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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E25BE0 it is the complementary color #1DA41F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E25BE0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E25BE0 shade: #E75BDB, #F86DEE, #FF7FFF, #FF91FF and #FFA3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E25BE0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E25BE0 shade: #E25BE0, #D149CD, #C037BA, #AF25A7 and #9E1394

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E25BE0 shade: #E15ADF, #E15ABB, #E15A96, #E15A72 and #E15A5A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E25BE0 shade: #E15ADF, #BF5AE1, #9A5AE1, #765AE1 and #5A5AE1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E25BE0 shade matches the following richer shades: #E15ADF and #F14AEF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E25BE0 shade: #E15ADF, #D269D0, #C279C1, #B289B2 and #A398A3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E25BE0 shade: #995AE1, #BD5AE1, #E15AE1, #E15ABD and #E15A99

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E25BE0 shade: #C623C4, #DB37D9, #E15ADF, #E87DE6 and #EEA0ED

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E25BE0 shade: #E25BE0, #E1755A and #5AE1AB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E25BE0 shade: #E25BE0, #E1E15A and #5AE1E1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E25BE0 shade: #E25BE0, #E1755A, #5AE15A and #5AC6E1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E25BE0 shade: #E25BE0, #E19E5A, #5AE15A and #5A9EE1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 60 / 1 / 11

HEX #E25BE0

RGB 226 91 224

HSL 300.89, 0.7%, 0.62%

LAB 60.81, 68.63, -43.06

 

Complementary color

CMYK 82 / 0 / 81 / 36

HEX #1DA41F

RGB 29 164 31

HSL 120.89, 0.7%, 0.38%

LAB 58.89, -58.57, 54.08

 

CMYK 0 / 61 / 5 / 9

HEX #E75BDB

RGB 231 91 219

HSL 305.14, 0.74%, 0.63%

LAB 61.29, 69.06, -39.45

 

CMYK 0 / 56 / 4 / 3

HEX #F86DEE

RGB 248 109 238

HSL 304.32, 0.91%, 0.7%

LAB 67.33, 68.82, -40.42

 

CMYK 0 / 50 / 0 / 0

HEX #FF7FFF

RGB 255 127 255

HSL 300, 1%, 0.75%

LAB 72, 65.41, -42.36

 

CMYK 0 / 43 / 0 / 0

HEX #FF91FF

RGB 255 145 255

HSL 300, 1%, 0.78%

LAB 75.28, 56.81, -37.25

 

CMYK 0 / 36 / 0 / 0

HEX #FFA3FF

RGB 255 163 255

HSL 300, 1%, 0.82%

LAB 78.85, 47.76, -31.73

 

CMYK 0 / 60 / 1 / 11

HEX #E25BE0

RGB 226 91 224

HSL 300.89, 0.7%, 0.62%

LAB 60.81, 68.63, -43.06

 

CMYK 0 / 65 / 2 / 18

HEX #D149CD

RGB 209 73 205

HSL 301.76, 0.6%, 0.55%

LAB 54.79, 68.61, -41.96

 

CMYK 0 / 71 / 3 / 25

HEX #C037BA

RGB 192 55 186

HSL 302.63, 0.55%, 0.48%

LAB 48.86, 68.13, -40.53

 

CMYK 0 / 79 / 5 / 31

HEX #AF25A7

RGB 175 37 167

HSL 303.48, 0.65%, 0.42%

LAB 43.1, 66.95, -38.63

 

CMYK 0 / 88 / 6 / 38

HEX #9E1394

RGB 158 19 148

HSL 304.32, 0.79%, 0.35%

LAB 37.61, 64.7, -36.07

 

CMYK 0 / 60 / 1 / 12

HEX #E15ADF

RGB 225 90 223

HSL 300.89, 0.69%, 0.62%

LAB 60.47, 68.64, -43.05

 

CMYK 0 / 60 / 17 / 12

HEX #E15ABB

RGB 225 90 187

HSL 316.89, 0.69%, 0.62%

LAB 58.89, 63.04, -25.08

 

