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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E365FA it is the complementary color #1C9A05. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E365FA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E365FA shade: #E865F5, #F977FF, #FF89FF, #FF9BFF and #FFADFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E365FA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E365FA shade: #E365FA, #D253E7, #C141D4, #B02FC1 and #9F1DAE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E365FA shade: #E365FA, #FA65E9, #FA65C1, #FA6598 and #FA6570

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E365FA shade: #E365FA, #BB65FA, #9365FA, #6B65FA and #6565FA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E365FA shade matches the following richer shades: #E365FA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E365FA shade: #E365FA, #DA72ED, #D17FE0, #C88CD3 and #BF98C7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E365FA shade: #9265FA, #B965FA, #E165FA, #FA65EB and #FA65C3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E365FA shade: #D415F7, #DC3DF9, #E365FA, #EA8DFB and #F1B5FC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E365FA shade: #E365FA, #FA6A65 and #65FAA6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E365FA shade: #E365FA, #FAE165 and #65FAE1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E365FA shade: #E365FA, #FA6A65, #7EFA65 and #65F5FA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E365FA shade: #E365FA, #FA9765, #7EFA65 and #65C8FA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 60 / 0 / 2

HEX #E365FA

RGB 227 101 250

HSL 290.74, 0.94%, 0.69%

LAB 63.79, 69.15, -52.81

 

Complementary color

CMYK 82 / 0 / 97 / 40

HEX #1C9A05

RGB 28 154 5

HSL 110.74, 0.94%, 0.31%

LAB 55.45, -56.71, 56.6

 

CMYK 5 / 59 / 0 / 4

HEX #E865F5

RGB 232 101 245

HSL 294.58, 0.88%, 0.68%

LAB 64.21, 69.46, -49.34

 

CMYK 2 / 53 / 0 / 0

HEX #F977FF

RGB 249 119 255

HSL 297.35, 1%, 0.73%

LAB 69.86, 67.5, -45.77

 

CMYK 0 / 46 / 0 / 0

HEX #FF89FF

RGB 255 137 255

HSL 300, 1%, 0.77%

LAB 73.79, 60.7, -39.58

 

CMYK 0 / 39 / 0 / 0

HEX #FF9BFF

RGB 255 155 255

HSL 300, 1%, 0.8%

LAB 77.23, 51.82, -34.23

 

CMYK 0 / 32 / 0 / 0

HEX #FFADFF

RGB 255 173 255

HSL 300, 1%, 0.84%

LAB 80.94, 42.6, -28.53

 

CMYK 9 / 60 / 0 / 2

HEX #E365FA

RGB 227 101 250

HSL 290.74, 0.94%, 0.69%

LAB 63.79, 69.15, -52.81

 

CMYK 9 / 64 / 0 / 9

HEX #D253E7

RGB 210 83 231

HSL 291.49, 0.76%, 0.62%

LAB 57.71, 69.35, -52.04

 

CMYK 9 / 69 / 0 / 17

HEX #C141D4

RGB 193 65 212

HSL 292.24, 0.63%, 0.54%

LAB 51.69, 69.2, -51.03

 

CMYK 9 / 76 / 0 / 24

HEX #B02FC1

RGB 176 47 193

HSL 293.01, 0.61%, 0.47%

LAB 45.79, 68.51, -49.66

 

CMYK 9 / 83 / 0 / 32

HEX #9F1DAE

RGB 159 29 174

HSL 293.79, 0.71%, 0.4%

LAB 40.09, 66.97, -47.77

 

CMYK 9 / 60 / 0 / 2

HEX #E365FA

RGB 227 101 250

HSL 290.74, 0.94%, 0.69%

LAB 63.79, 69.15, -52.81

 

CMYK 0 / 60 / 7 / 2

HEX #FA65E9

RGB 250 101 233

HSL 306.85, 0.94%, 0.69%

LAB 66.15, 71.92, -39.47

 

CMYK 0 / 60 / 23 / 2

HEX #FA65C1

RGB 250 101 193

HSL 322.95, 0.94%, 0.69%

LAB 64.55, 66.16, -19.51

 

CMYK 0 / 60 / 39 / 2

HEX #FA6598

RGB 250 101 152

HSL 339.46, 0.94%, 0.69%

LAB 63.26, 61.31, 1.98

 

CMYK 0 / 60 / 55 / 2

HEX #FA6570

RGB 250 101 112

HSL 355.57, 0.94%, 0.69%

LAB 62.34, 57.73, 23.71

 

CMYK 9 / 60 / 0 / 2

HEX #E365FA

RGB 227 101 250

HSL 290.74, 0.94%, 0.69%

LAB 63.79, 69.15, -52.81

 

CMYK 25 / 60 / 0 / 2

HEX #BB65FA

RGB 187 101 250

HSL 274.63, 0.94%, 0.69%

LAB 58.76, 59.79, -61.11

 

CMYK 41 / 60 / 0 / 2

HEX #9365FA

RGB 147 101 250

HSL 258.52, 0.94%, 0.69%

LAB 54.46, 51.02, -68.26

 

CMYK 57 / 60 / 0 / 2

HEX #6B65FA

RGB 107 101 250

HSL 242.42, 0.94%, 0.69%

LAB 51.08, 43.46, -73.91

 

CMYK 60 / 60 / 0 / 2

HEX #6565FA

RGB 101 101 250

HSL 240, 0.94%, 0.69%

LAB 50.66, 42.47, -74.6

 

CMYK 9 / 60 / 0 / 2

HEX #E365FA

RGB 227 101 250

HSL 290.74, 0.94%, 0.69%

LAB 63.79, 69.15, -52.81

 

CMYK 9 / 60 / 0 / 2

HEX #E365FA

RGB 227 101 250

HSL 290.74, 0.94%, 0.69%

LAB 63.79, 69.15, -52.81

 

