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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E2B57D it is the complementary color #1D4A82. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E2B57D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E2B57D shade: #E7B578, #F8C78B, #FFD99E, #FFEBB1 and #FFFDC4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E2B57D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E2B57D shade: #E2B57D, #D1A36A, #C09157, #AF7F44 and #9E6D31

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E2B57D shade: #E2B57D, #E29A7D, #E27E7D and #E27D7D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E2B57D shade: #E2B57D, #E2D07D, #D9E27D, #BDE27D and #A2E27D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E2B57D shade matches the following richer shades: #E2B57D, #EFB670 and #FCB863

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E2B57D shade: #E2B57D, #D5B48A, #C8B296, #BCB1A3 and #AFAFB0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E2B57D shade: #E27F7D, #E29A7D, #E2B57D, #E2CF7D and #DAE27D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E2B57D shade: #D38F39, #DBA25B, #E2B57D, #E9C89F and #F1DBC1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E2B57D shade: #E2B57D, #96E27D and #8C7DE2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E2B57D shade: #E2B57D, #7DE2B5 and #B57DE2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E2B57D shade: #E2B57D, #96E27D, #7DAAE2 and #C97DE2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E2B57D shade: #E2B57D, #7DE282, #7DAAE2 and #E27DDD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 20 / 45 / 11

HEX #E2B57D

RGB 226 181 125

HSL 33.27, 0.64%, 0.69%

LAB 76.5, 9.17, 34.65

 

Complementary color

CMYK 78 / 43 / 0 / 49

HEX #1D4A82

RGB 29 74 130

HSL 213.27, 0.64%, 0.31%

LAB 31.28, 5.64, -35.95

 

CMYK 0 / 22 / 48 / 9

HEX #E7B578

RGB 231 181 120

HSL 32.97, 0.7%, 0.69%

LAB 76.92, 10.7, 37.89

 

CMYK 0 / 20 / 44 / 3

HEX #F8C78B

RGB 248 199 139

HSL 33.03, 0.89%, 0.76%

LAB 83.27, 9.9, 36.59

 

CMYK 0 / 15 / 38 / 0

HEX #FFD99E

RGB 255 217 158

HSL 36.49, 1%, 0.81%

LAB 88.62, 5.33, 33.98

 

CMYK 0 / 8 / 31 / 0

HEX #FFEBB1

RGB 255 235 177

HSL 44.62, 1%, 0.85%

LAB 93.39, -1.61, 30.66

 

CMYK 0 / 1 / 23 / 0

HEX #FFFDC4

RGB 255 253 196

HSL 57.97, 1%, 0.88%

LAB 98.23, -8.16, 27.6

 

CMYK 0 / 20 / 45 / 11

HEX #E2B57D

RGB 226 181 125

HSL 33.27, 0.64%, 0.69%

LAB 76.5, 9.17, 34.65

 

CMYK 0 / 22 / 49 / 18

HEX #D1A36A

RGB 209 163 106

HSL 33.2, 0.53%, 0.62%

LAB 70.03, 10, 35.99

 

CMYK 0 / 24 / 55 / 25

HEX #C09157

RGB 192 145 87

HSL 33.14, 0.45%, 0.55%

LAB 63.46, 10.97, 37.4

 

CMYK 0 / 27 / 61 / 31

HEX #AF7F44

RGB 175 127 68

HSL 33.08, 0.44%, 0.48%

LAB 56.79, 12.11, 38.86

 

CMYK 0 / 31 / 69 / 38

HEX #9E6D31

RGB 158 109 49

HSL 33.03, 0.53%, 0.41%

LAB 50.01, 13.47, 40.32

 

CMYK 0 / 20 / 45 / 11

HEX #E2B57D

RGB 226 181 125

HSL 33.27, 0.64%, 0.69%

LAB 76.5, 9.17, 34.65

 

CMYK 0 / 32 / 45 / 11

HEX #E29A7D

RGB 226 154 125

HSL 17.23, 0.64%, 0.69%

LAB 70.01, 23.6, 26.13

 

