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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E396AC it is the complementary color #1C6953. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E396AC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E396AC shade: #E896A7, #F9A8BA, #FFBACD, #FFCCE0 and #FFDEF3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E396AC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E396AC shade: #E396AC, #D28499, #C17286, #B06073 and #9F4E60

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E396AC shade: #E396AC, #E39697 and #E39696

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E396AC shade: #E396AC, #E396C0, #E396D5, #DB96E3 and #C796E3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E396AC shade matches the following richer shades: #E396AC, #ED8BA7 and #F880A3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E396AC shade: #E396AC, #D8A0B0, #CDABB5, #C2B6BA and #B8C1BE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E396AC shade: #E396D6, #E396C1, #E396AD, #E39698 and #E3A896

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E396AC shade: #D15578, #DA7592, #E396AC, #EBB6C5 and #F4D7DF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E396AC shade: #E396AC, #E3DB96 and #96CCE3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E396AC shade: #E396AC, #ADE396 and #96ADE3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E396AC shade: #E396AC, #E3DB96, #96E3CC and #969DE3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E396AC shade: #E396AC, #D3E396, #96E3CC and #A596E3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 34 / 24 / 11

HEX #E396AC

RGB 227 150 172

HSL 342.86, 0.58%, 0.74%

LAB 70.26, 31.9, 0.49

 

Complementary color

CMYK 73 / 0 / 21 / 59

HEX #1C6953

RGB 28 105 83

HSL 162.86, 0.58%, 0.26%

LAB 39.54, -28.89, 5.74

 

CMYK 0 / 35 / 28 / 9

HEX #E896A7

RGB 232 150 167

HSL 347.56, 0.64%, 0.75%

LAB 70.7, 33, 3.99

 

CMYK 0 / 33 / 25 / 2

HEX #F9A8BA

RGB 249 168 186

HSL 346.67, 0.87%, 0.82%

LAB 77.1, 32.2, 3.02

 

CMYK 0 / 27 / 20 / 0

HEX #FFBACD

RGB 255 186 205

HSL 343.48, 1%, 0.86%

LAB 82.26, 27.59, 0.32

 

CMYK 0 / 20 / 12 / 0

HEX #FFCCE0

RGB 255 204 224

HSL 336.47, 1%, 0.9%

LAB 86.91, 21.08, -3.02

 

CMYK 0 / 13 / 5 / 0

HEX #FFDEF3

RGB 255 222 243

HSL 321.82, 1%, 0.94%

LAB 91.67, 14.84, -6.02

 

CMYK 0 / 34 / 24 / 11

HEX #E396AC

RGB 227 150 172

HSL 342.86, 0.58%, 0.74%

LAB 70.26, 31.9, 0.49

 

CMYK 0 / 37 / 27 / 18

HEX #D28499

RGB 210 132 153

HSL 343.85, 0.46%, 0.67%

LAB 63.76, 32.71, 1.47

 

CMYK 0 / 41 / 31 / 24

HEX #C17286

RGB 193 114 134

HSL 344.81, 0.39%, 0.6%

LAB 57.17, 33.59, 2.56

 

CMYK 0 / 45 / 35 / 31

HEX #B06073

RGB 176 96 115

HSL 345.75, 0.34%, 0.53%

LAB 50.49, 34.53, 3.81

 

CMYK 0 / 51 / 40 / 38

HEX #9F4E60

RGB 159 78 96

HSL 346.67, 0.34%, 0.46%

LAB 43.75, 35.51, 5.31

 

CMYK 0 / 34 / 24 / 11

HEX #E396AC

RGB 227 150 172

HSL 342.86, 0.58%, 0.74%

LAB 70.26, 31.9, 0.49

 

CMYK 0 / 34 / 33 / 11

HEX #E39697

RGB 227 150 151

HSL 359.22, 0.58%, 0.74%

LAB 69.74, 29.08, 11.43

 

CMYK 0 / 34 / 34 / 11

HEX #E39696

RGB 227 150 150

HSL 0, 0.58%, 0.74%

LAB 69.71, 28.96, 11.96

 

CMYK 0 / 34 / 24 / 11

HEX #E396AC

RGB 227 150 172

HSL 342.86, 0.58%, 0.74%

LAB 70.26, 31.9, 0.49

 

CMYK 0 / 34 / 15 / 11

HEX #E396C0

RGB 227 150 192

HSL 327.27, 0.58%, 0.74%

LAB 70.84, 34.91, -9.78

 

CMYK 0 / 34 / 6 / 11

HEX #E396D5

RGB 227 150 213

HSL 310.91, 0.58%, 0.74%

LAB 71.52, 38.39, -20.36

 

CMYK 4 / 34 / 0 / 11

HEX #DB96E3

RGB 219 150 227

HSL 293.77, 0.58%, 0.74%

LAB 71.16, 38.39, -28.69

 

CMYK 12 / 34 / 0 / 11

HEX #C796E3

RGB 199 150 227

HSL 278.18, 0.58%, 0.74%

LAB 69.11, 32.2, -32.02

 

CMYK 0 / 34 / 24 / 11

HEX #E396AC

RGB 227 150 172

HSL 342.86, 0.58%, 0.74%

LAB 70.26, 31.9, 0.49

 

CMYK 0 / 41 / 30 / 7

HEX #ED8BA7

RGB 237 139 167

HSL 342.86, 0.73%, 0.74%

LAB 68.94, 40.54, 1.51

 

CMYK 0 / 48 / 34 / 3

HEX #F880A3

RGB 248 128 163

HSL 342.5, 0.9%, 0.74%

LAB 68.05, 49.37, 2.64

 

CMYK 0 / 34 / 24 / 11

HEX #E396AC

RGB 227 150 172

HSL 342.86, 0.58%, 0.74%

LAB 70.26, 31.9, 0.49

 

