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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E36AE5 it is the complementary color #1C951A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E36AE5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E36AE5 shade: #E86AE0, #F97CF3, #FF8EFF, #FFA0FF and #FFB2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E36AE5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E36AE5 shade: #E36AE5, #D258D2, #C146BF, #B034AC and #9F2299

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E36AE5 shade: #E36BE4, #E46BC6, #E46BA5, #E46B84 and #E46B6B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E36AE5 shade: #E36BE4, #C26BE4, #A16BE4, #806BE4 and #6B6BE4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E36AE5 shade matches the following richer shades: #E36BE4 and #F05DF3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E36AE5 shade: #E36BE4, #D579D6, #C787C8, #BA95BA and #ACA3AC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E36AE5 shade: #A26BE4, #C26BE4, #E26BE4, #E46BC6 and #E46BA6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E36AE5 shade: #D526D7, #DC48DE, #E36BE4, #E98EEB and #F0B1F1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E36AE5 shade: #E36AE5, #E4816B and #6BE4B2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E36AE5 shade: #E36AE5, #E4E26B and #6BE4E2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E36AE5 shade: #E36AE5, #E4816B, #6DE46B and #6BCEE4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E36AE5 shade: #E36AE5, #E4A66B, #6DE46B and #6BAAE4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 54 / 0 / 10

HEX #E36AE5

RGB 227 106 229

HSL 299.02, 0.7%, 0.66%

LAB 63.59, 63.19, -41.49

 

Complementary color

CMYK 81 / 0 / 83 / 42

HEX #1C951A

RGB 28 149 26

HSL 119.02, 0.7%, 0.34%

LAB 53.83, -54.33, 50.81

 

CMYK 0 / 54 / 3 / 9

HEX #E86AE0

RGB 232 106 224

HSL 303.81, 0.73%, 0.66%

LAB 64.04, 63.66, -37.95

 

CMYK 0 / 50 / 2 / 2

HEX #F97CF3

RGB 249 124 243

HSL 302.88, 0.91%, 0.73%

LAB 70.19, 63.16, -38.68

 

CMYK 0 / 44 / 0 / 0

HEX #FF8EFF

RGB 255 142 255

HSL 300, 1%, 0.78%

LAB 74.72, 58.28, -38.13

 

CMYK 0 / 37 / 0 / 0

HEX #FFA0FF

RGB 255 160 255

HSL 300, 1%, 0.81%

LAB 78.24, 49.29, -32.68

 

CMYK 0 / 30 / 0 / 0

HEX #FFB2FF

RGB 255 178 255

HSL 300, 1%, 0.85%

LAB 82.01, 40, -26.89

 

CMYK 1 / 54 / 0 / 10

HEX #E36AE5

RGB 227 106 229

HSL 299.02, 0.7%, 0.66%

LAB 63.59, 63.19, -41.49

 

CMYK 0 / 58 / 0 / 18

HEX #D258D2

RGB 210 88 210

HSL 300, 0.58%, 0.58%

LAB 57.4, 63.55, -40.69

 

CMYK 0 / 64 / 1 / 24

HEX #C146BF

RGB 193 70 191

HSL 300.98, 0.5%, 0.52%

LAB 51.24, 63.65, -39.67

 

CMYK 0 / 70 / 2 / 31

HEX #B034AC

RGB 176 52 172

HSL 301.94, 0.54%, 0.45%

LAB 45.17, 63.3, -38.32

 

CMYK 0 / 79 / 4 / 38

HEX #9F2299

RGB 159 34 153

HSL 302.88, 0.65%, 0.38%

LAB 39.27, 62.22, -36.48

 

CMYK 0 / 53 / 0 / 11

HEX #E36BE4

RGB 227 107 228

HSL 299.5, 0.69%, 0.66%

LAB 63.71, 62.56, -40.74

 

CMYK 0 / 53 / 13 / 11

HEX #E46BC6

RGB 228 107 198

HSL 314.88, 0.69%, 0.66%

LAB 62.58, 57.92, -25.63

 

