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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E2CE4A it is the complementary color #1D31B5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E2CE4A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E2CE4A shade: #E7CE45, #F8E058, #FFF26B, #FFFF7E and #FFFF91

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E2CE4A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E2CE4A shade: #E2CE4A, #D1BC37, #C0AA24, #AF9811 and #9E8600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E2CE4A shade: #E1CD4B, #E1A54B, #E17C4B, #E1544B and #E14B4B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E2CE4A shade: #E1CD4B, #CCE14B, #A4E14B, #7BE14B and #53E14B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E2CE4A shade matches the following richer shades: #E1CD4B and #F2DA3A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E2CE4A shade: #E1CD4B, #D0C15C, #BFB46D, #AEA87D and #9E9C8E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E2CE4A shade: #E17D4B, #E1A54B, #E1CD4B, #CDE14B and #A5E14B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E2CE4A shade: #BBA71E, #DBC427, #E1CD4B, #E7D76E and #EDE192

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E2CE4A shade: #E2CE4A, #4BE155 and #914BE1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E2CE4A shade: #E2CE4A, #4BE1CD and #CD4BE1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E2CE4A shade: #E2CE4A, #4BE155, #4B5FE1 and #E14BD7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E2CE4A shade: #E2CE4A, #4BE182, #4B5FE1 and #E14BAA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 9 / 67 / 11

HEX #E2CE4A

RGB 226 206 74

HSL 52.11, 0.72%, 0.59%

LAB 82.27, -7.77, 65.38

 

Complementary color

CMYK 84 / 73 / 0 / 29

HEX #1D31B5

RGB 29 49 181

HSL 232.11, 0.72%, 0.41%

LAB 28.89, 42.14, -70.82

 

CMYK 0 / 11 / 70 / 9

HEX #E7CE45

RGB 231 206 69

HSL 50.74, 0.77%, 0.59%

LAB 82.68, -5.93, 67.87

 

CMYK 0 / 10 / 65 / 3

HEX #F8E058

RGB 248 224 88

HSL 51, 0.92%, 0.66%

LAB 88.91, -6.92, 67.24

 

CMYK 0 / 5 / 58 / 0

HEX #FFF26B

RGB 255 242 107

HSL 54.73, 1%, 0.71%

LAB 94.24, -11.8, 65.21

 

CMYK 0 / 0 / 51 / 0

HEX #FFFF7E

RGB 255 255 126

HSL 60, 1%, 0.75%

LAB 97.75, -16.7, 60.86

 

CMYK 0 / 0 / 43 / 0

HEX #FFFF91

RGB 255 255 145

HSL 60, 1%, 0.78%

LAB 97.96, -15.02, 52.34

 

CMYK 0 / 9 / 67 / 11

HEX #E2CE4A

RGB 226 206 74

HSL 52.11, 0.72%, 0.59%

LAB 82.27, -7.77, 65.38

 

CMYK 0 / 10 / 74 / 18

HEX #D1BC37

RGB 209 188 55

HSL 51.82, 0.63%, 0.52%

LAB 75.94, -6.71, 65.78

 

CMYK 0 / 11 / 81 / 25

HEX #C0AA24

RGB 192 170 36

HSL 51.54, 0.68%, 0.45%

LAB 69.53, -5.46, 65.53

 

CMYK 0 / 13 / 90 / 31

HEX #AF9811

RGB 175 152 17

HSL 51.27, 0.82%, 0.38%

LAB 63.02, -3.96, 64.13

 

CMYK 0 / 15 / 100 / 38

HEX #9E8600

RGB 158 134 0

HSL 50.89, 1%, 0.31%

LAB 56.41, -2.22, 61.24

 

CMYK 0 / 9 / 67 / 12

HEX #E1CD4B

RGB 225 205 75

HSL 52, 0.71%, 0.59%

LAB 81.93, -7.63, 64.61

 

CMYK 0 / 27 / 67 / 12

HEX #E1A54B

RGB 225 165 75

HSL 36, 0.71%, 0.59%

LAB 71.84, 13.29, 53.93

 

