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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E34444 it is the complementary color #1CBBBB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E34444. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E34444 shade: #E8443F, #F95652, #FF6865, #FF7A78 and #FF8C8B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E34444. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E34444 shade: #E34444, #D23231, #C1201E, #B00E0B and #9F0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E34444 shade: #E34444

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E34444 shade: #E34444, #E36F44, #E39A44, #E3C444 and #D6E344

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E34444 shade matches the following richer shades: #E34444 and #F43333

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E34444 shade: #E34444, #D15555, #C06767, #AF7878 and #9D8989

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E34444 shade: #E34499, #E3446E, #E34444, #E36E44 and #E39944

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E34444 shade: #B91B1B, #DD2121, #E34444, #E86868 and #ED8C8C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E34444 shade: #E34444, #C3E344 and #4484E3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E34444 shade: #E34444, #44E344 and #4444E3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E34444 shade: #E34444, #C3E344, #44E3E3 and #6444E3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E34444 shade: #E34444, #93E344, #44E3E3 and #9344E3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 70 / 70 / 11

HEX #E34444

RGB 227 68 68

HSL 0, 0.74%, 0.58%

LAB 52.82, 61.02, 36.07

 

Complementary color

CMYK 85 / 0 / 0 / 27

HEX #1CBBBB

RGB 28 187 187

HSL 180, 0.74%, 0.42%

LAB 69.02, -36.91, -10.91

 

CMYK 0 / 71 / 73 / 9

HEX #E8443F

RGB 232 68 63

HSL 1.78, 0.79%, 0.58%

LAB 53.65, 62.35, 40.08

 

CMYK 0 / 65 / 67 / 2

HEX #F95652

RGB 249 86 82

HSL 1.44, 0.93%, 0.65%

LAB 59.35, 61.78, 36.88

 

CMYK 0 / 59 / 60 / 0

HEX #FF6865

RGB 255 104 101

HSL 1.17, 1%, 0.7%

LAB 63.43, 57.31, 31.51

 

CMYK 0 / 52 / 53 / 0

HEX #FF7A78

RGB 255 122 120

HSL 0.89, 1%, 0.74%

LAB 66.93, 50.42, 25.44

 

CMYK 0 / 45 / 45 / 0

HEX #FF8C8B

RGB 255 140 139

HSL 0.52, 1%, 0.77%

LAB 70.79, 43.27, 20.08

 

CMYK 0 / 70 / 70 / 11

HEX #E34444

RGB 227 68 68

HSL 0, 0.74%, 0.58%

LAB 52.82, 61.02, 36.07

 

CMYK 0 / 76 / 77 / 18

HEX #D23231

RGB 210 50 49

HSL 0.37, 0.64%, 0.51%

LAB 47.24, 61.18, 39.67

 

CMYK 0 / 83 / 84 / 24

HEX #C1201E

RGB 193 32 30

HSL 0.74, 0.73%, 0.44%

LAB 41.94, 60.65, 43.55

 

CMYK 0 / 92 / 94 / 31

HEX #B00E0B

RGB 176 14 11

HSL 1.09, 0.88%, 0.37%

LAB 37.06, 59.09, 46.87

 

CMYK 0 / 100 / 100 / 38

HEX #9F0000

RGB 159 0 0

HSL 0, 1%, 0.31%

LAB 32.64, 56.28, 46.7

 

CMYK 0 / 70 / 70 / 11

HEX #E34444

RGB 227 68 68

HSL 0, 0.74%, 0.58%

LAB 52.82, 61.02, 36.07

 

CMYK 0 / 70 / 70 / 11

HEX #E34444

RGB 227 68 68

HSL 0, 0.74%, 0.58%

LAB 52.82, 61.02, 36.07

 

CMYK 0 / 51 / 70 / 11

HEX #E36F44

RGB 227 111 68

HSL 16.23, 0.74%, 0.58%

LAB 59.99, 42.09, 44.32

 

CMYK 0 / 32 / 70 / 11

HEX #E39A44

RGB 227 154 68

HSL 32.45, 0.74%, 0.58%

LAB 69.37, 19.63, 54.53

 

CMYK 0 / 14 / 70 / 11

HEX #E3C444

RGB 227 196 68

HSL 48.3, 0.74%, 0.58%

LAB 79.74, -2.54, 65.21

 

CMYK 6 / 0 / 70 / 11

HEX #D6E344

RGB 214 227 68

HSL 64.91, 0.74%, 0.58%

LAB 86.83, -23.44, 71.86

 

CMYK 0 / 70 / 70 / 11

HEX #E34444

RGB 227 68 68

HSL 0, 0.74%, 0.58%

LAB 52.82, 61.02, 36.07

 

CMYK 0 / 79 / 79 / 4

HEX #F43333

RGB 244 51 51

HSL 0, 0.9%, 0.58%

LAB 53.86, 70.72, 47.48

 

CMYK 0 / 70 / 70 / 11

HEX #E34444

RGB 227 68 68

HSL 0, 0.74%, 0.58%

LAB 52.82, 61.02, 36.07

 

CMYK 0 / 59 / 59 / 18

HEX #D15555

RGB 209 85 85

HSL 0, 0.57%, 0.58%

LAB 52.63, 49.04, 25.32

 

CMYK 0 / 46 / 46 / 25

HEX #C06767

RGB 192 103 103

HSL 0, 0.41%, 0.58%

LAB 53.91, 35.43, 16.04

 

