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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E2C181 it is the complementary color #1D3E7E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E2C181. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E2C181 shade: #E7C17C, #F8D38F, #FFE5A2, #FFF7B5 and #FFFFC8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E2C181. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E2C181 shade: #E2C181, #D1AF6E, #C09D5B, #AF8B48 and #9E7935

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E2C181 shade: #E2C182, #E2A782, #E28D82 and #E28282

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E2C181 shade: #E2C182, #E2DB82, #CFE282, #B5E282 and #9BE282

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E2C181 shade matches the following richer shades: #E2C182, #EFC575 and #FBC969

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E2C181 shade: #E2C182, #D6BD8E, #C9B99B, #BDB6A7 and #B1B2B3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E2C181 shade: #E28D82, #E2A782, #E2C082, #E2DA82 and #D1E282

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E2C181 shade: #D3A03F, #DBB160, #E2C182, #EAD2A3 and #F1E2C5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E2C181 shade: #E2C181, #90E282 and #9A82E2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E2C181 shade: #E2C181, #82E2C0 and #C082E2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E2C181 shade: #E2C181, #90E282, #82A4E2 and #D482E2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E2C181 shade: #E2C181, #82E290, #82A4E2 and #E282D4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 43 / 11

HEX #E2C181

RGB 226 193 129

HSL 39.59, 0.63%, 0.7%

LAB 79.55, 3.26, 36.53

 

Complementary color

CMYK 77 / 51 / 0 / 51

HEX #1D3E7E

RGB 29 62 126

HSL 219.59, 0.63%, 0.3%

LAB 27.33, 12.25, -39.78

 

CMYK 0 / 16 / 46 / 9

HEX #E7C17C

RGB 231 193 124

HSL 38.69, 0.69%, 0.7%

LAB 79.95, 4.77, 39.68

 

CMYK 0 / 15 / 42 / 3

HEX #F8D38F

RGB 248 211 143

HSL 38.86, 0.88%, 0.77%

LAB 86.27, 4.09, 38.44

 

CMYK 0 / 10 / 36 / 0

HEX #FFE5A2

RGB 255 229 162

HSL 43.23, 1%, 0.82%

LAB 91.64, -0.34, 35.94

 

CMYK 0 / 3 / 29 / 0

HEX #FFF7B5

RGB 255 247 181

HSL 53.51, 1%, 0.85%

LAB 96.46, -7.13, 32.76

 

CMYK 0 / 0 / 22 / 0

HEX #FFFFC8

RGB 255 255 200

HSL 60, 1%, 0.89%

LAB 98.81, -8.6, 26.37

 

CMYK 0 / 15 / 43 / 11

HEX #E2C181

RGB 226 193 129

HSL 39.59, 0.63%, 0.7%

LAB 79.55, 3.26, 36.53

 

CMYK 0 / 16 / 47 / 18

HEX #D1AF6E

RGB 209 175 110

HSL 39.39, 0.52%, 0.63%

LAB 73.12, 3.95, 37.8

 

CMYK 0 / 18 / 53 / 25

HEX #C09D5B

RGB 192 157 91

HSL 39.21, 0.44%, 0.55%

LAB 66.58, 4.76, 39.13

 

CMYK 0 / 21 / 59 / 31

HEX #AF8B48

RGB 175 139 72

HSL 39.03, 0.42%, 0.48%

LAB 59.93, 5.73, 40.49

 

CMYK 0 / 23 / 66 / 38

HEX #9E7935

RGB 158 121 53

HSL 38.86, 0.5%, 0.41%

LAB 53.17, 6.89, 41.81

 

CMYK 0 / 15 / 42 / 11

HEX #E2C182

RGB 226 193 130

HSL 39.38, 0.62%, 0.7%

LAB 79.57, 3.36, 36.03

 

CMYK 0 / 26 / 42 / 11

HEX #E2A782

RGB 226 167 130

HSL 23.13, 0.62%, 0.7%

LAB 73.17, 17.16, 27.63

 

