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Color name
HEX #E25191

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E25191 it is the complementary color #1DAE6E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E25191. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E25191 shade: #E7518C, #F8639F, #FF75B2, #FF87C5 and #FF99D8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E25191. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E25191 shade: #E25191, #D13F7E, #C02D6B, #AF1B58 and #9E0945

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E25191 shade: #E15090, #E15069 and #E15050

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E25191 shade: #E15090, #E150B7, #E150DE, #BD50E1 and #9650E1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E25191 shade matches the following richer shades: #E15090 and #F1408E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E25191 shade: #E15090, #D06192, #C07194, #AF8296 and #9F9298

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E25191 shade: #E150DF, #E150B8, #E15091, #E1506B and #E15C50

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E25191 shade: #BF2066, #DB2D7A, #E15090, #E773A6 and #ED97BD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E25191 shade: #E25191, #E1BD50 and #50CBE1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E25191 shade: #E25191, #91E150 and #5091E1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E25191 shade: #E25191, #E1BD50, #50E1A0 and #5074E1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E25191 shade: #E25191, #DAE150, #50E1A0 and #5750E1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 64 / 36 / 11

HEX #E25191

RGB 226 81 145

HSL 333.52, 0.71%, 0.6%

LAB 56.19, 61.72, -4.75

 

Complementary color

CMYK 83 / 0 / 37 / 32

HEX #1DAE6E

RGB 29 174 110

HSL 153.52, 0.71%, 0.4%

LAB 63.06, -51.23, 22.83

 

CMYK 0 / 65 / 39 / 9

HEX #E7518C

RGB 231 81 140

HSL 336.4, 0.76%, 0.61%

LAB 56.85, 62.65, -0.74

 

CMYK 0 / 60 / 36 / 3

HEX #F8639F

RGB 248 99 159

HSL 335.84, 0.91%, 0.68%

LAB 62.83, 62.31, -2.71

 

CMYK 0 / 54 / 30 / 0

HEX #FF75B2

RGB 255 117 178

HSL 333.48, 1%, 0.73%

LAB 67.42, 58.67, -6.63

 

CMYK 0 / 47 / 23 / 0

HEX #FF87C5

RGB 255 135 197

HSL 329, 1%, 0.76%

LAB 71.3, 52.6, -11.51

 

CMYK 0 / 40 / 15 / 0

HEX #FF99D8

RGB 255 153 216

HSL 322.94, 1%, 0.8%

LAB 75.45, 46.39, -15.75

 

CMYK 0 / 64 / 36 / 11

HEX #E25191

RGB 226 81 145

HSL 333.52, 0.71%, 0.6%

LAB 56.19, 61.72, -4.75

 

CMYK 0 / 70 / 40 / 18

HEX #D13F7E

RGB 209 63 126

HSL 334.11, 0.61%, 0.53%

LAB 50.24, 61.75, -2.54

 

CMYK 0 / 77 / 44 / 25

HEX #C02D6B

RGB 192 45 107

HSL 334.69, 0.62%, 0.46%

LAB 44.44, 61.25, 0.22

 

CMYK 0 / 85 / 50 / 31

HEX #AF1B58

RGB 175 27 88

HSL 335.27, 0.73%, 0.4%

LAB 38.9, 59.91, 3.73

 

CMYK 0 / 94 / 56 / 38

HEX #9E0945

RGB 158 9 69

HSL 335.84, 0.89%, 0.33%

LAB 33.76, 57.34, 8.24

 

CMYK 0 / 64 / 36 / 12

HEX #E15090

RGB 225 80 144

HSL 333.52, 0.71%, 0.6%

LAB 55.85, 61.72, -4.69

 

CMYK 0 / 64 / 53 / 12

HEX #E15069

RGB 225 80 105

HSL 349.66, 0.71%, 0.6%

LAB 54.83, 58.03, 16.94

 

CMYK 0 / 64 / 64 / 12

HEX #E15050

RGB 225 80 80

HSL 0, 0.71%, 0.6%

LAB 54.37, 56.32, 30.99

 

CMYK 0 / 64 / 36 / 12

HEX #E15090

RGB 225 80 144

HSL 333.52, 0.71%, 0.6%

LAB 55.85, 61.72, -4.69

 

CMYK 0 / 64 / 19 / 12

HEX #E150B7

RGB 225 80 183

HSL 317.38, 0.71%, 0.6%

LAB 57.23, 66.58, -25.33

 

CMYK 0 / 64 / 1 / 12

HEX #E150DE

RGB 225 80 222

HSL 301.24, 0.71%, 0.6%

LAB 58.99, 72.44, -44.82

 

CMYK 16 / 64 / 0 / 12

HEX #BD50E1

RGB 189 80 225

HSL 285.1, 0.71%, 0.6%

LAB 54.02, 64.74, -54.73

 

CMYK 33 / 64 / 0 / 12

HEX #9650E1

RGB 150 80 225

HSL 268.97, 0.71%, 0.6%

LAB 49.08, 56.24, -62.93

 

CMYK 0 / 64 / 36 / 12

HEX #E15090

RGB 225 80 144

HSL 333.52, 0.71%, 0.6%

LAB 55.85, 61.72, -4.69

 

CMYK 0 / 73 / 41 / 5

HEX #F1408E

RGB 241 64 142

HSL 333.56, 0.86%, 0.6%

LAB 56.41, 71.71, -2.37

 

CMYK 0 / 64 / 36 / 12

HEX #E15090

RGB 225 80 144

HSL 333.52, 0.71%, 0.6%

LAB 55.85, 61.72, -4.69

 

