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Color name
HEX #E29C3A

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E29C3A it is the complementary color #1D63C5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E29C3A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E29C3A shade: #E79C35, #F8AE48, #FFC05B, #FFD26E and #FFE481

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E29C3A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E29C3A shade: #E29C3A, #D18A27, #C07814, #AF6601 and #9E5400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E29C3A shade: #E19C3B, #E16F3B, #E1433B and #E13B3B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E29C3A shade: #E19C3B, #E1C93B, #CDE13B, #A0E13B and #73E13B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E29C3A shade matches the following richer shades: #E19C3B and #F39F29

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E29C3A shade: #E19C3B, #CF994D, #BD9660, #AB9372 and #999084

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E29C3A shade: #E1443B, #E1703B, #E19C3B, #E1C83B and #CEE13B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E29C3A shade: #B0721A, #D4891F, #E19C3B, #E7AE5F and #ECC083

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E29C3A shade: #E29C3A, #5FE13B and #5A3BE1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E29C3A shade: #E29C3A, #3BE19C and #9C3BE1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E29C3A shade: #E29C3A, #5FE13B, #3B80E1 and #BD3BE1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E29C3A shade: #E29C3A, #3BE149, #3B80E1 and #E13BD3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 31 / 74 / 11

HEX #E29C3A

RGB 226 156 58

HSL 35, 0.74%, 0.56%

LAB 69.65, 17.66, 59.11

 

Complementary color

CMYK 85 / 50 / 0 / 23

HEX #1D63C5

RGB 29 99 197

HSL 215, 0.74%, 0.44%

LAB 43.09, 15.8, -57

 

CMYK 0 / 32 / 77 / 9

HEX #E79C35

RGB 231 156 53

HSL 34.72, 0.79%, 0.56%

LAB 70.19, 19.58, 61.85

 

CMYK 0 / 30 / 71 / 3

HEX #F8AE48

RGB 248 174 72

HSL 34.77, 0.93%, 0.63%

LAB 76.49, 18.02, 60.95

 

CMYK 0 / 25 / 64 / 0

HEX #FFC05B

RGB 255 192 91

HSL 36.95, 1%, 0.68%

LAB 81.68, 12.53, 58.33

 

CMYK 0 / 18 / 57 / 0

HEX #FFD26E

RGB 255 210 110

HSL 41.38, 1%, 0.72%

LAB 86.25, 4.5, 54.75

 

CMYK 0 / 11 / 49 / 0

HEX #FFE481

RGB 255 228 129

HSL 47.14, 1%, 0.75%

LAB 90.93, -3.13, 51.33

 

CMYK 0 / 31 / 74 / 11

HEX #E29C3A

RGB 226 156 58

HSL 35, 0.74%, 0.56%

LAB 69.65, 17.66, 59.11

 

CMYK 0 / 34 / 81 / 18

HEX #D18A27

RGB 209 138 39

HSL 34.94, 0.69%, 0.49%

LAB 63.24, 19.36, 59.73

 

CMYK 0 / 38 / 90 / 25

HEX #C07814

RGB 192 120 20

HSL 34.88, 0.81%, 0.42%

LAB 56.77, 21.31, 59.42

 

CMYK 0 / 42 / 99 / 31

HEX #AF6601

RGB 175 102 1

HSL 34.83, 0.99%, 0.35%

LAB 50.24, 23.5, 57.82

 

CMYK 0 / 47 / 100 / 38

HEX #9E5400

RGB 158 84 0

HSL 31.9, 1%, 0.31%

LAB 43.67, 26.01, 52.73

 

CMYK 0 / 31 / 74 / 12

HEX #E19C3B

RGB 225 156 59

HSL 35.06, 0.73%, 0.56%

LAB 69.54, 17.28, 58.55

 

CMYK 0 / 51 / 74 / 12

HEX #E16F3B

RGB 225 111 59

HSL 18.8, 0.73%, 0.56%

LAB 59.61, 40.9, 48.36

 

