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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E32096 it is the complementary color #1CDF69. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E32096. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E32096 shade: #E82091, #F932A4, #FF44B7, #FF56CA and #FF68DD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E32096. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E32096 shade: #E32096, #D20E83, #C10070, #B0005D and #9F004A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E32096 shade: #E32096, #E32061, #E3202D and #E32020

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E32096 shade: #E32096, #E320CB, #C720E3, #9220E3 and #5E20E3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E32096 shade matches the following richer shades: #E32096 and #F70C9A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E32096 shade: #E32096, #CF3492, #BB498E, #A65D89 and #927185

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E32096 shade: #C620E3, #E320CC, #E32098, #E32064 and #E32030

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E32096 shade: #9E1367, #C2187F, #E32096, #E845A7 and #EC6AB9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E32096 shade: #E32096, #E39220 and #20E3E0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E32096 shade: #E32096, #98E320 and #2098E3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E32096 shade: #E32096, #E39220, #20E36B and #2071E3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E32096 shade: #E32096, #E3CC20, #20E36B and #2037E3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 86 / 34 / 11

HEX #E32096

RGB 227 32 150

HSL 323.69, 0.78%, 0.51%

LAB 51.34, 77.1, -14.96

 

Complementary color

CMYK 87 / 0 / 53 / 13

HEX #1CDF69

RGB 28 223 105

HSL 143.69, 0.78%, 0.49%

LAB 78.49, -69.06, 45.11

 

CMYK 0 / 86 / 38 / 9

HEX #E82091

RGB 232 32 145

HSL 326.1, 0.81%, 0.52%

LAB 52.1, 77.71, -10.74

 

CMYK 0 / 80 / 34 / 2

HEX #F932A4

RGB 249 50 164

HSL 325.63, 0.94%, 0.59%

LAB 57.17, 79.73, -14.02

 

CMYK 0 / 73 / 28 / 0

HEX #FF44B7

RGB 255 68 183

HSL 323.1, 1%, 0.63%

LAB 60.62, 78.31, -19.72

 

CMYK 0 / 66 / 21 / 0

HEX #FF56CA

RGB 255 86 202

HSL 318.82, 1%, 0.67%

LAB 63.49, 74.6, -26.16

 

CMYK 0 / 59 / 13 / 0

HEX #FF68DD

RGB 255 104 221

HSL 313.51, 1%, 0.7%

LAB 66.81, 70.16, -31.71

 

CMYK 0 / 86 / 34 / 11

HEX #E32096

RGB 227 32 150

HSL 323.69, 0.78%, 0.51%

LAB 51.34, 77.1, -14.96

 

CMYK 0 / 93 / 38 / 18

HEX #D20E83

RGB 210 14 131

HSL 324.18, 0.88%, 0.44%

LAB 46.52, 74.08, -11.1

 

CMYK 0 / 100 / 42 / 24

HEX #C10070

RGB 193 0 112

HSL 325.18, 1%, 0.38%

LAB 42.01, 69.96, -6.46

 

CMYK 0 / 100 / 47 / 31

HEX #B0005D

RGB 176 0 93

HSL 328.3, 1%, 0.35%

LAB 37.88, 64.56, -0.93

 

CMYK 0 / 100 / 53 / 38

HEX #9F004A

RGB 159 0 74

HSL 332.08, 1%, 0.31%

LAB 33.7, 59.14, 4.9

 

CMYK 0 / 86 / 34 / 11

HEX #E32096

RGB 227 32 150

HSL 323.69, 0.78%, 0.51%

LAB 51.34, 77.1, -14.96

 

CMYK 0 / 86 / 57 / 11

HEX #E32061

RGB 227 32 97

HSL 340, 0.78%, 0.51%

LAB 49.77, 72.67, 14.87

 

CMYK 0 / 86 / 80 / 11

HEX #E3202D

RGB 227 32 45

HSL 356, 0.78%, 0.51%

LAB 48.95, 70.29, 44.68

 

CMYK 0 / 86 / 86 / 11

HEX #E32020

RGB 227 32 32

HSL 0, 0.78%, 0.51%

LAB 48.84, 69.98, 51.21

 

CMYK 0 / 86 / 34 / 11

HEX #E32096

RGB 227 32 150

HSL 323.69, 0.78%, 0.51%

LAB 51.34, 77.1, -14.96

 

CMYK 0 / 86 / 11 / 11

HEX #E320CB

RGB 227 32 203

HSL 307.38, 0.78%, 0.51%

LAB 53.68, 83.41, -42.38

 

CMYK 12 / 86 / 0 / 11

HEX #C720E3

RGB 199 32 227

HSL 291.38, 0.78%, 0.51%

LAB 50.36, 82.1, -61.66

 

CMYK 36 / 86 / 0 / 11

HEX #9220E3

RGB 146 32 227

HSL 275.08, 0.78%, 0.51%

LAB 42.29, 74.29, -75.13

 

CMYK 59 / 86 / 0 / 11

HEX #5E20E3

RGB 94 32 227

HSL 259.08, 0.78%, 0.51%

LAB 35.9, 68.61, -85.87

 

CMYK 0 / 86 / 34 / 11

HEX #E32096

RGB 227 32 150

HSL 323.69, 0.78%, 0.51%

LAB 51.34, 77.1, -14.96

 

CMYK 0 / 95 / 38 / 3

HEX #F70C9A

RGB 247 12 154

HSL 323.74, 0.94%, 0.51%

LAB 54.42, 84.21, -12.32

 

CMYK 0 / 86 / 34 / 11

HEX #E32096

RGB 227 32 150

HSL 323.69, 0.78%, 0.51%

LAB 51.34, 77.1, -14.96

 

