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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E2D482 it is the complementary color #1D2B7D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E2D482. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E2D482 shade: #E7D47D, #F8E690, #FFF8A3, #FFFFB6 and #FFFFC9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E2D482. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E2D482 shade: #E2D482, #D1C26F, #C0B05C, #AF9E49 and #9E8C36

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E2D482 shade: #E1D483, #E1BA83, #E1A083, #E18783 and #E18383

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E2D482 shade: #E1D483, #D6E183, #BCE183, #A3E183 and #89E183

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E2D482 shade matches the following richer shades: #E1D483, #EEDC76 and #FAE56A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E2D482 shade: #E1D483, #D5CB8F, #C9C29B, #BCB9A8 and #B0B1B4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E2D482 shade: #E1A183, #E1BA83, #E1D383, #D6E183 and #BDE183

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E2D482 shade: #D2BC40, #DAC861, #E1D483, #E9DFA4 and #F1EBC5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E2D482 shade: #E2D482, #83E187 and #AD83E1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E2D482 shade: #E2D482, #83E1D3 and #D383E1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E2D482 shade: #E2D482, #83E187, #8391E1 and #E183DD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E2D482 shade: #E2D482, #83E1A4, #8391E1 and #E183C0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 6 / 42 / 11

HEX #E2D482

RGB 226 212 130

HSL 51.25, 0.62%, 0.7%

LAB 84.42, -6.46, 42.22

 

Complementary color

CMYK 77 / 66 / 0 / 51

HEX #1D2B7D

RGB 29 43 125

HSL 231.25, 0.62%, 0.3%

LAB 21.83, 25.17, -48.09

 

CMYK 0 / 8 / 46 / 9

HEX #E7D47D

RGB 231 212 125

HSL 49.25, 0.69%, 0.7%

LAB 84.77, -4.96, 45.23

 

CMYK 0 / 7 / 42 / 3

HEX #F8E690

RGB 248 230 144

HSL 49.62, 0.88%, 0.77%

LAB 91.04, -5.48, 44.04

 

CMYK 0 / 3 / 36 / 0

HEX #FFF8A3

RGB 255 248 163

HSL 55.43, 1%, 0.82%

LAB 96.43, -9.74, 41.7

 

CMYK 0 / 0 / 29 / 0

HEX #FFFFB6

RGB 255 255 182

HSL 60, 1%, 0.86%

LAB 98.49, -10.95, 34.99

 

CMYK 0 / 0 / 21 / 0

HEX #FFFFC9

RGB 255 255 201

HSL 60, 1%, 0.89%

LAB 98.83, -8.47, 25.89

 

CMYK 0 / 6 / 42 / 11

HEX #E2D482

RGB 226 212 130

HSL 51.25, 0.62%, 0.7%

LAB 84.42, -6.46, 42.22

 

CMYK 0 / 7 / 47 / 18

HEX #D1C26F

RGB 209 194 111

HSL 50.82, 0.52%, 0.63%

LAB 78.04, -5.93, 43.43

 

CMYK 0 / 8 / 52 / 25

HEX #C0B05C

RGB 192 176 92

HSL 50.4, 0.44%, 0.56%

LAB 71.58, -5.31, 44.66

 

CMYK 0 / 10 / 58 / 31

HEX #AF9E49

RGB 175 158 73

HSL 50, 0.41%, 0.49%

LAB 65, -4.57, 45.85

 

CMYK 0 / 11 / 66 / 38

HEX #9E8C36

RGB 158 140 54

HSL 49.62, 0.49%, 0.42%

LAB 58.31, -3.65, 46.91

 

CMYK 0 / 6 / 42 / 12

HEX #E1D483

RGB 225 212 131

HSL 51.7, 0.61%, 0.7%

LAB 84.35, -6.75, 41.62

 

CMYK 0 / 17 / 42 / 12

HEX #E1BA83

RGB 225 186 131

HSL 35.11, 0.61%, 0.7%

LAB 77.74, 6.75, 33.11

 