CMYK 0 / 26 / 19 / 15

HEX #D8A0B0

RGB 216 160 176

HSL 342.86, 0.42%, 0.74%

LAB 71.47, 23.14, -0.11

 

CMYK 0 / 17 / 12 / 20

HEX #CDABB5

RGB 205 171 181

HSL 342.35, 0.25%, 0.74%

LAB 73.18, 13.99, -0.49

 

CMYK 0 / 6 / 4 / 24

HEX #C2B6BA

RGB 194 182 186

HSL 340, 0.09%, 0.74%

LAB 75.12, 4.97, -0.51

 

CMYK 5 / 0 / 2 / 24

HEX #B8C1BE

RGB 184 193 190

HSL 160, 0.07%, 0.74%

LAB 77.31, -3.66, 0.42

 

CMYK 0 / 34 / 6 / 11

HEX #E396D6

RGB 227 150 214

HSL 310.13, 0.58%, 0.74%

LAB 71.55, 38.57, -20.86

 

CMYK 0 / 34 / 15 / 11

HEX #E396C1

RGB 227 150 193

HSL 326.49, 0.58%, 0.74%

LAB 70.87, 35.06, -10.29

 

CMYK 0 / 34 / 24 / 11

HEX #E396AD

RGB 227 150 173

HSL 342.08, 0.58%, 0.74%

LAB 70.29, 32.04, -0.02

 

CMYK 0 / 34 / 33 / 11

HEX #E39698

RGB 227 150 152

HSL 358.44, 0.58%, 0.74%

LAB 69.76, 29.21, 10.91

 

CMYK 0 / 26 / 34 / 11

HEX #E3A896

RGB 227 168 150

HSL 14.03, 0.58%, 0.74%

LAB 73.89, 19.32, 17.8

 

CMYK 0 / 59 / 43 / 18

HEX #D15578

RGB 209 85 120

HSL 343.06, 0.57%, 0.58%

LAB 53.39, 52.07, 5.64

 

CMYK 0 / 46 / 33 / 15

HEX #DA7592

RGB 218 117 146

HSL 342.77, 0.58%, 0.66%

LAB 61.4, 42.53, 2.16

 

CMYK 0 / 34 / 24 / 11

HEX #E396AC

RGB 227 150 172

HSL 342.86, 0.58%, 0.74%

LAB 70.26, 31.9, 0.49

 

CMYK 0 / 23 / 16 / 8

HEX #EBB6C5

RGB 235 182 197

HSL 343.02, 0.57%, 0.82%

LAB 79.13, 21.41, -0.18

 

CMYK 0 / 12 / 9 / 4

HEX #F4D7DF

RGB 244 215 223

HSL 343.45, 0.57%, 0.9%

LAB 88.52, 11.35, -0.24

 

CMYK 0 / 34 / 24 / 11

HEX #E396AC

RGB 227 150 172

HSL 342.86, 0.58%, 0.74%

LAB 70.26, 31.9, 0.49

 

CMYK 0 / 4 / 34 / 11

HEX #E3DB96

RGB 227 219 150

HSL 53.77, 0.58%, 0.74%

LAB 86.6, -7.42, 34.97

 

CMYK 34 / 10 / 0 / 11

HEX #96CCE3

RGB 150 204 227

HSL 197.92, 0.58%, 0.74%

LAB 79.17, -11.92, -16.99

 

CMYK 0 / 34 / 24 / 11

HEX #E396AC

RGB 227 150 172

HSL 342.86, 0.58%, 0.74%

LAB 70.26, 31.9, 0.49

 

CMYK 24 / 0 / 34 / 11

HEX #ADE396

RGB 173 227 150

HSL 102.08, 0.58%, 0.74%

LAB 85.01, -31.2, 32.18

 

CMYK 34 / 24 / 0 / 11

HEX #96ADE3

RGB 150 173 227

HSL 222.08, 0.58%, 0.74%

LAB 70.81, 4.78, -29.72

 

CMYK 0 / 34 / 24 / 11

HEX #E396AC

RGB 227 150 172

HSL 342.86, 0.58%, 0.74%

LAB 70.26, 31.9, 0.49

 

CMYK 0 / 4 / 34 / 11

HEX #E3DB96

RGB 227 219 150

HSL 53.77, 0.58%, 0.74%

LAB 86.6, -7.42, 34.97

 

CMYK 34 / 0 / 10 / 11

HEX #96E3CC

RGB 150 227 204

HSL 162.08, 0.58%, 0.74%

LAB 84.89, -28.69, 3.71

 

CMYK 34 / 31 / 0 / 11

HEX #969DE3

RGB 150 157 227

HSL 234.55, 0.58%, 0.74%

LAB 66.63, 13.79, -36.2

 

CMYK 0 / 34 / 24 / 11

HEX #E396AC

RGB 227 150 172

HSL 342.86, 0.58%, 0.74%

LAB 70.26, 31.9, 0.49

 

CMYK 7 / 0 / 34 / 11

HEX #D3E396

RGB 211 227 150

HSL 72.47, 0.58%, 0.74%

LAB 87.48, -17.5, 35.89

 

CMYK 34 / 0 / 10 / 11

HEX #96E3CC

RGB 150 227 204

HSL 162.08, 0.58%, 0.74%

LAB 84.89, -28.69, 3.71

 

CMYK 27 / 34 / 0 / 11

HEX #A596E3

RGB 165 150 227

HSL 251.69, 0.58%, 0.74%

LAB 66.03, 22.03, -37.05

 

Description

Color code: HEX #E396AC | qconv.com Color code: HEX #E396AC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 227 red, 150 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
227 150 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 34 magenta, 24 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 34% 24% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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