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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E38358 it is the complementary color #1C7CA7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E38358. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E38358 shade: #E88353, #F99566, #FFA779, #FFB98C and #FFCB9F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E38358. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E38358 shade: #E38358, #D27145, #C15F32, #B04D1F and #9F3B0C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E38358 shade: #E28359, #E25E59 and #E25959

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E38358 shade: #E28359, #E2A859, #E2CE59, #D2E259 and #ADE259

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E38358 shade matches the following richer shades: #E28359 and #F27D49

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E38358 shade: #E28359, #D38968, #C38F78, #B39588 and #A49B98

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E38358 shade: #E25979, #E25D59, #E28259, #E2A759 and #E2CB59

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E38358 shade: #C75521, #DC6936, #E28359, #E89E7C and #EEB89F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E38358 shade: #E38358, #9EE259 and #5967E2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E38358 shade: #E38358, #59E282 and #8259E2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E38358 shade: #E38358, #9EE259, #59B9E2 and #9E59E2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E38358 shade: #E38358, #74E259, #59B9E2 and #C759E2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 42 / 61 / 11

HEX #E38358

RGB 227 131 88

HSL 18.56, 0.71%, 0.62%

LAB 64.38, 33.04, 38.94

 

Complementary color

CMYK 83 / 26 / 0 / 35

HEX #1C7CA7

RGB 28 124 167

HSL 198.56, 0.71%, 0.38%

LAB 48.82, -11.26, -30.46

 

CMYK 0 / 44 / 64 / 9

HEX #E88353

RGB 232 131 83

HSL 19.33, 0.76%, 0.62%

LAB 64.97, 34.69, 42.44

 

CMYK 0 / 40 / 59 / 2

HEX #F99566

RGB 249 149 102

HSL 19.18, 0.92%, 0.69%

LAB 71.28, 33.3, 40.63

 

CMYK 0 / 35 / 53 / 0

HEX #FFA779

RGB 255 167 121

HSL 20.6, 1%, 0.74%

LAB 76.24, 27.75, 37.04

 

CMYK 0 / 27 / 45 / 0

HEX #FFB98C

RGB 255 185 140

HSL 23.48, 1%, 0.77%

LAB 80.66, 20.07, 32.8

 

CMYK 0 / 20 / 38 / 0

HEX #FFCB9F

RGB 255 203 159

HSL 27.5, 1%, 0.81%

LAB 85.24, 12.68, 28.96

 

CMYK 0 / 42 / 61 / 11

HEX #E38358

RGB 227 131 88

HSL 18.56, 0.71%, 0.62%

LAB 64.38, 33.04, 38.94

 

CMYK 0 / 46 / 67 / 18

HEX #D27145

RGB 210 113 69

HSL 18.72, 0.61%, 0.55%

LAB 57.98, 34.5, 40.86

 

CMYK 0 / 51 / 74 / 24

HEX #C15F32

RGB 193 95 50

HSL 18.88, 0.59%, 0.48%

LAB 51.56, 36.11, 42.88

 

CMYK 0 / 56 / 82 / 31

HEX #B04D1F

RGB 176 77 31

HSL 19.03, 0.7%, 0.41%

LAB 45.13, 37.83, 44.83

 

CMYK 0 / 63 / 92 / 38

HEX #9F3B0C

RGB 159 59 12

HSL 19.18, 0.86%, 0.34%

LAB 38.77, 39.59, 46.06

 

CMYK 0 / 42 / 61 / 11

HEX #E28359

RGB 226 131 89

HSL 18.39, 0.7%, 0.62%

LAB 64.26, 32.71, 38.24

 

CMYK 0 / 58 / 61 / 11

HEX #E25E59

RGB 226 94 89

HSL 2.19, 0.7%, 0.62%

LAB 56.97, 51.1, 29.14

 

CMYK 0 / 61 / 61 / 11

HEX #E25959

RGB 226 89 89

HSL 0, 0.7%, 0.62%

LAB 56.12, 53.35, 28.05

 

CMYK 0 / 42 / 61 / 11

HEX #E28359

RGB 226 131 89

HSL 18.39, 0.7%, 0.62%

LAB 64.26, 32.71, 38.24

 

CMYK 0 / 26 / 61 / 11

HEX #E2A859

RGB 226 168 89

HSL 34.6, 0.7%, 0.62%

LAB 72.82, 13.01, 48.42

 

CMYK 0 / 9 / 61 / 11

HEX #E2CE59

RGB 226 206 89

HSL 51.24, 0.7%, 0.62%

LAB 82.4, -6.86, 59.24

 

CMYK 7 / 0 / 61 / 11

HEX #D2E259

RGB 210 226 89

HSL 67.01, 0.7%, 0.62%

LAB 86.41, -23.32, 63.26

 

CMYK 23 / 0 / 61 / 11

HEX #ADE259

RGB 173 226 89

HSL 83.21, 0.7%, 0.62%

LAB 83.96, -37.66, 59.88

 

CMYK 0 / 42 / 61 / 11

HEX #E28359

RGB 226 131 89

HSL 18.39, 0.7%, 0.62%

LAB 64.26, 32.71, 38.24

 

CMYK 0 / 48 / 70 / 5

HEX #F27D49

RGB 242 125 73

HSL 18.46, 0.87%, 0.62%

LAB 64.98, 41.08, 47.94

 

CMYK 0 / 42 / 61 / 11

HEX #E28359

RGB 226 131 89

HSL 18.39, 0.7%, 0.62%

LAB 64.26, 32.71, 38.24

 

