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Color name
HEX #E2598B

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E2598B it is the complementary color #1DA674. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E2598B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E2598B shade: #E75986, #F86B99, #FF7DAC, #FF8FBF and #FFA1D2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E2598B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E2598B shade: #E2598B, #D14778, #C03565, #AF2352 and #9E113F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E2598B shade: #E15A8B, #E15A67 and #E15A5A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E2598B shade: #E15A8B, #E15AB0, #E15AD4, #CA5AE1 and #A55AE1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E2598B shade matches the following richer shades: #E15A8B and #F14A87

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E2598B shade: #E15A8B, #D26990, #C27994, #B28998 and #A3989C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E2598B shade: #E15AD4, #E15AB0, #E15A8C, #E15A67 and #E1705A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E2598B shade: #C6235E, #DB3773, #E15A8B, #E87DA4 and #EEA0BC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E2598B shade: #E2598B, #E1CB5A and #5AC2E1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E2598B shade: #E2598B, #8CE15A and #5A8CE1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E2598B shade: #E2598B, #E1CB5A, #5AE1B0 and #5A70E1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E2598B shade: #E2598B, #CFE15A, #5AE1B0 and #6C5AE1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 61 / 38 / 11

HEX #E2598B

RGB 226 89 139

HSL 338.1, 0.7%, 0.62%

LAB 57.25, 57.71, 0.33

 

Complementary color

CMYK 83 / 0 / 30 / 35

HEX #1DA674

RGB 29 166 116

HSL 158.1, 0.7%, 0.38%

LAB 60.6, -46.84, 16.21

 

CMYK 0 / 61 / 42 / 9

HEX #E75986

RGB 231 89 134

HSL 340.99, 0.75%, 0.63%

LAB 57.9, 58.74, 4.31

 

CMYK 0 / 57 / 38 / 3

HEX #F86B99

RGB 248 107 153

HSL 340.43, 0.91%, 0.7%

LAB 63.98, 58.15, 2.41

 

CMYK 0 / 51 / 33 / 0

HEX #FF7DAC

RGB 255 125 172

HSL 338.31, 1%, 0.75%

LAB 68.68, 54.2, -1.39

 

CMYK 0 / 44 / 25 / 0

HEX #FF8FBF

RGB 255 143 191

HSL 334.29, 1%, 0.78%

LAB 72.67, 47.82, -6.13

 

CMYK 0 / 37 / 18 / 0

HEX #FFA1D2

RGB 255 161 210

HSL 328.72, 1%, 0.82%

LAB 76.92, 41.38, -10.27

 

CMYK 0 / 61 / 38 / 11

HEX #E2598B

RGB 226 89 139

HSL 338.1, 0.7%, 0.62%

LAB 57.25, 57.71, 0.33

 

CMYK 0 / 66 / 43 / 18

HEX #D14778

RGB 209 71 120

HSL 338.7, 0.6%, 0.55%

LAB 51.17, 58.07, 2.44

 

CMYK 0 / 72 / 47 / 25

HEX #C03565

RGB 192 53 101

HSL 339.28, 0.57%, 0.48%

LAB 45.21, 58.06, 5.04

 

CMYK 0 / 80 / 53 / 31

HEX #AF2352

RGB 175 35 82

HSL 339.86, 0.67%, 0.41%

LAB 39.45, 57.39, 8.34

 

CMYK 0 / 89 / 60 / 38

HEX #9E113F

RGB 158 17 63

HSL 340.43, 0.81%, 0.34%

LAB 34.04, 55.68, 12.57

 

CMYK 0 / 60 / 38 / 12

HEX #E15A8B

RGB 225 90 139

HSL 338.22, 0.69%, 0.62%

LAB 57.25, 56.96, 0.32

 

CMYK 0 / 60 / 54 / 12

HEX #E15A67

RGB 225 90 103

HSL 354.22, 0.69%, 0.62%

LAB 56.39, 53.58, 20.23

 

CMYK 0 / 60 / 60 / 12

HEX #E15A5A

RGB 225 90 90

HSL 0, 0.69%, 0.62%

LAB 56.15, 52.63, 27.47

 

CMYK 0 / 60 / 38 / 12

HEX #E15A8B

RGB 225 90 139

HSL 338.22, 0.69%, 0.62%

LAB 57.25, 56.96, 0.32

 

CMYK 0 / 60 / 22 / 12

HEX #E15AB0

RGB 225 90 176

HSL 321.78, 0.69%, 0.62%

LAB 58.47, 61.5, -19.4

 

CMYK 0 / 60 / 6 / 12

HEX #E15AD4

RGB 225 90 212

HSL 305.78, 0.69%, 0.62%

LAB 59.95, 66.85, -37.66

 

CMYK 10 / 60 / 0 / 12

HEX #CA5AE1

RGB 202 90 225

HSL 289.78, 0.69%, 0.62%

LAB 57.37, 63.38, -49.28

 

CMYK 27 / 60 / 0 / 12

HEX #A55AE1

RGB 165 90 225

HSL 273.33, 0.69%, 0.62%

LAB 52.67, 54.58, -57.05

 

CMYK 0 / 60 / 38 / 12

HEX #E15A8B

RGB 225 90 139

HSL 338.22, 0.69%, 0.62%

LAB 57.25, 56.96, 0.32

 

CMYK 0 / 69 / 44 / 5

HEX #F14A87

RGB 241 74 135

HSL 338.08, 0.86%, 0.62%

LAB 57.41, 67.69, 3.23

 

CMYK 0 / 60 / 38 / 12

HEX #E15A8B

RGB 225 90 139

HSL 338.22, 0.69%, 0.62%

LAB 57.25, 56.96, 0.32

 

