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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E23AD8 it is the complementary color #1DC527. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E23AD8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E23AD8 shade: #E73AD3, #F84CE6, #FF5EF9, #FF70FF and #FF82FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E23AD8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E23AD8 shade: #E23AD8, #D128C5, #C016B2, #AF049F and #9E008C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E23AD8 shade: #E13BD7, #E13BAB, #E13B7E, #E13B51 and #E13B3B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E23AD8 shade: #E13BD7, #BE3BE1, #923BE1, #653BE1 and #3B3BE1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E23AD8 shade matches the following richer shades: #E13BD7 and #F329E7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E23AD8 shade: #E13BD7, #CF4DC7, #BD60B7, #AB72A7 and #998497

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E23AD8 shade: #913BE1, #BD3BE1, #E13BD9, #E13BAD and #E13B80

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E23AD8 shade: #B01AA7, #D41FC9, #E13BD7, #E75FDF and #EC83E6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E23AD8 shade: #E23AD8, #E1653B and #3BE1A7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E23AD8 shade: #E23AD8, #D9E13B and #3BD9E1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E23AD8 shade: #E23AD8, #E1653B, #3BE144 and #3BB8E1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E23AD8 shade: #E23AD8, #E1973B, #3BE144 and #3B86E1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 74 / 4 / 11

HEX #E23AD8

RGB 226 58 216

HSL 303.57, 0.74%, 0.56%

LAB 56.24, 79.1, -45.76

 

Complementary color

CMYK 85 / 0 / 80 / 23

HEX #1DC527

RGB 29 197 39

HSL 123.57, 0.74%, 0.44%

LAB 69.71, -67.95, 61.94

 

CMYK 0 / 75 / 9 / 9

HEX #E73AD3

RGB 231 58 211

HSL 306.94, 0.78%, 0.57%

LAB 56.8, 79.41, -41.98

 

CMYK 0 / 69 / 7 / 3

HEX #F84CE6

RGB 248 76 230

HSL 306.28, 0.92%, 0.64%

LAB 62.37, 80.31, -43.74

 

CMYK 0 / 63 / 2 / 0

HEX #FF5EF9

RGB 255 94 249

HSL 302.24, 1%, 0.68%

LAB 66.6, 78.39, -47.55

 

CMYK 0 / 56 / 0 / 0

HEX #FF70FF

RGB 255 112 255

HSL 300, 1%, 0.72%

LAB 69.52, 72.09, -46.25

 

CMYK 0 / 49 / 0 / 0

HEX #FF82FF

RGB 255 130 255

HSL 300, 1%, 0.75%

LAB 72.53, 64.02, -41.54

 

CMYK 0 / 74 / 4 / 11

HEX #E23AD8

RGB 226 58 216

HSL 303.57, 0.74%, 0.56%

LAB 56.24, 79.1, -45.76

 

CMYK 0 / 81 / 6 / 18

HEX #D128C5

RGB 209 40 197

HSL 304.26, 0.68%, 0.49%

LAB 50.81, 77.55, -43.66

 

CMYK 0 / 89 / 7 / 25

HEX #C016B2

RGB 192 22 178

HSL 304.94, 0.79%, 0.42%

LAB 45.63, 75.03, -40.97

 

CMYK 0 / 98 / 9 / 31

HEX #AF049F

RGB 175 4 159

HSL 305.61, 0.96%, 0.35%

LAB 40.74, 71.37, -37.58

 

CMYK 0 / 100 / 11 / 38

HEX #9E008C

RGB 158 0 140

HSL 306.84, 1%, 0.31%

LAB 36.3, 66.09, -33.25

 

CMYK 0 / 74 / 4 / 12

HEX #E13BD7

RGB 225 59 215

HSL 303.61, 0.73%, 0.56%

LAB 56.13, 78.45, -45.38

 

CMYK 0 / 74 / 24 / 12

HEX #E13BAB

RGB 225 59 171

HSL 319.52, 0.73%, 0.56%

LAB 54.11, 72.4, -23.18

 