CMYK 0 / 53 / 30 / 18

HEX #D06192

RGB 208 97 146

HSL 333.51, 0.54%, 0.6%

LAB 56.12, 49.13, -5.74

 

CMYK 0 / 41 / 23 / 25

HEX #C07194

RGB 192 113 148

HSL 333.42, 0.39%, 0.6%

LAB 57.23, 35.75, -5.51

 

CMYK 0 / 26 / 14 / 31

HEX #AF8296

RGB 175 130 150

HSL 333.33, 0.22%, 0.6%

LAB 59.23, 20.51, -3.92

 

CMYK 0 / 8 / 4 / 38

HEX #9F9298

RGB 159 146 152

HSL 332.31, 0.06%, 0.6%

LAB 61.82, 5.91, -1.43

 

CMYK 0 / 64 / 1 / 12

HEX #E150DF

RGB 225 80 223

HSL 300.83, 0.71%, 0.6%

LAB 59.04, 72.6, -45.3

 

CMYK 0 / 64 / 18 / 12

HEX #E150B8

RGB 225 80 184

HSL 316.97, 0.71%, 0.6%

LAB 57.28, 66.72, -25.85

 

CMYK 0 / 64 / 36 / 12

HEX #E15091

RGB 225 80 145

HSL 333.1, 0.71%, 0.6%

LAB 55.88, 61.83, -5.23

 

CMYK 0 / 64 / 52 / 12

HEX #E1506B

RGB 225 80 107

HSL 348.83, 0.71%, 0.6%

LAB 54.87, 58.19, 15.82

 

CMYK 0 / 59 / 64 / 12

HEX #E15C50

RGB 225 92 80

HSL 4.97, 0.71%, 0.6%

LAB 56.33, 51.09, 33.42

 

CMYK 0 / 83 / 47 / 25

HEX #BF2066

RGB 191 32 102

HSL 333.58, 0.71%, 0.44%

LAB 42.87, 64.04, 1.02

 

CMYK 0 / 79 / 44 / 14

HEX #DB2D7A

RGB 219 45 122

HSL 333.45, 0.71%, 0.52%

LAB 49.91, 69.68, -0.39

 

CMYK 0 / 64 / 36 / 12

HEX #E15090

RGB 225 80 144

HSL 333.52, 0.71%, 0.6%

LAB 55.85, 61.72, -4.69

 

CMYK 0 / 50 / 28 / 9

HEX #E773A6

RGB 231 115 166

HSL 333.62, 0.71%, 0.68%

LAB 63.35, 50.47, -6.23

 

CMYK 0 / 36 / 20 / 7

HEX #ED97BD

RGB 237 151 189

HSL 333.49, 0.7%, 0.76%

LAB 72.1, 37.35, -6.11

 

CMYK 0 / 64 / 36 / 11

HEX #E25191

RGB 226 81 145

HSL 333.52, 0.71%, 0.6%

LAB 56.19, 61.72, -4.75

 

CMYK 0 / 16 / 64 / 12

HEX #E1BD50

RGB 225 189 80

HSL 45.1, 0.71%, 0.6%

LAB 77.86, 0.91, 58.21

 

CMYK 64 / 10 / 0 / 12

HEX #50CBE1

RGB 80 203 225

HSL 189.1, 0.71%, 0.6%

LAB 75.98, -27.3, -21.01

 

CMYK 0 / 64 / 36 / 11

HEX #E25191

RGB 226 81 145

HSL 333.52, 0.71%, 0.6%

LAB 56.19, 61.72, -4.75

 

CMYK 36 / 0 / 64 / 12

HEX #91E150

RGB 145 225 80

HSL 93.1, 0.71%, 0.6%

LAB 82.08, -47.92, 61.1

 

CMYK 64 / 36 / 0 / 12

HEX #5091E1

RGB 80 145 225

HSL 213.1, 0.71%, 0.6%

LAB 59.34, 4.06, -46.82

 

CMYK 0 / 64 / 36 / 11

HEX #E25191

RGB 226 81 145

HSL 333.52, 0.71%, 0.6%

LAB 56.19, 61.72, -4.75

 

CMYK 0 / 16 / 64 / 12

HEX #E1BD50

RGB 225 189 80

HSL 45.1, 0.71%, 0.6%

LAB 77.86, 0.91, 58.21

 

CMYK 64 / 0 / 29 / 12

HEX #50E1A0

RGB 80 225 160

HSL 153.1, 0.71%, 0.6%

LAB 80.79, -53.51, 20.67

 

CMYK 64 / 48 / 0 / 12

HEX #5074E1

RGB 80 116 225

HSL 225.1, 0.71%, 0.6%

LAB 51.42, 21.63, -59.45

 

CMYK 0 / 64 / 36 / 11

HEX #E25191

RGB 226 81 145

HSL 333.52, 0.71%, 0.6%

LAB 56.19, 61.72, -4.75

 

CMYK 3 / 0 / 64 / 12

HEX #DAE150

RGB 218 225 80

HSL 62.9, 0.71%, 0.6%

LAB 86.67, -20.19, 67.35

 

CMYK 64 / 0 / 29 / 12

HEX #50E1A0

RGB 80 225 160

HSL 153.1, 0.71%, 0.6%

LAB 80.79, -53.51, 20.67

 

CMYK 61 / 64 / 0 / 12

HEX #5750E1

RGB 87 80 225

HSL 242.9, 0.71%, 0.6%

LAB 43.06, 44.73, -72.98

 

Description

Color code: HEX #E25191 | qconv.com Color code: HEX #E25191 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 226 red, 81 green and 145 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
226 81 145 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 64 magenta, 36 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 64% 36% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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