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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E2BB7D it is the complementary color #1D4482. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E2BB7D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E2BB7D shade: #E7BB78, #F8CD8B, #FFDF9E, #FFF1B1 and #FFFFC4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E2BB7D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E2BB7D shade: #E2BB7D, #D1A96A, #C09757, #AF8544 and #9E7331

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E2BB7D shade: #E2BB7D, #E2A07D, #E2847D and #E27D7D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E2BB7D shade: #E2BB7D, #E2D67D, #D3E27D, #B7E27D and #9CE27D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E2BB7D shade matches the following richer shades: #E2BB7D, #EFBE70 and #FCC163

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E2BB7D shade: #E2BB7D, #D5B88A, #C8B596, #BCB2A3 and #AFAFB0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E2BB7D shade: #E2847D, #E29F7D, #E2BA7D, #E2D57D and #D5E27D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E2BB7D shade: #D39839, #DBA95B, #E2BB7D, #E9CD9F and #F1DEC1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E2BB7D shade: #E2BB7D, #91E27D and #917DE2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E2BB7D shade: #E2BB7D, #7DE2BA and #BA7DE2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E2BB7D shade: #E2BB7D, #91E27D, #7DA5E2 and #CE7DE2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E2BB7D shade: #E2BB7D, #7DE287, #7DA5E2 and #E27DD8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 17 / 45 / 11

HEX #E2BB7D

RGB 226 187 125

HSL 36.83, 0.64%, 0.69%

LAB 77.99, 6, 36.58

 

Complementary color

CMYK 78 / 48 / 0 / 49

HEX #1D4482

RGB 29 68 130

HSL 216.83, 0.64%, 0.31%

LAB 29.43, 9.72, -38.91

 

CMYK 0 / 19 / 48 / 9

HEX #E7BB78

RGB 231 187 120

HSL 36.22, 0.7%, 0.69%

LAB 78.4, 7.54, 39.76

 

CMYK 0 / 17 / 44 / 3

HEX #F8CD8B

RGB 248 205 139

HSL 36.33, 0.89%, 0.76%

LAB 84.73, 6.78, 38.48

 

CMYK 0 / 13 / 38 / 0

HEX #FFDF9E

RGB 255 223 158

HSL 40.21, 1%, 0.81%

LAB 90.09, 2.26, 35.93

 

CMYK 0 / 5 / 31 / 0

HEX #FFF1B1

RGB 255 241 177

HSL 49.23, 1%, 0.85%

LAB 94.88, -4.63, 32.67

 

CMYK 0 / 0 / 23 / 0

HEX #FFFFC4

RGB 255 255 196

HSL 60, 1%, 0.88%

LAB 98.74, -9.15, 28.29

 

CMYK 0 / 17 / 45 / 11

HEX #E2BB7D

RGB 226 187 125

HSL 36.83, 0.64%, 0.69%

LAB 77.99, 6, 36.58

 

CMYK 0 / 19 / 49 / 18

HEX #D1A96A

RGB 209 169 106

HSL 36.7, 0.53%, 0.62%

LAB 71.54, 6.78, 37.88

 

CMYK 0 / 21 / 55 / 25

HEX #C09757

RGB 192 151 87

HSL 36.57, 0.45%, 0.55%

LAB 64.98, 7.68, 39.25

 

CMYK 0 / 24 / 61 / 31

HEX #AF8544

RGB 175 133 68

HSL 36.45, 0.44%, 0.48%

LAB 58.33, 8.76, 40.65

 

CMYK 0 / 27 / 69 / 38

HEX #9E7331

RGB 158 115 49

HSL 36.33, 0.53%, 0.41%

LAB 51.56, 10.05, 42

 

CMYK 0 / 17 / 45 / 11

HEX #E2BB7D

RGB 226 187 125

HSL 36.83, 0.64%, 0.69%

LAB 77.99, 6, 36.58

 

CMYK 0 / 29 / 45 / 11

HEX #E2A07D

RGB 226 160 125

HSL 20.79, 0.64%, 0.69%

LAB 71.41, 20.38, 28

 

