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Color name
HEX #E2D882

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E2D882 it is the complementary color #1D277D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E2D882. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E2D882 shade: #E7D87D, #F8EA90, #FFFCA3, #FFFFB6 and #FFFFC9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E2D882. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E2D882 shade: #E2D882, #D1C66F, #C0B45C, #AFA249 and #9E9036

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E2D882 shade: #E1D883, #E1BE83, #E1A483, #E18B83 and #E18383

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E2D882 shade: #E1D883, #D2E183, #B8E183, #9FE183 and #85E183

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E2D882 shade matches the following richer shades: #E1D883, #EEE176 and #FAEB6A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E2D882 shade: #E1D883, #D5CE8F, #C9C49B, #BCBAA8 and #B0B0B4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E2D882 shade: #E1A483, #E1BD83, #E1D683, #D3E183 and #BAE183

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E2D882 shade: #D2C340, #DACD61, #E1D883, #E9E2A4 and #F1EDC5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E2D882 shade: #E2D882, #83E18A and #B083E1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E2D882 shade: #E2D882, #83E1D6 and #D683E1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E2D882 shade: #E2D882, #83E18A, #838EE1 and #E183DA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E2D882 shade: #E2D882, #83E1A7, #838EE1 and #E183BD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 4 / 42 / 11

HEX #E2D882

RGB 226 216 130

HSL 53.75, 0.62%, 0.7%

LAB 85.45, -8.49, 43.52

 

Complementary color

CMYK 77 / 69 / 0 / 51

HEX #1D277D

RGB 29 39 125

HSL 233.75, 0.62%, 0.3%

LAB 20.8, 27.89, -49.78

 

CMYK 0 / 6 / 46 / 9

HEX #E7D87D

RGB 231 216 125

HSL 51.51, 0.69%, 0.7%

LAB 85.8, -6.99, 46.51

 

CMYK 0 / 6 / 42 / 3

HEX #F8EA90

RGB 248 234 144

HSL 51.92, 0.88%, 0.77%

LAB 92.05, -7.49, 45.32

 

CMYK 0 / 1 / 36 / 0

HEX #FFFCA3

RGB 255 252 163

HSL 58.04, 1%, 0.82%

LAB 97.44, -11.7, 43.01

 

CMYK 0 / 0 / 29 / 0

HEX #FFFFB6

RGB 255 255 182

HSL 60, 1%, 0.86%

LAB 98.49, -10.95, 34.99

 

CMYK 0 / 0 / 21 / 0

HEX #FFFFC9

RGB 255 255 201

HSL 60, 1%, 0.89%

LAB 98.83, -8.47, 25.89

 

CMYK 0 / 4 / 42 / 11

HEX #E2D882

RGB 226 216 130

HSL 53.75, 0.62%, 0.7%

LAB 85.45, -8.49, 43.52

 

CMYK 0 / 5 / 47 / 18

HEX #D1C66F

RGB 209 198 111

HSL 53.27, 0.52%, 0.63%

LAB 79.09, -8, 44.72

 

CMYK 0 / 6 / 52 / 25

HEX #C0B45C

RGB 192 180 92

HSL 52.8, 0.44%, 0.56%

LAB 72.64, -7.41, 45.92

 

CMYK 0 / 7 / 58 / 31

HEX #AFA249

RGB 175 162 73

HSL 52.35, 0.41%, 0.49%

LAB 66.09, -6.7, 47.08

 

CMYK 0 / 9 / 66 / 38

HEX #9E9036

RGB 158 144 54

HSL 51.92, 0.49%, 0.42%

LAB 59.42, -5.83, 48.08

 

CMYK 0 / 4 / 42 / 12

HEX #E1D883

RGB 225 216 131

HSL 54.26, 0.61%, 0.7%

LAB 85.38, -8.78, 42.93

 

CMYK 0 / 16 / 42 / 12

HEX #E1BE83

RGB 225 190 131

HSL 37.66, 0.61%, 0.7%

LAB 78.74, 4.64, 34.42

 

