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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E2B741 it is the complementary color #1D48BE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E2B741. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E2B741 shade: #E7B73C, #F8C94F, #FFDB62, #FFED75 and #FFFF88

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E2B741. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E2B741 shade: #E2B741, #D1A52E, #C0931B, #AF8108 and #9E6F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E2B741 shade: #E2B740, #E28B40, #E25F40 and #E24040

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E2B741 shade: #E2B740, #E2E240, #B6E240, #8AE240 and #5EE240

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E2B741 shade matches the following richer shades: #E2B740 and #F4BF2E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E2B741 shade: #E2B740, #D0AE51, #BFA663, #AD9E75 and #9B9687

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E2B741 shade: #E25D40, #E28940, #E2B440, #E2DF40 and #B9E240

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E2B741 shade: #B58B1B, #D9A720, #E2B740, #E7C464 and #EDD287

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E2B741 shade: #E2B741, #4DE240 and #7340E2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E2B741 shade: #E2B741, #40E2B4 and #B440E2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E2B741 shade: #E2B741, #4DE240, #406EE2 and #D440E2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E2B741 shade: #E2B741, #40E263, #406EE2 and #E240BF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 19 / 71 / 11

HEX #E2B741

RGB 226 183 65

HSL 43.98, 0.74%, 0.57%

LAB 76.32, 3.65, 62.93

 

Complementary color

CMYK 85 / 62 / 0 / 25

HEX #1D48BE

RGB 29 72 190

HSL 223.98, 0.74%, 0.43%

LAB 35.23, 30.84, -65.7

 

CMYK 0 / 21 / 74 / 9

HEX #E7B73C

RGB 231 183 60

HSL 43.16, 0.78%, 0.57%

LAB 76.79, 5.56, 65.49

 

CMYK 0 / 19 / 68 / 3

HEX #F8C94F

RGB 248 201 79

HSL 43.31, 0.92%, 0.64%

LAB 83.07, 4.29, 64.82

 

CMYK 0 / 14 / 62 / 0

HEX #FFDB62

RGB 255 219 98

HSL 46.24, 1%, 0.69%

LAB 88.35, -0.92, 62.59

 

CMYK 0 / 7 / 54 / 0

HEX #FFED75

RGB 255 237 117

HSL 52.17, 1%, 0.73%

LAB 93.06, -8.61, 59.46

 

CMYK 0 / 0 / 47 / 0

HEX #FFFF88

RGB 255 255 136

HSL 60, 1%, 0.77%

LAB 97.86, -15.85, 56.42

 

CMYK 0 / 19 / 71 / 11

HEX #E2B741

RGB 226 183 65

HSL 43.98, 0.74%, 0.57%

LAB 76.32, 3.65, 62.93

 

CMYK 0 / 21 / 78 / 18

HEX #D1A52E

RGB 209 165 46

HSL 43.8, 0.64%, 0.5%

LAB 69.94, 5.02, 63.33

 

CMYK 0 / 23 / 86 / 25

HEX #C0931B

RGB 192 147 27

HSL 43.64, 0.75%, 0.43%

LAB 63.47, 6.63, 62.92

 

CMYK 0 / 26 / 95 / 31

HEX #AF8108

RGB 175 129 8

HSL 43.47, 0.91%, 0.36%

LAB 56.91, 8.52, 61.08

 

CMYK 0 / 30 / 100 / 38

HEX #9E6F00

RGB 158 111 0

HSL 42.15, 1%, 0.31%

LAB 50.26, 10.72, 56.99

 

CMYK 0 / 19 / 72 / 11

HEX #E2B740

RGB 226 183 64

HSL 44.07, 0.74%, 0.57%

LAB 76.32, 3.6, 63.32

 

CMYK 0 / 38 / 72 / 11

HEX #E28B40

RGB 226 139 64

HSL 27.78, 0.74%, 0.57%

LAB 65.75, 27.01, 52.5

 

CMYK 0 / 58 / 72 / 11

HEX #E25F40

RGB 226 95 64

HSL 11.48, 0.74%, 0.57%

LAB 56.8, 49.22, 42.8

 

CMYK 0 / 72 / 72 / 11

HEX #E24040

RGB 226 64 64

HSL 0, 0.74%, 0.57%

LAB 52.07, 61.96, 37.42

 

CMYK 0 / 19 / 72 / 11

HEX #E2B740

RGB 226 183 64

HSL 44.07, 0.74%, 0.57%

LAB 76.32, 3.6, 63.32

 

CMYK 0 / 0 / 72 / 11

HEX #E2E240

RGB 226 226 64

HSL 60, 0.74%, 0.57%

LAB 87.45, -18.22, 74.15

 

CMYK 19 / 0 / 72 / 11

HEX #B6E240

RGB 182 226 64

HSL 76.3, 0.74%, 0.57%

LAB 84.33, -35.93, 70.06

 

CMYK 39 / 0 / 72 / 11

HEX #8AE240

RGB 138 226 64

HSL 92.59, 0.74%, 0.57%

LAB 81.93, -51.82, 66.88

 

CMYK 58 / 0 / 72 / 11

HEX #5EE240

RGB 94 226 64

HSL 108.89, 0.74%, 0.57%

LAB 80.26, -64.42, 64.65

 

CMYK 0 / 19 / 72 / 11

HEX #E2B740

RGB 226 183 64

HSL 44.07, 0.74%, 0.57%

LAB 76.32, 3.6, 63.32

 

CMYK 0 / 22 / 81 / 4

HEX #F4BF2E

RGB 244 191 46

HSL 43.94, 0.9%, 0.57%

LAB 80.01, 6.42, 73.66

 

CMYK 0 / 19 / 72 / 11

HEX #E2B740

RGB 226 183 64

HSL 44.07, 0.74%, 0.57%

LAB 76.32, 3.6, 63.32

 

