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Color name
HEX #E2A784

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E2A784 it is the complementary color #1D587B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E2A784. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E2A784 shade: #E7A77F, #F8B992, #FFCBA5, #FFDDB8 and #FFEFCB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E2A784. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E2A784 shade: #E2A784, #D19571, #C0835E, #AF714B and #9E5F38

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E2A784 shade: #E1A683, #E18C83 and #E18383

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E2A784 shade: #E1A683, #E1BF83, #E1D983, #D0E183 and #B7E183

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E2A784 shade matches the following richer shades: #E1A683, #EEA376 and #FAA06A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E2A784 shade: #E1A683, #D5A98F, #C9AC9B, #BCAFA8 and #B0B3B4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E2A784 shade: #E18392, #E18C83, #E1A583, #E1BF83 and #E1D883

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E2A784 shade: #D27640, #DA8E61, #E1A683, #E9BEA4 and #F1D6C5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E2A784 shade: #E2A784, #ACE183 and #8386E1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E2A784 shade: #E2A784, #83E1A5 and #A583E1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E2A784 shade: #E2A784, #ACE183, #83BFE1 and #B883E1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E2A784 shade: #E2A784, #8FE183, #83BFE1 and #D583E1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 26 / 42 / 11

HEX #E2A784

RGB 226 167 132

HSL 22.34, 0.62%, 0.7%

LAB 73.2, 17.37, 26.6

 

Complementary color

CMYK 76 / 28 / 0 / 52

HEX #1D587B

RGB 29 88 123

HSL 202.34, 0.62%, 0.3%

LAB 35.34, -6.16, -25.19

 

CMYK 0 / 28 / 45 / 9

HEX #E7A77F

RGB 231 167 127

HSL 23.08, 0.68%, 0.7%

LAB 73.65, 18.83, 29.98

 

CMYK 0 / 25 / 41 / 3

HEX #F8B992

RGB 248 185 146

HSL 22.94, 0.88%, 0.77%

LAB 80.03, 17.96, 28.67

 

CMYK 0 / 20 / 35 / 0

HEX #FFCBA5

RGB 255 203 165

HSL 25.33, 1%, 0.82%

LAB 85.35, 13.37, 25.97

 

CMYK 0 / 13 / 28 / 0

HEX #FFDDB8

RGB 255 221 184

HSL 31.27, 1%, 0.86%

LAB 90.06, 6.41, 22.52

 

CMYK 0 / 6 / 20 / 0

HEX #FFEFCB

RGB 255 239 203

HSL 41.54, 1%, 0.9%

LAB 94.87, -0.18, 19.38

 

CMYK 0 / 26 / 42 / 11

HEX #E2A784

RGB 226 167 132

HSL 22.34, 0.62%, 0.7%

LAB 73.2, 17.37, 26.6

 

CMYK 0 / 29 / 46 / 18

HEX #D19571

RGB 209 149 113

HSL 22.5, 0.51%, 0.63%

LAB 66.7, 18.28, 27.95

 

CMYK 0 / 32 / 51 / 25

HEX #C0835E

RGB 192 131 94

HSL 22.65, 0.44%, 0.56%

LAB 60.11, 19.32, 29.42

 

CMYK 0 / 35 / 57 / 31

HEX #AF714B

RGB 175 113 75

HSL 22.8, 0.4%, 0.49%

LAB 53.42, 20.51, 31.03

 

CMYK 0 / 40 / 65 / 38

HEX #9E5F38

RGB 158 95 56

HSL 22.94, 0.48%, 0.42%

LAB 46.63, 21.92, 32.81

 

CMYK 0 / 26 / 42 / 12

HEX #E1A683

RGB 225 166 131

HSL 22.34, 0.61%, 0.7%

LAB 72.84, 17.41, 26.64

 

CMYK 0 / 38 / 42 / 12

HEX #E18C83

RGB 225 140 131

HSL 5.74, 0.61%, 0.7%

LAB 66.83, 31.32, 18.48

 