CMYK 0 / 60 / 33 / 12

HEX #E15A96

RGB 225 90 150

HSL 333.33, 0.69%, 0.62%

LAB 57.58, 58.2, -5.64

 

CMYK 0 / 60 / 49 / 12

HEX #E15A72

RGB 225 90 114

HSL 349.33, 0.69%, 0.62%

LAB 56.62, 54.5, 14.1

 

CMYK 0 / 60 / 60 / 12

HEX #E15A5A

RGB 225 90 90

HSL 0, 0.69%, 0.62%

LAB 56.15, 52.63, 27.47

 

CMYK 0 / 60 / 1 / 12

HEX #E15ADF

RGB 225 90 223

HSL 300.89, 0.69%, 0.62%

LAB 60.47, 68.64, -43.05

 

CMYK 15 / 60 / 0 / 12

HEX #BF5AE1

RGB 191 90 225

HSL 284.89, 0.69%, 0.62%

LAB 55.91, 60.73, -51.69

 

CMYK 32 / 60 / 0 / 12

HEX #9A5AE1

RGB 154 90 225

HSL 268.44, 0.69%, 0.62%

LAB 51.4, 52.06, -59.16

 

CMYK 48 / 60 / 0 / 12

HEX #765AE1

RGB 118 90 225

HSL 252.44, 0.69%, 0.62%

LAB 47.75, 44.36, -65.24

 

CMYK 60 / 60 / 0 / 12

HEX #5A5AE1

RGB 90 90 225

HSL 240, 0.69%, 0.62%

LAB 45.53, 39.27, -68.95

 

CMYK 0 / 60 / 1 / 12

HEX #E15ADF

RGB 225 90 223

HSL 300.89, 0.69%, 0.62%

LAB 60.47, 68.64, -43.05

 

CMYK 0 / 69 / 1 / 5

HEX #F14AEF

RGB 241 74 239

HSL 300.72, 0.86%, 0.62%

LAB 61.51, 80.81, -50.2

 

CMYK 0 / 60 / 1 / 12

HEX #E15ADF

RGB 225 90 223

HSL 300.89, 0.69%, 0.62%

LAB 60.47, 68.64, -43.05

 

CMYK 0 / 50 / 1 / 18

HEX #D269D0

RGB 210 105 208

HSL 301.14, 0.54%, 0.62%

LAB 60.21, 55.38, -35.15

 

CMYK 0 / 38 / 1 / 24

HEX #C279C1

RGB 194 121 193

HSL 300.82, 0.37%, 0.62%

LAB 60.78, 39.69, -25.94

 

CMYK 0 / 23 / 0 / 30

HEX #B289B2

RGB 178 137 178

HSL 300, 0.21%, 0.62%

LAB 62.14, 22.72, -15.51

 

CMYK 0 / 7 / 0 / 36

HEX #A398A3

RGB 163 152 163

HSL 300, 0.06%, 0.62%

LAB 64.07, 6.09, -4.3

 

CMYK 32 / 60 / 0 / 12

HEX #995AE1

RGB 153 90 225

HSL 268, 0.69%, 0.62%

LAB 51.29, 51.83, -59.35

 

CMYK 16 / 60 / 0 / 12

HEX #BD5AE1

RGB 189 90 225

HSL 284, 0.69%, 0.62%

LAB 55.65, 60.25, -52.12

 

CMYK 0 / 60 / 0 / 12

HEX #E15AE1

RGB 225 90 225

HSL 300, 0.69%, 0.62%

LAB 60.57, 68.97, -44.02

 

CMYK 0 / 60 / 16 / 12

HEX #E15ABD

RGB 225 90 189

HSL 316, 0.69%, 0.62%

LAB 58.97, 63.33, -26.11

 

CMYK 0 / 60 / 32 / 12

HEX #E15A99

RGB 225 90 153

HSL 332, 0.69%, 0.62%

LAB 57.67, 58.55, -7.25

 