CMYK 0 / 29 / 42 / 12

HEX #E1A083

RGB 225 160 131

HSL 18.51, 0.61%, 0.7%

LAB 71.41, 20.62, 24.72

 

CMYK 0 / 40 / 42 / 12

HEX #E18783

RGB 225 135 131

HSL 2.55, 0.61%, 0.7%

LAB 65.73, 33.96, 16.97

 

CMYK 0 / 42 / 42 / 12

HEX #E18383

RGB 225 131 131

HSL 0, 0.61%, 0.7%

LAB 64.87, 36.06, 15.77

 

CMYK 0 / 6 / 42 / 12

HEX #E1D483

RGB 225 212 131

HSL 51.7, 0.61%, 0.7%

LAB 84.35, -6.75, 41.62

 

CMYK 5 / 0 / 42 / 12

HEX #D6E183

RGB 214 225 131

HSL 67.02, 0.61%, 0.7%

LAB 86.89, -17.57, 44.64

 

CMYK 16 / 0 / 42 / 12

HEX #BCE183

RGB 188 225 131

HSL 83.62, 0.61%, 0.7%

LAB 85.09, -27.41, 41.99

 

CMYK 28 / 0 / 42 / 12

HEX #A3E183

RGB 163 225 131

HSL 99.57, 0.61%, 0.7%

LAB 83.59, -36.33, 39.77

 

CMYK 39 / 0 / 42 / 12

HEX #89E183

RGB 137 225 131

HSL 116.17, 0.61%, 0.7%

LAB 82.28, -44.77, 37.82

 

CMYK 0 / 6 / 42 / 12

HEX #E1D483

RGB 225 212 131

HSL 51.7, 0.61%, 0.7%

LAB 84.35, -6.75, 41.62

 

CMYK 0 / 8 / 50 / 7

HEX #EEDC76

RGB 238 220 118

HSL 51, 0.78%, 0.7%

LAB 87.33, -6.84, 51.88

 

CMYK 0 / 8 / 58 / 2

HEX #FAE56A

RGB 250 229 106

HSL 51.25, 0.94%, 0.7%

LAB 90.51, -7.45, 61.35

 

CMYK 0 / 6 / 42 / 12

HEX #E1D483

RGB 225 212 131

HSL 51.7, 0.61%, 0.7%

LAB 84.35, -6.75, 41.62

 

CMYK 0 / 5 / 33 / 16

HEX #D5CB8F

RGB 213 203 143

HSL 51.43, 0.45%, 0.7%

LAB 81.2, -5.5, 31.23

 

CMYK 0 / 3 / 23 / 21

HEX #C9C29B

RGB 201 194 155

HSL 50.87, 0.3%, 0.7%

LAB 78.09, -3.84, 20.54

 

CMYK 0 / 2 / 11 / 26

HEX #BCB9A8

RGB 188 185 168

HSL 51, 0.13%, 0.7%

LAB 74.96, -1.93, 9

 

CMYK 2 / 2 / 0 / 29

HEX #B0B1B4

RGB 176 177 180

HSL 225, 0.03%, 0.7%

LAB 72.21, 0.22, -1.66

 

CMYK 0 / 28 / 42 / 12

HEX #E1A183

RGB 225 161 131

HSL 19.15, 0.61%, 0.7%

LAB 71.65, 20.09, 25.04

 

CMYK 0 / 17 / 42 / 12

HEX #E1BA83

RGB 225 186 131

HSL 35.11, 0.61%, 0.7%

LAB 77.74, 6.75, 33.11

 

CMYK 0 / 6 / 42 / 12

HEX #E1D383

RGB 225 211 131

HSL 51.06, 0.61%, 0.7%

LAB 84.09, -6.24, 41.29

 

CMYK 5 / 0 / 42 / 12

HEX #D6E183

RGB 214 225 131

HSL 67.02, 0.61%, 0.7%

LAB 86.89, -17.57, 44.64

 

CMYK 16 / 0 / 42 / 12

HEX #BDE183

RGB 189 225 131

HSL 82.98, 0.61%, 0.7%

LAB 85.15, -27.05, 42.08

 

