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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E38EEE it is the complementary color #1C7111. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E38EEE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E38EEE shade: #E88EE9, #F9A0FC, #FFB2FF, #FFC4FF and #FFD6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E38EEE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E38EEE shade: #E38EEE, #D27CDB, #C16AC8, #B058B5 and #9F46A2

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E38EEE shade: #E390EE, #EE90DF, #EE90C6, #EE90AC and #EE9093

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E38EEE shade: #E390EE, #CA90EE, #B090EE, #9790EE and #9090EE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E38EEE shade matches the following richer shades: #E390EE and #EB85F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E38EEE shade: #E390EE, #DB9AE4, #D3A4D9, #CBAFCF and #C3B9C5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E38EEE shade: #B190EE, #CA90EE, #E390EE, #EE90E0 and #EE90C7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E38EEE shade: #D148E3, #DA6CE9, #E390EE, #ECB3F3 and #F5D7F9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E38EEE shade: #E38EEE, #EE9790 and #90EEBD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E38EEE shade: #E38EEE, #EEE390 and #90EEE3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E38EEE shade: #E38EEE, #EE9790, #9BEE90 and #90E6EE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E38EEE shade: #E38EEE, #EEB490, #9BEE90 and #90CAEE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 40 / 0 / 7

HEX #E38EEE

RGB 227 142 238

HSL 293.13, 0.74%, 0.75%

LAB 70.77, 47.12, -35.26

 

Complementary color

CMYK 75 / 0 / 85 / 56

HEX #1C7111

RGB 28 113 17

HSL 113.13, 0.74%, 0.25%

LAB 41.37, -42.97, 41.89

 

CMYK 0 / 39 / 0 / 9

HEX #E88EE9

RGB 232 142 233

HSL 299.34, 0.67%, 0.74%

LAB 71.14, 47.68, -31.9

 

CMYK 1 / 37 / 0 / 1

HEX #F9A0FC

RGB 249 160 252

HSL 298.04, 0.94%, 0.81%

LAB 77.47, 46.96, -32.31

 

CMYK 0 / 30 / 0 / 0

HEX #FFB2FF

RGB 255 178 255

HSL 300, 1%, 0.85%

LAB 82.01, 40, -26.89

 

CMYK 0 / 23 / 0 / 0

HEX #FFC4FF

RGB 255 196 255

HSL 300, 1%, 0.88%

LAB 85.99, 30.57, -20.85

 

CMYK 0 / 16 / 0 / 0

HEX #FFD6FF

RGB 255 214 255

HSL 300, 1%, 0.92%

LAB 90.12, 21.12, -14.62

 

CMYK 5 / 40 / 0 / 7

HEX #E38EEE

RGB 227 142 238

HSL 293.13, 0.74%, 0.75%

LAB 70.77, 47.12, -35.26

 

CMYK 4 / 43 / 0 / 14

HEX #D27CDB

RGB 210 124 219

HSL 294.32, 0.57%, 0.67%

LAB 64.35, 47.86, -34.88

 

CMYK 4 / 47 / 0 / 22

HEX #C16AC8

RGB 193 106 200

HSL 295.53, 0.46%, 0.6%

LAB 57.86, 48.58, -34.45

 

CMYK 3 / 51 / 0 / 29

HEX #B058B5

RGB 176 88 181

HSL 296.77, 0.39%, 0.53%

LAB 51.32, 49.25, -33.92

 

CMYK 2 / 57 / 0 / 36

HEX #9F46A2

RGB 159 70 162

HSL 298.04, 0.4%, 0.45%

LAB 44.74, 49.79, -33.23

 

CMYK 5 / 39 / 0 / 7

HEX #E390EE

RGB 227 144 238

HSL 292.98, 0.73%, 0.75%

LAB 71.18, 46.08, -34.62

 

CMYK 0 / 39 / 6 / 7

HEX #EE90DF

RGB 238 144 223

HSL 309.57, 0.73%, 0.75%

LAB 71.86, 46.73, -25.24

 