CMYK 0 / 42 / 42 / 12

HEX #E18383

RGB 225 131 131

HSL 0, 0.61%, 0.7%

LAB 64.87, 36.06, 15.77

 

CMYK 0 / 26 / 42 / 12

HEX #E1A683

RGB 225 166 131

HSL 22.34, 0.61%, 0.7%

LAB 72.84, 17.41, 26.64

 

CMYK 0 / 15 / 42 / 12

HEX #E1BF83

RGB 225 191 131

HSL 38.3, 0.61%, 0.7%

LAB 78.99, 4.12, 34.74

 

CMYK 0 / 4 / 42 / 12

HEX #E1D983

RGB 225 217 131

HSL 54.89, 0.61%, 0.7%

LAB 85.64, -9.28, 43.25

 

CMYK 8 / 0 / 42 / 12

HEX #D0E183

RGB 208 225 131

HSL 70.85, 0.61%, 0.7%

LAB 86.45, -19.88, 44

 

CMYK 19 / 0 / 42 / 12

HEX #B7E183

RGB 183 225 131

HSL 86.81, 0.61%, 0.7%

LAB 84.77, -29.25, 41.52

 

CMYK 0 / 26 / 42 / 12

HEX #E1A683

RGB 225 166 131

HSL 22.34, 0.61%, 0.7%

LAB 72.84, 17.41, 26.64

 

CMYK 0 / 32 / 50 / 7

HEX #EEA376

RGB 238 163 118

HSL 22.5, 0.78%, 0.7%

LAB 73.34, 22.89, 34.51

 

CMYK 0 / 36 / 58 / 2

HEX #FAA06A

RGB 250 160 106

HSL 22.5, 0.94%, 0.7%

LAB 73.87, 28.25, 41.77

 

CMYK 0 / 26 / 42 / 12

HEX #E1A683

RGB 225 166 131

HSL 22.34, 0.61%, 0.7%

LAB 72.84, 17.41, 26.64

 

CMYK 0 / 21 / 33 / 16

HEX #D5A98F

RGB 213 169 143

HSL 22.29, 0.45%, 0.7%

LAB 72.56, 12.48, 19.56

 

CMYK 0 / 14 / 23 / 21

HEX #C9AC9B

RGB 201 172 155

HSL 22.17, 0.3%, 0.7%

LAB 72.42, 7.87, 12.63

 

CMYK 0 / 7 / 11 / 26

HEX #BCAFA8

RGB 188 175 168

HSL 21, 0.13%, 0.7%

LAB 72.35, 3.44, 5.25

 

CMYK 2 / 1 / 0 / 29

HEX #B0B3B4

RGB 176 179 180

HSL 195, 0.03%, 0.7%

LAB 72.74, -0.86, -0.89

 

CMYK 0 / 42 / 35 / 12

HEX #E18392

RGB 225 131 146

HSL 350.43, 0.61%, 0.7%

LAB 65.21, 37.78, 7.77

 

CMYK 0 / 38 / 42 / 12

HEX #E18C83

RGB 225 140 131

HSL 5.74, 0.61%, 0.7%

LAB 66.83, 31.32, 18.48

 

CMYK 0 / 27 / 42 / 12

HEX #E1A583

RGB 225 165 131

HSL 21.7, 0.61%, 0.7%

LAB 72.6, 17.94, 26.32

 

CMYK 0 / 15 / 42 / 12

HEX #E1BF83

RGB 225 191 131

HSL 38.3, 0.61%, 0.7%

LAB 78.99, 4.12, 34.74

 

CMYK 0 / 4 / 42 / 12

HEX #E1D883

RGB 225 216 131

HSL 54.26, 0.61%, 0.7%

LAB 85.38, -8.78, 42.93

 

CMYK 0 / 44 / 70 / 18

HEX #D27640

RGB 210 118 64

HSL 22.19, 0.62%, 0.54%

LAB 59, 31.59, 44.59

 