CMYK 0 / 38 / 42 / 11

HEX #E28D82

RGB 226 141 130

HSL 6.88, 0.62%, 0.7%

LAB 67.15, 31.06, 19.5

 

CMYK 0 / 42 / 42 / 11

HEX #E28282

RGB 226 130 130

HSL 0, 0.62%, 0.7%

LAB 64.76, 36.85, 16.21

 

CMYK 0 / 15 / 42 / 11

HEX #E2C182

RGB 226 193 130

HSL 39.38, 0.62%, 0.7%

LAB 79.57, 3.36, 36.03

 

CMYK 0 / 3 / 42 / 11

HEX #E2DB82

RGB 226 219 130

HSL 55.63, 0.62%, 0.7%

LAB 86.23, -10, 44.5

 

CMYK 8 / 0 / 42 / 11

HEX #CFE282

RGB 207 226 130

HSL 71.88, 0.62%, 0.7%

LAB 86.64, -20.86, 44.7

 

CMYK 20 / 0 / 42 / 11

HEX #B5E282

RGB 181 226 130

HSL 88.13, 0.62%, 0.7%

LAB 84.91, -30.57, 42.16

 

CMYK 31 / 0 / 42 / 11

HEX #9BE282

RGB 155 226 130

HSL 104.38, 0.62%, 0.7%

LAB 83.43, -39.61, 39.97

 

CMYK 0 / 15 / 42 / 11

HEX #E2C182

RGB 226 193 130

HSL 39.38, 0.62%, 0.7%

LAB 79.57, 3.36, 36.03

 

CMYK 0 / 18 / 51 / 6

HEX #EFC575

RGB 239 197 117

HSL 39.34, 0.79%, 0.7%

LAB 81.6, 5.28, 45.44

 

CMYK 0 / 20 / 58 / 2

HEX #FBC969

RGB 251 201 105

HSL 39.45, 0.95%, 0.7%

LAB 83.6, 7.14, 53.92

 

CMYK 0 / 15 / 42 / 11

HEX #E2C182

RGB 226 193 130

HSL 39.38, 0.62%, 0.7%

LAB 79.57, 3.36, 36.03

 

CMYK 0 / 12 / 34 / 16

HEX #D6BD8E

RGB 214 189 142

HSL 39.17, 0.47%, 0.7%

LAB 77.66, 2.07, 27.05

 

CMYK 0 / 8 / 23 / 21

HEX #C9B99B

RGB 201 185 155

HSL 39.13, 0.3%, 0.7%

LAB 75.75, 0.9, 17.3

 

CMYK 0 / 4 / 12 / 26

HEX #BDB6A7

RGB 189 182 167

HSL 40.91, 0.14%, 0.7%

LAB 74.23, -0.13, 8.51

 

CMYK 1 / 1 / 0 / 30

HEX #B1B2B3

RGB 177 178 179

HSL 210, 0.01%, 0.7%

LAB 72.52, -0.16, -0.64

 

CMYK 0 / 38 / 42 / 11

HEX #E28D82

RGB 226 141 130

HSL 6.88, 0.62%, 0.7%

LAB 67.15, 31.06, 19.5

 

CMYK 0 / 26 / 42 / 11

HEX #E2A782

RGB 226 167 130

HSL 23.13, 0.62%, 0.7%

LAB 73.17, 17.16, 27.63

 

CMYK 0 / 15 / 42 / 11

HEX #E2C082

RGB 226 192 130

HSL 38.75, 0.62%, 0.7%

LAB 79.32, 3.89, 35.71

 

CMYK 0 / 4 / 42 / 11

HEX #E2DA82

RGB 226 218 130

HSL 55, 0.62%, 0.7%

LAB 85.97, -9.5, 44.17

 

CMYK 8 / 0 / 42 / 11

HEX #D1E282

RGB 209 226 130

HSL 70.63, 0.62%, 0.7%

LAB 86.78, -20.09, 44.91

 

