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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E2B3DD it is the complementary color #1D4C22. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E2B3DD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E2B3DD shade: #E7B3D8, #F8C5EB, #FFD7FE, #FFE9FF and #FFFBFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E2B3DD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E2B3DD shade: #E2B3DD, #D1A1CA, #C08FB7, #AF7DA4 and #9E6B91

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E2B3DD shade: #E1B1DC, #E1B1CF, #E1B1C2, #E1B1B5 and #E1B1B1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E2B3DD shade: #E1B1DC, #D9B1E1, #CCB1E1, #BFB1E1 and #B2B1E1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E2B3DD shade matches the following richer shades: #E1B1DC, #EAA8E3, #F2A0EA and #FB97F0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E2B3DD shade: #E1B1DC, #D8BAD5, #D0C2CE, #C7CBC7 and #BED4C1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E2B3DD shade: #CCB1E1, #D9B1E1, #E1B1DC, #E1B1CF and #E1B1C3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E2B3DD shade: #CA75C1, #D693CF, #E1B1DC, #ECCFE9 and #F8EDF7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E2B3DD shade: #E2B3DD, #E1BFB1 and #B1E1D3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E2B3DD shade: #E2B3DD, #DCE1B1 and #B1DCE1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E2B3DD shade: #E2B3DD, #E1BFB1, #B1E1B6 and #B1D3E1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E2B3DD shade: #E2B3DD, #E1CEB1, #B1E1B6 and #B1C4E1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 2 / 11

HEX #E2B3DD

RGB 226 179 221

HSL 306.38, 0.45%, 0.79%

LAB 78.25, 23.96, -14.58

 

Complementary color

CMYK 62 / 0 / 55 / 70

HEX #1D4C22

RGB 29 76 34

HSL 126.38, 0.45%, 0.21%

LAB 28.24, -26.25, 20.15

 

CMYK 0 / 23 / 6 / 9

HEX #E7B3D8

RGB 231 179 216

HSL 317.31, 0.52%, 0.8%

LAB 78.57, 24.76, -11.34

 

CMYK 0 / 21 / 5 / 3

HEX #F8C5EB

RGB 248 197 235

HSL 315.29, 0.78%, 0.87%

LAB 84.94, 24.22, -11.86

 

CMYK 0 / 16 / 0 / 0

HEX #FFD7FE

RGB 255 215 254

HSL 301.5, 1%, 0.92%

LAB 90.33, 20.42, -13.79

 

CMYK 0 / 9 / 0 / 0

HEX #FFE9FF

RGB 255 233 255

HSL 300, 1%, 0.96%

LAB 94.64, 11.24, -7.9

 

CMYK 0 / 2 / 0 / 0

HEX #FFFBFF

RGB 255 251 255

HSL 300, 1%, 0.99%

LAB 99.02, 2.03, -1.45

 

CMYK 0 / 21 / 2 / 11

HEX #E2B3DD

RGB 226 179 221

HSL 306.38, 0.45%, 0.79%

LAB 78.25, 23.96, -14.58

 

CMYK 0 / 23 / 3 / 18

HEX #D1A1CA

RGB 209 161 202

HSL 308.75, 0.34%, 0.73%

LAB 71.76, 24.52, -14.11

 

CMYK 0 / 26 / 5 / 25

HEX #C08FB7

RGB 192 143 183

HSL 311.02, 0.28%, 0.66%

LAB 65.18, 25.13, -13.62

 

CMYK 0 / 29 / 6 / 31

HEX #AF7DA4

RGB 175 125 164

HSL 313.2, 0.24%, 0.59%

LAB 58.47, 25.79, -13.1

 

CMYK 0 / 32 / 8 / 38

HEX #9E6B91

RGB 158 107 145

HSL 315.29, 0.21%, 0.52%

LAB 51.64, 26.51, -12.53

 

CMYK 0 / 21 / 2 / 12

HEX #E1B1DC

RGB 225 177 220

HSL 306.25, 0.44%, 0.79%

LAB 77.65, 24.52, -14.95

 

CMYK 0 / 21 / 8 / 12

HEX #E1B1CF

RGB 225 177 207

HSL 322.5, 0.44%, 0.79%

LAB 77.26, 22.22, -8.48

 