CMYK 0 / 10 / 70 / 18

HEX #D2BC40

RGB 210 188 64

HSL 50.96, 0.62%, 0.54%

LAB 76.09, -5.85, 62.6

 

CMYK 0 / 8 / 56 / 15

HEX #DAC861

RGB 218 200 97

HSL 51.07, 0.62%, 0.62%

LAB 80.22, -6.54, 52.98

 

CMYK 0 / 6 / 42 / 12

HEX #E1D483

RGB 225 212 131

HSL 51.7, 0.61%, 0.7%

LAB 84.35, -6.75, 41.62

 

CMYK 0 / 4 / 30 / 9

HEX #E9DFA4

RGB 233 223 164

HSL 51.3, 0.61%, 0.78%

LAB 88.34, -5.44, 30.21

 

CMYK 0 / 2 / 18 / 5

HEX #F1EBC5

RGB 241 235 197

HSL 51.82, 0.61%, 0.86%

LAB 92.64, -4.07, 19.19

 

CMYK 0 / 6 / 42 / 11

HEX #E2D482

RGB 226 212 130

HSL 51.25, 0.62%, 0.7%

LAB 84.42, -6.46, 42.22

 

CMYK 42 / 0 / 40 / 12

HEX #83E187

RGB 131 225 135

HSL 122.55, 0.61%, 0.7%

LAB 82.07, -45.97, 35.5

 

CMYK 23 / 42 / 0 / 12

HEX #AD83E1

RGB 173 131 225

HSL 266.81, 0.61%, 0.7%

LAB 62.13, 34.6, -41.99

 

CMYK 0 / 6 / 42 / 11

HEX #E2D482

RGB 226 212 130

HSL 51.25, 0.62%, 0.7%

LAB 84.42, -6.46, 42.22

 

CMYK 42 / 0 / 6 / 12

HEX #83E1D3

RGB 131 225 211

HSL 171.06, 0.61%, 0.7%

LAB 83.64, -31.2, -1.9

 

CMYK 6 / 42 / 0 / 12

HEX #D383E1

RGB 211 131 225

HSL 291.06, 0.61%, 0.7%

LAB 66.15, 45.65, -35.41

 

CMYK 0 / 6 / 42 / 11

HEX #E2D482

RGB 226 212 130

HSL 51.25, 0.62%, 0.7%

LAB 84.42, -6.46, 42.22

 

CMYK 42 / 0 / 40 / 12

HEX #83E187

RGB 131 225 135

HSL 122.55, 0.61%, 0.7%

LAB 82.07, -45.97, 35.5

 

CMYK 42 / 36 / 0 / 12

HEX #8391E1

RGB 131 145 225

HSL 231.06, 0.61%, 0.7%

LAB 62.09, 15.08, -42.28

 

CMYK 0 / 42 / 2 / 12

HEX #E183DD

RGB 225 131 221

HSL 302.55, 0.61%, 0.7%

LAB 67.62, 49.08, -30.78

 

CMYK 0 / 6 / 42 / 11

HEX #E2D482

RGB 226 212 130

HSL 51.25, 0.62%, 0.7%

LAB 84.42, -6.46, 42.22

 

CMYK 42 / 0 / 27 / 12

HEX #83E1A4

RGB 131 225 164

HSL 141.06, 0.61%, 0.7%

LAB 82.57, -41.07, 21.31

 

CMYK 42 / 36 / 0 / 12

HEX #8391E1

RGB 131 145 225

HSL 231.06, 0.61%, 0.7%

LAB 62.09, 15.08, -42.28

 

CMYK 0 / 42 / 15 / 12

HEX #E183C0

RGB 225 131 192

HSL 321.06, 0.61%, 0.7%

LAB 66.55, 44.21, -16.23

 

Description

Color code: HEX #E2D482 | qconv.com Color code: HEX #E2D482 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 226 red, 212 green and 130 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
226 212 130 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 6 magenta, 42 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 6% 42% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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