CMYK 0 / 70 / 74 / 12

HEX #E1433B

RGB 225 67 59

HSL 2.89, 0.73%, 0.56%

LAB 52.22, 60.37, 40.34

 

CMYK 0 / 74 / 74 / 12

HEX #E13B3B

RGB 225 59 59

HSL 0, 0.73%, 0.56%

LAB 51.21, 63.15, 39.22

 

CMYK 0 / 31 / 74 / 12

HEX #E19C3B

RGB 225 156 59

HSL 35.06, 0.73%, 0.56%

LAB 69.54, 17.28, 58.55

 

CMYK 0 / 11 / 74 / 12

HEX #E1C93B

RGB 225 201 59

HSL 51.33, 0.73%, 0.56%

LAB 80.79, -6.37, 69.49

 

CMYK 9 / 0 / 74 / 12

HEX #CDE13B

RGB 205 225 59

HSL 67.23, 0.73%, 0.56%

LAB 85.58, -26.57, 73.45

 

CMYK 29 / 0 / 74 / 12

HEX #A0E13B

RGB 160 225 59

HSL 83.49, 0.73%, 0.56%

LAB 82.72, -44.05, 69.72

 

CMYK 49 / 0 / 74 / 12

HEX #73E13B

RGB 115 225 59

HSL 99.76, 0.73%, 0.56%

LAB 80.63, -58.88, 66.97

 

CMYK 0 / 31 / 74 / 12

HEX #E19C3B

RGB 225 156 59

HSL 35.06, 0.73%, 0.56%

LAB 69.54, 17.28, 58.55

 

CMYK 0 / 35 / 83 / 5

HEX #F39F29

RGB 243 159 41

HSL 35.05, 0.89%, 0.56%

LAB 72.24, 22.65, 68.47

 

CMYK 0 / 31 / 74 / 12

HEX #E19C3B

RGB 225 156 59

HSL 35.06, 0.73%, 0.56%

LAB 69.54, 17.28, 58.55

 

CMYK 0 / 26 / 63 / 19

HEX #CF994D

RGB 207 153 77

HSL 35.08, 0.58%, 0.56%

LAB 66.96, 12.23, 47

 

CMYK 0 / 21 / 49 / 26

HEX #BD9660

RGB 189 150 96

HSL 34.84, 0.41%, 0.56%

LAB 64.54, 7.78, 33.91

 

CMYK 0 / 14 / 33 / 33

HEX #AB9372

RGB 171 147 114

HSL 34.74, 0.25%, 0.56%

LAB 62.29, 3.99, 20.8

 

CMYK 0 / 6 / 14 / 40

HEX #999084

RGB 153 144 132

HSL 34.29, 0.09%, 0.56%

LAB 60.23, 1.2, 7.56

 

CMYK 0 / 70 / 74 / 12

HEX #E1443B

RGB 225 68 59

HSL 3.25, 0.73%, 0.56%

LAB 52.35, 60, 40.49

 

CMYK 0 / 50 / 74 / 12

HEX #E1703B

RGB 225 112 59

HSL 19.16, 0.73%, 0.56%

LAB 59.81, 40.4, 48.57

 

CMYK 0 / 31 / 74 / 12

HEX #E19C3B

RGB 225 156 59

HSL 35.06, 0.73%, 0.56%

LAB 69.54, 17.28, 58.55

 

CMYK 0 / 11 / 74 / 12

HEX #E1C83B

RGB 225 200 59

HSL 50.96, 0.73%, 0.56%

LAB 80.53, -5.86, 69.25

 

CMYK 8 / 0 / 74 / 12

HEX #CEE13B

RGB 206 225 59

HSL 66.87, 0.73%, 0.56%

LAB 85.65, -26.16, 73.54

 