CMYK 0 / 74 / 44 / 12

HEX #E13B7E

RGB 225 59 126

HSL 335.78, 0.73%, 0.56%

LAB 52.56, 67.54, 1.19

 

CMYK 0 / 74 / 64 / 12

HEX #E13B51

RGB 225 59 81

HSL 352.05, 0.73%, 0.56%

LAB 51.53, 64.21, 26.82

 

CMYK 0 / 74 / 74 / 12

HEX #E13B3B

RGB 225 59 59

HSL 0, 0.73%, 0.56%

LAB 51.21, 63.15, 39.22

 

CMYK 0 / 74 / 4 / 12

HEX #E13BD7

RGB 225 59 215

HSL 303.61, 0.73%, 0.56%

LAB 56.13, 78.45, -45.38

 

CMYK 16 / 74 / 0 / 12

HEX #BE3BE1

RGB 190 59 225

HSL 287.35, 0.73%, 0.56%

LAB 51.28, 73.06, -59.11

 

CMYK 35 / 74 / 0 / 12

HEX #923BE1

RGB 146 59 225

HSL 271.45, 0.73%, 0.56%

LAB 45.19, 64.99, -69.27

 

CMYK 55 / 74 / 0 / 12

HEX #653BE1

RGB 101 59 225

HSL 255.18, 0.73%, 0.56%

LAB 40.13, 58.01, -77.74

 

CMYK 74 / 74 / 0 / 12

HEX #3B3BE1

RGB 59 59 225

HSL 240, 0.73%, 0.56%

LAB 36.92, 53.38, -83.14

 

CMYK 0 / 74 / 4 / 12

HEX #E13BD7

RGB 225 59 215

HSL 303.61, 0.73%, 0.56%

LAB 56.13, 78.45, -45.38

 

CMYK 0 / 83 / 5 / 5

HEX #F329E7

RGB 243 41 231

HSL 303.56, 0.89%, 0.56%

LAB 58.42, 88.61, -50.6

 

CMYK 0 / 74 / 4 / 12

HEX #E13BD7

RGB 225 59 215

HSL 303.61, 0.73%, 0.56%

LAB 56.13, 78.45, -45.38

 

CMYK 0 / 63 / 4 / 19

HEX #CF4DC7

RGB 207 77 199

HSL 303.69, 0.58%, 0.56%

LAB 54.76, 65.58, -38.6

 

CMYK 0 / 49 / 3 / 26

HEX #BD60B7

RGB 189 96 183

HSL 303.87, 0.41%, 0.56%

LAB 54.66, 49.37, -29.73

 

CMYK 0 / 33 / 2 / 33

HEX #AB72A7

RGB 171 114 167

HSL 304.21, 0.25%, 0.56%

LAB 55.57, 31.15, -19.28

 

CMYK 0 / 14 / 1 / 40

HEX #998497

RGB 153 132 151

HSL 305.71, 0.09%, 0.56%

LAB 57.57, 11.47, -7.2

 

CMYK 36 / 74 / 0 / 12

HEX #913BE1

RGB 145 59 225

HSL 271.08, 0.73%, 0.56%

LAB 45.06, 64.81, -69.48

 

CMYK 16 / 74 / 0 / 12

HEX #BD3BE1

RGB 189 59 225

HSL 286.99, 0.73%, 0.56%

LAB 51.13, 72.87, -59.36

 

CMYK 0 / 74 / 4 / 12

HEX #E13BD9

RGB 225 59 217

HSL 302.89, 0.73%, 0.56%

LAB 56.23, 78.75, -46.35

 

CMYK 0 / 74 / 23 / 12

HEX #E13BAD

RGB 225 59 173

HSL 318.8, 0.73%, 0.56%

LAB 54.19, 72.65, -24.22

 

CMYK 0 / 74 / 43 / 12

HEX #E13B80

RGB 225 59 128

HSL 335.06, 0.73%, 0.56%

LAB 52.61, 67.72, 0.07

 