CMYK 0 / 39 / 17 / 7

HEX #EE90C6

RGB 238 144 198

HSL 325.53, 0.73%, 0.75%

LAB 71.01, 42.69, -12.71

 

CMYK 0 / 39 / 28 / 7

HEX #EE90AC

RGB 238 144 172

HSL 342.13, 0.73%, 0.75%

LAB 70.25, 38.96, 0.63

 

CMYK 0 / 39 / 38 / 7

HEX #EE9093

RGB 238 144 147

HSL 358.09, 0.73%, 0.75%

LAB 69.63, 35.86, 13.7

 

CMYK 5 / 39 / 0 / 7

HEX #E390EE

RGB 227 144 238

HSL 292.98, 0.73%, 0.75%

LAB 71.18, 46.08, -34.62

 

CMYK 15 / 39 / 0 / 7

HEX #CA90EE

RGB 202 144 238

HSL 277.02, 0.73%, 0.75%

LAB 68.52, 38.7, -38.96

 

CMYK 26 / 39 / 0 / 7

HEX #B090EE

RGB 176 144 238

HSL 260.43, 0.73%, 0.75%

LAB 66.02, 31.22, -43.05

 

CMYK 37 / 39 / 0 / 7

HEX #9790EE

RGB 151 144 238

HSL 244.47, 0.73%, 0.75%

LAB 63.92, 24.42, -46.5

 

CMYK 39 / 39 / 0 / 7

HEX #9090EE

RGB 144 144 238

HSL 240, 0.73%, 0.75%

LAB 63.38, 22.61, -47.38

 

CMYK 5 / 39 / 0 / 7

HEX #E390EE

RGB 227 144 238

HSL 292.98, 0.73%, 0.75%

LAB 71.18, 46.08, -34.62

 

CMYK 5 / 46 / 0 / 3

HEX #EB85F8

RGB 235 133 248

HSL 293.22, 0.89%, 0.75%

LAB 70.33, 55.85, -41.34

 

CMYK 5 / 39 / 0 / 7

HEX #E390EE

RGB 227 144 238

HSL 292.98, 0.73%, 0.75%

LAB 71.18, 46.08, -34.62

 

CMYK 4 / 32 / 0 / 11

HEX #DB9AE4

RGB 219 154 228

HSL 292.7, 0.58%, 0.75%

LAB 72.08, 36.44, -27.83

 

CMYK 3 / 24 / 0 / 15

HEX #D3A4D9

RGB 211 164 217

HSL 293.21, 0.41%, 0.75%

LAB 73.16, 26.36, -20.22

 

CMYK 2 / 15 / 0 / 19

HEX #CBAFCF

RGB 203 175 207

HSL 292.5, 0.25%, 0.75%

LAB 74.74, 15.78, -12.45

 

CMYK 1 / 6 / 0 / 23

HEX #C3B9C5

RGB 195 185 197

HSL 290, 0.09%, 0.75%

LAB 76.27, 5.72, -4.79

 

CMYK 26 / 39 / 0 / 7

HEX #B190EE

RGB 177 144 238

HSL 261.06, 0.73%, 0.75%

LAB 66.11, 31.5, -42.9

 

CMYK 15 / 39 / 0 / 7

HEX #CA90EE

RGB 202 144 238

HSL 277.02, 0.73%, 0.75%

LAB 68.52, 38.7, -38.96

 

CMYK 5 / 39 / 0 / 7

HEX #E390EE

RGB 227 144 238

HSL 292.98, 0.73%, 0.75%

LAB 71.18, 46.08, -34.62

 

CMYK 0 / 39 / 6 / 7

HEX #EE90E0

RGB 238 144 224

HSL 308.94, 0.73%, 0.75%

LAB 71.9, 46.9, -25.73

 

CMYK 0 / 39 / 16 / 7

HEX #EE90C7

RGB 238 144 199

HSL 324.89, 0.73%, 0.75%

LAB 71.04, 42.84, -13.22

 