CMYK 0 / 45 / 67 / 12

HEX #E17C4B

RGB 225 124 75

HSL 19.6, 0.71%, 0.59%

LAB 62.45, 35.07, 43.42

 

CMYK 0 / 63 / 67 / 12

HEX #E1544B

RGB 225 84 75

HSL 3.6, 0.71%, 0.59%

LAB 54.92, 54.35, 34.53

 

CMYK 0 / 67 / 67 / 12

HEX #E14B4B

RGB 225 75 75

HSL 0, 0.71%, 0.59%

LAB 53.54, 58.07, 32.85

 

CMYK 0 / 9 / 67 / 12

HEX #E1CD4B

RGB 225 205 75

HSL 52, 0.71%, 0.59%

LAB 81.93, -7.63, 64.61

 

CMYK 9 / 0 / 67 / 12

HEX #CCE14B

RGB 204 225 75

HSL 68.4, 0.71%, 0.59%

LAB 85.6, -26.15, 67.85

 

CMYK 27 / 0 / 67 / 12

HEX #A4E14B

RGB 164 225 75

HSL 84.4, 0.71%, 0.59%

LAB 83.05, -41.59, 64.4

 

CMYK 45 / 0 / 67 / 12

HEX #7BE14B

RGB 123 225 75

HSL 100.8, 0.71%, 0.59%

LAB 81.05, -55.36, 61.7

 

CMYK 63 / 0 / 67 / 12

HEX #53E14B

RGB 83 225 75

HSL 116.8, 0.71%, 0.59%

LAB 79.73, -65.64, 59.88

 

CMYK 0 / 9 / 67 / 12

HEX #E1CD4B

RGB 225 205 75

HSL 52, 0.71%, 0.59%

LAB 81.93, -7.63, 64.61

 

CMYK 0 / 10 / 76 / 5

HEX #F2DA3A

RGB 242 218 58

HSL 52.17, 0.88%, 0.59%

LAB 86.67, -7.84, 75.84

 

CMYK 0 / 9 / 67 / 12

HEX #E1CD4B

RGB 225 205 75

HSL 52, 0.71%, 0.59%

LAB 81.93, -7.63, 64.61

 

CMYK 0 / 7 / 56 / 18

HEX #D0C15C

RGB 208 193 92

HSL 52.24, 0.55%, 0.59%

LAB 77.47, -7.47, 51.91

 

CMYK 0 / 6 / 43 / 25

HEX #BFB46D

RGB 191 180 109

HSL 51.95, 0.39%, 0.59%

LAB 72.78, -6.19, 37.54

 

CMYK 0 / 3 / 28 / 32

HEX #AEA87D

RGB 174 168 125

HSL 52.65, 0.23%, 0.59%

LAB 68.38, -4.76, 23.05

 

CMYK 0 / 1 / 10 / 38

HEX #9E9C8E

RGB 158 156 142

HSL 52.5, 0.08%, 0.59%

LAB 64.16, -1.82, 7.58

 

CMYK 0 / 44 / 67 / 12

HEX #E17D4B

RGB 225 125 75

HSL 20, 0.71%, 0.59%

LAB 62.66, 34.56, 43.66

 

CMYK 0 / 27 / 67 / 12

HEX #E1A54B

RGB 225 165 75

HSL 36, 0.71%, 0.59%

LAB 71.84, 13.29, 53.93

 

CMYK 0 / 9 / 67 / 12

HEX #E1CD4B

RGB 225 205 75

HSL 52, 0.71%, 0.59%

LAB 81.93, -7.63, 64.61

 

CMYK 9 / 0 / 67 / 12

HEX #CDE14B

RGB 205 225 75

HSL 68, 0.71%, 0.59%

LAB 85.67, -25.75, 67.94

 

CMYK 27 / 0 / 67 / 12

HEX #A5E14B

RGB 165 225 75

HSL 84, 0.71%, 0.59%

LAB 83.1, -41.22, 64.48

 

