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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E27293 it is the complementary color #1D8D6C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E27293. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E27293 shade: #E7728E, #F884A1, #FF96B4, #FFA8C7 and #FFBADA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E27293. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E27293 shade: #E27293, #D16080, #C04E6D, #AF3C5A and #9E2A47

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E27293 shade: #E27394, #E27376 and #E27373

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E27293 shade: #E27394, #E273B1, #E273CF, #D673E2 and #B873E2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E27293 shade matches the following richer shades: #E27394, #F0658E and #FD5888

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E27293 shade: #E27394, #D48099, #C78E9F, #B99CA4 and #ABA9AA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E27293 shade: #E273CF, #E273B2, #E27394, #E27377 and #E28D73

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E27293 shade: #D42E5F, #DB5179, #E27394, #E995AE and #F0B7C8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E27293 shade: #E27293, #E2D773 and #73C1E2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E27293 shade: #E27293, #94E273 and #7394E2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E27293 shade: #E27293, #E2D773, #73E2C1 and #737EE2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E27293 shade: #E27293, #CCE273, #73E2C1 and #8973E2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 50 / 35 / 11

HEX #E27293

RGB 226 114 147

HSL 342.32, 0.66%, 0.67%

LAB 61.92, 46.92, 2.48

 

Complementary color

CMYK 79 / 0 / 23 / 45

HEX #1D8D6C

RGB 29 141 108

HSL 162.32, 0.66%, 0.33%

LAB 52.28, -38.43, 9.08

 

CMYK 0 / 51 / 39 / 9

HEX #E7728E

RGB 231 114 142

HSL 345.64, 0.71%, 0.68%

LAB 62.49, 48.05, 6.26

 

CMYK 0 / 47 / 35 / 3

HEX #F884A1

RGB 248 132 161

HSL 345, 0.89%, 0.75%

LAB 68.77, 47.16, 4.81

 

CMYK 0 / 41 / 29 / 0

HEX #FF96B4

RGB 255 150 180

HSL 342.86, 1%, 0.79%

LAB 73.78, 42.83, 1.59

 

CMYK 0 / 34 / 22 / 0

HEX #FFA8C7

RGB 255 168 199

HSL 338.62, 1%, 0.83%

LAB 78.1, 36.14, -2.52

 

CMYK 0 / 27 / 15 / 0

HEX #FFBADA

RGB 255 186 218

HSL 332.17, 1%, 0.86%

LAB 82.61, 29.58, -6.15

 

CMYK 0 / 50 / 35 / 11

HEX #E27293

RGB 226 114 147

HSL 342.32, 0.66%, 0.67%

LAB 61.92, 46.92, 2.48

 

CMYK 0 / 54 / 39 / 18

HEX #D16080

RGB 209 96 128

HSL 343.01, 0.55%, 0.6%

LAB 55.56, 47.77, 4.03

 

CMYK 0 / 59 / 43 / 25

HEX #C04E6D

RGB 192 78 109

HSL 343.68, 0.48%, 0.53%

LAB 49.2, 48.54, 5.87

 

CMYK 0 / 66 / 49 / 31

HEX #AF3C5A

RGB 175 60 90

HSL 344.35, 0.49%, 0.46%

LAB 42.89, 49.11, 8.15

 

CMYK 0 / 73 / 55 / 38

HEX #9E2A47

RGB 158 42 71

HSL 345, 0.58%, 0.39%

LAB 36.71, 49.28, 11.04

 

CMYK 0 / 49 / 35 / 11

HEX #E27394

RGB 226 115 148

HSL 342.16, 0.66%, 0.67%

LAB 62.14, 46.54, 2.23

 

CMYK 0 / 49 / 48 / 11

HEX #E27376

RGB 226 115 118

HSL 358.38, 0.66%, 0.67%

LAB 61.43, 43.33, 18.44

 

CMYK 0 / 49 / 49 / 11

HEX #E27373

RGB 226 115 115

HSL 0, 0.66%, 0.67%

LAB 61.37, 43.05, 20.07

 

CMYK 0 / 49 / 35 / 11

HEX #E27394

RGB 226 115 148

HSL 342.16, 0.66%, 0.67%

LAB 62.14, 46.54, 2.23

 

CMYK 0 / 49 / 22 / 11

HEX #E273B1

RGB 226 115 177

HSL 326.49, 0.66%, 0.67%

LAB 63.01, 50.36, -13.07

 

CMYK 0 / 49 / 8 / 11

HEX #E273CF

RGB 226 115 207

HSL 310.27, 0.66%, 0.67%

LAB 64.11, 54.96, -28.38

 

CMYK 5 / 49 / 0 / 11

HEX #D673E2

RGB 214 115 226

HSL 293.51, 0.66%, 0.67%

LAB 63.38, 54.87, -40.26

 

CMYK 19 / 49 / 0 / 11

HEX #B873E2

RGB 184 115 226

HSL 277.3, 0.66%, 0.67%

LAB 59.84, 46.64, -46.08

 

CMYK 0 / 49 / 35 / 11

HEX #E27394

RGB 226 115 148

HSL 342.16, 0.66%, 0.67%

LAB 62.14, 46.54, 2.23

 

CMYK 0 / 58 / 41 / 6

HEX #F0658E

RGB 240 101 142

HSL 342.3, 0.82%, 0.67%

LAB 61.47, 57.14, 4.97

 

CMYK 0 / 65 / 46 / 1

HEX #FD5888

RGB 253 88 136

HSL 342.55, 0.98%, 0.67%

LAB 61.34, 66.02, 8.54

 

CMYK 0 / 49 / 35 / 11

HEX #E27394

RGB 226 115 148

HSL 342.16, 0.66%, 0.67%

LAB 62.14, 46.54, 2.23

 

