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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E25EBB it is the complementary color #1DA144. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E25EBB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E25EBB shade: #E75EB6, #F870C9, #FF82DC, #FF94EF and #FFA6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E25EBB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E25EBB shade: #E25EBB, #D14CA8, #C03A95, #AF2882 and #9E166F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E25EBB shade: #E15FBB, #E15F98, #E15F75 and #E15F5F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E25EBB shade: #E15FBB, #E15FDE, #C25FE1, #9E5FE1 and #7B5FE1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E25EBB shade matches the following richer shades: #E15FBB and #F150C1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E25EBB shade: #E15FBB, #D26EB5, #C37EAE, #B38DA8 and #A49CA2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E25EBB shade: #C15FE1, #E15FDF, #E15FBC, #E15F9A and #E15F77

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E25EBB shade: #C92599, #DB3CAC, #E15FBB, #E882CA and #EEA5D8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E25EBB shade: #E25EBB, #E19E5F and #5FE1D2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E25EBB shade: #E25EBB, #BCE15F and #5FBCE1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E25EBB shade: #E25EBB, #E19E5F, #5FE184 and #5FA2E1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E25EBB shade: #E25EBB, #E1C55F, #5FE184 and #5F7BE1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 58 / 17 / 11

HEX #E25EBB

RGB 226 94 187

HSL 317.73, 0.69%, 0.63%

LAB 59.67, 61.6, -23.87

 

Complementary color

CMYK 82 / 0 / 58 / 37

HEX #1DA144

RGB 29 161 68

HSL 137.73, 0.69%, 0.37%

LAB 58.2, -53.91, 38.4

 

CMYK 0 / 59 / 21 / 9

HEX #E75EB6

RGB 231 94 182

HSL 321.46, 0.74%, 0.64%

LAB 60.22, 62.3, -20.09

 

CMYK 0 / 55 / 19 / 3

HEX #F870C9

RGB 248 112 201

HSL 320.74, 0.91%, 0.71%

LAB 66.34, 61.87, -21.33

 

CMYK 0 / 49 / 14 / 0

HEX #FF82DC

RGB 255 130 220

HSL 316.8, 1%, 0.75%

LAB 71.14, 58.35, -24.5

 

CMYK 0 / 42 / 6 / 0

HEX #FF94EF

RGB 255 148 239

HSL 308.97, 1%, 0.79%

LAB 75.25, 52.59, -28.62

 

CMYK 0 / 35 / 0 / 0

HEX #FFA6FF

RGB 255 166 255

HSL 300, 1%, 0.83%

LAB 79.47, 46.22, -30.78

 

CMYK 0 / 58 / 17 / 11

HEX #E25EBB

RGB 226 94 187

HSL 317.73, 0.69%, 0.63%

LAB 59.67, 61.6, -23.87

 

CMYK 0 / 64 / 20 / 18

HEX #D14CA8

RGB 209 76 168

HSL 318.5, 0.59%, 0.56%

LAB 53.55, 61.81, -22.5

 

CMYK 0 / 70 / 22 / 25

HEX #C03A95

RGB 192 58 149

HSL 319.25, 0.54%, 0.49%

LAB 47.5, 61.65, -20.79

 

CMYK 0 / 77 / 26 / 31

HEX #AF2882

RGB 175 40 130

HSL 320, 0.63%, 0.42%

LAB 41.6, 60.88, -18.58

 

CMYK 0 / 86 / 30 / 38

HEX #9E166F

RGB 158 22 111

HSL 320.74, 0.76%, 0.35%

LAB 35.97, 59.13, -15.64

 

CMYK 0 / 58 / 17 / 12

HEX #E15FBB

RGB 225 95 187

HSL 317.54, 0.68%, 0.63%

LAB 59.69, 60.87, -23.85

 

CMYK 0 / 58 / 32 / 12

HEX #E15F98

RGB 225 95 152

HSL 333.69, 0.68%, 0.63%

LAB 58.47, 56.22, -5.49

 

