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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E2EB79 it is the complementary color #1D1486. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E2EB79. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E2EB79 shade: #E7EB74, #F8FD87, #FFFF9A, #FFFFAD and #FFFFC0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E2EB79. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E2EB79 shade: #E2EB79, #D1D966, #C0C753, #AFB540 and #9EA32D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E2EB79 shade: #E2EB79, #EBD579, #EBB679, #EB9879 and #EB7979

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E2EB79 shade: #E2EB79, #C3EB79, #A5EB79, #86EB79 and #79EB8B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E2EB79 shade matches the following richer shades: #E2EB79 and #ECF76D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E2EB79 shade: #E2EB79, #D7DE86, #CDD292, #C2C59F and #B8B9AB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E2EB79 shade: #EBB679, #EBD479, #E3EB79, #C5EB79 and #A7EB79

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E2EB79 shade: #D2E032, #DAE555, #E2EB79, #E9F09D and #F1F5C1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E2EB79 shade: #E2EB79, #79EB98 and #C579EB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E2EB79 shade: #E2EB79, #79E3EB and #EB79E3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E2EB79 shade: #E2EB79, #79EB98, #8179EB and #EB79CC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E2EB79 shade: #E2EB79, #79EBBA, #8179EB and #EB79AA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 0 / 49 / 8

HEX #E2EB79

RGB 226 235 121

HSL 64.74, 0.74%, 0.7%

LAB 90.31, -18.78, 53.81

 

Complementary color

CMYK 78 / 85 / 0 / 47

HEX #1D1486

RGB 29 20 134

HSL 244.74, 0.74%, 0.3%

LAB 17.84, 42.23, -60.36

 

CMYK 2 / 0 / 51 / 8

HEX #E7EB74

RGB 231 235 116

HSL 62.02, 0.75%, 0.69%

LAB 90.63, -17.25, 56.59

 

CMYK 2 / 0 / 47 / 1

HEX #F8FD87

RGB 248 253 135

HSL 62.54, 0.97%, 0.76%

LAB 96.8, -17.68, 55.49

 

CMYK 0 / 0 / 40 / 0

HEX #FFFF9A

RGB 255 255 154

HSL 60, 1%, 0.8%

LAB 98.08, -14.13, 48.19

 

CMYK 0 / 0 / 32 / 0

HEX #FFFFAD

RGB 255 255 173

HSL 60, 1%, 0.84%

LAB 98.35, -12.04, 39.27

 

CMYK 0 / 0 / 25 / 0

HEX #FFFFC0

RGB 255 255 192

HSL 60, 1%, 0.88%

LAB 98.66, -9.68, 30.2

 

CMYK 4 / 0 / 49 / 8

HEX #E2EB79

RGB 226 235 121

HSL 64.74, 0.74%, 0.7%

LAB 90.31, -18.78, 53.81

 

CMYK 4 / 0 / 53 / 15

HEX #D1D966

RGB 209 217 102

HSL 64.17, 0.6%, 0.63%

LAB 84.04, -18.35, 54.89

 

CMYK 4 / 0 / 58 / 22

HEX #C0C753

RGB 192 199 83

HSL 63.62, 0.51%, 0.55%

LAB 77.68, -17.84, 55.88

 

CMYK 3 / 0 / 65 / 29

HEX #AFB540

RGB 175 181 64

HSL 63.08, 0.48%, 0.48%

LAB 71.24, -17.2, 56.67

 

CMYK 3 / 0 / 72 / 36

HEX #9EA32D

RGB 158 163 45

HSL 62.54, 0.57%, 0.41%

LAB 64.69, -16.4, 57.06

 

CMYK 4 / 0 / 49 / 8

HEX #E2EB79

RGB 226 235 121

HSL 64.74, 0.74%, 0.7%

LAB 90.31, -18.78, 53.81

 

CMYK 0 / 9 / 49 / 8

HEX #EBD579

RGB 235 213 121

HSL 48.42, 0.74%, 0.7%

LAB 85.32, -4.23, 47.94

 