CMYK 0 / 44 / 45 / 11

HEX #E27E7D

RGB 226 126 125

HSL 0.59, 0.64%, 0.69%

LAB 63.81, 38.41, 17.73

 

CMYK 0 / 45 / 45 / 11

HEX #E27D7D

RGB 226 125 125

HSL 0, 0.64%, 0.69%

LAB 63.6, 38.92, 17.44

 

CMYK 0 / 20 / 45 / 11

HEX #E2B57D

RGB 226 181 125

HSL 33.27, 0.64%, 0.69%

LAB 76.5, 9.17, 34.65

 

CMYK 0 / 8 / 45 / 11

HEX #E2D07D

RGB 226 208 125

HSL 49.31, 0.64%, 0.69%

LAB 83.32, -4.91, 43.33

 

CMYK 4 / 0 / 45 / 11

HEX #D9E27D

RGB 217 226 125

HSL 65.35, 0.64%, 0.69%

LAB 87.3, -17.51, 48.11

 

CMYK 16 / 0 / 45 / 11

HEX #BDE27D

RGB 189 226 125

HSL 81.98, 0.64%, 0.69%

LAB 85.35, -28.21, 45.26

 

CMYK 28 / 0 / 45 / 11

HEX #A2E27D

RGB 162 226 125

HSL 98.02, 0.64%, 0.69%

LAB 83.73, -37.9, 42.9

 

CMYK 0 / 20 / 45 / 11

HEX #E2B57D

RGB 226 181 125

HSL 33.27, 0.64%, 0.69%

LAB 76.5, 9.17, 34.65

 

CMYK 0 / 24 / 53 / 6

HEX #EFB670

RGB 239 182 112

HSL 33.07, 0.8%, 0.69%

LAB 77.86, 12.71, 43.34

 

CMYK 0 / 27 / 61 / 1

HEX #FCB863

RGB 252 184 99

HSL 33.33, 0.96%, 0.69%

LAB 79.54, 15.99, 52.09

 

CMYK 0 / 20 / 45 / 11

HEX #E2B57D

RGB 226 181 125

HSL 33.27, 0.64%, 0.69%

LAB 76.5, 9.17, 34.65

 

CMYK 0 / 15 / 35 / 16

HEX #D5B48A

RGB 213 180 138

HSL 33.6, 0.47%, 0.69%

LAB 75.22, 5.96, 25.87

 

CMYK 0 / 11 / 25 / 22

HEX #C8B296

RGB 200 178 150

HSL 33.6, 0.31%, 0.69%

LAB 73.75, 3.53, 17.21

 

CMYK 0 / 6 / 13 / 26

HEX #BCB1A3

RGB 188 177 163

HSL 33.6, 0.16%, 0.69%

LAB 72.75, 1.52, 8.56

 

CMYK 1 / 1 / 0 / 31

HEX #AFAFB0

RGB 175 175 176

HSL 240, 0.01%, 0.69%

LAB 71.49, 0.19, -0.52

 

CMYK 0 / 44 / 45 / 11

HEX #E27F7D

RGB 226 127 125

HSL 1.19, 0.64%, 0.69%

LAB 64.02, 37.89, 18.02

 

CMYK 0 / 32 / 45 / 11

HEX #E29A7D

RGB 226 154 125

HSL 17.23, 0.64%, 0.69%

LAB 70.01, 23.6, 26.13

 

CMYK 0 / 20 / 45 / 11

HEX #E2B57D

RGB 226 181 125

HSL 33.27, 0.64%, 0.69%

LAB 76.5, 9.17, 34.65

 

CMYK 0 / 8 / 45 / 11

HEX #E2CF7D

RGB 226 207 125

HSL 48.71, 0.64%, 0.69%

LAB 83.06, -4.4, 43.01

 

CMYK 4 / 0 / 45 / 11

HEX #DAE27D

RGB 218 226 125

HSL 64.75, 0.64%, 0.69%

LAB 87.38, -17.12, 48.22

 