CMYK 0 / 75 / 29 / 19

HEX #CF3492

RGB 207 52 146

HSL 323.61, 0.62%, 0.51%

LAB 49.25, 67.13, -16.09

 

CMYK 0 / 61 / 24 / 27

HEX #BB498E

RGB 187 73 142

HSL 323.68, 0.46%, 0.51%

LAB 48.61, 53.22, -14.96

 

CMYK 0 / 44 / 17 / 35

HEX #A65D89

RGB 166 93 137

HSL 323.84, 0.29%, 0.51%

LAB 49.18, 35.76, -11.41

 

CMYK 0 / 23 / 9 / 43

HEX #927185

RGB 146 113 133

HSL 323.64, 0.13%, 0.51%

LAB 51.4, 16.45, -5.96

 

CMYK 13 / 86 / 0 / 11

HEX #C620E3

RGB 198 32 227

HSL 291.08, 0.78%, 0.51%

LAB 50.2, 81.94, -61.92

 

CMYK 0 / 86 / 10 / 11

HEX #E320CC

RGB 227 32 204

HSL 307.08, 0.78%, 0.51%

LAB 53.73, 83.55, -42.87

 

CMYK 0 / 86 / 33 / 11

HEX #E32098

RGB 227 32 152

HSL 323.08, 0.78%, 0.51%

LAB 51.42, 77.31, -16.04

 

CMYK 0 / 86 / 56 / 11

HEX #E32064

RGB 227 32 100

HSL 339.08, 0.78%, 0.51%

LAB 49.84, 72.86, 13.13

 

CMYK 0 / 86 / 79 / 11

HEX #E32030

RGB 227 32 48

HSL 355.08, 0.78%, 0.51%

LAB 48.98, 70.37, 43.07

 

CMYK 0 / 88 / 35 / 38

HEX #9E1367

RGB 158 19 103

HSL 323.74, 0.79%, 0.35%

LAB 35.43, 58.83, -11.38

 

CMYK 0 / 88 / 35 / 24

HEX #C2187F

RGB 194 24 127

HSL 323.65, 0.78%, 0.43%

LAB 43.73, 68.78, -13.15

 

CMYK 0 / 86 / 34 / 11

HEX #E32096

RGB 227 32 150

HSL 323.69, 0.78%, 0.51%

LAB 51.34, 77.1, -14.96

 

CMYK 0 / 70 / 28 / 9

HEX #E845A7

RGB 232 69 167

HSL 323.93, 0.78%, 0.59%

LAB 56.29, 70.4, -17.4

 

CMYK 0 / 55 / 22 / 7

HEX #EC6AB9

RGB 236 106 185

HSL 323.54, 0.77%, 0.67%

LAB 63.05, 58.84, -17.44

 

CMYK 0 / 86 / 34 / 11

HEX #E32096

RGB 227 32 150

HSL 323.69, 0.78%, 0.51%

LAB 51.34, 77.1, -14.96

 

CMYK 0 / 36 / 86 / 11

HEX #E39220

RGB 227 146 32

HSL 35.08, 0.78%, 0.51%

LAB 67.27, 22.57, 66.29

 

CMYK 86 / 0 / 1 / 11

HEX #20E3E0

RGB 32 227 224

HSL 179.08, 0.78%, 0.51%

LAB 82.18, -43.8, -11.22

 

CMYK 0 / 86 / 34 / 11

HEX #E32096

RGB 227 32 150

HSL 323.69, 0.78%, 0.51%

LAB 51.34, 77.1, -14.96

 

CMYK 33 / 0 / 86 / 11

HEX #98E320

RGB 152 227 32

HSL 83.08, 0.78%, 0.51%

LAB 82.76, -48.9, 76.75

 

CMYK 86 / 33 / 0 / 11

HEX #2098E3

RGB 32 152 227

HSL 203.08, 0.78%, 0.51%

LAB 60.17, -5.03, -46.7

 

CMYK 0 / 86 / 34 / 11

HEX #E32096

RGB 227 32 150

HSL 323.69, 0.78%, 0.51%

LAB 51.34, 77.1, -14.96

 

CMYK 0 / 36 / 86 / 11

HEX #E39220

RGB 227 146 32

HSL 35.08, 0.78%, 0.51%

LAB 67.27, 22.57, 66.29

 

CMYK 86 / 0 / 53 / 11

HEX #20E36B

RGB 32 227 107

HSL 143.08, 0.78%, 0.51%

LAB 79.79, -69.75, 45.77

 

CMYK 86 / 50 / 0 / 11

HEX #2071E3

RGB 32 113 227

HSL 215.08, 0.78%, 0.51%

LAB 49.09, 18.66, -64.42

 

CMYK 0 / 86 / 34 / 11

HEX #E32096

RGB 227 32 150

HSL 323.69, 0.78%, 0.51%

LAB 51.34, 77.1, -14.96

 

CMYK 0 / 10 / 86 / 11

HEX #E3CC20

RGB 227 204 32

HSL 52.92, 0.78%, 0.51%

LAB 81.63, -7.91, 77.94

 

CMYK 86 / 0 / 53 / 11

HEX #20E36B

RGB 32 227 107

HSL 143.08, 0.78%, 0.51%

LAB 79.79, -69.75, 45.77

 

CMYK 86 / 76 / 0 / 11

HEX #2037E3

RGB 32 55 227

HSL 232.92, 0.78%, 0.51%

LAB 35.17, 54.5, -87.21

 

Description

Color code: HEX #E32096 | qconv.com Color code: HEX #E32096 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 227 red, 32 green and 150 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
227 32 150 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 86 magenta, 34 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 86% 34% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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