CMYK 0 / 23 / 49 / 8

HEX #EBB679

RGB 235 182 121

HSL 32.11, 0.74%, 0.7%

LAB 77.58, 11.88, 38.3

 

CMYK 0 / 35 / 49 / 8

HEX #EB9879

RGB 235 152 121

HSL 16.32, 0.74%, 0.7%

LAB 70.52, 27.81, 29.18

 

CMYK 0 / 49 / 49 / 8

HEX #EB7979

RGB 235 121 121

HSL 0, 0.74%, 0.7%

LAB 63.93, 43.86, 20.35

 

CMYK 4 / 0 / 49 / 8

HEX #E2EB79

RGB 226 235 121

HSL 64.74, 0.74%, 0.7%

LAB 90.31, -18.78, 53.81

 

CMYK 17 / 0 / 49 / 8

HEX #C3EB79

RGB 195 235 121

HSL 81.05, 0.74%, 0.7%

LAB 88.16, -30.64, 50.72

 

CMYK 30 / 0 / 49 / 8

HEX #A5EB79

RGB 165 235 121

HSL 96.84, 0.74%, 0.7%

LAB 86.4, -41.36, 48.17

 

CMYK 43 / 0 / 49 / 8

HEX #86EB79

RGB 134 235 121

HSL 113.16, 0.74%, 0.7%

LAB 84.93, -51.22, 46.02

 

CMYK 49 / 0 / 41 / 8

HEX #79EB8B

RGB 121 235 139

HSL 129.47, 0.74%, 0.7%

LAB 84.66, -52.28, 36.8

 

CMYK 4 / 0 / 49 / 8

HEX #E2EB79

RGB 226 235 121

HSL 64.74, 0.74%, 0.7%

LAB 90.31, -18.78, 53.81

 

CMYK 4 / 0 / 56 / 3

HEX #ECF76D

RGB 236 247 109

HSL 64.78, 0.9%, 0.7%

LAB 94.08, -21.64, 63.77

 

CMYK 4 / 0 / 49 / 8

HEX #E2EB79

RGB 226 235 121

HSL 64.74, 0.74%, 0.7%

LAB 90.31, -18.78, 53.81

 

CMYK 3 / 0 / 40 / 13

HEX #D7DE86

RGB 215 222 134

HSL 64.77, 0.57%, 0.7%

LAB 86.21, -15.38, 42.32

 

CMYK 2 / 0 / 30 / 18

HEX #CDD292

RGB 205 210 146

HSL 64.69, 0.42%, 0.7%

LAB 82.46, -11.78, 31.23

 

CMYK 2 / 0 / 19 / 23

HEX #C2C59F

RGB 194 197 159

HSL 64.74, 0.25%, 0.7%

LAB 78.41, -7.45, 18.76

 

CMYK 1 / 0 / 8 / 27

HEX #B8B9AB

RGB 184 185 171

HSL 64.29, 0.09%, 0.7%

LAB 74.72, -2.87, 6.97

 

CMYK 0 / 23 / 49 / 8

HEX #EBB679

RGB 235 182 121

HSL 32.11, 0.74%, 0.7%

LAB 77.58, 11.88, 38.3

 

CMYK 0 / 10 / 49 / 8

HEX #EBD479

RGB 235 212 121

HSL 47.89, 0.74%, 0.7%

LAB 85.06, -3.72, 47.63

 

CMYK 3 / 0 / 49 / 8

HEX #E3EB79

RGB 227 235 121

HSL 64.21, 0.74%, 0.7%

LAB 90.38, -18.39, 53.91

 

CMYK 16 / 0 / 49 / 8

HEX #C5EB79

RGB 197 235 121

HSL 80, 0.74%, 0.7%

LAB 88.29, -29.89, 50.9

 

CMYK 29 / 0 / 49 / 8

HEX #A7EB79

RGB 167 235 121

HSL 95.79, 0.74%, 0.7%

LAB 86.51, -40.68, 48.33

 