CMYK 0 / 40 / 28 / 17

HEX #D48099

RGB 212 128 153

HSL 342.14, 0.49%, 0.67%

LAB 63.12, 35.57, 0.57

 

CMYK 0 / 29 / 20 / 22

HEX #C78E9F

RGB 199 142 159

HSL 342.11, 0.34%, 0.67%

LAB 64.96, 24.13, -0.34

 

CMYK 0 / 16 / 11 / 27

HEX #B99CA4

RGB 185 156 164

HSL 343.45, 0.17%, 0.67%

LAB 67.11, 12.05, -0.18

 

CMYK 0 / 1 / 1 / 33

HEX #ABA9AA

RGB 171 169 170

HSL 330, 0.01%, 0.67%

LAB 69.42, 0.9, -0.27

 

CMYK 0 / 49 / 8 / 11

HEX #E273CF

RGB 226 115 207

HSL 310.27, 0.66%, 0.67%

LAB 64.11, 54.96, -28.38

 

CMYK 0 / 49 / 21 / 11

HEX #E273B2

RGB 226 115 178

HSL 325.95, 0.66%, 0.67%

LAB 63.05, 50.5, -13.59

 

CMYK 0 / 49 / 35 / 11

HEX #E27394

RGB 226 115 148

HSL 342.16, 0.66%, 0.67%

LAB 62.14, 46.54, 2.23

 

CMYK 0 / 49 / 47 / 11

HEX #E27377

RGB 226 115 119

HSL 357.84, 0.66%, 0.67%

LAB 61.45, 43.42, 17.89

 

CMYK 0 / 38 / 49 / 11

HEX #E28D73

RGB 226 141 115

HSL 14.05, 0.66%, 0.67%

LAB 66.87, 29.56, 27.43

 

CMYK 0 / 78 / 55 / 17

HEX #D42E5F

RGB 212 46 95

HSL 342.29, 0.66%, 0.51%

LAB 47.98, 65.4, 13.17

 

CMYK 0 / 63 / 45 / 14

HEX #DB5179

RGB 219 81 121

HSL 342.61, 0.66%, 0.59%

LAB 54.37, 57.12, 6.66

 

CMYK 0 / 49 / 35 / 11

HEX #E27394

RGB 226 115 148

HSL 342.16, 0.66%, 0.67%

LAB 62.14, 46.54, 2.23

 

CMYK 0 / 36 / 25 / 9

HEX #E995AE

RGB 233 149 174

HSL 342.14, 0.66%, 0.75%

LAB 70.78, 34.85, 0.23

 

CMYK 0 / 24 / 17 / 6

HEX #F0B7C8

RGB 240 183 200

HSL 342.11, 0.66%, 0.83%

LAB 79.93, 23.12, -0.57

 

CMYK 0 / 50 / 35 / 11

HEX #E27293

RGB 226 114 147

HSL 342.32, 0.66%, 0.67%

LAB 61.92, 46.92, 2.48

 

CMYK 0 / 5 / 49 / 11

HEX #E2D773

RGB 226 215 115

HSL 54.05, 0.66%, 0.67%

LAB 85, -9.41, 50.28

 

CMYK 49 / 15 / 0 / 11

HEX #73C1E2

RGB 115 193 226

HSL 197.84, 0.66%, 0.67%

LAB 74.37, -15.23, -23.89

 

CMYK 0 / 50 / 35 / 11

HEX #E27293

RGB 226 114 147

HSL 342.32, 0.66%, 0.67%

LAB 61.92, 46.92, 2.48

 

CMYK 35 / 0 / 49 / 11

HEX #94E273

RGB 148 226 115

HSL 102.16, 0.66%, 0.67%

LAB 82.87, -43.83, 46.5

 

CMYK 49 / 35 / 0 / 11

HEX #7394E2

RGB 115 148 226

HSL 222.16, 0.66%, 0.67%

LAB 61.93, 9.72, -43.17

 

CMYK 0 / 50 / 35 / 11

HEX #E27293

RGB 226 114 147

HSL 342.32, 0.66%, 0.67%

LAB 61.92, 46.92, 2.48

 

CMYK 0 / 5 / 49 / 11

HEX #E2D773

RGB 226 215 115

HSL 54.05, 0.66%, 0.67%

LAB 85, -9.41, 50.28

 

CMYK 49 / 0 / 15 / 11

HEX #73E2C1

RGB 115 226 193

HSL 162.16, 0.66%, 0.67%

LAB 82.85, -39.62, 6.39

 

CMYK 49 / 44 / 0 / 11

HEX #737EE2

RGB 115 126 226

HSL 234.05, 0.66%, 0.67%

LAB 56.15, 22.74, -52.32

 

CMYK 0 / 50 / 35 / 11

HEX #E27293

RGB 226 114 147

HSL 342.32, 0.66%, 0.67%

LAB 61.92, 46.92, 2.48

 

CMYK 10 / 0 / 49 / 11

HEX #CCE273

RGB 204 226 115

HSL 71.89, 0.66%, 0.67%

LAB 86.24, -23.55, 51.36

 

CMYK 49 / 0 / 15 / 11

HEX #73E2C1

RGB 115 226 193

HSL 162.16, 0.66%, 0.67%

LAB 82.85, -39.62, 6.39

 

CMYK 39 / 49 / 0 / 11

HEX #8973E2

RGB 137 115 226

HSL 251.89, 0.66%, 0.67%

LAB 55.15, 34.43, -53.82

 

Description

Color code: HEX #E27293 | qconv.com Color code: HEX #E27293 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 226 red, 114 green and 147 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
226 114 147 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 50 magenta, 35 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 50% 35% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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