CMYK 0 / 11 / 84 / 27

HEX #BBA71E

RGB 187 167 30

HSL 52.36, 0.72%, 0.43%

LAB 68.24, -6.27, 65.89

 

CMYK 0 / 11 / 82 / 14

HEX #DBC427

RGB 219 196 39

HSL 52.33, 0.71%, 0.51%

LAB 78.86, -7.09, 73.69

 

CMYK 0 / 9 / 67 / 12

HEX #E1CD4B

RGB 225 205 75

HSL 52, 0.71%, 0.59%

LAB 81.93, -7.63, 64.61

 

CMYK 0 / 7 / 52 / 9

HEX #E7D76E

RGB 231 215 110

HSL 52.07, 0.72%, 0.67%

LAB 85.36, -7.81, 53.17

 

CMYK 0 / 5 / 38 / 7

HEX #EDE192

RGB 237 225 146

HSL 52.09, 0.72%, 0.75%

LAB 88.89, -7.04, 40.12

 

CMYK 0 / 9 / 67 / 11

HEX #E2CE4A

RGB 226 206 74

HSL 52.11, 0.72%, 0.59%

LAB 82.27, -7.77, 65.38

 

CMYK 67 / 0 / 62 / 12

HEX #4BE155

RGB 75 225 85

HSL 124, 0.71%, 0.59%

LAB 79.62, -66.24, 55.61

 

CMYK 36 / 67 / 0 / 12

HEX #914BE1

RGB 145 75 225

HSL 268, 0.71%, 0.59%

LAB 47.61, 57.66, -65.34

 

CMYK 0 / 9 / 67 / 11

HEX #E2CE4A

RGB 226 206 74

HSL 52.11, 0.72%, 0.59%

LAB 82.27, -7.77, 65.38

 

CMYK 67 / 0 / 9 / 12

HEX #4BE1CD

RGB 75 225 205

HSL 172, 0.71%, 0.59%

LAB 81.7, -43.82, -1.77

 

CMYK 9 / 67 / 0 / 12

HEX #CD4BE1

RGB 205 75 225

HSL 292, 0.71%, 0.59%

LAB 55.53, 70.34, -52.18

 

CMYK 0 / 9 / 67 / 11

HEX #E2CE4A

RGB 226 206 74

HSL 52.11, 0.72%, 0.59%

LAB 82.27, -7.77, 65.38

 

CMYK 67 / 0 / 62 / 12

HEX #4BE155

RGB 75 225 85

HSL 124, 0.71%, 0.59%

LAB 79.62, -66.24, 55.61

 

CMYK 67 / 58 / 0 / 12

HEX #4B5FE1

RGB 75 95 225

HSL 232, 0.71%, 0.59%

LAB 45.79, 33.91, -68.56

 

CMYK 0 / 67 / 4 / 12

HEX #E14BD7

RGB 225 75 215

HSL 304, 0.71%, 0.59%

LAB 57.99, 73.18, -42.45

 

CMYK 0 / 9 / 67 / 11

HEX #E2CE4A

RGB 226 206 74

HSL 52.11, 0.72%, 0.59%

LAB 82.27, -7.77, 65.38

 

CMYK 67 / 0 / 42 / 12

HEX #4BE182

RGB 75 225 130

HSL 142, 0.71%, 0.59%

LAB 80.16, -60.03, 35.17

 

CMYK 67 / 58 / 0 / 12

HEX #4B5FE1

RGB 75 95 225

HSL 232, 0.71%, 0.59%

LAB 45.79, 33.91, -68.56

 

CMYK 0 / 67 / 24 / 12

HEX #E14BAA

RGB 225 75 170

HSL 322, 0.71%, 0.59%

LAB 56.03, 66.77, -19.64

 

Description

Color code: HEX #E2CE4A | qconv.com Color code: HEX #E2CE4A | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 226 red, 206 green and 74 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
226 206 74 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 9 magenta, 67 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 9% 67% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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