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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E2A90C it is the complementary color #1D56F3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E2A90C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E2A90C shade: #E7A907, #F8BB1A, #FFCD2D, #FFDF40 and #FFF153

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E2A90C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E2A90C shade: #E2A90C, #D19700, #C08500, #AF7300 and #9E6100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E2A90C shade: #E3AA0B, #E3700B, #E3350B and #E30B0B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E2A90C shade: #E3AA0B, #E2E30B, #A8E30B, #6EE30B and #34E30B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E2A90C shade matches the following richer shades: #E3AA0B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E2A90C shade: #E3AA0B, #D0A11F, #BC9832, #A98F46 and #968659

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E2A90C shade: #E3370B, #E3700B, #E3AA0B, #E3E30B and #AAE30B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E2A90C shade: #956F07, #BC8C09, #E3AA0B, #F3BC25 and #F5C84C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E2A90C shade: #E2A90C, #1AE30B and #530BE3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E2A90C shade: #E2A90C, #0BE3AA and #AA0BE3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E2A90C shade: #E2A90C, #1AE30B, #0B45E3 and #D50BE3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E2A90C shade: #E2A90C, #0BE33E, #0B45E3 and #E30BB1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 25 / 95 / 11

HEX #E2A90C

RGB 226 169 12

HSL 44.02, 0.9%, 0.47%

LAB 72.61, 9.54, 74.42

 

Complementary color

CMYK 88 / 65 / 0 / 5

HEX #1D56F3

RGB 29 86 243

HSL 224.02, 0.9%, 0.53%

LAB 43.34, 41.67, -82.79

 

CMYK 0 / 27 / 97 / 9

HEX #E7A907

RGB 231 169 7

HSL 43.39, 0.94%, 0.47%

LAB 73.14, 11.66, 75.63

 

CMYK 0 / 25 / 90 / 3

HEX #F8BB1A

RGB 248 187 26

HSL 43.51, 0.94%, 0.54%

LAB 79.37, 9.75, 78.23

 

CMYK 0 / 20 / 82 / 0

HEX #FFCD2D

RGB 255 205 45

HSL 45.71, 1%, 0.59%

LAB 84.54, 3.84, 78.26

 

CMYK 0 / 13 / 75 / 0

HEX #FFDF40

RGB 255 223 64

HSL 49.95, 1%, 0.63%

LAB 89.11, -4.68, 76.58

 

CMYK 0 / 5 / 67 / 0

HEX #FFF153

RGB 255 241 83

HSL 55.12, 1%, 0.66%

LAB 93.79, -12.75, 74.42

 

CMYK 0 / 25 / 95 / 11

HEX #E2A90C

RGB 226 169 12

HSL 44.02, 0.9%, 0.47%

LAB 72.61, 9.54, 74.42

 

CMYK 0 / 28 / 100 / 18

HEX #D19700

RGB 209 151 0

HSL 43.35, 1%, 0.41%

LAB 66.28, 11.61, 70.63

 

CMYK 0 / 31 / 100 / 25

HEX #C08500

RGB 192 133 0

HSL 41.56, 1%, 0.38%

LAB 59.87, 13.87, 65.38

 

CMYK 0 / 34 / 100 / 31

HEX #AF7300

RGB 175 115 0

HSL 39.43, 1%, 0.34%

LAB 53.36, 16.24, 60.06

 

CMYK 0 / 39 / 100 / 38

HEX #9E6100

RGB 158 97 0

HSL 36.84, 1%, 0.31%

LAB 46.74, 18.7, 54.66

 

CMYK 0 / 25 / 95 / 11

HEX #E3AA0B

RGB 227 170 11

HSL 44.17, 0.91%, 0.47%

LAB 72.96, 9.44, 74.85

 

CMYK 0 / 51 / 95 / 11

HEX #E3700B

RGB 227 112 11

HSL 28.06, 0.91%, 0.47%

LAB 59.84, 39.94, 65.79

 

CMYK 0 / 77 / 95 / 11

HEX #E3350B

RGB 227 53 11

HSL 11.67, 0.91%, 0.47%

LAB 50.57, 64.52, 60.1

 

CMYK 0 / 95 / 95 / 11

HEX #E30B0B

RGB 227 11 11

HSL 0, 0.91%, 0.47%

LAB 47.74, 72.56, 58.58

 

CMYK 0 / 25 / 95 / 11

HEX #E3AA0B

RGB 227 170 11

HSL 44.17, 0.91%, 0.47%

LAB 72.96, 9.44, 74.85

 

CMYK 0 / 0 / 95 / 11

HEX #E2E30B

RGB 226 227 11

HSL 60.28, 0.91%, 0.47%

LAB 87.55, -20.07, 85.55

 

CMYK 26 / 0 / 95 / 11

HEX #A8E30B

RGB 168 227 11

HSL 76.39, 0.91%, 0.47%

LAB 83.59, -43.44, 80.79

 

CMYK 52 / 0 / 95 / 11

HEX #6EE30B

RGB 110 227 11

HSL 92.5, 0.91%, 0.47%

LAB 80.89, -62.84, 77.5

 

CMYK 77 / 0 / 95 / 11

HEX #34E30B

RGB 52 227 11

HSL 108.61, 0.91%, 0.47%

LAB 79.44, -74.98, 75.72

 

CMYK 0 / 25 / 95 / 11

HEX #E3AA0B

RGB 227 170 11

HSL 44.17, 0.91%, 0.47%

LAB 72.96, 9.44, 74.85

 

CMYK 0 / 25 / 95 / 11

HEX #E3AA0B

RGB 227 170 11

HSL 44.17, 0.91%, 0.47%

LAB 72.96, 9.44, 74.85

 

