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Color name
HEX #E2A752

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E2A752 it is the complementary color #1D58AD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E2A752. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E2A752 shade: #E7A74D, #F8B960, #FFCB73, #FFDD86 and #FFEF99

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E2A752. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E2A752 shade: #E2A752, #D1953F, #C0832C, #AF7119 and #9E5F06

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E2A752 shade: #E1A650, #E17F50, #E15750 and #E15050

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E2A752 shade: #E1A650, #E1CD50, #CEE150, #A7E150 and #80E150

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E2A752 shade matches the following richer shades: #E1A650 and #F1A940

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E2A752 shade: #E1A650, #D0A361, #C0A071, #AF9D82 and #9F9A92

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E2A752 shade: #E15750, #E17E50, #E1A550, #E1CB50 and #D0E150

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E2A752 shade: #BF7E20, #DB942D, #E1A650, #E7B873 and #EDCA97

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E2A752 shade: #E2A752, #6FE150 and #6B50E1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E2A752 shade: #E2A752, #50E1A5 and #A550E1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E2A752 shade: #E2A752, #6FE150, #508CE1 and #C250E1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E2A752 shade: #E2A752, #50E15C, #508CE1 and #E150D5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 26 / 64 / 11

HEX #E2A752

RGB 226 167 82

HSL 35.42, 0.71%, 0.6%

LAB 72.51, 13.07, 51.42

 

Complementary color

CMYK 83 / 49 / 0 / 32

HEX #1D58AD

RGB 29 88 173

HSL 215.42, 0.71%, 0.4%

LAB 38.3, 13.52, -50.69

 

CMYK 0 / 28 / 67 / 9

HEX #E7A74D

RGB 231 167 77

HSL 35.06, 0.76%, 0.6%

LAB 73, 14.87, 54.45

 

CMYK 0 / 25 / 61 / 3

HEX #F8B960

RGB 248 185 96

HSL 35.13, 0.92%, 0.67%

LAB 79.33, 13.62, 53.16

 

CMYK 0 / 20 / 55 / 0

HEX #FFCB73

RGB 255 203 115

HSL 37.71, 1%, 0.73%

LAB 84.59, 8.49, 50.41

 

CMYK 0 / 13 / 47 / 0

HEX #FFDD86

RGB 255 221 134

HSL 43.14, 1%, 0.76%

LAB 89.25, 0.86, 46.84

 

CMYK 0 / 6 / 40 / 0

HEX #FFEF99

RGB 255 239 153

HSL 50.59, 1%, 0.8%

LAB 94.01, -6.35, 43.51

 

CMYK 0 / 26 / 64 / 11

HEX #E2A752

RGB 226 167 82

HSL 35.42, 0.71%, 0.6%

LAB 72.51, 13.07, 51.42

 

CMYK 0 / 29 / 70 / 18

HEX #D1953F

RGB 209 149 63

HSL 35.34, 0.61%, 0.53%

LAB 66.07, 14.41, 52.67

 

CMYK 0 / 32 / 77 / 25

HEX #C0832C

RGB 192 131 44

HSL 35.27, 0.63%, 0.46%

LAB 59.54, 15.97, 53.65

 

CMYK 0 / 35 / 86 / 31

HEX #AF7119

RGB 175 113 25

HSL 35.2, 0.75%, 0.39%

LAB 52.94, 17.8, 53.97

 

CMYK 0 / 40 / 96 / 38

HEX #9E5F06

RGB 158 95 6

HSL 35.13, 0.93%, 0.32%

LAB 46.27, 19.94, 52.91

 

CMYK 0 / 26 / 64 / 12

HEX #E1A650

RGB 225 166 80

HSL 35.59, 0.71%, 0.6%

LAB 72.13, 13.06, 51.92

 

CMYK 0 / 44 / 64 / 12

HEX #E17F50

RGB 225 127 80

HSL 19.45, 0.71%, 0.6%

LAB 63.15, 33.81, 41.63

 

CMYK 0 / 61 / 64 / 12

HEX #E15750

RGB 225 87 80

HSL 2.9, 0.71%, 0.6%

LAB 55.49, 53.33, 32.38

 

CMYK 0 / 64 / 64 / 12

HEX #E15050

RGB 225 80 80

HSL 0, 0.71%, 0.6%

LAB 54.37, 56.32, 30.99

 

CMYK 0 / 26 / 64 / 12

HEX #E1A650

RGB 225 166 80

HSL 35.59, 0.71%, 0.6%

LAB 72.13, 13.06, 51.92

 

CMYK 0 / 9 / 64 / 12

HEX #E1CD50

RGB 225 205 80

HSL 51.72, 0.71%, 0.6%

LAB 81.97, -7.34, 62.6

 

CMYK 8 / 0 / 64 / 12

HEX #CEE150

RGB 206 225 80

HSL 67.86, 0.71%, 0.6%

LAB 85.78, -25.04, 66.15

 

CMYK 26 / 0 / 64 / 12

HEX #A7E150

RGB 167 225 80

HSL 84, 0.71%, 0.6%

LAB 83.26, -40.13, 62.71

 

CMYK 43 / 0 / 64 / 12

HEX #80E150

RGB 128 225 80

HSL 100.14, 0.71%, 0.6%

LAB 81.3, -53.42, 60.03

 

CMYK 0 / 26 / 64 / 12

HEX #E1A650

RGB 225 166 80

HSL 35.59, 0.71%, 0.6%

LAB 72.13, 13.06, 51.92

 

CMYK 0 / 30 / 73 / 5

HEX #F1A940

RGB 241 169 64

HSL 35.59, 0.86%, 0.6%

LAB 74.47, 17.35, 62

 