CMYK 0 / 32 / 73 / 17

HEX #D38F39

RGB 211 143 57

HSL 33.51, 0.64%, 0.53%

LAB 64.79, 18.22, 54.09

 

CMYK 0 / 26 / 58 / 14

HEX #DBA25B

RGB 219 162 91

HSL 33.28, 0.64%, 0.61%

LAB 70.63, 13.44, 44.67

 

CMYK 0 / 20 / 45 / 11

HEX #E2B57D

RGB 226 181 125

HSL 33.27, 0.64%, 0.69%

LAB 76.5, 9.17, 34.65

 

CMYK 0 / 14 / 32 / 9

HEX #E9C89F

RGB 233 200 159

HSL 33.24, 0.63%, 0.77%

LAB 82.45, 5.79, 24.84

 

CMYK 0 / 9 / 20 / 5

HEX #F1DBC1

RGB 241 219 193

HSL 32.5, 0.63%, 0.85%

LAB 88.55, 3.52, 15.54

 

CMYK 0 / 20 / 45 / 11

HEX #E2B57D

RGB 226 181 125

HSL 33.27, 0.64%, 0.69%

LAB 76.5, 9.17, 34.65

 

CMYK 34 / 0 / 45 / 11

HEX #96E27D

RGB 150 226 125

HSL 105.15, 0.64%, 0.69%

LAB 83.1, -41.92, 41.97

 

CMYK 38 / 45 / 0 / 11

HEX #8C7DE2

RGB 140 125 226

HSL 248.91, 0.64%, 0.69%

LAB 57.78, 29.35, -49.6

 

CMYK 0 / 20 / 45 / 11

HEX #E2B57D

RGB 226 181 125

HSL 33.27, 0.64%, 0.69%

LAB 76.5, 9.17, 34.65

 

CMYK 45 / 0 / 20 / 11

HEX #7DE2B5

RGB 125 226 181

HSL 153.27, 0.64%, 0.69%

LAB 82.96, -39.78, 12.92

 

CMYK 20 / 45 / 0 / 11

HEX #B57DE2

RGB 181 125 226

HSL 273.27, 0.64%, 0.69%

LAB 61.64, 40.41, -43.26

 

CMYK 0 / 20 / 45 / 11

HEX #E2B57D

RGB 226 181 125

HSL 33.27, 0.64%, 0.69%

LAB 76.5, 9.17, 34.65

 

CMYK 34 / 0 / 45 / 11

HEX #96E27D

RGB 150 226 125

HSL 105.15, 0.64%, 0.69%

LAB 83.1, -41.92, 41.97

 

CMYK 45 / 25 / 0 / 11

HEX #7DAAE2

RGB 125 170 226

HSL 213.27, 0.64%, 0.69%

LAB 68.46, -0.43, -32.93

 

CMYK 11 / 45 / 0 / 11

HEX #C97DE2

RGB 201 125 226

HSL 285.15, 0.64%, 0.69%

LAB 63.82, 46.09, -39.69

 

CMYK 0 / 20 / 45 / 11

HEX #E2B57D

RGB 226 181 125

HSL 33.27, 0.64%, 0.69%

LAB 76.5, 9.17, 34.65

 

CMYK 45 / 0 / 42 / 11

HEX #7DE282

RGB 125 226 130

HSL 122.97, 0.64%, 0.69%

LAB 82.04, -48.87, 37.91

 

CMYK 45 / 25 / 0 / 11

HEX #7DAAE2

RGB 125 170 226

HSL 213.27, 0.64%, 0.69%

LAB 68.46, -0.43, -32.93

 

CMYK 0 / 45 / 2 / 11

HEX #E27DDD

RGB 226 125 221

HSL 302.97, 0.64%, 0.69%

LAB 66.56, 52.4, -32.41

 

Description

Color code: HEX #E2B57D | qconv.com Color code: HEX #E2B57D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 226 red, 181 green and 125 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
226 181 125 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 20 magenta, 45 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 20% 45% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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