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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E2F381 it is the complementary color #1D0C7E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E2F381. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E2F381 shade: #E7F37C, #F8FF8F, #FFFFA2, #FFFFB5 and #FFFFC8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E2F381. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E2F381 shade: #E2F381, #D1E16E, #C0CF5B, #AFBD48 and #9EAB35

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E2F381 shade: #E2F381, #F3E581, #F3C681, #F3A781 and #F38981

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E2F381 shade: #E2F381, #C3F381, #A4F381, #85F381 and #81F39B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E2F381 shade matches the following richer shades: #E2F381 and #EAFE75

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E2F381 shade: #E2F381, #DAE88C, #D2DD97, #CAD1A2 and #C2C6AD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E2F381 shade: #F3C581, #F3E481, #E4F381, #C5F381 and #A7F381

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E2F381 shade: #D1EC35, #D9EF5B, #E2F381, #EAF6A6 and #F3FACC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E2F381 shade: #E2F381, #81F3A7 and #D481F3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E2F381 shade: #E2F381, #81E4F3 and #F381E4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E2F381 shade: #E2F381, #81F3A7, #9081F3 and #F381CD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E2F381 shade: #E2F381, #81F3C9, #9081F3 and #F381AA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 0 / 47 / 5

HEX #E2F381

RGB 226 243 129

HSL 68.95, 0.83%, 0.73%

LAB 92.51, -21.9, 52.72

 

Complementary color

CMYK 77 / 90 / 0 / 51

HEX #1D0C7E

RGB 29 12 126

HSL 248.95, 0.83%, 0.27%

LAB 15.65, 43.18, -58.93

 

CMYK 5 / 0 / 49 / 5

HEX #E7F37C

RGB 231 243 124

HSL 66.05, 0.83%, 0.72%

LAB 92.82, -20.43, 55.5

 

CMYK 3 / 0 / 44 / 0

HEX #F8FF8F

RGB 248 255 143

HSL 63.75, 1%, 0.78%

LAB 97.41, -17.89, 52.49

 

CMYK 0 / 0 / 36 / 0

HEX #FFFFA2

RGB 255 255 162

HSL 60, 1%, 0.82%

LAB 98.19, -13.28, 44.46

 

CMYK 0 / 0 / 29 / 0

HEX #FFFFB5

RGB 255 255 181

HSL 60, 1%, 0.85%

LAB 98.48, -11.08, 35.46

 

CMYK 0 / 0 / 22 / 0

HEX #FFFFC8

RGB 255 255 200

HSL 60, 1%, 0.89%

LAB 98.81, -8.6, 26.37

 

CMYK 7 / 0 / 47 / 5

HEX #E2F381

RGB 226 243 129

HSL 68.95, 0.83%, 0.73%

LAB 92.51, -21.9, 52.72

 

CMYK 7 / 0 / 51 / 12

HEX #D1E16E

RGB 209 225 110

HSL 68.35, 0.66%, 0.66%

LAB 86.27, -21.57, 53.82

 

CMYK 7 / 0 / 56 / 19

HEX #C0CF5B

RGB 192 207 91

HSL 67.76, 0.55%, 0.58%

LAB 79.95, -21.17, 54.86

 

CMYK 7 / 0 / 62 / 26

HEX #AFBD48

RGB 175 189 72

HSL 67.18, 0.47%, 0.51%

LAB 73.53, -20.67, 55.75

 

CMYK 8 / 0 / 69 / 33

HEX #9EAB35

RGB 158 171 53

HSL 66.61, 0.53%, 0.44%

LAB 67.02, -20.04, 56.34

 

CMYK 7 / 0 / 47 / 5

HEX #E2F381

RGB 226 243 129

HSL 68.95, 0.83%, 0.73%

LAB 92.51, -21.9, 52.72

 

CMYK 0 / 6 / 47 / 5

HEX #F3E581

RGB 243 229 129

HSL 52.63, 0.83%, 0.73%

LAB 90.17, -8.39, 50.17

 

