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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E27040 it is the complementary color #1D8FBF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E27040. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E27040 shade: #E7703B, #F8824E, #FF9461, #FFA674 and #FFB887

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E27040. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E27040 shade: #E27040, #D15E2D, #C04C1A, #AF3A07 and #9E2800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E27040 shade: #E27040, #E24440 and #E24040

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E27040 shade: #E27040, #E29C40, #E2C740, #D1E240 and #A5E240

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E27040 shade matches the following richer shades: #E27040 and #F4692E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E27040 shade: #E27040, #D07751, #BF7E63, #AD8575 and #9B8D87

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E27040 shade: #E24068, #E24240, #E26E40, #E29940 and #E2C440

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E27040 shade: #B5481B, #D95720, #E27040, #E78B64 and #EDA587

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E27040 shade: #E27040, #94E240 and #4053E2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E27040 shade: #E27040, #40E26E and #6E40E2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E27040 shade: #E27040, #94E240, #40B4E2 and #8E40E2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E27040 shade: #E27040, #63E240, #40B4E2 and #BF40E2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 50 / 72 / 11

HEX #E27040

RGB 226 112 64

HSL 17.78, 0.74%, 0.57%

LAB 60, 41.01, 46.33

 

Complementary color

CMYK 85 / 25 / 0 / 25

HEX #1D8FBF

RGB 29 143 191

HSL 197.78, 0.74%, 0.43%

LAB 55.75, -13.22, -33.43

 

CMYK 0 / 52 / 74 / 9

HEX #E7703B

RGB 231 112 59

HSL 18.49, 0.78%, 0.57%

LAB 60.69, 42.7, 49.76

 

CMYK 0 / 48 / 69 / 3

HEX #F8824E

RGB 248 130 78

HSL 18.35, 0.92%, 0.64%

LAB 66.88, 41.13, 47.77

 

CMYK 0 / 42 / 62 / 0

HEX #FF9461

RGB 255 148 97

HSL 19.37, 1%, 0.69%

LAB 71.76, 35.81, 43.99

 

CMYK 0 / 35 / 55 / 0

HEX #FFA674

RGB 255 166 116

HSL 21.58, 1%, 0.73%

LAB 75.94, 27.87, 39.28

 

CMYK 0 / 28 / 47 / 0

HEX #FFB887

RGB 255 184 135

HSL 24.5, 1%, 0.76%

LAB 80.34, 20.11, 35

 

CMYK 0 / 50 / 72 / 11

HEX #E27040

RGB 226 112 64

HSL 17.78, 0.74%, 0.57%

LAB 60, 41.01, 46.33

 

CMYK 0 / 55 / 78 / 18

HEX #D15E2D

RGB 209 94 45

HSL 17.93, 0.65%, 0.5%

LAB 53.76, 42.63, 48.38

 

CMYK 0 / 60 / 86 / 25

HEX #C04C1A

RGB 192 76 26

HSL 18.07, 0.76%, 0.43%

LAB 47.56, 44.29, 50.13

 

CMYK 0 / 67 / 96 / 31

HEX #AF3A07

RGB 175 58 7

HSL 18.21, 0.92%, 0.36%

LAB 41.46, 45.85, 50.77

 

CMYK 0 / 75 / 100 / 38

HEX #9E2800

RGB 158 40 0

HSL 15.19, 1%, 0.31%

LAB 35.57, 47.07, 48.27

 

CMYK 0 / 50 / 72 / 11

HEX #E27040

RGB 226 112 64

HSL 17.78, 0.74%, 0.57%

LAB 60, 41.01, 46.33

 

CMYK 0 / 70 / 72 / 11

HEX #E24440

RGB 226 68 64

HSL 1.48, 0.74%, 0.57%

LAB 52.59, 60.53, 38.02

 

CMYK 0 / 72 / 72 / 11

HEX #E24040

RGB 226 64 64

HSL 0, 0.74%, 0.57%

LAB 52.07, 61.96, 37.42

 

CMYK 0 / 50 / 72 / 11

HEX #E27040

RGB 226 112 64

HSL 17.78, 0.74%, 0.57%

LAB 60, 41.01, 46.33

 

CMYK 0 / 31 / 72 / 11

HEX #E29C40

RGB 226 156 64

HSL 34.07, 0.74%, 0.57%

LAB 69.69, 17.94, 56.61

 

CMYK 0 / 12 / 72 / 11

HEX #E2C740

RGB 226 199 64

HSL 50, 0.74%, 0.57%

LAB 80.4, -4.7, 67.34

 

CMYK 8 / 0 / 72 / 11

HEX #D1E240

RGB 209 226 64

HSL 66.3, 0.74%, 0.57%

LAB 86.17, -25.19, 72.47

 

CMYK 27 / 0 / 72 / 11

HEX #A5E240

RGB 165 226 64

HSL 82.59, 0.74%, 0.57%

LAB 83.32, -42.36, 68.72

 

CMYK 0 / 50 / 72 / 11

HEX #E27040

RGB 226 112 64

HSL 17.78, 0.74%, 0.57%

LAB 60, 41.01, 46.33

 

CMYK 0 / 57 / 81 / 4

HEX #F4692E

RGB 244 105 46

HSL 17.88, 0.9%, 0.57%

LAB 61.25, 50.43, 56.97

 

CMYK 0 / 50 / 72 / 11

HEX #E27040

RGB 226 112 64

HSL 17.78, 0.74%, 0.57%

LAB 60, 41.01, 46.33

 