CMYK 0 / 42 / 45 / 11

HEX #E2847D

RGB 226 132 125

HSL 4.16, 0.64%, 0.69%

LAB 65.08, 35.28, 19.47

 

CMYK 0 / 45 / 45 / 11

HEX #E27D7D

RGB 226 125 125

HSL 0, 0.64%, 0.69%

LAB 63.6, 38.92, 17.44

 

CMYK 0 / 17 / 45 / 11

HEX #E2BB7D

RGB 226 187 125

HSL 36.83, 0.64%, 0.69%

LAB 77.99, 6, 36.58

 

CMYK 0 / 5 / 45 / 11

HEX #E2D67D

RGB 226 214 125

HSL 52.87, 0.64%, 0.69%

LAB 84.86, -7.97, 45.26

 

CMYK 7 / 0 / 45 / 11

HEX #D3E27D

RGB 211 226 125

HSL 68.91, 0.64%, 0.69%

LAB 86.86, -19.85, 47.47

 

CMYK 19 / 0 / 45 / 11

HEX #B7E27D

RGB 183 226 125

HSL 85.54, 0.64%, 0.69%

LAB 84.97, -30.43, 44.71

 

CMYK 31 / 0 / 45 / 11

HEX #9CE27D

RGB 156 226 125

HSL 101.58, 0.64%, 0.69%

LAB 83.41, -39.93, 42.42

 

CMYK 0 / 17 / 45 / 11

HEX #E2BB7D

RGB 226 187 125

HSL 36.83, 0.64%, 0.69%

LAB 77.99, 6, 36.58

 

CMYK 0 / 21 / 53 / 6

HEX #EFBE70

RGB 239 190 112

HSL 36.85, 0.8%, 0.69%

LAB 79.81, 8.51, 45.73

 

CMYK 0 / 23 / 61 / 1

HEX #FCC163

RGB 252 193 99

HSL 36.86, 0.96%, 0.69%

LAB 81.69, 11.29, 54.57

 

CMYK 0 / 17 / 45 / 11

HEX #E2BB7D

RGB 226 187 125

HSL 36.83, 0.64%, 0.69%

LAB 77.99, 6, 36.58

 

CMYK 0 / 14 / 35 / 16

HEX #D5B88A

RGB 213 184 138

HSL 36.8, 0.47%, 0.69%

LAB 76.23, 3.83, 27.23

 

CMYK 0 / 10 / 25 / 22

HEX #C8B596

RGB 200 181 150

HSL 37.2, 0.31%, 0.69%

LAB 74.53, 1.93, 18.28

 

CMYK 0 / 5 / 13 / 26

HEX #BCB2A3

RGB 188 178 163

HSL 36, 0.16%, 0.69%

LAB 73.01, 0.98, 8.93

 

CMYK 1 / 1 / 0 / 31

HEX #AFAFB0

RGB 175 175 176

HSL 240, 0.01%, 0.69%

LAB 71.49, 0.19, -0.52

 

CMYK 0 / 42 / 45 / 11

HEX #E2847D

RGB 226 132 125

HSL 4.16, 0.64%, 0.69%

LAB 65.08, 35.28, 19.47

 

CMYK 0 / 30 / 45 / 11

HEX #E29F7D

RGB 226 159 125

HSL 20.2, 0.64%, 0.69%

LAB 71.18, 20.92, 27.69

 

CMYK 0 / 18 / 45 / 11

HEX #E2BA7D

RGB 226 186 125

HSL 36.24, 0.64%, 0.69%

LAB 77.74, 6.53, 36.26

 

CMYK 0 / 6 / 45 / 11

HEX #E2D57D

RGB 226 213 125

HSL 52.28, 0.64%, 0.69%

LAB 84.61, -7.46, 44.94

 

CMYK 6 / 0 / 45 / 11

HEX #D5E27D

RGB 213 226 125

HSL 67.72, 0.64%, 0.69%

LAB 87.01, -19.07, 47.68

 

