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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E37BF6 it is the complementary color #1C8409. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E37BF6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E37BF6 shade: #E87BF1, #F98DFF, #FF9FFF, #FFB1FF and #FFC3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E37BF6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E37BF6 shade: #E37BF6, #D269E3, #C157D0, #B045BD and #9F33AA

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E37BF6 shade: #E279F5, #F579E7, #F579C5, #F579A4 and #F57982

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E37BF6 shade: #E279F5, #C179F5, #9F79F5, #7E79F5 and #7979F5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E37BF6 shade matches the following richer shades: #E279F5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E37BF6 shade: #E279F5, #DA85EA, #D290DE, #CA9CD3 and #C2A7C7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E37BF6 shade: #9E79F5, #BF79F5, #E179F5, #F579E9 and #F579C8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E37BF6 shade: #D22CF0, #DA52F3, #E279F5, #EAA0F8 and #F2C6FB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E37BF6 shade: #E37BF6, #F57D79 and #79F5AF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E37BF6 shade: #E37BF6, #F5E179 and #79F5E1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E37BF6 shade: #E37BF6, #F57D79, #8EF579 and #79F1F5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E37BF6 shade: #E37BF6, #F5A279, #8EF579 and #79CCF5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 50 / 0 / 4

HEX #E37BF6

RGB 227 123 246

HSL 290.73, 0.87%, 0.72%

LAB 67.39, 58.22, -44.92

 

Complementary color

CMYK 79 / 0 / 93 / 48

HEX #1C8409

RGB 28 132 9

HSL 110.73, 0.87%, 0.28%

LAB 47.97, -49.7, 49.67

 

CMYK 4 / 49 / 0 / 5

HEX #E87BF1

RGB 232 123 241

HSL 295.42, 0.81%, 0.71%

LAB 67.78, 58.65, -41.52

 

CMYK 2 / 45 / 0 / 0

HEX #F98DFF

RGB 249 141 255

HSL 296.84, 1%, 0.78%

LAB 73.81, 57.08, -39.6

 

CMYK 0 / 38 / 0 / 0

HEX #FF9FFF

RGB 255 159 255

HSL 300, 1%, 0.81%

LAB 78.04, 49.8, -32.99

 

CMYK 0 / 31 / 0 / 0

HEX #FFB1FF

RGB 255 177 255

HSL 300, 1%, 0.85%

LAB 81.8, 40.52, -27.22

 

CMYK 0 / 24 / 0 / 0

HEX #FFC3FF

RGB 255 195 255

HSL 300, 1%, 0.88%

LAB 85.76, 31.1, -21.19

 

CMYK 8 / 50 / 0 / 4

HEX #E37BF6

RGB 227 123 246

HSL 290.73, 0.87%, 0.72%

LAB 67.39, 58.22, -44.92

 

CMYK 7 / 54 / 0 / 11

HEX #D269E3

RGB 210 105 227

HSL 291.64, 0.69%, 0.65%

LAB 61.09, 58.84, -44.45

 

CMYK 7 / 58 / 0 / 18

HEX #C157D0

RGB 193 87 208

HSL 292.56, 0.56%, 0.58%

LAB 54.77, 59.33, -43.86

 

CMYK 7 / 63 / 0 / 26

HEX #B045BD

RGB 176 69 189

HSL 293.5, 0.48%, 0.51%

LAB 48.46, 59.6, -43.07

 

CMYK 6 / 70 / 0 / 33

HEX #9F33AA

RGB 159 51 170

HSL 294.45, 0.54%, 0.43%

LAB 42.22, 59.45, -41.99

 

CMYK 8 / 51 / 0 / 4

HEX #E279F5

RGB 226 121 245

HSL 290.81, 0.86%, 0.72%

LAB 66.85, 58.73, -45.22

 

CMYK 0 / 51 / 6 / 4

HEX #F579E7

RGB 245 121 231

HSL 306.77, 0.86%, 0.72%

LAB 68.65, 61.46, -34.52

 

