0 / 86 / 27 / 34

HEX #A8187B

RGB 168 24 123

HSL 318.75, 0.75%, 0.38%

LAB 38.57, 62.45, -19.02

 

CMYK 0 / 86 / 27 / 20

HEX #CC1D95

RGB 204 29 149

HSL 318.86, 0.75%, 0.46%

LAB 46.82, 72.51, -21.65

 

CMYK 0 / 78 / 24 / 12

HEX #E131AA

RGB 225 49 170

HSL 318.75, 0.75%, 0.54%

LAB 53.07, 75.13, -24.19

 

CMYK 0 / 63 / 20 / 10

HEX #E655B8

RGB 230 85 184

HSL 319.03, 0.74%, 0.62%

LAB 58.77, 66.06, -23.48

 

CMYK 0 / 49 / 15 / 8

HEX #EB79C7

RGB 235 121 199

HSL 318.95, 0.74%, 0.7%

LAB 66.11, 53.48, -20.72

 

CMYK 0 / 78 / 25 / 11

HEX #E231AA

RGB 226 49 170

HSL 318.98, 0.75%, 0.54%

LAB 53.24, 75.36, -23.91

 

CMYK 0 / 39 / 78 / 12

HEX #E18931

RGB 225 137 49

HSL 30, 0.75%, 0.54%

LAB 65.06, 27.02, 58.31

 

CMYK 78 / 0 / 8 / 12

HEX #31E1D0

RGB 49 225 208

HSL 174.2, 0.75%, 0.54%

LAB 81.32, -46.13, -3.98

 

CMYK 0 / 78 / 25 / 11

HEX #E231AA

RGB 226 49 170

HSL 318.98, 0.75%, 0.54%

LAB 53.24, 75.36, -23.91

 

CMYK 24 / 0 / 78 / 12

HEX #ACE131

RGB 172 225 49

HSL 78.07, 0.75%, 0.54%

LAB 83.36, -40.05, 73.62

 

CMYK 78 / 24 / 0 / 12

HEX #31ACE1

RGB 49 172 225

HSL 198.07, 0.75%, 0.54%

LAB 66.21, -15.4, -36.09

 

CMYK 0 / 78 / 25 / 11

HEX #E231AA

RGB 226 49 170

HSL 318.98, 0.75%, 0.54%

LAB 53.24, 75.36, -23.91

 

CMYK 0 / 39 / 78 / 12

HEX #E18931

RGB 225 137 49

HSL 30, 0.75%, 0.54%

LAB 65.06, 27.02, 58.31

 

CMYK 78 / 0 / 55 / 12

HEX #31E166

RGB 49 225 102

HSL 138.07, 0.75%, 0.54%

LAB 79.31, -68.16, 47.56

 

CMYK 78 / 39 / 0 / 12

HEX #3189E1

RGB 49 137 225

HSL 210, 0.75%, 0.54%

LAB 56.07, 4.52, -52.07

 

CMYK 0 / 78 / 25 / 11

HEX #E231AA

RGB 226 49 170

HSL 318.98, 0.75%, 0.54%

LAB 53.24, 75.36, -23.91

 

CMYK 0 / 16 / 78 / 12

HEX #E1BE31

RGB 225 190 49

HSL 48.07, 0.75%, 0.54%

LAB 77.91, -1.1, 70.17

 

CMYK 78 / 0 / 55 / 12

HEX #31E166

RGB 49 225 102

HSL 138.07, 0.75%, 0.54%

LAB 79.31, -68.16, 47.56

 

CMYK 78 / 63 / 0 / 12

HEX #3154E1

RGB 49 84 225

HSL 228.07, 0.75%, 0.54%

LAB 41.89, 37.75, -74.98

 

Description

Color code: HEX #E231AA | qconv.com Color code: HEX #E231AA | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 226 red, 49 green and 170 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
226 49 170 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 78 magenta, 25 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 78% 25% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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