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Color name
HEX #E2580D

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E2580D it is the complementary color #1DA7F2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E2580D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E2580D shade: #E75808, #F86A1B, #FF7C2E, #FF8E41 and #FFA054

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E2580D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E2580D shade: #E2580D, #D14600, #C03400, #AF2200 and #9E1000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E2580D shade: #E2580D, #E21E0D and #E20D0D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E2580D shade: #E2580D, #E2910D, #E2CB0D, #C0E20D and #86E20D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E2580D shade matches the following richer shades: #E2580D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E2580D shade: #E2580D, #CF5E20, #BB6333, #A86947 and #946F5A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E2580D shade: #E20D34, #E21E0D, #E2570D, #E2900D and #E2C90D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E2580D shade: #943908, #BB490A, #E2580D, #F26E26 and #F4884D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E2580D shade: #E2580D, #6DE20D and #0D17E2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E2580D shade: #E2580D, #0DE257 and #570DE2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E2580D shade: #E2580D, #6DE20D, #0D97E2 and #820DE2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E2580D shade: #E2580D, #2DE20D, #0D97E2 and #C20DE2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 61 / 94 / 11

HEX #E2580D

RGB 226 88 13

HSL 21.13, 0.89%, 0.47%

LAB 55.25, 51, 62.35

 

Complementary color

CMYK 88 / 31 / 0 / 5

HEX #1DA7F2

RGB 29 167 242

HSL 201.13, 0.89%, 0.53%

LAB 65.21, -8.27, -47.01

 

CMYK 0 / 62 / 97 / 9

HEX #E75808

RGB 231 88 8

HSL 21.52, 0.93%, 0.47%

LAB 56.07, 52.73, 64.29

 

CMYK 0 / 57 / 89 / 3

HEX #F86A1B

RGB 248 106 27

HSL 21.45, 0.94%, 0.54%

LAB 61.95, 50.99, 64.88

 

CMYK 0 / 51 / 82 / 0

HEX #FF7C2E

RGB 255 124 46

HSL 22.39, 1%, 0.59%

LAB 66.42, 45.49, 62.26

 

CMYK 0 / 44 / 75 / 0

HEX #FF8E41

RGB 255 142 65

HSL 24.32, 1%, 0.63%

LAB 70.17, 37.18, 57.79

 

CMYK 0 / 37 / 67 / 0

HEX #FFA054

RGB 255 160 84

HSL 26.67, 1%, 0.66%

LAB 74.22, 28.83, 53.3

 

CMYK 0 / 61 / 94 / 11

HEX #E2580D

RGB 226 88 13

HSL 21.13, 0.89%, 0.47%

LAB 55.25, 51, 62.35

 

CMYK 0 / 67 / 100 / 18

HEX #D14600

RGB 209 70 0

HSL 20.1, 1%, 0.41%

LAB 49.42, 52.63, 60.37

 

CMYK 0 / 73 / 100 / 25

HEX #C03400

RGB 192 52 0

HSL 16.25, 1%, 0.38%

LAB 43.74, 53.9, 55.86

 

CMYK 0 / 81 / 100 / 31

HEX #AF2200

RGB 175 34 0

HSL 11.66, 1%, 0.34%

LAB 38.3, 54.4, 51.49

 

CMYK 0 / 90 / 100 / 38

HEX #9E1000

RGB 158 16 0

HSL 6.08, 1%, 0.31%

LAB 33.22, 53.68, 46.96

 

CMYK 0 / 61 / 94 / 11

HEX #E2580D

RGB 226 88 13

HSL 21.13, 0.89%, 0.47%

LAB 55.25, 51, 62.35

 

CMYK 0 / 87 / 94 / 11

HEX #E21E0D

RGB 226 30 13

HSL 4.79, 0.89%, 0.47%

LAB 48.42, 69.81, 58.25

 

CMYK 0 / 94 / 94 / 11

HEX #E20D0D

RGB 226 13 13

HSL 0, 0.89%, 0.47%

LAB 47.61, 72.15, 57.8

 

CMYK 0 / 61 / 94 / 11

HEX #E2580D

RGB 226 88 13

HSL 21.13, 0.89%, 0.47%

LAB 55.25, 51, 62.35

 

CMYK 0 / 36 / 94 / 11

HEX #E2910D

RGB 226 145 13

HSL 37.18, 0.89%, 0.47%

LAB 66.86, 22.35, 70.18

 

CMYK 0 / 10 / 94 / 11

HEX #E2CB0D

RGB 226 203 13

HSL 53.52, 0.89%, 0.47%

LAB 81.24, -8.14, 80.64

 

CMYK 15 / 0 / 94 / 11

HEX #C0E20D

RGB 192 226 13

HSL 69.58, 0.89%, 0.47%

LAB 84.81, -33.57, 82.19

 

CMYK 41 / 0 / 94 / 11

HEX #86E20D

RGB 134 226 13

HSL 85.92, 0.89%, 0.47%

LAB 81.56, -55.11, 78.25

 

CMYK 0 / 61 / 94 / 11

HEX #E2580D

RGB 226 88 13

HSL 21.13, 0.89%, 0.47%

LAB 55.25, 51, 62.35

 

CMYK 0 / 61 / 94 / 11

HEX #E2580D

RGB 226 88 13

HSL 21.13, 0.89%, 0.47%

LAB 55.25, 51, 62.35

 

CMYK 0 / 55 / 85 / 19

HEX #CF5E20

RGB 207 94 32

HSL 21.26, 0.73%, 0.47%

LAB 53.36, 41.46, 53.59

 

