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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E37CA0 it is the complementary color #1C835F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E37CA0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E37CA0 shade: #E87C9B, #F98EAE, #FFA0C1, #FFB2D4 and #FFC4E7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E37CA0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E37CA0 shade: #E37CA0, #D26A8D, #C1587A, #B04667 and #9F3454

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E37CA0 shade: #E37CA0, #E37C84 and #E37C7C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E37CA0 shade: #E37CA0, #E37CBC, #E37CD7, #D37CE3 and #B77CE3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E37CA0 shade matches the following richer shades: #E37CA0, #F06F9C and #FC6298

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E37CA0 shade: #E37CA0, #D689A4, #C996A8, #BCA2AC and #B0AFAF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E37CA0 shade: #E37CD7, #E37CBB, #E37CA0, #E37C85 and #E38F7C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E37CA0 shade: #D4386F, #DC5A87, #E37CA0, #EA9EB9 and #F1C0D1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E37CA0 shade: #E37CA0, #E3D37C and #7CC9E3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E37CA0 shade: #E37CA0, #A0E37C and #7CA0E3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E37CA0 shade: #E37CA0, #E3D37C, #7CE3BF and #7C8BE3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E37CA0 shade: #E37CA0, #D3E37C, #7CE3BF and #8B7CE3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 45 / 30 / 11

HEX #E37CA0

RGB 227 124 160

HSL 339.03, 0.65%, 0.69%

LAB 64.39, 43.85, -1.34

 

Complementary color

CMYK 79 / 0 / 27 / 49

HEX #1C835F

RGB 28 131 95

HSL 159.03, 0.65%, 0.31%

LAB 48.64, -37.5, 11.47

 

CMYK 0 / 47 / 33 / 9

HEX #E87C9B

RGB 232 124 155

HSL 342.78, 0.7%, 0.7%

LAB 64.91, 44.94, 2.35

 

CMYK 0 / 43 / 30 / 2

HEX #F98EAE

RGB 249 142 174

HSL 342.06, 0.9%, 0.77%

LAB 71.24, 44.07, 1.13

 

CMYK 0 / 37 / 24 / 0

HEX #FFA0C1

RGB 255 160 193

HSL 339.16, 1%, 0.81%

LAB 76.22, 39.44, -2

 

CMYK 0 / 30 / 17 / 0

HEX #FFB2D4

RGB 255 178 212

HSL 333.51, 1%, 0.85%

LAB 80.66, 32.84, -5.81

 

CMYK 0 / 23 / 9 / 0

HEX #FFC4E7

RGB 255 196 231

HSL 324.41, 1%, 0.88%

LAB 85.26, 26.42, -9.19

 

CMYK 0 / 45 / 30 / 11

HEX #E37CA0

RGB 227 124 160

HSL 339.03, 0.65%, 0.69%

LAB 64.39, 43.85, -1.34

 

CMYK 0 / 50 / 33 / 18

HEX #D26A8D

RGB 210 106 141

HSL 339.81, 0.54%, 0.62%

LAB 57.97, 44.71, -0.06

 

CMYK 0 / 54 / 37 / 24

HEX #C1587A

RGB 193 88 122

HSL 340.57, 0.46%, 0.55%

LAB 51.52, 45.55, 1.43

 

CMYK 0 / 60 / 41 / 31

HEX #B04667

RGB 176 70 103

HSL 341.32, 0.43%, 0.48%

LAB 45.07, 46.28, 3.25

 

CMYK 0 / 67 / 47 / 38

HEX #9F3454

RGB 159 52 84

HSL 342.06, 0.51%, 0.41%

LAB 38.67, 46.77, 5.53

 

CMYK 0 / 45 / 30 / 11

HEX #E37CA0

RGB 227 124 160

HSL 339.03, 0.65%, 0.69%

LAB 64.39, 43.85, -1.34

 