CMYK 0 / 31 / 31 / 31

HEX #AF7878

RGB 175 120 120

HSL 0, 0.26%, 0.58%

LAB 55.99, 21.54, 8.72

 

CMYK 0 / 13 / 13 / 38

HEX #9D8989

RGB 157 137 137

HSL 0, 0.09%, 0.58%

LAB 58.85, 7.53, 2.77

 

CMYK 0 / 70 / 33 / 11

HEX #E34499

RGB 227 68 153

HSL 327.92, 0.74%, 0.58%

LAB 54.83, 67.81, -11.47

 

CMYK 0 / 70 / 52 / 11

HEX #E3446E

RGB 227 68 110

HSL 344.15, 0.74%, 0.58%

LAB 53.59, 63.67, 12.3

 

CMYK 0 / 70 / 70 / 11

HEX #E34444

RGB 227 68 68

HSL 0, 0.74%, 0.58%

LAB 52.82, 61.02, 36.07

 

CMYK 0 / 52 / 70 / 11

HEX #E36E44

RGB 227 110 68

HSL 15.85, 0.74%, 0.58%

LAB 59.8, 42.59, 44.1

 

CMYK 0 / 33 / 70 / 11

HEX #E39944

RGB 227 153 68

HSL 32.08, 0.74%, 0.58%

LAB 69.13, 20.16, 54.28

 

CMYK 0 / 85 / 85 / 27

HEX #B91B1B

RGB 185 27 27

HSL 0, 0.75%, 0.42%

LAB 39.88, 59.48, 42.63

 

CMYK 0 / 85 / 85 / 13

HEX #DD2121

RGB 221 33 33

HSL 0, 0.74%, 0.5%

LAB 47.71, 68.2, 49.29

 

CMYK 0 / 70 / 70 / 11

HEX #E34444

RGB 227 68 68

HSL 0, 0.74%, 0.58%

LAB 52.82, 61.02, 36.07

 

CMYK 0 / 55 / 55 / 9

HEX #E86868

RGB 232 104 104

HSL 0, 0.74%, 0.66%

LAB 59.94, 49.63, 24.59

 

CMYK 0 / 41 / 41 / 7

HEX #ED8C8C

RGB 237 140 140

HSL 0, 0.73%, 0.74%

LAB 68.5, 36.79, 16

 

CMYK 0 / 70 / 70 / 11

HEX #E34444

RGB 227 68 68

HSL 0, 0.74%, 0.58%

LAB 52.82, 61.02, 36.07

 

CMYK 14 / 0 / 70 / 11

HEX #C3E344

RGB 195 227 68

HSL 72.08, 0.74%, 0.58%

LAB 85.48, -31.08, 70.08

 

CMYK 70 / 42 / 0 / 11

HEX #4484E3

RGB 68 132 227

HSL 215.85, 0.74%, 0.58%

LAB 55.36, 10.64, -54.28

 

CMYK 0 / 70 / 70 / 11

HEX #E34444

RGB 227 68 68

HSL 0, 0.74%, 0.58%

LAB 52.82, 61.02, 36.07

 

CMYK 70 / 0 / 70 / 11

HEX #44E344

RGB 68 227 68

HSL 120, 0.74%, 0.58%

LAB 79.95, -69.77, 62.68

 

CMYK 70 / 70 / 0 / 11

HEX #4444E3

RGB 68 68 227

HSL 240, 0.74%, 0.58%

LAB 39.43, 49.89, -80.13

 

CMYK 0 / 70 / 70 / 11

HEX #E34444

RGB 227 68 68

HSL 0, 0.74%, 0.58%

LAB 52.82, 61.02, 36.07

 

CMYK 14 / 0 / 70 / 11

HEX #C3E344

RGB 195 227 68

HSL 72.08, 0.74%, 0.58%

LAB 85.48, -31.08, 70.08

 

CMYK 70 / 0 / 0 / 11

HEX #44E3E3

RGB 68 227 227

HSL 180, 0.74%, 0.58%

LAB 82.76, -39.73, -11.89

 

CMYK 56 / 70 / 0 / 11

HEX #6444E3

RGB 100 68 227

HSL 252.08, 0.74%, 0.58%

LAB 41.83, 53.91, -76.09

 

CMYK 0 / 70 / 70 / 11

HEX #E34444

RGB 227 68 68

HSL 0, 0.74%, 0.58%

LAB 52.82, 61.02, 36.07

 

CMYK 35 / 0 / 70 / 11

HEX #93E344

RGB 147 227 68

HSL 90.19, 0.74%, 0.58%

LAB 82.68, -48.95, 66.35

 

CMYK 70 / 0 / 0 / 11

HEX #44E3E3

RGB 68 227 227

HSL 180, 0.74%, 0.58%

LAB 82.76, -39.73, -11.89

 

CMYK 35 / 70 / 0 / 11

HEX #9344E3

RGB 147 68 227

HSL 269.81, 0.74%, 0.58%

LAB 46.82, 61.77, -67.74

 

Description

Color code: HEX #E34444 | qconv.com Color code: HEX #E34444 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 227 red, 68 green and 68 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
227 68 68 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 70 magenta, 70 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 70% 70% 11% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

100% - 浅草九倶楽部/浅草九劇
Link: http://asakusa-kokono.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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