CMYK 0 / 26 / 64 / 12

HEX #E1A650

RGB 225 166 80

HSL 35.59, 0.71%, 0.6%

LAB 72.13, 13.06, 51.92

 

CMYK 0 / 22 / 53 / 18

HEX #D0A361

RGB 208 163 97

HSL 35.68, 0.54%, 0.6%

LAB 69.8, 8.78, 40.35

 

CMYK 0 / 17 / 41 / 25

HEX #C0A071

RGB 192 160 113

HSL 35.7, 0.39%, 0.6%

LAB 67.68, 5.34, 28.9

 

CMYK 0 / 10 / 26 / 31

HEX #AF9D82

RGB 175 157 130

HSL 36, 0.22%, 0.6%

LAB 65.62, 2.29, 16.55

 

CMYK 0 / 3 / 8 / 38

HEX #9F9A92

RGB 159 154 146

HSL 36.92, 0.06%, 0.6%

LAB 63.8, 0.36, 4.83

 

CMYK 0 / 61 / 64 / 12

HEX #E15750

RGB 225 87 80

HSL 2.9, 0.71%, 0.6%

LAB 55.49, 53.33, 32.38

 

CMYK 0 / 44 / 64 / 12

HEX #E17E50

RGB 225 126 80

HSL 19.03, 0.71%, 0.6%

LAB 62.93, 34.33, 41.38

 

CMYK 0 / 27 / 64 / 12

HEX #E1A550

RGB 225 165 80

HSL 35.17, 0.71%, 0.6%

LAB 71.89, 13.59, 51.65

 

CMYK 0 / 10 / 64 / 12

HEX #E1CB50

RGB 225 203 80

HSL 50.9, 0.71%, 0.6%

LAB 81.46, -6.32, 62.06

 

CMYK 8 / 0 / 64 / 12

HEX #D0E150

RGB 208 225 80

HSL 67.03, 0.71%, 0.6%

LAB 85.93, -24.24, 66.34

 

CMYK 0 / 34 / 83 / 25

HEX #BF7E20

RGB 191 126 32

HSL 35.47, 0.71%, 0.44%

LAB 58.13, 17.86, 56.85

 

CMYK 0 / 32 / 79 / 14

HEX #DB942D

RGB 219 148 45

HSL 35.52, 0.71%, 0.52%

LAB 66.85, 18.46, 61.25

 

CMYK 0 / 26 / 64 / 12

HEX #E1A650

RGB 225 166 80

HSL 35.59, 0.71%, 0.6%

LAB 72.13, 13.06, 51.92

 

CMYK 0 / 20 / 50 / 9

HEX #E7B873

RGB 231 184 115

HSL 35.69, 0.71%, 0.68%

LAB 77.58, 8.66, 41.3

 

CMYK 0 / 15 / 36 / 7

HEX #EDCA97

RGB 237 202 151

HSL 35.58, 0.7%, 0.76%

LAB 83.17, 5.32, 30.06

 

CMYK 0 / 26 / 64 / 11

HEX #E2A752

RGB 226 167 82

HSL 35.42, 0.71%, 0.6%

LAB 72.51, 13.07, 51.42

 

CMYK 51 / 0 / 64 / 12

HEX #6FE150

RGB 111 225 80

HSL 107.17, 0.71%, 0.6%

LAB 80.63, -58.38, 59.11

 

CMYK 52 / 64 / 0 / 12

HEX #6B50E1

RGB 107 80 225

HSL 251.17, 0.71%, 0.6%

LAB 44.66, 47.95, -70.31

 

CMYK 0 / 26 / 64 / 11

HEX #E2A752

RGB 226 167 82

HSL 35.42, 0.71%, 0.6%

LAB 72.51, 13.07, 51.42

 

CMYK 64 / 0 / 27 / 12

HEX #50E1A5

RGB 80 225 165

HSL 155.17, 0.71%, 0.6%

LAB 80.89, -52.46, 18.19

 

CMYK 27 / 64 / 0 / 12

HEX #A550E1

RGB 165 80 225

HSL 275.17, 0.71%, 0.6%

LAB 50.89, 59.44, -59.92

 

CMYK 0 / 26 / 64 / 11

HEX #E2A752

RGB 226 167 82

HSL 35.42, 0.71%, 0.6%

LAB 72.51, 13.07, 51.42

 

CMYK 51 / 0 / 64 / 12

HEX #6FE150

RGB 111 225 80

HSL 107.17, 0.71%, 0.6%

LAB 80.63, -58.38, 59.11

 

CMYK 64 / 38 / 0 / 12

HEX #508CE1

RGB 80 140 225

HSL 215.17, 0.71%, 0.6%

LAB 57.94, 7.02, -49.03

 

CMYK 14 / 64 / 0 / 12

HEX #C250E1

RGB 194 80 225

HSL 287.17, 0.71%, 0.6%

LAB 54.7, 65.86, -53.59

 

CMYK 0 / 26 / 64 / 11

HEX #E2A752

RGB 226 167 82

HSL 35.42, 0.71%, 0.6%

LAB 72.51, 13.07, 51.42

 

CMYK 64 / 0 / 59 / 12

HEX #50E15C

RGB 80 225 92

HSL 124.97, 0.71%, 0.6%

LAB 79.8, -64.5, 52.82

 

CMYK 64 / 38 / 0 / 12

HEX #508CE1

RGB 80 140 225

HSL 215.17, 0.71%, 0.6%

LAB 57.94, 7.02, -49.03

 

CMYK 0 / 64 / 5 / 12

HEX #E150D5

RGB 225 80 213

HSL 304.97, 0.71%, 0.6%

LAB 58.55, 71.01, -40.42

 

Description

Color code: HEX #E2A752 | qconv.com Color code: HEX #E2A752 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 226 red, 167 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
226 167 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 26 magenta, 64 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 26% 64% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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