CMYK 0 / 82 / 1 / 22

HEX #C623C4

RGB 198 35 196

HSL 300.74, 0.7%, 0.46%

LAB 48.5, 76.4, -46.86

 

CMYK 0 / 75 / 1 / 14

HEX #DB37D9

RGB 219 55 217

HSL 300.73, 0.69%, 0.54%

LAB 54.87, 78.68, -48.58

 

CMYK 0 / 60 / 1 / 12

HEX #E15ADF

RGB 225 90 223

HSL 300.89, 0.69%, 0.62%

LAB 60.47, 68.64, -43.05

 

CMYK 0 / 46 / 1 / 9

HEX #E87DE6

RGB 232 125 230

HSL 301.12, 0.7%, 0.7%

LAB 67.68, 55.71, -35.61

 

CMYK 0 / 33 / 0 / 7

HEX #EEA0ED

RGB 238 160 237

HSL 300.77, 0.7%, 0.78%

LAB 75.72, 40.87, -26.98

 

CMYK 0 / 60 / 1 / 11

HEX #E25BE0

RGB 226 91 224

HSL 300.89, 0.7%, 0.62%

LAB 60.81, 68.63, -43.06

 

CMYK 0 / 48 / 60 / 12

HEX #E1755A

RGB 225 117 90

HSL 12, 0.69%, 0.62%

LAB 61.19, 39.64, 33.88

 

CMYK 60 / 0 / 24 / 12

HEX #5AE1AB

RGB 90 225 171

HSL 156, 0.69%, 0.62%

LAB 81.27, -49.35, 15.62

 

CMYK 0 / 60 / 1 / 11

HEX #E25BE0

RGB 226 91 224

HSL 300.89, 0.7%, 0.62%

LAB 60.81, 68.63, -43.06

 

CMYK 0 / 0 / 60 / 12

HEX #E1E15A

RGB 225 225 90

HSL 60, 0.69%, 0.62%

LAB 87.29, -16.72, 64.12

 

CMYK 60 / 0 / 0 / 12

HEX #5AE1E1

RGB 90 225 225

HSL 180, 0.69%, 0.62%

LAB 82.63, -36.19, -10.98

 

CMYK 0 / 60 / 1 / 11

HEX #E25BE0

RGB 226 91 224

HSL 300.89, 0.7%, 0.62%

LAB 60.81, 68.63, -43.06

 

CMYK 0 / 48 / 60 / 12

HEX #E1755A

RGB 225 117 90

HSL 12, 0.69%, 0.62%

LAB 61.19, 39.64, 33.88

 

CMYK 60 / 0 / 60 / 12

HEX #5AE15A

RGB 90 225 90

HSL 120, 0.69%, 0.62%

LAB 80.05, -62.61, 54.05

 

CMYK 60 / 12 / 0 / 12

HEX #5AC6E1

RGB 90 198 225

HSL 192, 0.69%, 0.62%

LAB 74.82, -23.14, -22.74

 

CMYK 0 / 60 / 1 / 11

HEX #E25BE0

RGB 226 91 224

HSL 300.89, 0.7%, 0.62%

LAB 60.81, 68.63, -43.06

 

CMYK 0 / 30 / 60 / 12

HEX #E19E5A

RGB 225 158 90

HSL 30.22, 0.69%, 0.62%

LAB 70.32, 18.01, 44.96

 

CMYK 60 / 0 / 60 / 12

HEX #5AE15A

RGB 90 225 90

HSL 120, 0.69%, 0.62%

LAB 80.05, -62.61, 54.05

 

CMYK 60 / 30 / 0 / 12

HEX #5A9EE1

RGB 90 158 225

HSL 209.78, 0.69%, 0.62%

LAB 63.4, -1.66, -40.4

 

Description

Color code: HEX #E25BE0 | qconv.com Color code: HEX #E25BE0 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 226 red, 91 green and 224 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
226 91 224 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 60 magenta, 1 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 60% 1% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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