CMYK 0 / 35 / 85 / 31

HEX #B0721A

RGB 176 114 26

HSL 35.2, 0.74%, 0.4%

LAB 53.32, 17.72, 54.01

 

CMYK 0 / 35 / 85 / 17

HEX #D4891F

RGB 212 137 31

HSL 35.14, 0.74%, 0.48%

LAB 63.33, 20.96, 62.6

 

CMYK 0 / 31 / 74 / 12

HEX #E19C3B

RGB 225 156 59

HSL 35.06, 0.73%, 0.56%

LAB 69.54, 17.28, 58.55

 

CMYK 0 / 25 / 59 / 9

HEX #E7AE5F

RGB 231 174 95

HSL 34.85, 0.74%, 0.64%

LAB 74.88, 12.32, 48.02

 

CMYK 0 / 19 / 44 / 7

HEX #ECC083

RGB 236 192 131

HSL 34.86, 0.73%, 0.72%

LAB 80.28, 7.99, 36.61

 

CMYK 0 / 31 / 74 / 11

HEX #E29C3A

RGB 226 156 58

HSL 35, 0.74%, 0.56%

LAB 69.65, 17.66, 59.11

 

CMYK 58 / 0 / 74 / 12

HEX #5FE13B

RGB 95 225 59

HSL 106.99, 0.73%, 0.56%

LAB 79.95, -64.19, 66.07

 

CMYK 60 / 74 / 0 / 12

HEX #5A3BE1

RGB 90 59 225

HSL 251.2, 0.73%, 0.56%

LAB 39.14, 56.59, -79.41

 

CMYK 0 / 31 / 74 / 11

HEX #E29C3A

RGB 226 156 58

HSL 35, 0.74%, 0.56%

LAB 69.65, 17.66, 59.11

 

CMYK 74 / 0 / 31 / 12

HEX #3BE19C

RGB 59 225 156

HSL 155.06, 0.73%, 0.56%

LAB 80.28, -57.55, 21.98

 

CMYK 31 / 74 / 0 / 12

HEX #9C3BE1

RGB 156 59 225

HSL 275.06, 0.73%, 0.56%

LAB 46.49, 66.74, -67.09

 

CMYK 0 / 31 / 74 / 11

HEX #E29C3A

RGB 226 156 58

HSL 35, 0.74%, 0.56%

LAB 69.65, 17.66, 59.11

 

CMYK 58 / 0 / 74 / 12

HEX #5FE13B

RGB 95 225 59

HSL 106.99, 0.73%, 0.56%

LAB 79.95, -64.19, 66.07

 

CMYK 74 / 43 / 0 / 12

HEX #3B80E1

RGB 59 128 225

HSL 215.06, 0.73%, 0.56%

LAB 53.82, 11.15, -55.64

 

CMYK 16 / 74 / 0 / 12

HEX #BD3BE1

RGB 189 59 225

HSL 286.99, 0.73%, 0.56%

LAB 51.13, 72.87, -59.36

 

CMYK 0 / 31 / 74 / 11

HEX #E29C3A

RGB 226 156 58

HSL 35, 0.74%, 0.56%

LAB 69.65, 17.66, 59.11

 

CMYK 74 / 0 / 68 / 12

HEX #3BE149

RGB 59 225 73

HSL 125.06, 0.73%, 0.56%

LAB 79.19, -70.14, 59.94

 

CMYK 74 / 43 / 0 / 12

HEX #3B80E1

RGB 59 128 225

HSL 215.06, 0.73%, 0.56%

LAB 53.82, 11.15, -55.64

 

CMYK 0 / 74 / 6 / 12

HEX #E13BD3

RGB 225 59 211

HSL 305.06, 0.73%, 0.56%

LAB 55.93, 77.85, -43.43

 

Description

Color code: HEX #E29C3A | qconv.com Color code: HEX #E29C3A | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 226 red, 156 green and 58 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
226 156 58 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 31 magenta, 74 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 31% 74% 11% C M Y K

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