CMYK 0 / 21 / 14 / 12

HEX #E1B1C2

RGB 225 177 194

HSL 338.75, 0.44%, 0.79%

LAB 76.89, 20.06, -1.95

 

CMYK 0 / 21 / 20 / 12

HEX #E1B1B5

RGB 225 177 181

HSL 355, 0.44%, 0.79%

LAB 76.55, 18.02, 4.64

 

CMYK 0 / 21 / 21 / 12

HEX #E1B1B1

RGB 225 177 177

HSL 0, 0.44%, 0.79%

LAB 76.45, 17.42, 6.68

 

CMYK 0 / 21 / 2 / 12

HEX #E1B1DC

RGB 225 177 220

HSL 306.25, 0.44%, 0.79%

LAB 77.65, 24.52, -14.95

 

CMYK 4 / 21 / 0 / 12

HEX #D9B1E1

RGB 217 177 225

HSL 290, 0.44%, 0.79%

LAB 77.06, 22.8, -18.62

 

CMYK 9 / 21 / 0 / 12

HEX #CCB1E1

RGB 204 177 225

HSL 273.75, 0.44%, 0.79%

LAB 75.9, 18.56, -20.49

 

CMYK 15 / 21 / 0 / 12

HEX #BFB1E1

RGB 191 177 225

HSL 257.5, 0.44%, 0.79%

LAB 74.8, 14.4, -22.26

 

CMYK 21 / 21 / 0 / 12

HEX #B2B1E1

RGB 178 177 225

HSL 241.25, 0.44%, 0.79%

LAB 73.77, 10.33, -23.92

 

CMYK 0 / 21 / 2 / 12

HEX #E1B1DC

RGB 225 177 220

HSL 306.25, 0.44%, 0.79%

LAB 77.65, 24.52, -14.95

 

CMYK 0 / 28 / 3 / 8

HEX #EAA8E3

RGB 234 168 227

HSL 306.36, 0.61%, 0.79%

LAB 76.71, 33.57, -20.08

 

CMYK 0 / 34 / 3 / 5

HEX #F2A0EA

RGB 242 160 234

HSL 305.85, 0.76%, 0.79%

LAB 76.04, 41.59, -24.81

 

CMYK 0 / 40 / 4 / 2

HEX #FB97F0

RGB 251 151 240

HSL 306.6, 0.93%, 0.79%

LAB 75.41, 50.04, -28.96

 

CMYK 0 / 21 / 2 / 12

HEX #E1B1DC

RGB 225 177 220

HSL 306.25, 0.44%, 0.79%

LAB 77.65, 24.52, -14.95

 

CMYK 0 / 14 / 1 / 15

HEX #D8BAD5

RGB 216 186 213

HSL 306, 0.28%, 0.79%

LAB 78.76, 15.36, -9.57

 

CMYK 0 / 7 / 1 / 18

HEX #D0C2CE

RGB 208 194 206

HSL 308.57, 0.13%, 0.79%

LAB 79.87, 7.04, -4.24

 

CMYK 2 / 0 / 2 / 20

HEX #C7CBC7

RGB 199 203 199

HSL 120, 0.04%, 0.79%

LAB 81.28, -2.1, 1.5

 

CMYK 10 / 0 / 9 / 17

HEX #BED4C1

RGB 190 212 193

HSL 128.18, 0.2%, 0.79%

LAB 82.85, -10.94, 6.9

 

CMYK 9 / 21 / 0 / 12

HEX #CCB1E1

RGB 204 177 225

HSL 273.75, 0.44%, 0.79%

LAB 75.9, 18.56, -20.49

 

CMYK 4 / 21 / 0 / 12

HEX #D9B1E1

RGB 217 177 225

HSL 290, 0.44%, 0.79%

LAB 77.06, 22.8, -18.62

 

CMYK 0 / 21 / 2 / 12

HEX #E1B1DC

RGB 225 177 220

HSL 306.25, 0.44%, 0.79%

LAB 77.65, 24.52, -14.95

 

CMYK 0 / 21 / 8 / 12

HEX #E1B1CF

RGB 225 177 207

HSL 322.5, 0.44%, 0.79%

LAB 77.26, 22.22, -8.48

 