CMYK 6 / 0 / 78 / 12

HEX #D2E032

RGB 210 224 50

HSL 64.83, 0.74%, 0.54%

LAB 85.63, -24.42, 76.33

 

CMYK 5 / 0 / 63 / 10

HEX #DAE555

RGB 218 229 85

HSL 64.58, 0.73%, 0.62%

LAB 87.78, -21.82, 66.52

 

CMYK 4 / 0 / 49 / 8

HEX #E2EB79

RGB 226 235 121

HSL 64.74, 0.74%, 0.7%

LAB 90.31, -18.78, 53.81

 

CMYK 3 / 0 / 35 / 6

HEX #E9F09D

RGB 233 240 157

HSL 65.06, 0.73%, 0.78%

LAB 92.61, -14.79, 39.39

 

CMYK 2 / 0 / 21 / 4

HEX #F1F5C1

RGB 241 245 193

HSL 64.62, 0.72%, 0.86%

LAB 95.1, -9.66, 24.66

 

CMYK 4 / 0 / 49 / 8

HEX #E2EB79

RGB 226 235 121

HSL 64.74, 0.74%, 0.7%

LAB 90.31, -18.78, 53.81

 

CMYK 49 / 0 / 35 / 8

HEX #79EB98

RGB 121 235 152

HSL 136.32, 0.74%, 0.7%

LAB 84.87, -50.16, 30.53

 

CMYK 16 / 49 / 0 / 8

HEX #C579EB

RGB 197 121 235

HSL 280, 0.74%, 0.7%

LAB 62.96, 48.93, -46.06

 

CMYK 4 / 0 / 49 / 8

HEX #E2EB79

RGB 226 235 121

HSL 64.74, 0.74%, 0.7%

LAB 90.31, -18.78, 53.81

 

CMYK 49 / 3 / 0 / 8

HEX #79E3EB

RGB 121 227 235

HSL 184.21, 0.74%, 0.7%

LAB 84.48, -28.56, -13.39

 

CMYK 0 / 49 / 3 / 8

HEX #EB79E3

RGB 235 121 227

HSL 304.21, 0.74%, 0.7%

LAB 67.19, 57.99, -34.68

 

CMYK 4 / 0 / 49 / 8

HEX #E2EB79

RGB 226 235 121

HSL 64.74, 0.74%, 0.7%

LAB 90.31, -18.78, 53.81

 

CMYK 49 / 0 / 35 / 8

HEX #79EB98

RGB 121 235 152

HSL 136.32, 0.74%, 0.7%

LAB 84.87, -50.16, 30.53

 

CMYK 45 / 49 / 0 / 8

HEX #8179EB

RGB 129 121 235

HSL 244.21, 0.74%, 0.7%

LAB 56.43, 31.57, -56.84

 

CMYK 0 / 49 / 13 / 8

HEX #EB79CC

RGB 235 121 204

HSL 316.32, 0.74%, 0.7%

LAB 66.29, 54.24, -23.25

 

CMYK 4 / 0 / 49 / 8

HEX #E2EB79

RGB 226 235 121

HSL 64.74, 0.74%, 0.7%

LAB 90.31, -18.78, 53.81

 

CMYK 49 / 0 / 21 / 8

HEX #79EBBA

RGB 121 235 186

HSL 154.21, 0.74%, 0.7%

LAB 85.52, -43.72, 13.89

 

CMYK 45 / 49 / 0 / 8

HEX #8179EB

RGB 129 121 235

HSL 244.21, 0.74%, 0.7%

LAB 56.43, 31.57, -56.84

 

CMYK 0 / 49 / 28 / 8

HEX #EB79AA

RGB 235 121 170

HSL 334.21, 0.74%, 0.7%

LAB 65.15, 49.36, -5.78

 

Description

Color code: HEX #E2EB79 | qconv.com Color code: HEX #E2EB79 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 226 red, 235 green and 121 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
226 235 121 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, none magenta, 49 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 0% 49% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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