CMYK 0 / 85 / 5 / 31

HEX #B01AA7

RGB 176 26 167

HSL 303.6, 0.74%, 0.4%

LAB 42.4, 69.7, -39.74

 

CMYK 0 / 85 / 5 / 17

HEX #D41FC9

RGB 212 31 201

HSL 303.65, 0.74%, 0.48%

LAB 50.91, 80.52, -45.77

 

CMYK 0 / 74 / 4 / 12

HEX #E13BD7

RGB 225 59 215

HSL 303.61, 0.73%, 0.56%

LAB 56.13, 78.45, -45.38

 

CMYK 0 / 59 / 3 / 9

HEX #E75FDF

RGB 231 95 223

HSL 303.53, 0.74%, 0.64%

LAB 62.08, 68.04, -40.45

 

CMYK 0 / 44 / 3 / 7

HEX #EC83E6

RGB 236 131 230

HSL 303.43, 0.73%, 0.72%

LAB 69.31, 53.9, -33.03

 

CMYK 0 / 74 / 4 / 11

HEX #E23AD8

RGB 226 58 216

HSL 303.57, 0.74%, 0.56%

LAB 56.24, 79.1, -45.76

 

CMYK 0 / 55 / 74 / 12

HEX #E1653B

RGB 225 101 59

HSL 15.18, 0.73%, 0.56%

LAB 57.68, 45.81, 46.31

 

CMYK 74 / 0 / 26 / 12

HEX #3BE1A7

RGB 59 225 167

HSL 159.04, 0.73%, 0.56%

LAB 80.5, -55.18, 16.54

 

CMYK 0 / 74 / 4 / 11

HEX #E23AD8

RGB 226 58 216

HSL 303.57, 0.74%, 0.56%

LAB 56.24, 79.1, -45.76

 

CMYK 4 / 0 / 74 / 12

HEX #D9E13B

RGB 217 225 59

HSL 62.89, 0.73%, 0.56%

LAB 86.46, -21.66, 74.6

 

CMYK 74 / 4 / 0 / 12

HEX #3BD9E1

RGB 59 217 225

HSL 182.89, 0.73%, 0.56%

LAB 79.61, -36.77, -15.57

 

CMYK 0 / 74 / 4 / 11

HEX #E23AD8

RGB 226 58 216

HSL 303.57, 0.74%, 0.56%

LAB 56.24, 79.1, -45.76

 

CMYK 0 / 55 / 74 / 12

HEX #E1653B

RGB 225 101 59

HSL 15.18, 0.73%, 0.56%

LAB 57.68, 45.81, 46.31

 

CMYK 74 / 0 / 70 / 12

HEX #3BE144

RGB 59 225 68

HSL 123.25, 0.73%, 0.56%

LAB 79.15, -70.58, 61.8

 

CMYK 74 / 18 / 0 / 12

HEX #3BB8E1

RGB 59 184 225

HSL 194.82, 0.73%, 0.56%

LAB 69.93, -20.62, -30.32

 

CMYK 0 / 74 / 4 / 11

HEX #E23AD8

RGB 226 58 216

HSL 303.57, 0.74%, 0.56%

LAB 56.24, 79.1, -45.76

 

CMYK 0 / 33 / 74 / 12

HEX #E1973B

RGB 225 151 59

HSL 33.25, 0.73%, 0.56%

LAB 68.36, 19.96, 57.37

 

CMYK 74 / 0 / 70 / 12

HEX #3BE144

RGB 59 225 68

HSL 123.25, 0.73%, 0.56%

LAB 79.15, -70.58, 61.8

 

CMYK 74 / 40 / 0 / 12

HEX #3B86E1

RGB 59 134 225

HSL 212.89, 0.73%, 0.56%

LAB 55.5, 7.49, -52.96

 

Description

Color code: HEX #E23AD8 | qconv.com Color code: HEX #E23AD8 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 226 red, 58 green and 216 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
226 58 216 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 74 magenta, 4 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 74% 4% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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