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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E36B16 it is the complementary color #1C94E9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E36B16. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E36B16 shade: #E86B11, #F97D24, #FF8F37, #FFA14A and #FFB35D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E36B16. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E36B16 shade: #E36B16, #D25903, #C14700, #B03500 and #9F2300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E36B16 shade: #E36B16, #E33416 and #E31616

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E36B16 shade: #E36B16, #E3A216, #E3D916, #B5E316 and #7EE316

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E36B16 shade matches the following richer shades: #E36B16 and #F76802

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E36B16 shade: #E36B16, #CF6E2A, #BA723E, #A67553 and #927967

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E36B16 shade: #E31631, #E33116, #E36816, #E39F16 and #E3D516

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E36B16 shade: #98470F, #BD5912, #E36B16, #EB8237 and #EF995D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E36B16 shade: #E36B16, #68E316 and #1616E3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E36B16 shade: #E36B16, #16E368 and #6816E3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E36B16 shade: #E36B16, #68E316, #1691E3 and #9116E3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E36B16 shade: #E36B16, #2AE316, #1691E3 and #CE16E3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 53 / 90 / 11

HEX #E36B16

RGB 227 107 22

HSL 24.88, 0.82%, 0.49%

LAB 58.89, 42.57, 62.64

 

Complementary color

CMYK 88 / 36 / 0 / 9

HEX #1C94E9

RGB 28 148 233

HSL 204.88, 0.82%, 0.51%

LAB 59.26, -0.75, -51.46

 

CMYK 0 / 54 / 93 / 9

HEX #E86B11

RGB 232 107 17

HSL 25.12, 0.86%, 0.49%

LAB 59.63, 44.41, 64.79

 

CMYK 0 / 50 / 86 / 2

HEX #F97D24

RGB 249 125 36

HSL 25.07, 0.95%, 0.56%

LAB 65.7, 42.45, 64.96

 

CMYK 0 / 44 / 78 / 0

HEX #FF8F37

RGB 255 143 55

HSL 26.4, 1%, 0.61%

LAB 70.3, 36.29, 62.21

 

CMYK 0 / 37 / 71 / 0

HEX #FFA14A

RGB 255 161 74

HSL 28.84, 1%, 0.65%

LAB 74.35, 27.79, 58.08

 

CMYK 0 / 30 / 64 / 0

HEX #FFB35D

RGB 255 179 93

HSL 31.85, 1%, 0.68%

LAB 78.63, 19.44, 53.99

 

CMYK 0 / 53 / 90 / 11

HEX #E36B16

RGB 227 107 22

HSL 24.88, 0.82%, 0.49%

LAB 58.89, 42.57, 62.64

 

CMYK 0 / 58 / 99 / 18

HEX #D25903

RGB 210 89 3

HSL 24.93, 0.97%, 0.42%

LAB 52.79, 44.56, 61.6

 

CMYK 0 / 63 / 100 / 24

HEX #C14700

RGB 193 71 0

HSL 22.07, 1%, 0.38%

LAB 46.77, 46.55, 57.46

 

CMYK 0 / 70 / 100 / 31

HEX #B03500

RGB 176 53 0

HSL 18.07, 1%, 0.35%

LAB 40.86, 48.18, 52.77

 

CMYK 0 / 78 / 100 / 38

HEX #9F2300

RGB 159 35 0

HSL 13.21, 1%, 0.31%

LAB 35.15, 49.13, 48.16

 

CMYK 0 / 53 / 90 / 11

HEX #E36B16

RGB 227 107 22

HSL 24.88, 0.82%, 0.49%

LAB 58.89, 42.57, 62.64

 

CMYK 0 / 77 / 90 / 11

HEX #E33416

RGB 227 52 22

HSL 8.78, 0.82%, 0.49%

LAB 50.51, 64.94, 56.67

 

CMYK 0 / 90 / 90 / 11

HEX #E31616

RGB 227 22 22

HSL 0, 0.82%, 0.49%

LAB 48.21, 71.45, 55.1

 

CMYK 0 / 53 / 90 / 11

HEX #E36B16

RGB 227 107 22

HSL 24.88, 0.82%, 0.49%

LAB 58.89, 42.57, 62.64

 

CMYK 0 / 29 / 90 / 11

HEX #E3A216

RGB 227 162 22

HSL 40.98, 0.82%, 0.49%

LAB 71.03, 13.83, 71.68

 

CMYK 0 / 4 / 90 / 11

HEX #E3D916

RGB 227 217 22

HSL 57.07, 0.82%, 0.49%

LAB 85, -14.61, 82.38

 

CMYK 20 / 0 / 90 / 11

HEX #B5E316

RGB 181 227 22

HSL 73.46, 0.82%, 0.49%

LAB 84.39, -38.26, 80.48

 

CMYK 44 / 0 / 90 / 11

HEX #7EE316

RGB 126 227 22

HSL 89.56, 0.82%, 0.49%

LAB 81.53, -57.89, 76.96

 

CMYK 0 / 53 / 90 / 11

HEX #E36B16

RGB 227 107 22

HSL 24.88, 0.82%, 0.49%

LAB 58.89, 42.57, 62.64

 

CMYK 0 / 58 / 99 / 3

HEX #F76802

RGB 247 104 2

HSL 24.98, 0.98%, 0.49%

LAB 61.38, 51.26, 69.8

 

CMYK 0 / 53 / 90 / 11

HEX #E36B16

RGB 227 107 22

HSL 24.88, 0.82%, 0.49%

LAB 58.89, 42.57, 62.64

 