CMYK 0 / 50 / 31 / 18

HEX #D26990

RGB 210 105 144

HSL 337.71, 0.54%, 0.62%

LAB 57.86, 45.59, -1.97

 

CMYK 0 / 38 / 24 / 24

HEX #C27994

RGB 194 121 148

HSL 337.81, 0.37%, 0.62%

LAB 59.23, 32.14, -2.52

 

CMYK 0 / 23 / 15 / 30

HEX #B28998

RGB 178 137 152

HSL 338.05, 0.21%, 0.62%

LAB 61.33, 18.02, -1.94

 

CMYK 0 / 7 / 4 / 36

HEX #A3989C

RGB 163 152 156

HSL 338.18, 0.06%, 0.62%

LAB 63.87, 4.77, -0.65

 

CMYK 0 / 60 / 6 / 12

HEX #E15AD4

RGB 225 90 212

HSL 305.78, 0.69%, 0.62%

LAB 59.95, 66.85, -37.66

 

CMYK 0 / 60 / 22 / 12

HEX #E15AB0

RGB 225 90 176

HSL 321.78, 0.69%, 0.62%

LAB 58.47, 61.5, -19.4

 

CMYK 0 / 60 / 38 / 12

HEX #E15A8C

RGB 225 90 140

HSL 337.78, 0.69%, 0.62%

LAB 57.28, 57.07, -0.22

 

CMYK 0 / 60 / 54 / 12

HEX #E15A67

RGB 225 90 103

HSL 354.22, 0.69%, 0.62%

LAB 56.39, 53.58, 20.23

 

CMYK 0 / 50 / 60 / 12

HEX #E1705A

RGB 225 112 90

HSL 9.78, 0.69%, 0.62%

LAB 60.19, 42.16, 32.62

 

CMYK 0 / 82 / 53 / 22

HEX #C6235E

RGB 198 35 94

HSL 338.28, 0.7%, 0.46%

LAB 44.26, 64.48, 8.19

 

CMYK 0 / 75 / 47 / 14

HEX #DB3773

RGB 219 55 115

HSL 338.05, 0.69%, 0.54%

LAB 50.72, 66.2, 5.03

 

CMYK 0 / 60 / 38 / 12

HEX #E15A8B

RGB 225 90 139

HSL 338.22, 0.69%, 0.62%

LAB 57.25, 56.96, 0.32

 

CMYK 0 / 46 / 29 / 9

HEX #E87DA4

RGB 232 125 164

HSL 338.13, 0.7%, 0.7%

LAB 65.36, 45.57, -2.11

 

CMYK 0 / 33 / 21 / 7

HEX #EEA0BC

RGB 238 160 188

HSL 338.46, 0.7%, 0.78%

LAB 74.16, 32.81, -2.51

 

CMYK 0 / 61 / 38 / 11

HEX #E2598B

RGB 226 89 139

HSL 338.1, 0.7%, 0.62%

LAB 57.25, 57.71, 0.33

 

CMYK 0 / 10 / 60 / 12

HEX #E1CB5A

RGB 225 203 90

HSL 50.22, 0.69%, 0.62%

LAB 81.54, -5.68, 57.82

 

CMYK 60 / 14 / 0 / 12

HEX #5AC2E1

RGB 90 194 225

HSL 193.78, 0.69%, 0.62%

LAB 73.67, -21.11, -24.5

 

CMYK 0 / 61 / 38 / 11

HEX #E2598B

RGB 226 89 139

HSL 338.1, 0.7%, 0.62%

LAB 57.25, 57.71, 0.33

 

CMYK 38 / 0 / 60 / 12

HEX #8CE15A

RGB 140 225 90

HSL 97.78, 0.69%, 0.62%

LAB 81.93, -48.7, 56.69

 

CMYK 60 / 38 / 0 / 12

HEX #5A8CE1

RGB 90 140 225

HSL 217.78, 0.69%, 0.62%

LAB 58.38, 8.82, -48.3

 

CMYK 0 / 61 / 38 / 11

HEX #E2598B

RGB 226 89 139

HSL 338.1, 0.7%, 0.62%

LAB 57.25, 57.71, 0.33

 

CMYK 0 / 10 / 60 / 12

HEX #E1CB5A

RGB 225 203 90

HSL 50.22, 0.69%, 0.62%

LAB 81.54, -5.68, 57.82

 

CMYK 60 / 0 / 22 / 12

HEX #5AE1B0

RGB 90 225 176

HSL 158.22, 0.69%, 0.62%

LAB 81.38, -48.26, 13.14

 

CMYK 60 / 50 / 0 / 12

HEX #5A70E1

RGB 90 112 225

HSL 230.22, 0.69%, 0.62%

LAB 50.92, 25.83, -60.22

 

CMYK 0 / 61 / 38 / 11

HEX #E2598B

RGB 226 89 139

HSL 338.1, 0.7%, 0.62%

LAB 57.25, 57.71, 0.33

 

CMYK 8 / 0 / 60 / 12

HEX #CFE15A

RGB 207 225 90

HSL 68, 0.69%, 0.62%

LAB 85.93, -23.97, 62.25

 

CMYK 60 / 0 / 22 / 12

HEX #5AE1B0

RGB 90 225 176

HSL 158.22, 0.69%, 0.62%

LAB 81.38, -48.26, 13.14

 

CMYK 52 / 60 / 0 / 12

HEX #6C5AE1

RGB 108 90 225

HSL 248, 0.69%, 0.62%

LAB 46.89, 42.43, -66.67

 

Description

Color code: HEX #E2598B | qconv.com Color code: HEX #E2598B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 226 red, 89 green and 139 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
226 89 139 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 61 magenta, 38 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 61% 38% 11% C M Y K

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Provide designers and agencies with accurate color values.

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