CMYK 0 / 53 / 28 / 11

HEX #E46BA5

RGB 228 107 165

HSL 331.24, 0.69%, 0.66%

LAB 61.42, 53.22, -8.57

 

CMYK 0 / 53 / 42 / 11

HEX #E46B84

RGB 228 107 132

HSL 347.6, 0.69%, 0.66%

LAB 60.49, 49.35, 9.12

 

CMYK 0 / 53 / 53 / 11

HEX #E46B6B

RGB 228 107 107

HSL 0, 0.69%, 0.66%

LAB 59.95, 47.02, 22.79

 

CMYK 0 / 53 / 0 / 11

HEX #E36BE4

RGB 227 107 228

HSL 299.5, 0.69%, 0.66%

LAB 63.71, 62.56, -40.74

 

CMYK 15 / 53 / 0 / 11

HEX #C26BE4

RGB 194 107 228

HSL 283.14, 0.69%, 0.66%

LAB 59.51, 53.86, -47.63

 

CMYK 29 / 53 / 0 / 11

HEX #A16BE4

RGB 161 107 228

HSL 266.78, 0.69%, 0.66%

LAB 55.78, 45.4, -53.79

 

CMYK 44 / 53 / 0 / 11

HEX #806BE4

RGB 128 107 228

HSL 250.41, 0.69%, 0.66%

LAB 52.63, 37.54, -59.02

 

CMYK 53 / 53 / 0 / 11

HEX #6B6BE4

RGB 107 107 228

HSL 240, 0.69%, 0.66%

LAB 50.97, 33.08, -61.77

 

CMYK 0 / 53 / 0 / 11

HEX #E36BE4

RGB 227 107 228

HSL 299.5, 0.69%, 0.66%

LAB 63.71, 62.56, -40.74

 

CMYK 1 / 62 / 0 / 5

HEX #F05DF3

RGB 240 93 243

HSL 298.8, 0.86%, 0.66%

LAB 64.02, 74.32, -48.46

 

CMYK 0 / 53 / 0 / 11

HEX #E36BE4

RGB 227 107 228

HSL 299.5, 0.69%, 0.66%

LAB 63.71, 62.56, -40.74

 

CMYK 0 / 43 / 0 / 16

HEX #D579D6

RGB 213 121 214

HSL 299.35, 0.53%, 0.66%

LAB 63.9, 49.36, -32.76

 

CMYK 0 / 33 / 0 / 22

HEX #C787C8

RGB 199 135 200

HSL 299.08, 0.37%, 0.66%

LAB 64.68, 35.03, -23.85

 

CMYK 0 / 20 / 0 / 27

HEX #BA95BA

RGB 186 149 186

HSL 300, 0.21%, 0.66%

LAB 66.12, 20.29, -13.94

 

CMYK 0 / 5 / 0 / 33

HEX #ACA3AC

RGB 172 163 172

HSL 300, 0.05%, 0.66%

LAB 67.98, 4.93, -3.49

 

CMYK 29 / 53 / 0 / 11

HEX #A26BE4

RGB 162 107 228

HSL 267.27, 0.69%, 0.66%

LAB 55.89, 45.65, -53.62

 

CMYK 15 / 53 / 0 / 11

HEX #C26BE4

RGB 194 107 228

HSL 283.14, 0.69%, 0.66%

LAB 59.51, 53.86, -47.63

 

CMYK 1 / 53 / 0 / 11

HEX #E26BE4

RGB 226 107 228

HSL 299.01, 0.69%, 0.66%

LAB 63.58, 62.29, -40.95

 

CMYK 0 / 53 / 13 / 11

HEX #E46BC6

RGB 228 107 198

HSL 314.88, 0.69%, 0.66%

LAB 62.58, 57.92, -25.63

 

CMYK 0 / 53 / 27 / 11

HEX #E46BA6

RGB 228 107 166

HSL 330.74, 0.69%, 0.66%

LAB 61.45, 53.36, -9.1

 