CMYK 8 / 68 / 0 / 11

HEX #D148E3

RGB 209 72 227

HSL 293.03, 0.73%, 0.59%

LAB 55.82, 72.69, -52.81

 

CMYK 6 / 54 / 0 / 9

HEX #DA6CE9

RGB 218 108 233

HSL 292.8, 0.74%, 0.67%

LAB 62.94, 60.62, -44.81

 

CMYK 5 / 39 / 0 / 7

HEX #E390EE

RGB 227 144 238

HSL 292.98, 0.73%, 0.75%

LAB 71.18, 46.08, -34.62

 

CMYK 3 / 26 / 0 / 5

HEX #ECB3F3

RGB 236 179 243

HSL 293.44, 0.73%, 0.83%

LAB 79.92, 31.29, -23.82

 

CMYK 2 / 14 / 0 / 2

HEX #F5D7F9

RGB 245 215 249

HSL 292.94, 0.74%, 0.91%

LAB 89.32, 16.24, -12.75

 

CMYK 5 / 40 / 0 / 7

HEX #E38EEE

RGB 227 142 238

HSL 293.13, 0.74%, 0.75%

LAB 70.77, 47.12, -35.26

 

CMYK 0 / 37 / 39 / 7

HEX #EE9790

RGB 238 151 144

HSL 4.47, 0.73%, 0.75%

LAB 71.09, 31.85, 17.4

 

CMYK 39 / 0 / 21 / 7

HEX #90EEBD

RGB 144 238 189

HSL 148.72, 0.73%, 0.75%

LAB 87.36, -38.54, 15.07

 

CMYK 5 / 40 / 0 / 7

HEX #E38EEE

RGB 227 142 238

HSL 293.13, 0.74%, 0.75%

LAB 70.77, 47.12, -35.26

 

CMYK 0 / 5 / 39 / 7

HEX #EEE390

RGB 238 227 144

HSL 52.98, 0.73%, 0.75%

LAB 89.45, -7.87, 41.86

 

CMYK 39 / 0 / 5 / 7

HEX #90EEE3

RGB 144 238 227

HSL 172.98, 0.73%, 0.75%

LAB 88.27, -30.41, -3.47

 

CMYK 5 / 40 / 0 / 7

HEX #E38EEE

RGB 227 142 238

HSL 293.13, 0.74%, 0.75%

LAB 70.77, 47.12, -35.26

 

CMYK 0 / 37 / 39 / 7

HEX #EE9790

RGB 238 151 144

HSL 4.47, 0.73%, 0.75%

LAB 71.09, 31.85, 17.4

 

CMYK 35 / 0 / 39 / 7

HEX #9BEE90

RGB 155 238 144

HSL 112.98, 0.73%, 0.75%

LAB 87.06, -42.97, 37.71

 

CMYK 39 / 3 / 0 / 7

HEX #90E6EE

RGB 144 230 238

HSL 185.11, 0.73%, 0.75%

LAB 86.35, -23.94, -12.08

 

CMYK 5 / 40 / 0 / 7

HEX #E38EEE

RGB 227 142 238

HSL 293.13, 0.74%, 0.75%

LAB 70.77, 47.12, -35.26

 

CMYK 0 / 24 / 39 / 7

HEX #EEB490

RGB 238 180 144

HSL 22.98, 0.73%, 0.75%

LAB 77.78, 16.49, 26.53

 

CMYK 35 / 0 / 39 / 7

HEX #9BEE90

RGB 155 238 144

HSL 112.98, 0.73%, 0.75%

LAB 87.06, -42.97, 37.71

 

CMYK 39 / 15 / 0 / 7

HEX #90CAEE

RGB 144 202 238

HSL 202.98, 0.73%, 0.75%

LAB 78.66, -9.7, -23.68

 

Description

Color code: HEX #E38EEE | qconv.com Color code: HEX #E38EEE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 227 red, 142 green and 238 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
227 142 238 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, 40 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 40% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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