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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E293AB it is the complementary color #1D6C54. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E293AB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E293AB shade: #E793A6, #F8A5B9, #FFB7CC, #FFC9DF and #FFDBF2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E293AB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E293AB shade: #E293AB, #D18198, #C06F85, #AF5D72 and #9E4B5F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E293AB shade: #E292AA, #E29294 and #E29292

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E293AB shade: #E292AA, #E292C0, #E292D5, #D992E2 and #C392E2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E293AB shade matches the following richer shades: #E292AA, #ED87A6 and #F87BA1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E293AB shade: #E292AA, #D69DAE, #CBA8B3, #C0B3B7 and #B5BEBB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E293AB shade: #E292D6, #E292C0, #E292AB, #E29296 and #E2A392

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E293AB shade: #D05177, #D97191, #E292AA, #EAB2C3 and #F3D3DD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E293AB shade: #E293AB, #E2D892 and #92CBE2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E293AB shade: #E293AB, #ABE292 and #92ABE2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E293AB shade: #E293AB, #E2D892, #92E2C8 and #929BE2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E293AB shade: #E293AB, #D3E292, #92E2C8 and #A092E2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 35 / 24 / 11

HEX #E293AB

RGB 226 147 171

HSL 341.77, 0.58%, 0.73%

LAB 69.45, 32.99, -0.14

 

Complementary color

CMYK 73 / 0 / 22 / 58

HEX #1D6C54

RGB 29 108 84

HSL 161.77, 0.58%, 0.27%

LAB 40.62, -29.87, 6.67

 

CMYK 0 / 36 / 28 / 9

HEX #E793A6

RGB 231 147 166

HSL 346.43, 0.64%, 0.74%

LAB 69.9, 34.09, 3.37

 

CMYK 0 / 33 / 25 / 3

HEX #F8A5B9

RGB 248 165 185

HSL 345.54, 0.86%, 0.81%

LAB 76.3, 33.28, 2.39

 

CMYK 0 / 28 / 20 / 0

HEX #FFB7CC

RGB 255 183 204

HSL 342.5, 1%, 0.86%

LAB 81.56, 29.02, -0.17

 

CMYK 0 / 21 / 13 / 0

HEX #FFC9DF

RGB 255 201 223

HSL 335.56, 1%, 0.89%

LAB 86.19, 22.49, -3.55

 

CMYK 0 / 14 / 5 / 0

HEX #FFDBF2

RGB 255 219 242

HSL 321.67, 1%, 0.93%

LAB 90.93, 16.23, -6.59

 

CMYK 0 / 35 / 24 / 11

HEX #E293AB

RGB 226 147 171

HSL 341.77, 0.58%, 0.73%

LAB 69.45, 32.99, -0.14

 

CMYK 0 / 38 / 27 / 18

HEX #D18198

RGB 209 129 152

HSL 342.75, 0.47%, 0.66%

LAB 62.95, 33.82, 0.84

 

CMYK 0 / 42 / 31 / 25

HEX #C06F85

RGB 192 111 133

HSL 343.7, 0.39%, 0.59%

LAB 56.36, 34.71, 1.95

 

CMYK 0 / 47 / 35 / 31

HEX #AF5D72

RGB 175 93 114

HSL 344.63, 0.34%, 0.53%

LAB 49.69, 35.64, 3.23

 

CMYK 0 / 53 / 40 / 38

HEX #9E4B5F

RGB 158 75 95

HSL 345.54, 0.36%, 0.46%

LAB 42.95, 36.6, 4.77

 

CMYK 0 / 35 / 25 / 11

HEX #E292AA

RGB 226 146 170

HSL 342, 0.58%, 0.73%

LAB 69.2, 33.38, 0.05

 

CMYK 0 / 35 / 35 / 11

HEX #E29294

RGB 226 146 148

HSL 358.5, 0.58%, 0.73%

LAB 68.65, 30.47, 11.55

 

CMYK 0 / 35 / 35 / 11

HEX #E29292

RGB 226 146 146

HSL 0, 0.58%, 0.73%

LAB 68.61, 30.23, 12.61

 

CMYK 0 / 35 / 25 / 11

HEX #E292AA

RGB 226 146 170

HSL 342, 0.58%, 0.73%

LAB 69.2, 33.38, 0.05

 

CMYK 0 / 35 / 15 / 11

HEX #E292C0

RGB 226 146 192

HSL 325.5, 0.58%, 0.73%

LAB 69.85, 36.69, -11.27

 

CMYK 0 / 35 / 6 / 11

HEX #E292D5

RGB 226 146 213

HSL 309.75, 0.58%, 0.73%

LAB 70.55, 40.18, -21.85

 

CMYK 4 / 35 / 0 / 11

HEX #D992E2

RGB 217 146 226

HSL 293.25, 0.58%, 0.73%

LAB 70.04, 39.72, -29.89

 

CMYK 14 / 35 / 0 / 11

HEX #C392E2

RGB 195 146 226

HSL 276.75, 0.58%, 0.73%

LAB 67.76, 32.97, -33.59

 

CMYK 0 / 35 / 25 / 11

HEX #E292AA

RGB 226 146 170

HSL 342, 0.58%, 0.73%

LAB 69.2, 33.38, 0.05

 

CMYK 0 / 43 / 30 / 7

HEX #ED87A6

RGB 237 135 166

HSL 341.76, 0.74%, 0.73%

LAB 68.08, 42.46, 0.82

 

CMYK 0 / 50 / 35 / 3

HEX #F87BA1

RGB 248 123 161

HSL 341.76, 0.9%, 0.73%

LAB 67.05, 51.57, 2.31

 

CMYK 0 / 35 / 25 / 11

HEX #E292AA

RGB 226 146 170

HSL 342, 0.58%, 0.73%

LAB 69.2, 33.38, 0.05

 