CMYK 0 / 16 / 61 / 18

HEX #D0AE51

RGB 208 174 81

HSL 43.94, 0.57%, 0.57%

LAB 72.41, 1.65, 51.29

 

CMYK 0 / 13 / 48 / 25

HEX #BFA663

RGB 191 166 99

HSL 43.7, 0.42%, 0.57%

LAB 68.93, 0.22, 37.88

 

CMYK 0 / 9 / 32 / 32

HEX #AD9E75

RGB 173 158 117

HSL 43.93, 0.25%, 0.57%

LAB 65.45, -0.84, 23.45

 

CMYK 0 / 3 / 13 / 39

HEX #9B9687

RGB 155 150 135

HSL 45, 0.09%, 0.57%

LAB 62.11, -0.86, 8.56

 

CMYK 0 / 59 / 72 / 11

HEX #E25D40

RGB 226 93 64

HSL 10.74, 0.74%, 0.57%

LAB 56.45, 50.14, 42.41

 

CMYK 0 / 39 / 72 / 11

HEX #E28940

RGB 226 137 64

HSL 27.04, 0.74%, 0.57%

LAB 65.3, 28.07, 52.03

 

CMYK 0 / 20 / 72 / 11

HEX #E2B440

RGB 226 180 64

HSL 42.96, 0.74%, 0.57%

LAB 75.56, 5.18, 62.57

 

CMYK 0 / 1 / 72 / 11

HEX #E2DF40

RGB 226 223 64

HSL 58.89, 0.74%, 0.57%

LAB 86.66, -16.76, 73.39

 

CMYK 18 / 0 / 72 / 11

HEX #B9E240

RGB 185 226 64

HSL 75.19, 0.74%, 0.57%

LAB 84.52, -34.76, 70.31

 

CMYK 0 / 23 / 85 / 29

HEX #B58B1B

RGB 181 139 27

HSL 43.64, 0.74%, 0.41%

LAB 60.22, 6.07, 59.74

 

CMYK 0 / 23 / 85 / 15

HEX #D9A720

RGB 217 167 32

HSL 43.78, 0.74%, 0.49%

LAB 71.21, 7.02, 69.04

 

CMYK 0 / 19 / 72 / 11

HEX #E2B740

RGB 226 183 64

HSL 44.07, 0.74%, 0.57%

LAB 76.32, 3.6, 63.32

 

CMYK 0 / 15 / 57 / 9

HEX #E7C464

RGB 231 196 100

HSL 43.97, 0.73%, 0.65%

LAB 80.4, 1.14, 52.07

 

CMYK 0 / 11 / 43 / 7

HEX #EDD287

RGB 237 210 135

HSL 44.12, 0.74%, 0.73%

LAB 84.92, -0.56, 40.55

 

CMYK 0 / 19 / 71 / 11

HEX #E2B741

RGB 226 183 65

HSL 43.98, 0.74%, 0.57%

LAB 76.32, 3.65, 62.93

 

CMYK 66 / 0 / 72 / 11

HEX #4DE240

RGB 77 226 64

HSL 115.19, 0.74%, 0.57%

LAB 79.81, -68.12, 64.04

 

CMYK 49 / 72 / 0 / 11

HEX #7340E2

RGB 115 64 226

HSL 258.89, 0.74%, 0.57%

LAB 42.46, 57.9, -74.43

 

CMYK 0 / 19 / 71 / 11

HEX #E2B741

RGB 226 183 65

HSL 43.98, 0.74%, 0.57%

LAB 76.32, 3.65, 62.93

 

CMYK 72 / 0 / 20 / 11

HEX #40E2B4

RGB 64 226 180

HSL 162.96, 0.74%, 0.57%

LAB 81.17, -51.95, 10.66

 

CMYK 20 / 72 / 0 / 11

HEX #B440E2

RGB 180 64 226

HSL 282.96, 0.74%, 0.57%

LAB 50.52, 69.52, -60.97

 

CMYK 0 / 19 / 71 / 11

HEX #E2B741

RGB 226 183 65

HSL 43.98, 0.74%, 0.57%

LAB 76.32, 3.65, 62.93

 

CMYK 66 / 0 / 72 / 11

HEX #4DE240

RGB 77 226 64

HSL 115.19, 0.74%, 0.57%

LAB 79.81, -68.12, 64.04

 

CMYK 72 / 51 / 0 / 11

HEX #406EE2

RGB 64 110 226

HSL 222.96, 0.74%, 0.57%

LAB 49.17, 23.36, -63.67

 

CMYK 6 / 72 / 0 / 11

HEX #D440E2

RGB 212 64 226

HSL 294.81, 0.74%, 0.57%

LAB 55.23, 75.95, -53.16

 

CMYK 0 / 19 / 71 / 11

HEX #E2B741

RGB 226 183 65

HSL 43.98, 0.74%, 0.57%

LAB 76.32, 3.65, 62.93

 

CMYK 72 / 0 / 56 / 11

HEX #40E263

RGB 64 226 99

HSL 132.96, 0.74%, 0.57%

LAB 79.83, -66.82, 49.63

 

CMYK 72 / 51 / 0 / 11

HEX #406EE2

RGB 64 110 226

HSL 222.96, 0.74%, 0.57%

LAB 49.17, 23.36, -63.67

 

CMYK 0 / 72 / 15 / 11

HEX #E240BF

RGB 226 64 191

HSL 312.96, 0.74%, 0.57%

LAB 55.68, 73.67, -32.34

 

Description

Color code: HEX #E2B741 | qconv.com Color code: HEX #E2B741 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 226 red, 183 green and 65 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
226 183 65 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 19 magenta, 71 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 19% 71% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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