CMYK 0 / 19 / 47 / 5

HEX #F3C681

RGB 243 198 129

HSL 36.32, 0.83%, 0.73%

LAB 82.39, 7.46, 40.48

 

CMYK 0 / 31 / 47 / 5

HEX #F3A781

RGB 243 167 129

HSL 20, 0.83%, 0.73%

LAB 75, 23.77, 30.93

 

CMYK 0 / 44 / 47 / 5

HEX #F38981

RGB 243 137 129

HSL 4.21, 0.83%, 0.73%

LAB 68.41, 39.44, 22.13

 

CMYK 7 / 0 / 47 / 5

HEX #E2F381

RGB 226 243 129

HSL 68.95, 0.83%, 0.73%

LAB 92.51, -21.9, 52.72

 

CMYK 20 / 0 / 47 / 5

HEX #C3F381

RGB 195 243 129

HSL 85.26, 0.83%, 0.73%

LAB 90.45, -33.5, 49.74

 

CMYK 33 / 0 / 47 / 5

HEX #A4F381

RGB 164 243 129

HSL 101.58, 0.83%, 0.73%

LAB 88.72, -44.24, 47.22

 

CMYK 45 / 0 / 47 / 5

HEX #85F381

RGB 133 243 129

HSL 117.89, 0.83%, 0.73%

LAB 87.33, -53.7, 45.17

 

CMYK 47 / 0 / 36 / 5

HEX #81F39B

RGB 129 243 155

HSL 133.68, 0.83%, 0.73%

LAB 87.55, -50.89, 32.64

 

CMYK 7 / 0 / 47 / 5

HEX #E2F381

RGB 226 243 129

HSL 68.95, 0.83%, 0.73%

LAB 92.51, -21.9, 52.72

 

CMYK 8 / 0 / 54 / 0

HEX #EAFE75

RGB 234 254 117

HSL 68.76, 0.99%, 0.73%

LAB 95.86, -25.11, 62.27

 

CMYK 7 / 0 / 47 / 5

HEX #E2F381

RGB 226 243 129

HSL 68.95, 0.83%, 0.73%

LAB 92.51, -21.9, 52.72

 

CMYK 6 / 0 / 40 / 9

HEX #DAE88C

RGB 218 232 140

HSL 69.13, 0.67%, 0.73%

LAB 89.16, -18.49, 43.15

 

CMYK 5 / 0 / 32 / 13

HEX #D2DD97

RGB 210 221 151

HSL 69.43, 0.51%, 0.73%

LAB 85.83, -14.78, 33.2

 

CMYK 3 / 0 / 22 / 18

HEX #CAD1A2

RGB 202 209 162

HSL 68.94, 0.34%, 0.73%

LAB 82.25, -10.21, 22.57

 

CMYK 2 / 0 / 13 / 22

HEX #C2C6AD

RGB 194 198 173

HSL 69.6, 0.18%, 0.73%

LAB 78.97, -5.76, 12.06

 

CMYK 0 / 19 / 47 / 5

HEX #F3C581

RGB 243 197 129

HSL 35.79, 0.83%, 0.73%

LAB 82.15, 7.98, 40.17

 

CMYK 0 / 6 / 47 / 5

HEX #F3E481

RGB 243 228 129

HSL 52.11, 0.83%, 0.73%

LAB 89.92, -7.89, 49.86

 

CMYK 6 / 0 / 47 / 5

HEX #E4F381

RGB 228 243 129

HSL 67.89, 0.83%, 0.73%

LAB 92.65, -21.13, 52.93

 

CMYK 19 / 0 / 47 / 5

HEX #C5F381

RGB 197 243 129

HSL 84.21, 0.83%, 0.73%

LAB 90.58, -32.77, 49.92

 

CMYK 31 / 0 / 47 / 5

HEX #A7F381

RGB 167 243 129

HSL 100, 0.83%, 0.73%

LAB 88.88, -43.25, 47.44

 

