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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E381B9 it is the complementary color #1C7E46. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E381B9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E381B9 shade: #E881B4, #F993C7, #FFA5DA, #FFB7ED and #FFC9FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E381B9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E381B9 shade: #E381B9, #D26FA6, #C15D93, #B04B80 and #9F396D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E381B9 shade: #E381B9, #E3819F, #E38184 and #E38181

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E381B9 shade: #E381B9, #E381D3, #D881E3, #BE81E3 and #A381E3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E381B9 shade matches the following richer shades: #E381B9, #EF75BB and #FC68BD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E381B9 shade: #E381B9, #D78DB7, #CA9AB5, #BEA6B4 and #B1B3B2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E381B9 shade: #D881E3, #E381D4, #E381BA, #E381A0 and #E38186

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E381B9 shade: #D43D94, #DC5FA6, #E381B9, #EAA3CC and #F2C5DE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E381B9 shade: #E381B9, #E3BD81 and #81E1E3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E381B9 shade: #E381B9, #BAE381 and #81BAE3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E381B9 shade: #E381B9, #E3BD81, #81E3AA and #81A7E3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E381B9 shade: #E381B9, #E3DB81, #81E3AA and #8189E3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 43 / 19 / 11

HEX #E381B9

RGB 227 129 185

HSL 325.71, 0.64%, 0.7%

LAB 66.16, 44.81, -12.86

 

Complementary color

CMYK 78 / 0 / 44 / 51

HEX #1C7E46

RGB 28 126 70

HSL 145.71, 0.64%, 0.3%

LAB 46.46, -40.94, 22.78

 

CMYK 0 / 44 / 22 / 9

HEX #E881B4

RGB 232 129 180

HSL 330.29, 0.69%, 0.71%

LAB 66.64, 45.73, -9.27

 

CMYK 0 / 41 / 20 / 2

HEX #F993C7

RGB 249 147 199

HSL 329.41, 0.89%, 0.78%

LAB 72.98, 44.94, -10.19

 

CMYK 0 / 35 / 15 / 0

HEX #FFA5DA

RGB 255 165 218

HSL 324.67, 1%, 0.82%

LAB 78.01, 40.54, -13

 

CMYK 0 / 28 / 7 / 0

HEX #FFB7ED

RGB 255 183 237

HSL 315, 1%, 0.86%

LAB 82.51, 34.25, -16.5

 

CMYK 0 / 21 / 0 / 0

HEX #FFC9FF

RGB 255 201 255

HSL 300, 1%, 0.89%

LAB 87.12, 27.95, -19.13

 

CMYK 0 / 43 / 19 / 11

HEX #E381B9

RGB 227 129 185

HSL 325.71, 0.64%, 0.7%

LAB 66.16, 44.81, -12.86

 

CMYK 0 / 47 / 21 / 18

HEX #D26FA6

RGB 210 111 166

HSL 326.67, 0.52%, 0.63%

LAB 59.73, 45.59, -11.93

 

CMYK 0 / 52 / 24 / 24

HEX #C15D93

RGB 193 93 147

HSL 327.6, 0.45%, 0.56%

LAB 53.25, 46.34, -10.85

 

CMYK 0 / 57 / 27 / 31

HEX #B04B80

RGB 176 75 128

HSL 328.51, 0.4%, 0.49%

LAB 46.74, 46.99, -9.53

 

CMYK 0 / 64 / 31 / 38

HEX #9F396D

RGB 159 57 109

HSL 329.41, 0.47%, 0.42%

LAB 40.25, 47.43, -7.88

 

CMYK 0 / 43 / 19 / 11

HEX #E381B9

RGB 227 129 185

HSL 325.71, 0.64%, 0.7%

LAB 66.16, 44.81, -12.86

 

CMYK 0 / 43 / 30 / 11

HEX #E3819F

RGB 227 129 159

HSL 341.63, 0.64%, 0.7%

LAB 65.38, 41.16, 0.69

 