CMYK 0 / 23 / 85 / 18

HEX #D0A11F

RGB 208 161 31

HSL 44.07, 0.74%, 0.47%

LAB 68.75, 6.26, 66.9

 

CMYK 0 / 19 / 73 / 26

HEX #BC9832

RGB 188 152 50

HSL 44.35, 0.58%, 0.47%

LAB 64.47, 2.96, 55.87

 

CMYK 0 / 15 / 59 / 34

HEX #A98F46

RGB 169 143 70

HSL 44.24, 0.41%, 0.47%

LAB 60.36, 0.73, 41.83

 

CMYK 0 / 11 / 41 / 41

HEX #968659

RGB 150 134 89

HSL 44.26, 0.26%, 0.47%

LAB 56.34, -0.67, 26.43

 

CMYK 0 / 76 / 95 / 11

HEX #E3370B

RGB 227 55 11

HSL 12.22, 0.91%, 0.47%

LAB 50.79, 63.91, 60.22

 

CMYK 0 / 51 / 95 / 11

HEX #E3700B

RGB 227 112 11

HSL 28.06, 0.91%, 0.47%

LAB 59.84, 39.94, 65.79

 

CMYK 0 / 25 / 95 / 11

HEX #E3AA0B

RGB 227 170 11

HSL 44.17, 0.91%, 0.47%

LAB 72.96, 9.44, 74.85

 

CMYK 0 / 0 / 95 / 11

HEX #E3E30B

RGB 227 227 11

HSL 60, 0.91%, 0.47%

LAB 87.63, -19.65, 85.64

 

CMYK 25 / 0 / 95 / 11

HEX #AAE30B

RGB 170 227 11

HSL 75.83, 0.91%, 0.47%

LAB 83.71, -42.68, 80.93

 

CMYK 0 / 26 / 95 / 42

HEX #956F07

RGB 149 111 7

HSL 43.94, 0.91%, 0.31%

LAB 49.22, 6.63, 54.29

 

CMYK 0 / 26 / 95 / 26

HEX #BC8C09

RGB 188 140 9

HSL 43.91, 0.91%, 0.39%

LAB 61.19, 8.34, 64.69

 

CMYK 0 / 25 / 95 / 11

HEX #E3AA0B

RGB 227 170 11

HSL 44.17, 0.91%, 0.47%

LAB 72.96, 9.44, 74.85

 

CMYK 0 / 23 / 85 / 5

HEX #F3BC25

RGB 243 188 37

HSL 43.98, 0.9%, 0.55%

LAB 79.13, 7.32, 75.37

 

CMYK 0 / 18 / 69 / 4

HEX #F5C84C

RGB 245 200 76

HSL 44.02, 0.89%, 0.63%

LAB 82.51, 3.39, 65.38

 

CMYK 0 / 25 / 95 / 11

HEX #E2A90C

RGB 226 169 12

HSL 44.02, 0.9%, 0.47%

LAB 72.61, 9.54, 74.42

 

CMYK 89 / 0 / 95 / 11

HEX #1AE30B

RGB 26 227 11

HSL 115.83, 0.91%, 0.47%

LAB 79.15, -77.6, 75.36

 

CMYK 63 / 95 / 0 / 11

HEX #530BE3

RGB 83 11 227

HSL 260, 0.91%, 0.47%

LAB 33.19, 72.71, -90.41

 

CMYK 0 / 25 / 95 / 11

HEX #E2A90C

RGB 226 169 12

HSL 44.02, 0.9%, 0.47%

LAB 72.61, 9.54, 74.42

 

CMYK 95 / 0 / 25 / 11

HEX #0BE3AA

RGB 11 227 170

HSL 164.17, 0.91%, 0.47%

LAB 80.69, -58.85, 15.16

 

CMYK 25 / 95 / 0 / 11

HEX #AA0BE3

RGB 170 11 227

HSL 284.17, 0.91%, 0.47%

LAB 44.7, 80.89, -71.04

 

CMYK 0 / 25 / 95 / 11

HEX #E2A90C

RGB 226 169 12

HSL 44.02, 0.9%, 0.47%

LAB 72.61, 9.54, 74.42

 

CMYK 89 / 0 / 95 / 11

HEX #1AE30B

RGB 26 227 11

HSL 115.83, 0.91%, 0.47%

LAB 79.15, -77.6, 75.36

 

CMYK 95 / 70 / 0 / 11

HEX #0B45E3

RGB 11 69 227

HSL 223.89, 0.91%, 0.47%

LAB 37.61, 45.73, -83.19

 

CMYK 6 / 95 / 0 / 11

HEX #D50BE3

RGB 213 11 227

HSL 296.11, 0.91%, 0.47%

LAB 51.76, 87.03, -59.28

 

CMYK 0 / 25 / 95 / 11

HEX #E2A90C

RGB 226 169 12

HSL 44.02, 0.9%, 0.47%

LAB 72.61, 9.54, 74.42

 

CMYK 95 / 0 / 73 / 11

HEX #0BE33E

RGB 11 227 62

HSL 134.17, 0.91%, 0.47%

LAB 79.25, -75.98, 63.9

 

CMYK 95 / 70 / 0 / 11

HEX #0B45E3

RGB 11 69 227

HSL 223.89, 0.91%, 0.47%

LAB 37.61, 45.73, -83.19

 

CMYK 0 / 95 / 22 / 11

HEX #E30BB1

RGB 227 11 177

HSL 313.89, 0.91%, 0.47%

LAB 51.55, 82.71, -30.63

 

Description

Color code: HEX #E2A90C | qconv.com Color code: HEX #E2A90C | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 226 red, 169 green and 12 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
226 169 12 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 25 magenta, 95 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 25% 95% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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