CMYK 1 / 82 / 0 / 16

HEX #D526D7

RGB 213 38 215

HSL 299.32, 0.7%, 0.5%

LAB 52.33, 81.41, -51.54

 

CMYK 1 / 68 / 0 / 13

HEX #DC48DE

RGB 220 72 222

HSL 299.2, 0.69%, 0.58%

LAB 57.2, 74.25, -47.71

 

CMYK 0 / 53 / 0 / 11

HEX #E36BE4

RGB 227 107 228

HSL 299.5, 0.69%, 0.66%

LAB 63.71, 62.56, -40.74

 

CMYK 1 / 40 / 0 / 8

HEX #E98EEB

RGB 233 142 235

HSL 298.71, 0.7%, 0.74%

LAB 71.33, 48.34, -32.69

 

CMYK 0 / 27 / 0 / 5

HEX #F0B1F1

RGB 240 177 241

HSL 299.06, 0.7%, 0.82%

LAB 79.8, 33.26, -22.9

 

CMYK 1 / 54 / 0 / 10

HEX #E36AE5

RGB 227 106 229

HSL 299.02, 0.7%, 0.66%

LAB 63.59, 63.19, -41.49

 

CMYK 0 / 43 / 53 / 11

HEX #E4816B

RGB 228 129 107

HSL 10.91, 0.69%, 0.66%

LAB 64.37, 35.93, 28.62

 

CMYK 53 / 0 / 22 / 11

HEX #6BE4B2

RGB 107 228 178

HSL 155.21, 0.69%, 0.66%

LAB 82.82, -45.59, 14.2

 

CMYK 1 / 54 / 0 / 10

HEX #E36AE5

RGB 227 106 229

HSL 299.02, 0.7%, 0.66%

LAB 63.59, 63.19, -41.49

 

CMYK 0 / 1 / 53 / 11

HEX #E4E26B

RGB 228 226 107

HSL 59.01, 0.69%, 0.66%

LAB 87.94, -14.76, 57.5

 

CMYK 53 / 0 / 1 / 11

HEX #6BE4E2

RGB 107 228 226

HSL 179.01, 0.69%, 0.66%

LAB 84.02, -34.24, -9.38

 

CMYK 1 / 54 / 0 / 10

HEX #E36AE5

RGB 227 106 229

HSL 299.02, 0.7%, 0.66%

LAB 63.59, 63.19, -41.49

 

CMYK 0 / 43 / 53 / 11

HEX #E4816B

RGB 228 129 107

HSL 10.91, 0.69%, 0.66%

LAB 64.37, 35.93, 28.62

 

CMYK 52 / 0 / 53 / 11

HEX #6DE46B

RGB 109 228 107

HSL 119.01, 0.69%, 0.66%

LAB 81.73, -57.14, 48.5

 

CMYK 53 / 10 / 0 / 11

HEX #6BCEE4

RGB 107 206 228

HSL 190.91, 0.69%, 0.66%

LAB 77.8, -23.05, -19.78

 

CMYK 1 / 54 / 0 / 10

HEX #E36AE5

RGB 227 106 229

HSL 299.02, 0.7%, 0.66%

LAB 63.59, 63.19, -41.49

 

CMYK 0 / 27 / 53 / 11

HEX #E4A66B

RGB 228 166 107

HSL 29.26, 0.69%, 0.66%

LAB 72.78, 16.29, 39.34

 

CMYK 52 / 0 / 53 / 11

HEX #6DE46B

RGB 109 228 107

HSL 119.01, 0.69%, 0.66%

LAB 81.73, -57.14, 48.5

 

CMYK 53 / 25 / 0 / 11

HEX #6BAAE4

RGB 107 170 228

HSL 208.76, 0.69%, 0.66%

LAB 67.63, -4.02, -35.38

 

Description

Color code: HEX #E36AE5 | qconv.com Color code: HEX #E36AE5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 227 red, 106 green and 229 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
227 106 229 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, 54 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 54% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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