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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E291C5 it is the complementary color #1D6E3A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E291C5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E291C5 shade: #E791C0, #F8A3D3, #FFB5E6, #FFC7F9 and #FFD9FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E291C5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E291C5 shade: #E291C5, #D17FB2, #C06D9F, #AF5B8C and #9E4979

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E291C5 shade: #E292C5, #E292AF, #E2929A and #E29292

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E291C5 shade: #E292C5, #E292DB, #D392E2, #BE92E2 and #A892E2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E291C5 shade matches the following richer shades: #E292C5, #ED87C8 and #F87BCB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E291C5 shade: #E292C5, #D69DC2, #CBA8BF, #C0B3BB and #B5BEB8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E291C5 shade: #D392E2, #E292DB, #E292C6, #E292B0 and #E2929B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E291C5 shade: #D051A3, #D971B4, #E292C5, #EAB2D6 and #F3D3E7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E291C5 shade: #E291C5, #E2BE92 and #92E2DE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E291C5 shade: #E291C5, #C6E292 and #92C6E2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E291C5 shade: #E291C5, #E2BE92, #92E2AE and #92B6E2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E291C5 shade: #E291C5, #E2D692, #92E2AE and #929EE2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 36 / 13 / 11

HEX #E291C5

RGB 226 145 197

HSL 321.48, 0.58%, 0.73%

LAB 69.79, 38.02, -14.13

 

Complementary color

CMYK 74 / 0 / 47 / 57

HEX #1D6E3A

RGB 29 110 58

HSL 141.48, 0.58%, 0.27%

LAB 40.77, -36.64, 22.17

 

CMYK 0 / 37 / 17 / 9

HEX #E791C0

RGB 231 145 192

HSL 327.21, 0.64%, 0.74%

LAB 70.21, 38.91, -10.67

 

CMYK 0 / 34 / 15 / 3

HEX #F8A3D3

RGB 248 163 211

HSL 326.12, 0.86%, 0.81%

LAB 76.59, 38.16, -11.39

 

CMYK 0 / 29 / 10 / 0

HEX #FFB5E6

RGB 255 181 230

HSL 320.27, 1%, 0.85%

LAB 81.85, 34.13, -13.74

 

CMYK 0 / 22 / 2 / 0

HEX #FFC7F9

RGB 255 199 249

HSL 306.43, 1%, 0.89%

LAB 86.48, 27.92, -16.93

 

CMYK 0 / 15 / 0 / 0

HEX #FFD9FF

RGB 255 217 255

HSL 300, 1%, 0.93%

LAB 90.83, 19.56, -13.56

 

CMYK 0 / 36 / 13 / 11

HEX #E291C5

RGB 226 145 197

HSL 321.48, 0.58%, 0.73%

LAB 69.79, 38.02, -14.13

 

CMYK 0 / 39 / 15 / 18

HEX #D17FB2

RGB 209 127 178

HSL 322.68, 0.47%, 0.66%

LAB 63.3, 38.78, -13.43

 

CMYK 0 / 43 / 17 / 25

HEX #C06D9F

RGB 192 109 159

HSL 323.86, 0.4%, 0.59%

LAB 56.73, 39.57, -12.64

 

CMYK 0 / 48 / 20 / 31

HEX #AF5B8C

RGB 175 91 140

HSL 325, 0.34%, 0.52%

LAB 50.08, 40.37, -11.71

 

CMYK 0 / 54 / 23 / 38

HEX #9E4979

RGB 158 73 121

HSL 326.12, 0.37%, 0.45%

LAB 43.38, 41.11, -10.6

 

CMYK 0 / 35 / 13 / 11

HEX #E292C5

RGB 226 146 197

HSL 321.75, 0.58%, 0.73%

LAB 70.01, 37.49, -13.81

 

CMYK 0 / 35 / 23 / 11

HEX #E292AF

RGB 226 146 175

HSL 338.25, 0.58%, 0.73%

LAB 69.34, 34.1, -2.54

 