CMYK 0 / 28 / 73 / 17

HEX #D39839

RGB 211 152 57

HSL 37.01, 0.64%, 0.53%

LAB 66.98, 13.35, 56.3

 

CMYK 0 / 23 / 58 / 14

HEX #DBA95B

RGB 219 169 91

HSL 36.56, 0.64%, 0.61%

LAB 72.36, 9.69, 46.71

 

CMYK 0 / 17 / 45 / 11

HEX #E2BB7D

RGB 226 187 125

HSL 36.83, 0.64%, 0.69%

LAB 77.99, 6, 36.58

 

CMYK 0 / 12 / 32 / 9

HEX #E9CD9F

RGB 233 205 159

HSL 37.3, 0.63%, 0.77%

LAB 83.7, 3.18, 26.53

 

CMYK 0 / 8 / 20 / 5

HEX #F1DEC1

RGB 241 222 193

HSL 36.25, 0.63%, 0.85%

LAB 89.3, 1.98, 16.59

 

CMYK 0 / 17 / 45 / 11

HEX #E2BB7D

RGB 226 187 125

HSL 36.83, 0.64%, 0.69%

LAB 77.99, 6, 36.58

 

CMYK 36 / 0 / 45 / 11

HEX #91E27D

RGB 145 226 125

HSL 108.12, 0.64%, 0.69%

LAB 82.86, -43.54, 41.61

 

CMYK 36 / 45 / 0 / 11

HEX #917DE2

RGB 145 125 226

HSL 251.88, 0.64%, 0.69%

LAB 58.21, 30.64, -48.91

 

CMYK 0 / 17 / 45 / 11

HEX #E2BB7D

RGB 226 187 125

HSL 36.83, 0.64%, 0.69%

LAB 77.99, 6, 36.58

 

CMYK 45 / 0 / 18 / 11

HEX #7DE2BA

RGB 125 226 186

HSL 156.24, 0.64%, 0.69%

LAB 83.07, -38.73, 10.45

 

CMYK 18 / 45 / 0 / 11

HEX #BA7DE2

RGB 186 125 226

HSL 276.24, 0.64%, 0.69%

LAB 62.17, 41.82, -42.39

 

CMYK 0 / 17 / 45 / 11

HEX #E2BB7D

RGB 226 187 125

HSL 36.83, 0.64%, 0.69%

LAB 77.99, 6, 36.58

 

CMYK 36 / 0 / 45 / 11

HEX #91E27D

RGB 145 226 125

HSL 108.12, 0.64%, 0.69%

LAB 82.86, -43.54, 41.61

 

CMYK 45 / 27 / 0 / 11

HEX #7DA5E2

RGB 125 165 226

HSL 216.24, 0.64%, 0.69%

LAB 67.1, 2.37, -35.04

 

CMYK 9 / 45 / 0 / 11

HEX #CE7DE2

RGB 206 125 226

HSL 288.12, 0.64%, 0.69%

LAB 64.39, 47.53, -38.75

 

CMYK 0 / 17 / 45 / 11

HEX #E2BB7D

RGB 226 187 125

HSL 36.83, 0.64%, 0.69%

LAB 77.99, 6, 36.58

 

CMYK 45 / 0 / 40 / 11

HEX #7DE287

RGB 125 226 135

HSL 125.94, 0.64%, 0.69%

LAB 82.11, -48.11, 35.51

 

CMYK 45 / 27 / 0 / 11

HEX #7DA5E2

RGB 125 165 226

HSL 216.24, 0.64%, 0.69%

LAB 67.1, 2.37, -35.04

 

CMYK 0 / 45 / 4 / 11

HEX #E27DD8

RGB 226 125 216

HSL 305.94, 0.64%, 0.69%

LAB 66.36, 51.54, -29.94

 

Description

Color code: HEX #E2BB7D | qconv.com Color code: HEX #E2BB7D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 226 red, 187 green and 125 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
226 187 125 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 17 magenta, 45 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 17% 45% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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