CMYK 11 / 0 / 78 / 7

HEX #D1EC35

RGB 209 236 53

HSL 68.85, 0.83%, 0.57%

LAB 88.83, -30.37, 78.34

 

CMYK 9 / 0 / 62 / 6

HEX #D9EF5B

RGB 217 239 91

HSL 68.92, 0.82%, 0.65%

LAB 90.43, -26.6, 66.91

 

CMYK 7 / 0 / 47 / 5

HEX #E2F381

RGB 226 243 129

HSL 68.95, 0.83%, 0.73%

LAB 92.51, -21.9, 52.72

 

CMYK 5 / 0 / 33 / 4

HEX #EAF6A6

RGB 234 246 166

HSL 69, 0.82%, 0.81%

LAB 94.38, -16.27, 37.23

 

CMYK 3 / 0 / 18 / 2

HEX #F3FACC

RGB 243 250 204

HSL 69.13, 0.82%, 0.89%

LAB 96.73, -9.84, 21.33

 

CMYK 7 / 0 / 47 / 5

HEX #E2F381

RGB 226 243 129

HSL 68.95, 0.83%, 0.73%

LAB 92.51, -21.9, 52.72

 

CMYK 47 / 0 / 31 / 5

HEX #81F3A7

RGB 129 243 167

HSL 140, 0.83%, 0.73%

LAB 87.76, -48.83, 26.85

 

CMYK 13 / 47 / 0 / 5

HEX #D481F3

RGB 212 129 243

HSL 283.68, 0.83%, 0.73%

LAB 66.65, 50.53, -44.56

 

CMYK 7 / 0 / 47 / 5

HEX #E2F381

RGB 226 243 129

HSL 68.95, 0.83%, 0.73%

LAB 92.51, -21.9, 52.72

 

CMYK 47 / 6 / 0 / 5

HEX #81E4F3

RGB 129 228 243

HSL 187.89, 0.83%, 0.73%

LAB 85.31, -25.22, -16.34

 

CMYK 0 / 47 / 6 / 5

HEX #F381E4

RGB 243 129 228

HSL 307.89, 0.83%, 0.73%

LAB 69.72, 56.58, -31.22

 

CMYK 7 / 0 / 47 / 5

HEX #E2F381

RGB 226 243 129

HSL 68.95, 0.83%, 0.73%

LAB 92.51, -21.9, 52.72

 

CMYK 47 / 0 / 31 / 5

HEX #81F3A7

RGB 129 243 167

HSL 140, 0.83%, 0.73%

LAB 87.76, -48.83, 26.85

 

CMYK 41 / 47 / 0 / 5

HEX #9081F3

RGB 144 129 243

HSL 247.89, 0.83%, 0.73%

LAB 59.98, 32.68, -55.54

 

CMYK 0 / 47 / 16 / 5

HEX #F381CD

RGB 243 129 205

HSL 320, 0.83%, 0.73%

LAB 68.87, 52.93, -19.78

 

CMYK 7 / 0 / 47 / 5

HEX #E2F381

RGB 226 243 129

HSL 68.95, 0.83%, 0.73%

LAB 92.51, -21.9, 52.72

 

CMYK 47 / 0 / 17 / 5

HEX #81F3C9

RGB 129 243 201

HSL 157.89, 0.83%, 0.73%

LAB 88.44, -42.17, 10.28

 

CMYK 41 / 47 / 0 / 5

HEX #9081F3

RGB 144 129 243

HSL 247.89, 0.83%, 0.73%

LAB 59.98, 32.68, -55.54

 

CMYK 0 / 47 / 30 / 5

HEX #F381AA

RGB 243 129 170

HSL 338.42, 0.83%, 0.73%

LAB 67.77, 48.05, -1.8

 

Description

Color code: HEX #E2F381 | qconv.com Color code: HEX #E2F381 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 226 red, 243 green and 129 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
226 243 129 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, none magenta, 47 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 0% 47% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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