CMYK 0 / 35 / 32 / 11

HEX #E2929A

RGB 226 146 154

HSL 354, 0.58%, 0.73%

LAB 68.79, 31.22, 8.4

 

CMYK 0 / 35 / 35 / 11

HEX #E29292

RGB 226 146 146

HSL 0, 0.58%, 0.73%

LAB 68.61, 30.23, 12.61

 

CMYK 0 / 35 / 13 / 11

HEX #E292C5

RGB 226 146 197

HSL 321.75, 0.58%, 0.73%

LAB 70.01, 37.49, -13.81

 

CMYK 0 / 35 / 3 / 11

HEX #E292DB

RGB 226 146 219

HSL 305.25, 0.58%, 0.73%

LAB 70.76, 41.24, -24.84

 

CMYK 7 / 35 / 0 / 11

HEX #D392E2

RGB 211 146 226

HSL 288.75, 0.58%, 0.73%

LAB 69.4, 37.87, -30.93

 

CMYK 16 / 35 / 0 / 11

HEX #BE92E2

RGB 190 146 226

HSL 273, 0.58%, 0.73%

LAB 67.27, 31.45, -34.38

 

CMYK 26 / 35 / 0 / 11

HEX #A892E2

RGB 168 146 226

HSL 256.5, 0.58%, 0.73%

LAB 65.26, 24.93, -37.68

 

CMYK 0 / 35 / 13 / 11

HEX #E292C5

RGB 226 146 197

HSL 321.75, 0.58%, 0.73%

LAB 70.01, 37.49, -13.81

 

CMYK 0 / 43 / 16 / 7

HEX #ED87C8

RGB 237 135 200

HSL 321.76, 0.74%, 0.73%

LAB 69.11, 47.28, -16.69

 

CMYK 0 / 50 / 18 / 3

HEX #F87BCB

RGB 248 123 203

HSL 321.6, 0.9%, 0.73%

LAB 68.34, 57.06, -19.4

 

CMYK 0 / 35 / 13 / 11

HEX #E292C5

RGB 226 146 197

HSL 321.75, 0.58%, 0.73%

LAB 70.01, 37.49, -13.81

 

CMYK 0 / 27 / 9 / 16

HEX #D69DC2

RGB 214 157 194

HSL 321.05, 0.41%, 0.73%

LAB 71.08, 27, -10.67

 

CMYK 0 / 17 / 6 / 20

HEX #CBA8BF

RGB 203 168 191

HSL 320.57, 0.25%, 0.73%

LAB 72.54, 16.64, -6.96

 

CMYK 0 / 7 / 3 / 25

HEX #C0B3BB

RGB 192 179 187

HSL 323.08, 0.09%, 0.73%

LAB 74.21, 6.06, -2.4

 

CMYK 5 / 0 / 3 / 25

HEX #B5BEB8

RGB 181 190 184

HSL 140, 0.06%, 0.73%

LAB 76.14, -4.24, 1.94

 

CMYK 7 / 35 / 0 / 11

HEX #D392E2

RGB 211 146 226

HSL 288.75, 0.58%, 0.73%

LAB 69.4, 37.87, -30.93

 

CMYK 0 / 35 / 3 / 11

HEX #E292DB

RGB 226 146 219

HSL 305.25, 0.58%, 0.73%

LAB 70.76, 41.24, -24.84

 

CMYK 0 / 35 / 12 / 11

HEX #E292C6

RGB 226 146 198

HSL 321, 0.58%, 0.73%

LAB 70.04, 37.65, -14.31

 

CMYK 0 / 35 / 22 / 11

HEX #E292B0

RGB 226 146 176

HSL 337.5, 0.58%, 0.73%

LAB 69.37, 34.25, -3.05

 

CMYK 0 / 35 / 31 / 11

HEX #E2929B

RGB 226 146 155

HSL 353.25, 0.58%, 0.73%

LAB 68.82, 31.35, 7.88

 