CMYK 0 / 58 / 48 / 12

HEX #E15F75

RGB 225 95 117

HSL 349.85, 0.68%, 0.63%

LAB 57.54, 52.52, 13.62

 

CMYK 0 / 58 / 58 / 12

HEX #E15F5F

RGB 225 95 95

HSL 0, 0.68%, 0.63%

LAB 57.09, 50.71, 25.82

 

CMYK 0 / 58 / 17 / 12

HEX #E15FBB

RGB 225 95 187

HSL 317.54, 0.68%, 0.63%

LAB 59.69, 60.87, -23.85

 

CMYK 0 / 58 / 1 / 12

HEX #E15FDE

RGB 225 95 222

HSL 301.38, 0.68%, 0.63%

LAB 61.19, 66.36, -41.35

 

CMYK 14 / 58 / 0 / 12

HEX #C25FE1

RGB 194 95 225

HSL 285.69, 0.68%, 0.63%

LAB 57.16, 59.12, -49.68

 

CMYK 30 / 58 / 0 / 12

HEX #9E5FE1

RGB 158 95 225

HSL 269.08, 0.68%, 0.63%

LAB 52.83, 50.37, -56.85

 

CMYK 45 / 58 / 0 / 12

HEX #7B5FE1

RGB 123 95 225

HSL 252.92, 0.68%, 0.63%

LAB 49.29, 42.53, -62.72

 

CMYK 0 / 58 / 17 / 12

HEX #E15FBB

RGB 225 95 187

HSL 317.54, 0.68%, 0.63%

LAB 59.69, 60.87, -23.85

 

CMYK 0 / 67 / 20 / 5

HEX #F150C1

RGB 241 80 193

HSL 317.89, 0.85%, 0.63%

LAB 60.15, 72.06, -26.37

 

CMYK 0 / 58 / 17 / 12

HEX #E15FBB

RGB 225 95 187

HSL 317.54, 0.68%, 0.63%

LAB 59.69, 60.87, -23.85

 

CMYK 0 / 48 / 14 / 18

HEX #D26EB5

RGB 210 110 181

HSL 317.4, 0.53%, 0.63%

LAB 60.06, 48.39, -20.04

 

CMYK 0 / 35 / 11 / 24

HEX #C37EAE

RGB 195 126 174

HSL 318.26, 0.37%, 0.63%

LAB 61.29, 33.92, -14.35

 

CMYK 0 / 21 / 6 / 30

HEX #B38DA8

RGB 179 141 168

HSL 317.37, 0.2%, 0.63%

LAB 62.89, 18.94, -8.71

 

CMYK 0 / 5 / 1 / 36

HEX #A49CA2

RGB 164 156 162

HSL 315, 0.04%, 0.63%

LAB 65.18, 4.03, -2.09

 

CMYK 14 / 58 / 0 / 12

HEX #C15FE1

RGB 193 95 225

HSL 285.23, 0.68%, 0.63%

LAB 57.03, 58.87, -49.89

 

CMYK 0 / 58 / 1 / 12

HEX #E15FDF

RGB 225 95 223

HSL 300.92, 0.68%, 0.63%

LAB 61.24, 66.53, -41.84

 

CMYK 0 / 58 / 16 / 12

HEX #E15FBC

RGB 225 95 188

HSL 317.08, 0.68%, 0.63%

LAB 59.73, 61.02, -24.37

 

CMYK 0 / 58 / 32 / 12

HEX #E15F9A

RGB 225 95 154

HSL 332.77, 0.68%, 0.63%

LAB 58.53, 56.46, -6.56

 

CMYK 0 / 58 / 47 / 12

HEX #E15F77

RGB 225 95 119

HSL 348.92, 0.68%, 0.63%

LAB 57.58, 52.7, 12.51

 

