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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E2A0D4 it is the complementary color #1D5F2B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E2A0D4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E2A0D4 shade: #E7A0CF, #F8B2E2, #FFC4F5, #FFD6FF and #FFE8FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E2A0D4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E2A0D4 shade: #E2A0D4, #D18EC1, #C07CAE, #AF6A9B and #9E5888

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E2A0D4 shade: #E2A1D4, #E2A1C2, #E2A1B1 and #E2A1A1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E2A0D4 shade: #E2A1D4, #DEA1E2, #CDA1E2, #BBA1E2 and #AAA1E2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E2A0D4 shade matches the following richer shades: #E2A1D4, #EC97DA and #F68DDF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E2A0D4 shade: #E2A1D4, #D8ABCE, #CEB5C9, #C4BFC3 and #BAC8BD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E2A0D4 shade: #CCA1E2, #DDA1E2, #E2A1D5, #E2A1C3 and #E2A1B2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E2A0D4 shade: #CE62B7, #D881C6, #E2A1D4, #EBC0E2 and #F5E0F1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E2A0D4 shade: #E2A0D4, #E2BBA1 and #A1E2D5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E2A0D4 shade: #E2A0D4, #D5E2A1 and #A1D5E2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E2A0D4 shade: #E2A0D4, #E2BBA1, #A1E2AE and #A1C8E2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E2A0D4 shade: #E2A0D4, #E2CEA1, #A1E2AE and #A1B4E2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 29 / 6 / 11

HEX #E2A0D4

RGB 226 160 212

HSL 312.73, 0.53%, 0.76%

LAB 73.59, 32.56, -16.69

 

Complementary color

CMYK 69 / 0 / 55 / 63

HEX #1D5F2B

RGB 29 95 43

HSL 132.73, 0.53%, 0.24%

LAB 35.24, -33.09, 23.66

 

CMYK 0 / 31 / 10 / 9

HEX #E7A0CF

RGB 231 160 207

HSL 320.28, 0.6%, 0.77%

LAB 73.96, 33.38, -13.34

 

CMYK 0 / 28 / 9 / 3

HEX #F8B2E2

RGB 248 178 226

HSL 318.86, 0.83%, 0.84%

LAB 80.34, 32.71, -13.92

 

CMYK 0 / 23 / 4 / 0

HEX #FFC4F5

RGB 255 196 245

HSL 310.17, 1%, 0.88%

LAB 85.67, 28.8, -16.02

 

CMYK 0 / 16 / 0 / 0

HEX #FFD6FF

RGB 255 214 255

HSL 300, 1%, 0.92%

LAB 90.12, 21.12, -14.62

 

CMYK 0 / 9 / 0 / 0

HEX #FFE8FF

RGB 255 232 255

HSL 300, 1%, 0.95%

LAB 94.39, 11.75, -8.26

 

CMYK 0 / 29 / 6 / 11

HEX #E2A0D4

RGB 226 160 212

HSL 312.73, 0.53%, 0.76%

LAB 73.59, 32.56, -16.69

 

CMYK 0 / 32 / 8 / 18

HEX #D18EC1

RGB 209 142 193

HSL 314.33, 0.42%, 0.69%

LAB 67.09, 33.26, -16.16

 

CMYK 0 / 35 / 9 / 25

HEX #C07CAE

RGB 192 124 174

HSL 315.88, 0.35%, 0.62%

LAB 60.5, 33.99, -15.58

 

CMYK 0 / 39 / 11 / 31

HEX #AF6A9B

RGB 175 106 155

HSL 317.39, 0.3%, 0.55%

LAB 53.8, 34.76, -14.94

 

CMYK 0 / 44 / 14 / 38

HEX #9E5888

RGB 158 88 136

HSL 318.86, 0.28%, 0.48%

LAB 47.01, 35.56, -14.2

 

CMYK 0 / 29 / 6 / 11

HEX #E2A1D4

RGB 226 161 212

HSL 312.92, 0.53%, 0.76%

LAB 73.81, 32.03, -16.35

 