CMYK 0 / 47 / 80 / 19

HEX #CF6E2A

RGB 207 110 42

HSL 24.73, 0.66%, 0.49%

LAB 56.67, 33.61, 52.43

 

CMYK 0 / 39 / 67 / 27

HEX #BA723E

RGB 186 114 62

HSL 25.16, 0.5%, 0.49%

LAB 54.89, 23.69, 40.12

 

CMYK 0 / 30 / 50 / 35

HEX #A67553

RGB 166 117 83

HSL 24.58, 0.33%, 0.49%

LAB 53.44, 15.16, 26.36

 

CMYK 0 / 17 / 29 / 43

HEX #927967

RGB 146 121 103

HSL 25.12, 0.17%, 0.49%

LAB 52.69, 6.86, 13.5

 

CMYK 0 / 90 / 78 / 11

HEX #E31631

RGB 227 22 49

HSL 352.1, 0.82%, 0.49%

LAB 48.42, 72.04, 41.93

 

CMYK 0 / 78 / 90 / 11

HEX #E33116

RGB 227 49 22

HSL 7.9, 0.82%, 0.49%

LAB 50.2, 65.8, 56.46

 

CMYK 0 / 54 / 90 / 11

HEX #E36816

RGB 227 104 22

HSL 24, 0.82%, 0.49%

LAB 58.31, 44.03, 62.22

 

CMYK 0 / 30 / 90 / 11

HEX #E39F16

RGB 227 159 22

HSL 40.1, 0.82%, 0.49%

LAB 70.31, 15.43, 71.13

 

CMYK 0 / 6 / 90 / 11

HEX #E3D516

RGB 227 213 22

HSL 55.9, 0.82%, 0.49%

LAB 83.95, -12.63, 81.57

 

CMYK 0 / 53 / 90 / 40

HEX #98470F

RGB 152 71 15

HSL 24.53, 0.82%, 0.33%

LAB 39.94, 30.79, 45.4

 

CMYK 0 / 53 / 90 / 26

HEX #BD5912

RGB 189 89 18

HSL 24.91, 0.83%, 0.41%

LAB 49.5, 36.59, 54.27

 

CMYK 0 / 53 / 90 / 11

HEX #E36B16

RGB 227 107 22

HSL 24.88, 0.82%, 0.49%

LAB 58.89, 42.57, 62.64

 

CMYK 0 / 45 / 77 / 8

HEX #EB8237

RGB 235 130 55

HSL 25, 0.82%, 0.57%

LAB 64.89, 34.99, 56.06

 

CMYK 0 / 36 / 61 / 6

HEX #EF995D

RGB 239 153 93

HSL 24.66, 0.82%, 0.65%

LAB 70.82, 26.6, 44.44

 

CMYK 0 / 53 / 90 / 11

HEX #E36B16

RGB 227 107 22

HSL 24.88, 0.82%, 0.49%

LAB 58.89, 42.57, 62.64

 

CMYK 54 / 0 / 90 / 11

HEX #68E316

RGB 104 227 22

HSL 96, 0.82%, 0.49%

LAB 80.7, -64.27, 75.94

 

CMYK 90 / 90 / 0 / 11

HEX #1616E3

RGB 22 22 227

HSL 240, 0.82%, 0.49%

LAB 30.13, 68.21, -95.6

 

CMYK 0 / 53 / 90 / 11

HEX #E36B16

RGB 227 107 22

HSL 24.88, 0.82%, 0.49%

LAB 58.89, 42.57, 62.64

 

CMYK 90 / 0 / 54 / 11

HEX #16E368

RGB 22 227 104

HSL 144, 0.82%, 0.49%

LAB 79.68, -70.84, 47.01

 

CMYK 54 / 90 / 0 / 11

HEX #6816E3

RGB 104 22 227

HSL 264, 0.82%, 0.49%

LAB 36.11, 72.11, -85.51

 

CMYK 0 / 53 / 90 / 11

HEX #E36B16

RGB 227 107 22

HSL 24.88, 0.82%, 0.49%

LAB 58.89, 42.57, 62.64

 

CMYK 54 / 0 / 90 / 11

HEX #68E316

RGB 104 227 22

HSL 96, 0.82%, 0.49%

LAB 80.7, -64.27, 75.94

 

CMYK 90 / 36 / 0 / 11

HEX #1691E3

RGB 22 145 227

HSL 204, 0.82%, 0.49%

LAB 58.01, -1.56, -50.13

 

CMYK 36 / 90 / 0 / 11

HEX #9116E3

RGB 145 22 227

HSL 276, 0.82%, 0.49%

LAB 41.44, 76.29, -76.54

 

CMYK 0 / 53 / 90 / 11

HEX #E36B16

RGB 227 107 22

HSL 24.88, 0.82%, 0.49%

LAB 58.89, 42.57, 62.64

 

CMYK 81 / 0 / 90 / 11

HEX #2AE316

RGB 42 227 22

HSL 114.15, 0.82%, 0.49%

LAB 79.32, -75.94, 74.22

 

CMYK 90 / 36 / 0 / 11

HEX #1691E3

RGB 22 145 227

HSL 204, 0.82%, 0.49%

LAB 58.01, -1.56, -50.13

 

CMYK 9 / 90 / 0 / 11

HEX #CE16E3

RGB 206 22 227

HSL 293.85, 0.82%, 0.49%

LAB 50.97, 84.8, -60.61

 

Description

Color code: HEX #E36B16 | qconv.com Color code: HEX #E36B16 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 227 red, 107 green and 22 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
227 107 22 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 53 magenta, 90 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 53% 90% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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