CMYK 0 / 82 / 24 / 21

HEX #C92599

RGB 201 37 153

HSL 317.56, 0.69%, 0.47%

LAB 47.03, 70.64, -23.78

 

CMYK 0 / 73 / 21 / 14

HEX #DB3CAC

RGB 219 60 172

HSL 317.74, 0.69%, 0.55%

LAB 53.24, 70.76, -25.18

 

CMYK 0 / 58 / 17 / 12

HEX #E15FBB

RGB 225 95 187

HSL 317.54, 0.68%, 0.63%

LAB 59.69, 60.87, -23.85

 

CMYK 0 / 44 / 13 / 9

HEX #E882CA

RGB 232 130 202

HSL 317.65, 0.69%, 0.71%

LAB 67.57, 48.54, -20.21

 

CMYK 0 / 31 / 9 / 7

HEX #EEA5D8

RGB 238 165 216

HSL 318.08, 0.68%, 0.79%

LAB 76.1, 34.58, -14.97

 

CMYK 0 / 58 / 17 / 11

HEX #E25EBB

RGB 226 94 187

HSL 317.73, 0.69%, 0.63%

LAB 59.67, 61.6, -23.87

 

CMYK 0 / 30 / 58 / 12

HEX #E19E5F

RGB 225 158 95

HSL 29.08, 0.68%, 0.63%

LAB 70.38, 18.37, 42.5

 

CMYK 58 / 0 / 7 / 12

HEX #5FE1D2

RGB 95 225 210

HSL 173.08, 0.68%, 0.63%

LAB 82.34, -39.24, -3.43

 

CMYK 0 / 58 / 17 / 11

HEX #E25EBB

RGB 226 94 187

HSL 317.73, 0.69%, 0.63%

LAB 59.67, 61.6, -23.87

 

CMYK 16 / 0 / 58 / 12

HEX #BCE15F

RGB 188 225 95

HSL 77.08, 0.68%, 0.63%

LAB 84.67, -31.04, 58.35

 

CMYK 58 / 16 / 0 / 12

HEX #5FBCE1

RGB 95 188 225

HSL 197.08, 0.68%, 0.63%

LAB 72.12, -17.08, -26.86

 

CMYK 0 / 58 / 17 / 11

HEX #E25EBB

RGB 226 94 187

HSL 317.73, 0.69%, 0.63%

LAB 59.67, 61.6, -23.87

 

CMYK 0 / 30 / 58 / 12

HEX #E19E5F

RGB 225 158 95

HSL 29.08, 0.68%, 0.63%

LAB 70.38, 18.37, 42.5

 

CMYK 58 / 0 / 41 / 12

HEX #5FE184

RGB 95 225 132

HSL 137.08, 0.68%, 0.63%

LAB 80.71, -55.73, 34.99

 

CMYK 58 / 28 / 0 / 12

HEX #5FA2E1

RGB 95 162 225

HSL 209.08, 0.68%, 0.63%

LAB 64.73, -2.96, -38.29

 

CMYK 0 / 58 / 17 / 11

HEX #E25EBB

RGB 226 94 187

HSL 317.73, 0.69%, 0.63%

LAB 59.67, 61.6, -23.87

 

CMYK 0 / 12 / 58 / 12

HEX #E1C55F

RGB 225 197 95

HSL 47.08, 0.68%, 0.63%

LAB 80.05, -2.24, 53.87

 

CMYK 58 / 0 / 41 / 12

HEX #5FE184

RGB 95 225 132

HSL 137.08, 0.68%, 0.63%

LAB 80.71, -55.73, 34.99

 

CMYK 58 / 45 / 0 / 12

HEX #5F7BE1

RGB 95 123 225

HSL 227.08, 0.68%, 0.63%

LAB 54.06, 20.03, -55.16

 

Description

Color code: HEX #E25EBB | qconv.com Color code: HEX #E25EBB | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 226 red, 94 green and 187 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
226 94 187 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 58 magenta, 17 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 58% 17% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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