CMYK 0 / 61 / 22 / 18

HEX #D051A3

RGB 208 81 163

HSL 321.26, 0.57%, 0.57%

LAB 53.96, 58.74, -18.95

 

CMYK 0 / 48 / 17 / 15

HEX #D971B4

RGB 217 113 180

HSL 321.35, 0.58%, 0.65%

LAB 61.53, 48.93, -17.14

 

CMYK 0 / 35 / 13 / 11

HEX #E292C5

RGB 226 146 197

HSL 321.75, 0.58%, 0.73%

LAB 70.01, 37.49, -13.81

 

CMYK 0 / 24 / 9 / 8

HEX #EAB2D6

RGB 234 178 214

HSL 321.43, 0.57%, 0.81%

LAB 78.57, 25.97, -10.22

 

CMYK 0 / 13 / 5 / 5

HEX #F3D3E7

RGB 243 211 231

HSL 322.5, 0.57%, 0.89%

LAB 87.69, 14.46, -5.71

 

CMYK 0 / 36 / 13 / 11

HEX #E291C5

RGB 226 145 197

HSL 321.48, 0.58%, 0.73%

LAB 69.79, 38.02, -14.13

 

CMYK 0 / 16 / 35 / 11

HEX #E2BE92

RGB 226 190 146

HSL 33, 0.58%, 0.73%

LAB 79.08, 6.73, 27.03

 

CMYK 35 / 0 / 2 / 11

HEX #92E2DE

RGB 146 226 222

HSL 177, 0.58%, 0.73%

LAB 84.88, -25.29, -5.82

 

CMYK 0 / 36 / 13 / 11

HEX #E291C5

RGB 226 145 197

HSL 321.48, 0.58%, 0.73%

LAB 69.79, 38.02, -14.13

 

CMYK 12 / 0 / 35 / 11

HEX #C6E292

RGB 198 226 146

HSL 81, 0.58%, 0.73%

LAB 86.24, -22.35, 36.12

 

CMYK 35 / 12 / 0 / 11

HEX #92C6E2

RGB 146 198 226

HSL 201, 0.58%, 0.73%

LAB 77.27, -10.12, -19.33

 

CMYK 0 / 36 / 13 / 11

HEX #E291C5

RGB 226 145 197

HSL 321.48, 0.58%, 0.73%

LAB 69.79, 38.02, -14.13

 

CMYK 0 / 16 / 35 / 11

HEX #E2BE92

RGB 226 190 146

HSL 33, 0.58%, 0.73%

LAB 79.08, 6.73, 27.03

 

CMYK 35 / 0 / 23 / 11

HEX #92E2AE

RGB 146 226 174

HSL 141, 0.58%, 0.73%

LAB 83.74, -35.38, 17.81

 

CMYK 35 / 19 / 0 / 11

HEX #92B6E2

RGB 146 182 226

HSL 213, 0.58%, 0.73%

LAB 72.93, -1.55, -25.95

 

CMYK 0 / 36 / 13 / 11

HEX #E291C5

RGB 226 145 197

HSL 321.48, 0.58%, 0.73%

LAB 69.79, 38.02, -14.13

 

CMYK 0 / 5 / 35 / 11

HEX #E2D692

RGB 226 214 146

HSL 51, 0.58%, 0.73%

LAB 85.17, -5.73, 35.11

 

CMYK 35 / 0 / 23 / 11

HEX #92E2AE

RGB 146 226 174

HSL 141, 0.58%, 0.73%

LAB 83.74, -35.38, 17.81

 

CMYK 35 / 30 / 0 / 11

HEX #929EE2

RGB 146 158 226

HSL 231, 0.58%, 0.73%

LAB 66.56, 11.85, -35.77

 

Description

Color code: HEX #E291C5 | qconv.com Color code: HEX #E291C5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 226 red, 145 green and 197 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
226 145 197 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 36 magenta, 13 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 36% 13% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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