CMYK 0 / 35 / 51 / 17

HEX #D38968

RGB 211 137 104

HSL 18.5, 0.55%, 0.62%

LAB 63.95, 24.73, 29.32

 

CMYK 0 / 27 / 38 / 24

HEX #C38F78

RGB 195 143 120

HSL 18.4, 0.38%, 0.62%

LAB 63.84, 16.69, 19.97

 

CMYK 0 / 17 / 24 / 30

HEX #B39588

RGB 179 149 136

HSL 18.14, 0.22%, 0.62%

LAB 64.04, 9.16, 11.05

 

CMYK 0 / 5 / 7 / 36

HEX #A49B98

RGB 164 155 152

HSL 15, 0.06%, 0.62%

LAB 64.65, 2.74, 2.74

 

CMYK 0 / 61 / 46 / 11

HEX #E25979

RGB 226 89 121

HSL 345.99, 0.7%, 0.62%

LAB 56.78, 55.9, 10.23

 

CMYK 0 / 59 / 61 / 11

HEX #E25D59

RGB 226 93 89

HSL 1.75, 0.7%, 0.62%

LAB 56.8, 51.56, 28.92

 

CMYK 0 / 42 / 61 / 11

HEX #E28259

RGB 226 130 89

HSL 17.96, 0.7%, 0.62%

LAB 64.04, 33.24, 37.97

 

CMYK 0 / 26 / 61 / 11

HEX #E2A759

RGB 226 167 89

HSL 34.16, 0.7%, 0.62%

LAB 72.58, 13.54, 48.14

 

CMYK 0 / 10 / 61 / 11

HEX #E2CB59

RGB 226 203 89

HSL 49.93, 0.7%, 0.62%

LAB 81.62, -5.33, 58.38

 

CMYK 0 / 57 / 83 / 22

HEX #C75521

RGB 199 85 33

HSL 18.8, 0.72%, 0.45%

LAB 50.39, 42.82, 50.1

 

CMYK 0 / 52 / 75 / 14

HEX #DC6936

RGB 220 105 54

HSL 18.43, 0.7%, 0.54%

LAB 57.64, 41.76, 48.52

 

CMYK 0 / 42 / 61 / 11

HEX #E28359

RGB 226 131 89

HSL 18.39, 0.7%, 0.62%

LAB 64.26, 32.71, 38.24

 

CMYK 0 / 32 / 47 / 9

HEX #E89E7C

RGB 232 158 124

HSL 18.89, 0.7%, 0.7%

LAB 71.6, 23.73, 28.91

 

CMYK 0 / 23 / 33 / 7

HEX #EEB89F

RGB 238 184 159

HSL 18.99, 0.7%, 0.78%

LAB 79.02, 16.13, 20.21

 

CMYK 0 / 42 / 61 / 11

HEX #E38358

RGB 227 131 88

HSL 18.56, 0.71%, 0.62%

LAB 64.38, 33.04, 38.94

 

CMYK 30 / 0 / 61 / 11

HEX #9EE259

RGB 158 226 89

HSL 89.78, 0.7%, 0.62%

LAB 83.12, -43.09, 58.7

 

CMYK 61 / 54 / 0 / 11

HEX #5967E2

RGB 89 103 226

HSL 233.87, 0.7%, 0.62%

LAB 48.65, 31.52, -64.44

 

CMYK 0 / 42 / 61 / 11

HEX #E38358

RGB 227 131 88

HSL 18.56, 0.71%, 0.62%

LAB 64.38, 33.04, 38.94

 

CMYK 61 / 0 / 42 / 11

HEX #59E282

RGB 89 226 130

HSL 137.96, 0.7%, 0.62%

LAB 80.81, -57.73, 36.09

 

CMYK 42 / 61 / 0 / 11

HEX #8259E2

RGB 130 89 226

HSL 257.96, 0.7%, 0.62%

LAB 48.74, 47.63, -64.15

 

CMYK 0 / 42 / 61 / 11

HEX #E38358

RGB 227 131 88

HSL 18.56, 0.71%, 0.62%

LAB 64.38, 33.04, 38.94

 

CMYK 30 / 0 / 61 / 11

HEX #9EE259

RGB 158 226 89

HSL 89.78, 0.7%, 0.62%

LAB 83.12, -43.09, 58.7

 

CMYK 61 / 18 / 0 / 11

HEX #59B9E2

RGB 89 185 226

HSL 197.96, 0.7%, 0.62%

LAB 71.09, -16.32, -29.01

 

CMYK 30 / 61 / 0 / 11

HEX #9E59E2

RGB 158 89 226

HSL 270.22, 0.7%, 0.62%

LAB 51.73, 53.71, -59.18

 

CMYK 0 / 42 / 61 / 11

HEX #E38358

RGB 227 131 88

HSL 18.56, 0.71%, 0.62%

LAB 64.38, 33.04, 38.94

 

CMYK 49 / 0 / 61 / 11

HEX #74E259

RGB 116 226 89

HSL 108.18, 0.7%, 0.62%

LAB 81.2, -56.51, 56.02

 

CMYK 61 / 18 / 0 / 11

HEX #59B9E2

RGB 89 185 226

HSL 197.96, 0.7%, 0.62%

LAB 71.09, -16.32, -29.01

 

CMYK 12 / 61 / 0 / 11

HEX #C759E2

RGB 199 89 226

HSL 288.18, 0.7%, 0.62%

LAB 56.86, 63.29, -50.68

 

Description

Color code: HEX #E38358 | qconv.com Color code: HEX #E38358 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 227 red, 131 green and 88 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
227 131 88 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 42 magenta, 61 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 42% 61% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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