CMYK 0 / 45 / 42 / 11

HEX #E37C84

RGB 227 124 132

HSL 355.34, 0.65%, 0.69%

LAB 63.68, 40.53, 13.59

 

CMYK 0 / 45 / 45 / 11

HEX #E37C7C

RGB 227 124 124

HSL 0, 0.65%, 0.69%

LAB 63.51, 39.7, 17.9

 

CMYK 0 / 45 / 30 / 11

HEX #E37CA0

RGB 227 124 160

HSL 339.03, 0.65%, 0.69%

LAB 64.39, 43.85, -1.34

 

CMYK 0 / 45 / 17 / 11

HEX #E37CBC

RGB 227 124 188

HSL 322.72, 0.65%, 0.69%

LAB 65.26, 47.81, -15.91

 

CMYK 0 / 45 / 5 / 11

HEX #E37CD7

RGB 227 124 215

HSL 306.99, 0.65%, 0.69%

LAB 66.25, 52.16, -29.54

 

CMYK 7 / 45 / 0 / 11

HEX #D37CE3

RGB 211 124 227

HSL 290.68, 0.65%, 0.69%

LAB 64.81, 49.67, -38.6

 

CMYK 19 / 45 / 0 / 11

HEX #B77CE3

RGB 183 124 227

HSL 274.37, 0.65%, 0.69%

LAB 61.68, 41.74, -43.74

 

CMYK 0 / 45 / 30 / 11

HEX #E37CA0

RGB 227 124 160

HSL 339.03, 0.65%, 0.69%

LAB 64.39, 43.85, -1.34

 

CMYK 0 / 54 / 35 / 6

HEX #F06F9C

RGB 240 111 156

HSL 339.07, 0.81%, 0.69%

LAB 63.59, 54.08, -0.02

 

CMYK 0 / 61 / 40 / 1

HEX #FC6298

RGB 252 98 152

HSL 338.96, 0.96%, 0.69%

LAB 63.09, 63.2, 1.78

 

CMYK 0 / 45 / 30 / 11

HEX #E37CA0

RGB 227 124 160

HSL 339.03, 0.65%, 0.69%

LAB 64.39, 43.85, -1.34

 

CMYK 0 / 36 / 23 / 16

HEX #D689A4

RGB 214 137 164

HSL 338.96, 0.48%, 0.69%

LAB 65.65, 33.04, -1.95

 

CMYK 0 / 25 / 16 / 21

HEX #C996A8

RGB 201 150 168

HSL 338.82, 0.32%, 0.69%

LAB 67.32, 21.89, -1.91

 

CMYK 0 / 14 / 9 / 26

HEX #BCA2AC

RGB 188 162 172

HSL 336.92, 0.16%, 0.69%

LAB 69.12, 11.22, -1.65

 

CMYK 0 / 1 / 1 / 31

HEX #B0AFAF

RGB 176 175 175

HSL 0, 0.01%, 0.69%

LAB 71.54, 0.36, 0.12

 

CMYK 0 / 45 / 5 / 11

HEX #E37CD7

RGB 227 124 215

HSL 306.99, 0.65%, 0.69%

LAB 66.25, 52.16, -29.54

 

CMYK 0 / 45 / 18 / 11

HEX #E37CBB

RGB 227 124 187

HSL 323.3, 0.65%, 0.69%

LAB 65.23, 47.66, -15.4

 

CMYK 0 / 45 / 30 / 11

HEX #E37CA0

RGB 227 124 160

HSL 339.03, 0.65%, 0.69%

LAB 64.39, 43.85, -1.34

 

CMYK 0 / 45 / 41 / 11

HEX #E37C85

RGB 227 124 133

HSL 354.76, 0.65%, 0.69%

LAB 63.7, 40.64, 13.06

 

CMYK 0 / 37 / 45 / 11

HEX #E38F7C

RGB 227 143 124

HSL 11.07, 0.65%, 0.69%

LAB 67.6, 29.76, 23.47

 