CMYK 0 / 51 / 20 / 4

HEX #F579C5

RGB 245 121 197

HSL 323.23, 0.86%, 0.72%

LAB 67.37, 56.24, -17.56

 

CMYK 0 / 51 / 33 / 4

HEX #F579A4

RGB 245 121 164

HSL 339.19, 0.86%, 0.72%

LAB 66.34, 51.89, -0.46

 

CMYK 0 / 51 / 47 / 4

HEX #F57982

RGB 245 121 130

HSL 355.65, 0.86%, 0.72%

LAB 65.51, 48.26, 17.65

 

CMYK 8 / 51 / 0 / 4

HEX #E279F5

RGB 226 121 245

HSL 290.81, 0.86%, 0.72%

LAB 66.85, 58.73, -45.22

 

CMYK 21 / 51 / 0 / 4

HEX #C179F5

RGB 193 121 245

HSL 274.84, 0.86%, 0.72%

LAB 63.01, 50.01, -51.53

 

CMYK 35 / 51 / 0 / 4

HEX #9F79F5

RGB 159 121 245

HSL 258.39, 0.86%, 0.72%

LAB 59.56, 41.41, -57.24

 

CMYK 49 / 51 / 0 / 4

HEX #7E79F5

RGB 126 121 245

HSL 242.42, 0.86%, 0.72%

LAB 56.78, 33.83, -61.84

 

CMYK 51 / 51 / 0 / 4

HEX #7979F5

RGB 121 121 245

HSL 240, 0.86%, 0.72%

LAB 56.42, 32.78, -62.45

 

CMYK 8 / 51 / 0 / 4

HEX #E279F5

RGB 226 121 245

HSL 290.81, 0.86%, 0.72%

LAB 66.85, 58.73, -45.22

 

CMYK 8 / 51 / 0 / 4

HEX #E279F5

RGB 226 121 245

HSL 290.81, 0.86%, 0.72%

LAB 66.85, 58.73, -45.22

 

CMYK 7 / 43 / 0 / 8

HEX #DA85EA

RGB 218 133 234

HSL 290.5, 0.71%, 0.72%

LAB 67.74, 48.39, -37.84

 

CMYK 5 / 35 / 0 / 13

HEX #D290DE

RGB 210 144 222

HSL 290.77, 0.54%, 0.72%

LAB 68.69, 37.85, -29.81

 

CMYK 4 / 26 / 0 / 17

HEX #CA9CD3

RGB 202 156 211

HSL 290.18, 0.38%, 0.72%

LAB 70.2, 26.62, -21.5

 

CMYK 3 / 16 / 0 / 22

HEX #C2A7C7

RGB 194 167 199

HSL 290.63, 0.22%, 0.72%

LAB 71.71, 15.56, -12.68

 

CMYK 36 / 51 / 0 / 4

HEX #9E79F5

RGB 158 121 245

HSL 257.9, 0.86%, 0.72%

LAB 59.47, 41.17, -57.39

 

CMYK 22 / 51 / 0 / 4

HEX #BF79F5

RGB 191 121 245

HSL 273.87, 0.86%, 0.72%

LAB 62.8, 49.49, -51.89

 

CMYK 8 / 51 / 0 / 4

HEX #E179F5

RGB 225 121 245

HSL 290.32, 0.86%, 0.72%

LAB 66.73, 58.47, -45.42

 

CMYK 0 / 51 / 5 / 4

HEX #F579E9

RGB 245 121 233

HSL 305.81, 0.86%, 0.72%

LAB 68.73, 61.79, -35.5

 

CMYK 0 / 51 / 18 / 4

HEX #F579C8

RGB 245 121 200

HSL 321.77, 0.86%, 0.72%

LAB 67.47, 56.67, -19.08

 