CMYK 0 / 29 / 14 / 11

HEX #E2A1C2

RGB 226 161 194

HSL 329.54, 0.53%, 0.76%

LAB 73.25, 29, -7.3

 

CMYK 0 / 29 / 22 / 11

HEX #E2A1B1

RGB 226 161 177

HSL 345.23, 0.53%, 0.76%

LAB 72.78, 26.38, 1.38

 

CMYK 0 / 29 / 29 / 11

HEX #E2A1A1

RGB 226 161 161

HSL 0, 0.53%, 0.76%

LAB 72.38, 24.12, 9.63

 

CMYK 0 / 29 / 6 / 11

HEX #E2A1D4

RGB 226 161 212

HSL 312.92, 0.53%, 0.76%

LAB 73.81, 32.03, -16.35

 

CMYK 2 / 29 / 0 / 11

HEX #DEA1E2

RGB 222 161 226

HSL 296.31, 0.53%, 0.76%

LAB 73.88, 33.26, -23.96

 

CMYK 9 / 29 / 0 / 11

HEX #CDA1E2

RGB 205 161 226

HSL 280.62, 0.53%, 0.76%

LAB 72.2, 27.84, -26.66

 

CMYK 17 / 29 / 0 / 11

HEX #BBA1E2

RGB 187 161 226

HSL 264, 0.53%, 0.76%

LAB 70.56, 22.2, -29.33

 

CMYK 25 / 29 / 0 / 11

HEX #AAA1E2

RGB 170 161 226

HSL 248.31, 0.53%, 0.76%

LAB 69.13, 17.04, -31.65

 

CMYK 0 / 29 / 6 / 11

HEX #E2A1D4

RGB 226 161 212

HSL 312.92, 0.53%, 0.76%

LAB 73.81, 32.03, -16.35

 

CMYK 0 / 36 / 8 / 7

HEX #EC97DA

RGB 236 151 218

HSL 312.71, 0.69%, 0.76%

LAB 72.91, 41.63, -20.91

 

CMYK 0 / 43 / 9 / 4

HEX #F68DDF

RGB 246 141 223

HSL 313.14, 0.85%, 0.76%

LAB 72.21, 50.72, -24.62

 

CMYK 0 / 29 / 6 / 11

HEX #E2A1D4

RGB 226 161 212

HSL 312.92, 0.53%, 0.76%

LAB 73.81, 32.03, -16.35

 

CMYK 0 / 21 / 5 / 15

HEX #D8ABCE

RGB 216 171 206

HSL 313.33, 0.37%, 0.76%

LAB 74.94, 22.19, -11.48

 

CMYK 0 / 12 / 2 / 19

HEX #CEB5C9

RGB 206 181 201

HSL 312, 0.2%, 0.76%

LAB 76.31, 12.43, -6.81

 

CMYK 0 / 3 / 1 / 23

HEX #C4BFC3

RGB 196 191 195

HSL 312, 0.04%, 0.76%

LAB 77.84, 2.48, -1.4

 

CMYK 7 / 0 / 5 / 22

HEX #BAC8BD

RGB 186 200 189

HSL 132.86, 0.11%, 0.76%

LAB 79.28, -6.84, 3.85

 

CMYK 10 / 29 / 0 / 11

HEX #CCA1E2

RGB 204 161 226

HSL 279.69, 0.53%, 0.76%

LAB 72.11, 27.52, -26.82

 

CMYK 2 / 29 / 0 / 11

HEX #DDA1E2

RGB 221 161 226

HSL 295.38, 0.53%, 0.76%

LAB 73.77, 32.94, -24.12

 

CMYK 0 / 29 / 6 / 11

HEX #E2A1D5

RGB 226 161 213

HSL 312, 0.53%, 0.76%

LAB 73.84, 32.2, -16.85

 

CMYK 0 / 29 / 14 / 11

HEX #E2A1C3

RGB 226 161 195

HSL 328.62, 0.53%, 0.76%

LAB 73.28, 29.17, -7.8

 

CMYK 0 / 29 / 21 / 11

HEX #E2A1B2

RGB 226 161 178

HSL 344.31, 0.53%, 0.76%

LAB 72.81, 26.52, 0.87

 