CMYK 0 / 43 / 42 / 11

HEX #E38184

RGB 227 129 132

HSL 358.16, 0.64%, 0.7%

LAB 64.72, 37.95, 15.05

 

CMYK 0 / 43 / 43 / 11

HEX #E38181

RGB 227 129 129

HSL 0, 0.64%, 0.7%

LAB 64.66, 37.63, 16.65

 

CMYK 0 / 43 / 19 / 11

HEX #E381B9

RGB 227 129 185

HSL 325.71, 0.64%, 0.7%

LAB 66.16, 44.81, -12.86

 

CMYK 0 / 43 / 7 / 11

HEX #E381D3

RGB 227 129 211

HSL 309.8, 0.64%, 0.7%

LAB 67.08, 48.97, -26.04

 

CMYK 5 / 43 / 0 / 11

HEX #D881E3

RGB 216 129 227

HSL 293.27, 0.64%, 0.7%

LAB 66.4, 48.54, -36.08

 

CMYK 16 / 43 / 0 / 11

HEX #BE81E3

RGB 190 129 227

HSL 277.35, 0.64%, 0.7%

LAB 63.5, 41.01, -40.82

 

CMYK 28 / 43 / 0 / 11

HEX #A381E3

RGB 163 129 227

HSL 260.82, 0.64%, 0.7%

LAB 60.81, 33.41, -45.24

 

CMYK 0 / 43 / 19 / 11

HEX #E381B9

RGB 227 129 185

HSL 325.71, 0.64%, 0.7%

LAB 66.16, 44.81, -12.86

 

CMYK 0 / 51 / 22 / 6

HEX #EF75BB

RGB 239 117 187

HSL 325.57, 0.79%, 0.7%

LAB 65.48, 54.88, -14.85

 

CMYK 0 / 59 / 25 / 1

HEX #FC68BD

RGB 252 104 189

HSL 325.54, 0.96%, 0.7%

LAB 65.18, 64.93, -16.27

 

CMYK 0 / 43 / 19 / 11

HEX #E381B9

RGB 227 129 185

HSL 325.71, 0.64%, 0.7%

LAB 66.16, 44.81, -12.86

 

CMYK 0 / 34 / 15 / 16

HEX #D78DB7

RGB 215 141 183

HSL 325.95, 0.48%, 0.7%

LAB 67.21, 34.16, -10.31

 

CMYK 0 / 24 / 10 / 21

HEX #CA9AB5

RGB 202 154 181

HSL 326.25, 0.31%, 0.7%

LAB 68.75, 22.21, -7.05

 

CMYK 0 / 13 / 5 / 25

HEX #BEA6B4

RGB 190 166 180

HSL 325, 0.16%, 0.7%

LAB 70.54, 11.17, -3.98

 

CMYK 1 / 0 / 1 / 30

HEX #B1B3B2

RGB 177 179 178

HSL 150, 0.01%, 0.7%

LAB 72.76, -0.89, 0.25

 

CMYK 5 / 43 / 0 / 11

HEX #D881E3

RGB 216 129 227

HSL 293.27, 0.64%, 0.7%

LAB 66.4, 48.54, -36.08

 

CMYK 0 / 43 / 7 / 11

HEX #E381D4

RGB 227 129 212

HSL 309.18, 0.64%, 0.7%

LAB 67.12, 49.14, -26.54

 

CMYK 0 / 43 / 18 / 11

HEX #E381BA

RGB 227 129 186

HSL 325.1, 0.64%, 0.7%

LAB 66.2, 44.96, -13.37

 

CMYK 0 / 43 / 30 / 11

HEX #E381A0

RGB 227 129 160

HSL 341.02, 0.64%, 0.7%

LAB 65.41, 41.29, 0.16

 

CMYK 0 / 43 / 41 / 11

HEX #E38186

RGB 227 129 134

HSL 356.94, 0.64%, 0.7%

LAB 64.77, 38.17, 13.98

 