CMYK 0 / 24 / 70 / 17

HEX #D3A03F

RGB 211 160 63

HSL 39.32, 0.63%, 0.54%

LAB 69, 9.33, 55.81

 

CMYK 0 / 19 / 56 / 14

HEX #DBB160

RGB 219 177 96

HSL 39.51, 0.63%, 0.62%

LAB 74.41, 5.81, 46.68

 

CMYK 0 / 15 / 42 / 11

HEX #E2C182

RGB 226 193 130

HSL 39.38, 0.62%, 0.7%

LAB 79.57, 3.36, 36.03

 

CMYK 0 / 10 / 30 / 8

HEX #EAD2A3

RGB 234 210 163

HSL 39.72, 0.63%, 0.78%

LAB 85.11, 1.47, 26.38

 

CMYK 0 / 6 / 18 / 5

HEX #F1E2C5

RGB 241 226 197

HSL 39.55, 0.61%, 0.86%

LAB 90.38, 0.51, 16.02

 

CMYK 0 / 15 / 43 / 11

HEX #E2C181

RGB 226 193 129

HSL 39.59, 0.63%, 0.7%

LAB 79.55, 3.26, 36.53

 

CMYK 36 / 0 / 42 / 11

HEX #90E282

RGB 144 226 130

HSL 111.25, 0.62%, 0.7%

LAB 82.88, -43.18, 39.16

 

CMYK 32 / 42 / 0 / 11

HEX #9A82E2

RGB 154 130 226

HSL 255, 0.62%, 0.7%

LAB 60.18, 30.13, -45.73

 

CMYK 0 / 15 / 43 / 11

HEX #E2C181

RGB 226 193 129

HSL 39.59, 0.63%, 0.7%

LAB 79.55, 3.26, 36.53

 

CMYK 42 / 0 / 15 / 11

HEX #82E2C0

RGB 130 226 192

HSL 158.75, 0.62%, 0.7%

LAB 83.41, -36.18, 7.8

 

CMYK 15 / 42 / 0 / 11

HEX #C082E2

RGB 192 130 226

HSL 278.75, 0.62%, 0.7%

LAB 63.89, 40.83, -39.65

 

CMYK 0 / 15 / 43 / 11

HEX #E2C181

RGB 226 193 129

HSL 39.59, 0.63%, 0.7%

LAB 79.55, 3.26, 36.53

 

CMYK 36 / 0 / 42 / 11

HEX #90E282

RGB 144 226 130

HSL 111.25, 0.62%, 0.7%

LAB 82.88, -43.18, 39.16

 

CMYK 42 / 27 / 0 / 11

HEX #82A4E2

RGB 130 164 226

HSL 218.75, 0.62%, 0.7%

LAB 67.12, 4.2, -34.99

 

CMYK 6 / 42 / 0 / 11

HEX #D482E2

RGB 212 130 226

HSL 291.25, 0.62%, 0.7%

LAB 66.1, 46.66, -36.03

 

CMYK 0 / 15 / 43 / 11

HEX #E2C181

RGB 226 193 129

HSL 39.59, 0.63%, 0.7%

LAB 79.55, 3.26, 36.53

 

CMYK 42 / 0 / 36 / 11

HEX #82E290

RGB 130 226 144

HSL 128.75, 0.62%, 0.7%

LAB 82.46, -45.27, 31.46

 

CMYK 42 / 27 / 0 / 11

HEX #82A4E2

RGB 130 164 226

HSL 218.75, 0.62%, 0.7%

LAB 67.12, 4.2, -34.99

 

CMYK 0 / 42 / 6 / 11

HEX #E282D4

RGB 226 130 212

HSL 308.75, 0.62%, 0.7%

LAB 67.19, 48.32, -26.43

 

Description

Color code: HEX #E2C181 | qconv.com Color code: HEX #E2C181 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 226 red, 193 green and 129 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
226 193 129 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 43 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 43% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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