CMYK 13 / 82 / 0 / 6

HEX #D22CF0

RGB 210 44 240

HSL 290.82, 0.87%, 0.56%

LAB 53.81, 83.56, -63.34

 

CMYK 10 / 66 / 0 / 5

HEX #DA52F3

RGB 218 82 243

HSL 290.68, 0.87%, 0.64%

LAB 59.35, 73.67, -56.06

 

CMYK 8 / 51 / 0 / 4

HEX #E279F5

RGB 226 121 245

HSL 290.81, 0.86%, 0.72%

LAB 66.85, 58.73, -45.22

 

CMYK 6 / 35 / 0 / 3

HEX #EAA0F8

RGB 234 160 248

HSL 290.45, 0.86%, 0.8%

LAB 75.71, 41.69, -33

 

CMYK 4 / 21 / 0 / 2

HEX #F2C6FB

RGB 242 198 251

HSL 289.81, 0.87%, 0.88%

LAB 85.11, 24.6, -20.16

 

CMYK 8 / 50 / 0 / 4

HEX #E37BF6

RGB 227 123 246

HSL 290.73, 0.87%, 0.72%

LAB 67.39, 58.22, -44.92

 

CMYK 0 / 49 / 51 / 4

HEX #F57D79

RGB 245 125 121

HSL 1.94, 0.86%, 0.72%

LAB 66.11, 45.49, 23.53

 

CMYK 51 / 0 / 29 / 4

HEX #79F5AF

RGB 121 245 175

HSL 146.13, 0.86%, 0.72%

LAB 88.19, -50.17, 23.31

 

CMYK 8 / 50 / 0 / 4

HEX #E37BF6

RGB 227 123 246

HSL 290.73, 0.87%, 0.72%

LAB 67.39, 58.22, -44.92

 

CMYK 0 / 8 / 51 / 4

HEX #F5E179

RGB 245 225 121

HSL 50.32, 0.86%, 0.72%

LAB 89.23, -6.3, 52.88

 

CMYK 51 / 0 / 8 / 4

HEX #79F5E1

RGB 121 245 225

HSL 170.32, 0.86%, 0.72%

LAB 89.3, -39.44, -1.01

 

CMYK 8 / 50 / 0 / 4

HEX #E37BF6

RGB 227 123 246

HSL 290.73, 0.87%, 0.72%

LAB 67.39, 58.22, -44.92

 

CMYK 0 / 49 / 51 / 4

HEX #F57D79

RGB 245 125 121

HSL 1.94, 0.86%, 0.72%

LAB 66.11, 45.49, 23.53

 

CMYK 42 / 0 / 51 / 4

HEX #8EF579

RGB 142 245 121

HSL 109.84, 0.86%, 0.72%

LAB 88.18, -52.93, 50.09

 

CMYK 51 / 2 / 0 / 4

HEX #79F1F5

RGB 121 241 245

HSL 181.94, 0.86%, 0.72%

LAB 88.72, -32.65, -12.32

 

CMYK 8 / 50 / 0 / 4

HEX #E37BF6

RGB 227 123 246

HSL 290.73, 0.87%, 0.72%

LAB 67.39, 58.22, -44.92

 

CMYK 0 / 34 / 51 / 4

HEX #F5A279

RGB 245 162 121

HSL 19.84, 0.86%, 0.72%

LAB 73.95, 26.45, 33.88

 

CMYK 42 / 0 / 51 / 4

HEX #8EF579

RGB 142 245 121

HSL 109.84, 0.86%, 0.72%

LAB 88.18, -52.93, 50.09

 

CMYK 51 / 17 / 0 / 4

HEX #79CCF5

RGB 121 204 245

HSL 199.84, 0.86%, 0.72%

LAB 78.37, -14.32, -27.97

 

Description

Color code: HEX #E37BF6 | qconv.com Color code: HEX #E37BF6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 227 red, 123 green and 246 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
227 123 246 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, 50 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 50% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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