CMYK 0 / 47 / 73 / 27

HEX #BB6333

RGB 187 99 51

HSL 21.18, 0.57%, 0.47%

LAB 51.53, 31.64, 42.08

 

CMYK 0 / 38 / 58 / 34

HEX #A86947

RGB 168 105 71

HSL 21.03, 0.41%, 0.47%

LAB 50.55, 21.7, 29.5

 

CMYK 0 / 25 / 39 / 42

HEX #946F5A

RGB 148 111 90

HSL 21.72, 0.24%, 0.47%

LAB 49.98, 11.71, 17.38

 

CMYK 0 / 94 / 77 / 11

HEX #E20D34

RGB 226 13 52

HSL 349.01, 0.89%, 0.47%

LAB 47.89, 72.93, 39.59

 

CMYK 0 / 87 / 94 / 11

HEX #E21E0D

RGB 226 30 13

HSL 4.79, 0.89%, 0.47%

LAB 48.42, 69.81, 58.25

 

CMYK 0 / 62 / 94 / 11

HEX #E2570D

RGB 226 87 13

HSL 20.85, 0.89%, 0.47%

LAB 55.09, 51.44, 62.25

 

CMYK 0 / 36 / 94 / 11

HEX #E2900D

RGB 226 144 13

HSL 36.9, 0.89%, 0.47%

LAB 66.63, 22.88, 70.02

 

CMYK 0 / 11 / 94 / 11

HEX #E2C90D

RGB 226 201 13

HSL 52.96, 0.89%, 0.47%

LAB 80.72, -7.12, 80.25

 

CMYK 0 / 61 / 95 / 42

HEX #943908

RGB 148 57 8

HSL 21, 0.9%, 0.31%

LAB 36.44, 36.24, 44.82

 

CMYK 0 / 61 / 95 / 27

HEX #BB490A

RGB 187 73 10

HSL 21.36, 0.9%, 0.39%

LAB 46.11, 43.54, 53.96

 

CMYK 0 / 61 / 94 / 11

HEX #E2580D

RGB 226 88 13

HSL 21.13, 0.89%, 0.47%

LAB 55.25, 51, 62.35

 

CMYK 0 / 55 / 84 / 5

HEX #F26E26

RGB 242 110 38

HSL 21.18, 0.89%, 0.55%

LAB 61.8, 47.13, 60.59

 

CMYK 0 / 44 / 68 / 4

HEX #F4884D

RGB 244 136 77

HSL 21.2, 0.88%, 0.63%

LAB 67.56, 36.48, 48.89

 

CMYK 0 / 61 / 94 / 11

HEX #E2580D

RGB 226 88 13

HSL 21.13, 0.89%, 0.47%

LAB 55.25, 51, 62.35

 

CMYK 52 / 0 / 94 / 11

HEX #6DE20D

RGB 109 226 13

HSL 92.96, 0.89%, 0.47%

LAB 80.56, -62.74, 77.02

 

CMYK 94 / 90 / 0 / 11

HEX #0D17E2

RGB 13 23 226

HSL 237.18, 0.89%, 0.47%

LAB 29.89, 67.53, -95.45

 

CMYK 0 / 61 / 94 / 11

HEX #E2580D

RGB 226 88 13

HSL 21.13, 0.89%, 0.47%

LAB 55.25, 51, 62.35

 

CMYK 94 / 0 / 62 / 11

HEX #0DE257

RGB 13 226 87

HSL 140.85, 0.89%, 0.47%

LAB 79.14, -73.15, 54

 

CMYK 62 / 94 / 0 / 11

HEX #570DE2

RGB 87 13 226

HSL 260.85, 0.89%, 0.47%

LAB 33.57, 72.4, -89.19

 

CMYK 0 / 61 / 94 / 11

HEX #E2580D

RGB 226 88 13

HSL 21.13, 0.89%, 0.47%

LAB 55.25, 51, 62.35

 

CMYK 52 / 0 / 94 / 11

HEX #6DE20D

RGB 109 226 13

HSL 92.96, 0.89%, 0.47%

LAB 80.56, -62.74, 77.02

 

CMYK 94 / 33 / 0 / 11

HEX #0D97E2

RGB 13 151 226

HSL 201.13, 0.89%, 0.47%

LAB 59.63, -5.78, -47.01

 

CMYK 42 / 94 / 0 / 11

HEX #820DE2

RGB 130 13 226

HSL 272.96, 0.89%, 0.47%

LAB 38.77, 75.86, -80.43

 

CMYK 0 / 61 / 94 / 11

HEX #E2580D

RGB 226 88 13

HSL 21.13, 0.89%, 0.47%

LAB 55.25, 51, 62.35

 

CMYK 80 / 0 / 94 / 11

HEX #2DE20D

RGB 45 226 13

HSL 110.99, 0.89%, 0.47%

LAB 79.03, -75.53, 75.14

 

CMYK 94 / 33 / 0 / 11

HEX #0D97E2

RGB 13 151 226

HSL 201.13, 0.89%, 0.47%

LAB 59.63, -5.78, -47.01

 

CMYK 14 / 94 / 0 / 11

HEX #C20DE2

RGB 194 13 226

HSL 290.99, 0.89%, 0.47%

LAB 48.57, 83.84, -64.02

 

Description

Color code: HEX #E2580D | qconv.com Color code: HEX #E2580D | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 226 red, 88 green and 13 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
226 88 13 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 61 magenta, 94 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 61% 94% 11% C M Y K

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