CMYK 0 / 27 / 19 / 16

HEX #D69DAE

RGB 214 157 174

HSL 342.11, 0.41%, 0.73%

LAB 70.5, 23.74, -0.44

 

CMYK 0 / 17 / 12 / 20

HEX #CBA8B3

RGB 203 168 179

HSL 341.14, 0.25%, 0.73%

LAB 72.2, 14.57, -0.85

 

CMYK 0 / 7 / 5 / 25

HEX #C0B3B7

RGB 192 179 183

HSL 341.54, 0.09%, 0.73%

LAB 74.1, 5.34, -0.38

 

CMYK 5 / 0 / 2 / 25

HEX #B5BEBB

RGB 181 190 187

HSL 160, 0.06%, 0.73%

LAB 76.22, -3.67, 0.43

 

CMYK 0 / 35 / 5 / 11

HEX #E292D6

RGB 226 146 214

HSL 309, 0.58%, 0.73%

LAB 70.58, 40.36, -22.35

 

CMYK 0 / 35 / 15 / 11

HEX #E292C0

RGB 226 146 192

HSL 325.5, 0.58%, 0.73%

LAB 69.85, 36.69, -11.27

 

CMYK 0 / 35 / 24 / 11

HEX #E292AB

RGB 226 146 171

HSL 341.25, 0.58%, 0.73%

LAB 69.23, 33.52, -0.47

 

CMYK 0 / 35 / 34 / 11

HEX #E29296

RGB 226 146 150

HSL 357, 0.58%, 0.73%

LAB 68.7, 30.72, 10.5

 

CMYK 0 / 28 / 35 / 11

HEX #E2A392

RGB 226 163 146

HSL 12.75, 0.58%, 0.73%

LAB 72.52, 21.13, 18.07

 

CMYK 0 / 61 / 43 / 18

HEX #D05177

RGB 208 81 119

HSL 342.05, 0.57%, 0.57%

LAB 52.54, 53.44, 4.99

 

CMYK 0 / 48 / 33 / 15

HEX #D97191

RGB 217 113 145

HSL 341.54, 0.58%, 0.65%

LAB 60.43, 44.09, 1.32

 

CMYK 0 / 35 / 25 / 11

HEX #E292AA

RGB 226 146 170

HSL 342, 0.58%, 0.73%

LAB 69.2, 33.38, 0.05

 

CMYK 0 / 24 / 17 / 8

HEX #EAB2C3

RGB 234 178 195

HSL 341.79, 0.57%, 0.81%

LAB 78.04, 22.88, -0.71

 

CMYK 0 / 13 / 9 / 5

HEX #F3D3DD

RGB 243 211 221

HSL 341.25, 0.57%, 0.89%

LAB 87.42, 12.77, -0.81

 

CMYK 0 / 35 / 24 / 11

HEX #E293AB

RGB 226 147 171

HSL 341.77, 0.58%, 0.73%

LAB 69.45, 32.99, -0.14

 

CMYK 0 / 4 / 35 / 11

HEX #E2D892

RGB 226 216 146

HSL 52.5, 0.58%, 0.73%

LAB 85.68, -6.75, 35.78

 

CMYK 35 / 10 / 0 / 11

HEX #92CBE2

RGB 146 203 226

HSL 197.25, 0.58%, 0.73%

LAB 78.64, -12.74, -17.26

 

CMYK 0 / 35 / 24 / 11

HEX #E293AB

RGB 226 147 171

HSL 341.77, 0.58%, 0.73%

LAB 69.45, 32.99, -0.14

 

CMYK 24 / 0 / 35 / 11

HEX #ABE292

RGB 171 226 146

HSL 101.25, 0.58%, 0.73%

LAB 84.55, -31.99, 33.58

 

CMYK 35 / 24 / 0 / 11

HEX #92ABE2

RGB 146 171 226

HSL 221.25, 0.58%, 0.73%

LAB 69.98, 4.52, -30.47

 

CMYK 0 / 35 / 24 / 11

HEX #E293AB

RGB 226 147 171

HSL 341.77, 0.58%, 0.73%

LAB 69.45, 32.99, -0.14

 

CMYK 0 / 4 / 35 / 11

HEX #E2D892

RGB 226 216 146

HSL 52.5, 0.58%, 0.73%

LAB 85.68, -6.75, 35.78

 

CMYK 35 / 0 / 12 / 11

HEX #92E2C8

RGB 146 226 200

HSL 160.5, 0.58%, 0.73%

LAB 84.32, -30.18, 4.97

 

CMYK 35 / 31 / 0 / 11

HEX #929BE2

RGB 146 155 226

HSL 233.25, 0.58%, 0.73%

LAB 65.78, 13.56, -36.99

 

CMYK 0 / 35 / 24 / 11

HEX #E293AB

RGB 226 147 171

HSL 341.77, 0.58%, 0.73%

LAB 69.45, 32.99, -0.14

 

CMYK 7 / 0 / 35 / 11

HEX #D3E292

RGB 211 226 146

HSL 71.25, 0.58%, 0.73%

LAB 87.15, -17.5, 37.48

 

CMYK 35 / 0 / 12 / 11

HEX #92E2C8

RGB 146 226 200

HSL 160.5, 0.58%, 0.73%

LAB 84.32, -30.18, 4.97

 

CMYK 29 / 35 / 0 / 11

HEX #A092E2

RGB 160 146 226

HSL 250.5, 0.58%, 0.73%

LAB 64.58, 22.63, -38.78

 

Description

Color code: HEX #E293AB | qconv.com Color code: HEX #E293AB | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 226 red, 147 green and 171 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
226 147 171 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 35 magenta, 24 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 35% 24% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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