CMYK 0 / 35 / 56 / 15

HEX #DA8E61

RGB 218 142 97

HSL 22.31, 0.62%, 0.62%

LAB 65.84, 24.25, 35.69

 

CMYK 0 / 26 / 42 / 12

HEX #E1A683

RGB 225 166 131

HSL 22.34, 0.61%, 0.7%

LAB 72.84, 17.41, 26.64

 

CMYK 0 / 18 / 30 / 9

HEX #E9BEA4

RGB 233 190 164

HSL 22.61, 0.61%, 0.78%

LAB 80.08, 11.69, 18.93

 

CMYK 0 / 11 / 18 / 5

HEX #F1D6C5

RGB 241 214 197

HSL 23.18, 0.61%, 0.86%

LAB 87.4, 6.7, 11.81

 

CMYK 0 / 26 / 42 / 11

HEX #E2A784

RGB 226 167 132

HSL 22.34, 0.62%, 0.7%

LAB 73.2, 17.37, 26.6

 

CMYK 24 / 0 / 42 / 12

HEX #ACE183

RGB 172 225 131

HSL 93.83, 0.61%, 0.7%

LAB 84.1, -33.2, 40.53

 

CMYK 42 / 40 / 0 / 12

HEX #8386E1

RGB 131 134 225

HSL 238.09, 0.61%, 0.7%

LAB 59.26, 21.52, -46.75

 

CMYK 0 / 26 / 42 / 11

HEX #E2A784

RGB 226 167 132

HSL 22.34, 0.62%, 0.7%

LAB 73.2, 17.37, 26.6

 

CMYK 42 / 0 / 27 / 12

HEX #83E1A5

RGB 131 225 165

HSL 141.7, 0.61%, 0.7%

LAB 82.59, -40.89, 20.81

 

CMYK 27 / 42 / 0 / 12

HEX #A583E1

RGB 165 131 225

HSL 261.7, 0.61%, 0.7%

LAB 61.37, 32.34, -43.24

 

CMYK 0 / 26 / 42 / 11

HEX #E2A784

RGB 226 167 132

HSL 22.34, 0.62%, 0.7%

LAB 73.2, 17.37, 26.6

 

CMYK 24 / 0 / 42 / 12

HEX #ACE183

RGB 172 225 131

HSL 93.83, 0.61%, 0.7%

LAB 84.1, -33.2, 40.53

 

CMYK 42 / 15 / 0 / 12

HEX #83BFE1

RGB 131 191 225

HSL 201.7, 0.61%, 0.7%

LAB 74.52, -10.62, -23.04

 

CMYK 18 / 42 / 0 / 12

HEX #B883E1

RGB 184 131 225

HSL 273.83, 0.61%, 0.7%

LAB 63.23, 37.75, -40.19

 

CMYK 0 / 26 / 42 / 11

HEX #E2A784

RGB 226 167 132

HSL 22.34, 0.62%, 0.7%

LAB 73.2, 17.37, 26.6

 

CMYK 36 / 0 / 42 / 12

HEX #8FE183

RGB 143 225 131

HSL 112.34, 0.61%, 0.7%

LAB 82.56, -42.91, 38.24

 

CMYK 42 / 15 / 0 / 12

HEX #83BFE1

RGB 131 191 225

HSL 201.7, 0.61%, 0.7%

LAB 74.52, -10.62, -23.04

 

CMYK 5 / 42 / 0 / 12

HEX #D583E1

RGB 213 131 225

HSL 292.34, 0.61%, 0.7%

LAB 66.38, 46.24, -35.03

 

Description

Color code: HEX #E2A784 | qconv.com Color code: HEX #E2A784 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 226 red, 167 green and 132 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
226 167 132 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 26 magenta, 42 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 26% 42% 11% C M Y K

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Provide designers and agencies with accurate color values.

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