CMYK 0 / 43 / 61 / 18

HEX #D07751

RGB 208 119 81

HSL 17.95, 0.57%, 0.57%

LAB 59.16, 31.31, 35.77

 

CMYK 0 / 34 / 48 / 25

HEX #BF7E63

RGB 191 126 99

HSL 17.61, 0.42%, 0.57%

LAB 58.88, 22.15, 25.01

 

CMYK 0 / 23 / 32 / 32

HEX #AD8575

RGB 173 133 117

HSL 17.14, 0.25%, 0.57%

LAB 58.92, 13.02, 14.53

 

CMYK 0 / 9 / 13 / 39

HEX #9B8D87

RGB 155 141 135

HSL 18, 0.09%, 0.57%

LAB 59.68, 4.16, 5.08

 

CMYK 0 / 72 / 54 / 11

HEX #E24068

RGB 226 64 104

HSL 345.19, 0.74%, 0.57%

LAB 52.77, 64.33, 14.73

 

CMYK 0 / 71 / 72 / 11

HEX #E24240

RGB 226 66 64

HSL 0.74, 0.74%, 0.57%

LAB 52.33, 61.25, 37.72

 

CMYK 0 / 51 / 72 / 11

HEX #E26E40

RGB 226 110 64

HSL 17.04, 0.74%, 0.57%

LAB 59.61, 42.01, 45.9

 

CMYK 0 / 32 / 72 / 11

HEX #E29940

RGB 226 153 64

HSL 32.96, 0.74%, 0.57%

LAB 68.98, 19.54, 55.87

 

CMYK 0 / 13 / 72 / 11

HEX #E2C440

RGB 226 196 64

HSL 48.89, 0.74%, 0.57%

LAB 79.62, -3.16, 66.59

 

CMYK 0 / 60 / 85 / 29

HEX #B5481B

RGB 181 72 27

HSL 17.53, 0.74%, 0.41%

LAB 44.99, 42.08, 46.8

 

CMYK 0 / 60 / 85 / 15

HEX #D95720

RGB 217 87 32

HSL 17.84, 0.74%, 0.49%

LAB 53.68, 48.53, 54.5

 

CMYK 0 / 50 / 72 / 11

HEX #E27040

RGB 226 112 64

HSL 17.78, 0.74%, 0.57%

LAB 60, 41.01, 46.33

 

CMYK 0 / 40 / 57 / 9

HEX #E78B64

RGB 231 139 100

HSL 17.86, 0.73%, 0.65%

LAB 66.8, 31.3, 35.64

 

CMYK 0 / 30 / 43 / 7

HEX #EDA587

RGB 237 165 135

HSL 17.65, 0.74%, 0.73%

LAB 73.97, 23.08, 26.23

 

CMYK 0 / 50 / 72 / 11

HEX #E27040

RGB 226 112 64

HSL 17.78, 0.74%, 0.57%

LAB 60, 41.01, 46.33

 

CMYK 35 / 0 / 72 / 11

HEX #94E240

RGB 148 226 64

HSL 88.89, 0.74%, 0.57%

LAB 82.41, -48.45, 67.52

 

CMYK 72 / 63 / 0 / 11

HEX #4053E2

RGB 64 83 226

HSL 232.96, 0.74%, 0.57%

LAB 42.41, 40.25, -74.67

 

CMYK 0 / 50 / 72 / 11

HEX #E27040

RGB 226 112 64

HSL 17.78, 0.74%, 0.57%

LAB 60, 41.01, 46.33

 

CMYK 72 / 0 / 51 / 11

HEX #40E26E

RGB 64 226 110

HSL 137.04, 0.74%, 0.57%

LAB 79.96, -65.33, 44.66

 

CMYK 51 / 72 / 0 / 11

HEX #6E40E2

RGB 110 64 226

HSL 257.04, 0.74%, 0.57%

LAB 41.96, 57.14, -75.28

 

CMYK 0 / 50 / 72 / 11

HEX #E27040

RGB 226 112 64

HSL 17.78, 0.74%, 0.57%

LAB 60, 41.01, 46.33

 

CMYK 35 / 0 / 72 / 11

HEX #94E240

RGB 148 226 64

HSL 88.89, 0.74%, 0.57%

LAB 82.41, -48.45, 67.52

 

CMYK 72 / 20 / 0 / 11

HEX #40B4E2

RGB 64 180 226

HSL 197.04, 0.74%, 0.57%

LAB 68.91, -17.58, -32.42

 

CMYK 37 / 72 / 0 / 11

HEX #8E40E2

RGB 142 64 226

HSL 268.89, 0.74%, 0.57%

LAB 45.51, 62.4, -69.33

 

CMYK 0 / 50 / 72 / 11

HEX #E27040

RGB 226 112 64

HSL 17.78, 0.74%, 0.57%

LAB 60, 41.01, 46.33

 

CMYK 56 / 0 / 72 / 11

HEX #63E240

RGB 99 226 64

HSL 107.04, 0.74%, 0.57%

LAB 80.41, -63.2, 64.85

 

CMYK 72 / 20 / 0 / 11

HEX #40B4E2

RGB 64 180 226

HSL 197.04, 0.74%, 0.57%

LAB 68.91, -17.58, -32.42

 

CMYK 15 / 72 / 0 / 11

HEX #BF40E2

RGB 191 64 226

HSL 287.04, 0.74%, 0.57%

LAB 52.1, 71.7, -58.35

 

Description

Color code: HEX #E27040 | qconv.com Color code: HEX #E27040 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 226 red, 112 green and 64 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
226 112 64 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 50 magenta, 72 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 50% 72% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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