CMYK 8 / 52 / 0 / 7

HEX #DA72ED

RGB 218 114 237

HSL 290.73, 0.77%, 0.69%

LAB 64.2, 58.5, -45.04

 

CMYK 7 / 43 / 0 / 12

HEX #D17FE0

RGB 209 127 224

HSL 290.72, 0.61%, 0.69%

LAB 65.05, 46.96, -36.57

 

CMYK 5 / 34 / 0 / 17

HEX #C88CD3

RGB 200 140 211

HSL 290.7, 0.45%, 0.69%

LAB 66.32, 34.74, -27.46

 

CMYK 4 / 24 / 0 / 22

HEX #BF98C7

RGB 191 152 199

HSL 289.79, 0.3%, 0.69%

LAB 67.77, 22.84, -18.66

 

CMYK 42 / 60 / 0 / 2

HEX #9265FA

RGB 146 101 250

HSL 258.12, 0.94%, 0.69%

LAB 54.37, 50.81, -68.42

 

CMYK 26 / 60 / 0 / 2

HEX #B965FA

RGB 185 101 250

HSL 273.83, 0.94%, 0.69%

LAB 58.53, 59.33, -61.5

 

CMYK 10 / 60 / 0 / 2

HEX #E165FA

RGB 225 101 250

HSL 289.93, 0.94%, 0.69%

LAB 63.52, 68.67, -53.24

 

CMYK 0 / 60 / 6 / 2

HEX #FA65EB

RGB 250 101 235

HSL 306.04, 0.94%, 0.69%

LAB 66.24, 72.23, -40.44

 

CMYK 0 / 60 / 22 / 2

HEX #FA65C3

RGB 250 101 195

HSL 322.15, 0.94%, 0.69%

LAB 64.62, 66.43, -20.54

 

CMYK 14 / 91 / 0 / 3

HEX #D415F7

RGB 212 21 247

HSL 290.71, 0.93%, 0.53%

LAB 53.22, 89.03, -68.19

 

CMYK 12 / 76 / 0 / 2

HEX #DC3DF9

RGB 220 61 249

HSL 290.74, 0.94%, 0.61%

LAB 57.46, 82.33, -62.41

 

CMYK 9 / 60 / 0 / 2

HEX #E365FA

RGB 227 101 250

HSL 290.74, 0.94%, 0.69%

LAB 63.79, 69.15, -52.81

 

CMYK 7 / 44 / 0 / 2

HEX #EA8DFB

RGB 234 141 251

HSL 290.73, 0.93%, 0.77%

LAB 71.9, 52.11, -40.53

 

CMYK 4 / 28 / 0 / 1

HEX #F1B5FC

RGB 241 181 252

HSL 290.7, 0.92%, 0.85%

LAB 81.17, 33.5, -26.7

 

CMYK 9 / 60 / 0 / 2

HEX #E365FA

RGB 227 101 250

HSL 290.74, 0.94%, 0.69%

LAB 63.79, 69.15, -52.81

 

CMYK 0 / 58 / 60 / 2

HEX #FA6A65

RGB 250 106 101

HSL 2.01, 0.94%, 0.69%

LAB 62.99, 54.72, 30.79

 

CMYK 60 / 0 / 34 / 2

HEX #65FAA6

RGB 101 250 166

HSL 146.17, 0.94%, 0.69%

LAB 88.87, -58.23, 28.71

 

CMYK 9 / 60 / 0 / 2

HEX #E365FA

RGB 227 101 250

HSL 290.74, 0.94%, 0.69%

LAB 63.79, 69.15, -52.81

 

CMYK 0 / 10 / 60 / 2

HEX #FAE165

RGB 250 225 101

HSL 49.93, 0.94%, 0.69%

LAB 89.45, -5.79, 62.37

 

CMYK 60 / 0 / 10 / 2

HEX #65FAE1

RGB 101 250 225

HSL 169.93, 0.94%, 0.69%

LAB 90.13, -45.52, 0.12

 

CMYK 9 / 60 / 0 / 2

HEX #E365FA

RGB 227 101 250

HSL 290.74, 0.94%, 0.69%

LAB 63.79, 69.15, -52.81

 

CMYK 0 / 58 / 60 / 2

HEX #FA6A65

RGB 250 106 101

HSL 2.01, 0.94%, 0.69%

LAB 62.99, 54.72, 30.79

 

CMYK 50 / 0 / 60 / 2

HEX #7EFA65

RGB 126 250 101

HSL 109.93, 0.94%, 0.69%

LAB 88.8, -61.64, 59.6

 

CMYK 60 / 2 / 0 / 2

HEX #65F5FA

RGB 101 245 250

HSL 182.01, 0.94%, 0.69%

LAB 89.38, -36.88, -14

 

CMYK 9 / 60 / 0 / 2

HEX #E365FA

RGB 227 101 250

HSL 290.74, 0.94%, 0.69%

LAB 63.79, 69.15, -52.81

 

CMYK 0 / 40 / 60 / 2

HEX #FA9765

RGB 250 151 101

HSL 20.13, 0.94%, 0.69%

LAB 71.82, 32.58, 41.85

 

CMYK 50 / 0 / 60 / 2

HEX #7EFA65

RGB 126 250 101

HSL 109.93, 0.94%, 0.69%

LAB 88.8, -61.64, 59.6

 

CMYK 60 / 20 / 0 / 2

HEX #65C8FA

RGB 101 200 250

HSL 200.13, 0.94%, 0.69%

LAB 76.67, -14.76, -33.33

 

Description

Color code: HEX #E365FA | qconv.com Color code: HEX #E365FA | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 227 red, 101 green and 250 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
227 101 250 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, 60 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 60% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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