CMYK 0 / 21 / 13 / 12

HEX #E1B1C3

RGB 225 177 195

HSL 337.5, 0.44%, 0.79%

LAB 76.92, 20.22, -2.45

 

CMYK 0 / 42 / 4 / 21

HEX #CA75C1

RGB 202 117 193

HSL 306.35, 0.45%, 0.63%

LAB 60.9, 44.32, -25.68

 

CMYK 0 / 31 / 3 / 16

HEX #D693CF

RGB 214 147 207

HSL 306.27, 0.45%, 0.71%

LAB 69.23, 34.7, -20.65

 

CMYK 0 / 21 / 2 / 12

HEX #E1B1DC

RGB 225 177 220

HSL 306.25, 0.44%, 0.79%

LAB 77.65, 24.52, -14.95

 

CMYK 0 / 12 / 1 / 7

HEX #ECCFE9

RGB 236 207 233

HSL 306.21, 0.43%, 0.87%

LAB 86.18, 14.56, -9.07

 

CMYK 0 / 4 / 0 / 3

HEX #F8EDF7

RGB 248 237 247

HSL 305.45, 0.44%, 0.95%

LAB 94.84, 5.44, -3.51

 

CMYK 0 / 21 / 2 / 11

HEX #E2B3DD

RGB 226 179 221

HSL 306.38, 0.45%, 0.79%

LAB 78.25, 23.96, -14.58

 

CMYK 0 / 15 / 21 / 12

HEX #E1BFB1

RGB 225 191 177

HSL 17.5, 0.44%, 0.79%

LAB 79.87, 9.95, 11.55

 

CMYK 21 / 0 / 6 / 12

HEX #B1E1D3

RGB 177 225 211

HSL 162.5, 0.44%, 0.79%

LAB 85.96, -18.28, 1.76

 

CMYK 0 / 21 / 2 / 11

HEX #E2B3DD

RGB 226 179 221

HSL 306.38, 0.45%, 0.79%

LAB 78.25, 23.96, -14.58

 

CMYK 2 / 0 / 21 / 12

HEX #DCE1B1

RGB 220 225 177

HSL 66.25, 0.44%, 0.79%

LAB 88.08, -9.54, 22.98

 

CMYK 21 / 2 / 0 / 12

HEX #B1DCE1

RGB 177 220 225

HSL 186.25, 0.44%, 0.79%

LAB 84.98, -12.84, -7.07

 

CMYK 0 / 21 / 2 / 11

HEX #E2B3DD

RGB 226 179 221

HSL 306.38, 0.45%, 0.79%

LAB 78.25, 23.96, -14.58

 

CMYK 0 / 15 / 21 / 12

HEX #E1BFB1

RGB 225 191 177

HSL 17.5, 0.44%, 0.79%

LAB 79.87, 9.95, 11.55

 

CMYK 21 / 0 / 19 / 12

HEX #B1E1B6

RGB 177 225 182

HSL 126.25, 0.44%, 0.79%

LAB 85.29, -23.76, 16.05

 

CMYK 21 / 6 / 0 / 12

HEX #B1D3E1

RGB 177 211 225

HSL 197.5, 0.44%, 0.79%

LAB 82.58, -8.21, -10.64

 

CMYK 0 / 21 / 2 / 11

HEX #E2B3DD

RGB 226 179 221

HSL 306.38, 0.45%, 0.79%

LAB 78.25, 23.96, -14.58

 

CMYK 0 / 8 / 21 / 12

HEX #E1CEB1

RGB 225 206 177

HSL 36.25, 0.44%, 0.79%

LAB 83.61, 2.06, 16.83

 

CMYK 21 / 0 / 19 / 12

HEX #B1E1B6

RGB 177 225 182

HSL 126.25, 0.44%, 0.79%

LAB 85.29, -23.76, 16.05

 

CMYK 21 / 13 / 0 / 12

HEX #B1C4E1

RGB 177 196 225

HSL 216.25, 0.44%, 0.79%

LAB 78.61, -0.3, -16.58

 

Description

Color code: HEX #E2B3DD | qconv.com Color code: HEX #E2B3DD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 226 red, 179 green and 221 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
226 179 221 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 2 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 2% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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