CMYK 0 / 27 / 42 / 12

HEX #E1A483

RGB 225 164 131

HSL 21.06, 0.61%, 0.7%

LAB 72.36, 18.48, 26

 

CMYK 0 / 38 / 42 / 12

HEX #E18B83

RGB 225 139 131

HSL 5.11, 0.61%, 0.7%

LAB 66.61, 31.85, 18.18

 

CMYK 0 / 42 / 42 / 12

HEX #E18383

RGB 225 131 131

HSL 0, 0.61%, 0.7%

LAB 64.87, 36.06, 15.77

 

CMYK 0 / 4 / 42 / 12

HEX #E1D883

RGB 225 216 131

HSL 54.26, 0.61%, 0.7%

LAB 85.38, -8.78, 42.93

 

CMYK 7 / 0 / 42 / 12

HEX #D2E183

RGB 210 225 131

HSL 69.57, 0.61%, 0.7%

LAB 86.6, -19.11, 44.21

 

CMYK 18 / 0 / 42 / 12

HEX #B8E183

RGB 184 225 131

HSL 86.17, 0.61%, 0.7%

LAB 84.83, -28.88, 41.61

 

CMYK 29 / 0 / 42 / 12

HEX #9FE183

RGB 159 225 131

HSL 102.13, 0.61%, 0.7%

LAB 83.37, -37.69, 39.45

 

CMYK 41 / 0 / 42 / 12

HEX #85E183

RGB 133 225 131

HSL 118.72, 0.61%, 0.7%

LAB 82.1, -45.98, 37.56

 

CMYK 0 / 4 / 42 / 12

HEX #E1D883

RGB 225 216 131

HSL 54.26, 0.61%, 0.7%

LAB 85.38, -8.78, 42.93

 

CMYK 0 / 5 / 50 / 7

HEX #EEE176

RGB 238 225 118

HSL 53.5, 0.78%, 0.7%

LAB 88.61, -9.35, 53.41

 

CMYK 0 / 6 / 58 / 2

HEX #FAEB6A

RGB 250 235 106

HSL 53.75, 0.94%, 0.7%

LAB 92.03, -10.43, 63.07

 

CMYK 0 / 4 / 42 / 12

HEX #E1D883

RGB 225 216 131

HSL 54.26, 0.61%, 0.7%

LAB 85.38, -8.78, 42.93

 

CMYK 0 / 3 / 33 / 16

HEX #D5CE8F

RGB 213 206 143

HSL 54, 0.45%, 0.7%

LAB 81.99, -7.04, 32.26

 

CMYK 0 / 2 / 23 / 21

HEX #C9C49B

RGB 201 196 155

HSL 53.48, 0.3%, 0.7%

LAB 78.62, -4.89, 21.26

 

CMYK 0 / 1 / 11 / 26

HEX #BCBAA8

RGB 188 186 168

HSL 54, 0.13%, 0.7%

LAB 75.22, -2.46, 9.37

 

CMYK 2 / 2 / 0 / 29

HEX #B0B0B4

RGB 176 176 180

HSL 240, 0.03%, 0.7%

LAB 71.94, 0.76, -2.05

 

CMYK 0 / 27 / 42 / 12

HEX #E1A483

RGB 225 164 131

HSL 21.06, 0.61%, 0.7%

LAB 72.36, 18.48, 26

 

CMYK 0 / 16 / 42 / 12

HEX #E1BD83

RGB 225 189 131

HSL 37.02, 0.61%, 0.7%

LAB 78.49, 5.17, 34.09

 

CMYK 0 / 5 / 42 / 12

HEX #E1D683

RGB 225 214 131

HSL 52.98, 0.61%, 0.7%

LAB 84.86, -7.77, 42.27

 

CMYK 6 / 0 / 42 / 12

HEX #D3E183

RGB 211 225 131

HSL 68.94, 0.61%, 0.7%

LAB 86.67, -18.73, 44.32

 

CMYK 17 / 0 / 42 / 12

HEX #BAE183

RGB 186 225 131

HSL 84.89, 0.61%, 0.7%

LAB 84.96, -28.15, 41.8

 