CMYK 0 / 52 / 11 / 19

HEX #CE62B7

RGB 206 98 183

HSL 312.78, 0.52%, 0.6%

LAB 57.34, 53.39, -25.4

 

CMYK 0 / 40 / 8 / 15

HEX #D881C6

RGB 216 129 198

HSL 312.41, 0.53%, 0.68%

LAB 65.26, 43.33, -21.66

 

CMYK 0 / 29 / 6 / 11

HEX #E2A1D4

RGB 226 161 212

HSL 312.92, 0.53%, 0.76%

LAB 73.81, 32.03, -16.35

 

CMYK 0 / 18 / 4 / 8

HEX #EBC0E2

RGB 235 192 226

HSL 312.56, 0.52%, 0.84%

LAB 82.3, 20.93, -11.12

 

CMYK 0 / 9 / 2 / 4

HEX #F5E0F1

RGB 245 224 241

HSL 311.43, 0.51%, 0.92%

LAB 91.27, 10.09, -5.67

 

CMYK 0 / 29 / 6 / 11

HEX #E2A0D4

RGB 226 160 212

HSL 312.73, 0.53%, 0.76%

LAB 73.59, 32.56, -16.69

 

CMYK 0 / 17 / 29 / 11

HEX #E2BBA1

RGB 226 187 161

HSL 24, 0.53%, 0.76%

LAB 78.63, 10.21, 18.41

 

CMYK 29 / 0 / 6 / 11

HEX #A1E2D5

RGB 161 226 213

HSL 168, 0.53%, 0.76%

LAB 85.39, -23.15, -0.23

 

CMYK 0 / 29 / 6 / 11

HEX #E2A0D4

RGB 226 160 212

HSL 312.73, 0.53%, 0.76%

LAB 73.59, 32.56, -16.69

 

CMYK 6 / 0 / 29 / 11

HEX #D5E2A1

RGB 213 226 161

HSL 72, 0.53%, 0.76%

LAB 87.54, -14.84, 30.4

 

CMYK 29 / 6 / 0 / 11

HEX #A1D5E2

RGB 161 213 226

HSL 192, 0.53%, 0.76%

LAB 82.19, -13.74, -11.85

 

CMYK 0 / 29 / 6 / 11

HEX #E2A0D4

RGB 226 160 212

HSL 312.73, 0.53%, 0.76%

LAB 73.59, 32.56, -16.69

 

CMYK 0 / 17 / 29 / 11

HEX #E2BBA1

RGB 226 187 161

HSL 24, 0.53%, 0.76%

LAB 78.63, 10.21, 18.41

 

CMYK 29 / 0 / 23 / 11

HEX #A1E2AE

RGB 161 226 174

HSL 132, 0.53%, 0.76%

LAB 84.5, -30.81, 18.99

 

CMYK 29 / 12 / 0 / 11

HEX #A1C8E2

RGB 161 200 226

HSL 204, 0.53%, 0.76%

LAB 78.68, -6.97, -17.12

 

CMYK 0 / 29 / 6 / 11

HEX #E2A0D4

RGB 226 160 212

HSL 312.73, 0.53%, 0.76%

LAB 73.59, 32.56, -16.69

 

CMYK 0 / 9 / 29 / 11

HEX #E2CEA1

RGB 226 206 161

HSL 41.54, 0.53%, 0.76%

LAB 83.38, 0.24, 24.95

 

CMYK 29 / 0 / 23 / 11

HEX #A1E2AE

RGB 161 226 174

HSL 132, 0.53%, 0.76%

LAB 84.5, -30.81, 18.99

 

CMYK 29 / 20 / 0 / 11

HEX #A1B4E2

RGB 161 180 226

HSL 222.46, 0.53%, 0.76%

LAB 73.36, 3.8, -25.21

 

Description

Color code: HEX #E2A0D4 | qconv.com Color code: HEX #E2A0D4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 226 red, 160 green and 212 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
226 160 212 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 29 magenta, 6 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 29% 6% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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