CMYK 0 / 74 / 48 / 17

HEX #D4386F

RGB 212 56 111

HSL 338.85, 0.64%, 0.53%

LAB 49.46, 63.61, 5.49

 

CMYK 0 / 59 / 39 / 14

HEX #DC5A87

RGB 220 90 135

HSL 339.23, 0.65%, 0.61%

LAB 56.36, 54.95, 1.28

 

CMYK 0 / 45 / 30 / 11

HEX #E37CA0

RGB 227 124 160

HSL 339.03, 0.65%, 0.69%

LAB 64.39, 43.85, -1.34

 

CMYK 0 / 32 / 21 / 8

HEX #EA9EB9

RGB 234 158 185

HSL 338.68, 0.64%, 0.77%

LAB 73.19, 32.02, -2.34

 

CMYK 0 / 20 / 13 / 5

HEX #F1C0D1

RGB 241 192 209

HSL 339.18, 0.64%, 0.85%

LAB 82.38, 20.12, -1.82

 

CMYK 0 / 45 / 30 / 11

HEX #E37CA0

RGB 227 124 160

HSL 339.03, 0.65%, 0.69%

LAB 64.39, 43.85, -1.34

 

CMYK 0 / 7 / 45 / 11

HEX #E3D37C

RGB 227 211 124

HSL 50.68, 0.65%, 0.69%

LAB 84.16, -6.14, 44.9

 

CMYK 45 / 11 / 0 / 11

HEX #7CC9E3

RGB 124 201 227

HSL 195.15, 0.65%, 0.69%

LAB 77.04, -17.02, -20.32

 

CMYK 0 / 45 / 30 / 11

HEX #E37CA0

RGB 227 124 160

HSL 339.03, 0.65%, 0.69%

LAB 64.39, 43.85, -1.34

 

CMYK 30 / 0 / 45 / 11

HEX #A0E37C

RGB 160 227 124

HSL 99.03, 0.65%, 0.69%

LAB 83.9, -39.15, 43.57

 

CMYK 45 / 30 / 0 / 11

HEX #7CA0E3

RGB 124 160 227

HSL 219.03, 0.65%, 0.69%

LAB 65.73, 5.25, -37.73

 

CMYK 0 / 45 / 30 / 11

HEX #E37CA0

RGB 227 124 160

HSL 339.03, 0.65%, 0.69%

LAB 64.39, 43.85, -1.34

 

CMYK 0 / 7 / 45 / 11

HEX #E3D37C

RGB 227 211 124

HSL 50.68, 0.65%, 0.69%

LAB 84.16, -6.14, 44.9

 

CMYK 45 / 0 / 16 / 11

HEX #7CE3BF

RGB 124 227 191

HSL 159.03, 0.65%, 0.69%

LAB 83.43, -38.36, 8.33

 

CMYK 45 / 39 / 0 / 11

HEX #7C8BE3

RGB 124 139 227

HSL 231.26, 0.65%, 0.69%

LAB 60.16, 17.43, -46.48

 

CMYK 0 / 45 / 30 / 11

HEX #E37CA0

RGB 227 124 160

HSL 339.03, 0.65%, 0.69%

LAB 64.39, 43.85, -1.34

 

CMYK 7 / 0 / 45 / 11

HEX #D3E37C

RGB 211 227 124

HSL 69.32, 0.65%, 0.69%

LAB 87.12, -20.44, 48.27

 

CMYK 45 / 0 / 16 / 11

HEX #7CE3BF

RGB 124 227 191

HSL 159.03, 0.65%, 0.69%

LAB 83.43, -38.36, 8.33

 

CMYK 39 / 45 / 0 / 11

HEX #8B7CE3

RGB 139 124 227

HSL 248.74, 0.65%, 0.69%

LAB 57.51, 29.96, -50.6

 

Description

Color code: HEX #E37CA0 | qconv.com Color code: HEX #E37CA0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 227 red, 124 green and 160 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
227 124 160 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 45 magenta, 30 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 45% 30% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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