CMYK 0 / 7 / 70 / 18

HEX #D2C340

RGB 210 195 64

HSL 53.84, 0.62%, 0.54%

LAB 77.94, -9.45, 64.44

 

CMYK 0 / 6 / 56 / 15

HEX #DACD61

RGB 218 205 97

HSL 53.55, 0.62%, 0.62%

LAB 81.53, -9.09, 54.48

 

CMYK 0 / 4 / 42 / 12

HEX #E1D883

RGB 225 216 131

HSL 54.26, 0.61%, 0.7%

LAB 85.38, -8.78, 42.93

 

CMYK 0 / 3 / 30 / 9

HEX #E9E2A4

RGB 233 226 164

HSL 53.91, 0.61%, 0.78%

LAB 89.11, -6.96, 31.24

 

CMYK 0 / 2 / 18 / 5

HEX #F1EDC5

RGB 241 237 197

HSL 54.55, 0.61%, 0.86%

LAB 93.15, -5.08, 19.9

 

CMYK 0 / 4 / 42 / 11

HEX #E2D882

RGB 226 216 130

HSL 53.75, 0.62%, 0.7%

LAB 85.45, -8.49, 43.52

 

CMYK 42 / 0 / 39 / 12

HEX #83E18A

RGB 131 225 138

HSL 124.47, 0.61%, 0.7%

LAB 82.11, -45.51, 34.05

 

CMYK 22 / 42 / 0 / 12

HEX #B083E1

RGB 176 131 225

HSL 268.72, 0.61%, 0.7%

LAB 62.42, 35.45, -41.51

 

CMYK 0 / 4 / 42 / 11

HEX #E2D882

RGB 226 216 130

HSL 53.75, 0.62%, 0.7%

LAB 85.45, -8.49, 43.52

 

CMYK 42 / 0 / 5 / 12

HEX #83E1D6

RGB 131 225 214

HSL 172.98, 0.61%, 0.7%

LAB 83.72, -30.49, -3.38

 

CMYK 5 / 42 / 0 / 12

HEX #D683E1

RGB 214 131 225

HSL 292.98, 0.61%, 0.7%

LAB 66.49, 46.54, -34.85

 

CMYK 0 / 4 / 42 / 11

HEX #E2D882

RGB 226 216 130

HSL 53.75, 0.62%, 0.7%

LAB 85.45, -8.49, 43.52

 

CMYK 42 / 0 / 39 / 12

HEX #83E18A

RGB 131 225 138

HSL 124.47, 0.61%, 0.7%

LAB 82.11, -45.51, 34.05

 

CMYK 42 / 37 / 0 / 12

HEX #838EE1

RGB 131 142 225

HSL 232.98, 0.61%, 0.7%

LAB 61.31, 16.83, -43.51

 

CMYK 0 / 42 / 3 / 12

HEX #E183DA

RGB 225 131 218

HSL 304.47, 0.61%, 0.7%

LAB 67.5, 48.55, -29.3

 

CMYK 0 / 4 / 42 / 11

HEX #E2D882

RGB 226 216 130

HSL 53.75, 0.62%, 0.7%

LAB 85.45, -8.49, 43.52

 

CMYK 42 / 0 / 26 / 12

HEX #83E1A7

RGB 131 225 167

HSL 142.98, 0.61%, 0.7%

LAB 82.63, -40.51, 19.82

 

CMYK 42 / 37 / 0 / 12

HEX #838EE1

RGB 131 142 225

HSL 232.98, 0.61%, 0.7%

LAB 61.31, 16.83, -43.51

 

CMYK 0 / 42 / 16 / 12

HEX #E183BD

RGB 225 131 189

HSL 322.98, 0.61%, 0.7%

LAB 66.45, 43.74, -14.7

 

Description

Color code: HEX #E2D882 | qconv.com Color code: HEX #E2D882 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 226 red, 216 green and 130 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
226 216 130 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 4 magenta, 42 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 4% 42% 11% C M Y K

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Provide designers and agencies with accurate color values.

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