CMYK 0 / 71 / 30 / 17

HEX #D43D94

RGB 212 61 148

HSL 325.43, 0.64%, 0.54%

LAB 51.24, 65.7, -14.18

 

CMYK 0 / 57 / 25 / 14

HEX #DC5FA6

RGB 220 95 166

HSL 325.92, 0.64%, 0.62%

LAB 58.18, 56.47, -14.12

 

CMYK 0 / 43 / 19 / 11

HEX #E381B9

RGB 227 129 185

HSL 325.71, 0.64%, 0.7%

LAB 66.16, 44.81, -12.86

 

CMYK 0 / 30 / 13 / 8

HEX #EAA3CC

RGB 234 163 204

HSL 325.35, 0.63%, 0.78%

LAB 74.85, 32.31, -10.32

 

CMYK 0 / 19 / 8 / 5

HEX #F2C5DE

RGB 242 197 222

HSL 326.67, 0.63%, 0.86%

LAB 84.01, 19.96, -6.37

 

CMYK 0 / 43 / 19 / 11

HEX #E381B9

RGB 227 129 185

HSL 325.71, 0.64%, 0.7%

LAB 66.16, 44.81, -12.86

 

CMYK 0 / 17 / 43 / 11

HEX #E3BD81

RGB 227 189 129

HSL 36.73, 0.64%, 0.7%

LAB 78.64, 5.76, 35.37

 

CMYK 43 / 1 / 0 / 11

HEX #81E1E3

RGB 129 225 227

HSL 181.22, 0.64%, 0.7%

LAB 84, -27.82, -9.85

 

CMYK 0 / 43 / 19 / 11

HEX #E381B9

RGB 227 129 185

HSL 325.71, 0.64%, 0.7%

LAB 66.16, 44.81, -12.86

 

CMYK 18 / 0 / 43 / 11

HEX #BAE381

RGB 186 227 129

HSL 85.1, 0.64%, 0.7%

LAB 85.48, -29.33, 43.44

 

CMYK 43 / 18 / 0 / 11

HEX #81BAE3

RGB 129 186 227

HSL 205.1, 0.64%, 0.7%

LAB 73.11, -7.91, -26.3

 

CMYK 0 / 43 / 19 / 11

HEX #E381B9

RGB 227 129 185

HSL 325.71, 0.64%, 0.7%

LAB 66.16, 44.81, -12.86

 

CMYK 0 / 17 / 43 / 11

HEX #E3BD81

RGB 227 189 129

HSL 36.73, 0.64%, 0.7%

LAB 78.64, 5.76, 35.37

 

CMYK 43 / 0 / 25 / 11

HEX #81E3AA

RGB 129 227 170

HSL 145.1, 0.64%, 0.7%

LAB 83.18, -41.37, 19.01

 

CMYK 43 / 26 / 0 / 11

HEX #81A7E3

RGB 129 167 227

HSL 216.73, 0.64%, 0.7%

LAB 67.91, 2.53, -34.31

 

CMYK 0 / 43 / 19 / 11

HEX #E381B9

RGB 227 129 185

HSL 325.71, 0.64%, 0.7%

LAB 66.16, 44.81, -12.86

 

CMYK 0 / 4 / 43 / 11

HEX #E3DB81

RGB 227 219 129

HSL 55.1, 0.64%, 0.7%

LAB 86.3, -9.7, 45.09

 

CMYK 43 / 0 / 25 / 11

HEX #81E3AA

RGB 129 227 170

HSL 145.1, 0.64%, 0.7%

LAB 83.18, -41.37, 19.01

 

CMYK 43 / 40 / 0 / 11

HEX #8189E3

RGB 129 137 227

HSL 235.1, 0.64%, 0.7%

LAB 59.98, 19.83, -46.73

 

Description

Color code: HEX #E381B9 | qconv.com Color code: HEX #E381B9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 227 red, 129 green and 185 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
227 129 185 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 43 magenta, 19 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 43% 19% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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