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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E390D9 it is the complementary color #1C6F26. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E390D9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E390D9 shade: #E890D4, #F9A2E7, #FFB4FA, #FFC6FF and #FFD8FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E390D9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E390D9 shade: #E390D9, #D27EC6, #C16CB3, #B05AA0 and #9F488D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E390D9 shade: #E390D9, #E390C3, #E390AC, #E39096 and #E39090

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E390D9 shade: #E390D9, #D790E3, #C090E3, #AA90E3 and #9490E3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E390D9 shade matches the following richer shades: #E390D9, #EE85E1 and #F97AEA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E390D9 shade: #E390D9, #D89BD1, #CDA7C8, #C2B2C0 and #B6BDB7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E390D9 shade: #C190E3, #D790E3, #E390D9, #E390C3 and #E390AD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E390D9 shade: #D24EC3, #DB6FCE, #E390D9, #EBB1E4 and #F3D2EF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E390D9 shade: #E390D9, #E3AB90 and #90E3CC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E390D9 shade: #E390D9, #D9E390 and #90D9E3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E390D9 shade: #E390D9, #E3AB90, #90E39A and #90C9E3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E390D9 shade: #E390D9, #E3C390, #90E39A and #90B0E3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 37 / 4 / 11

HEX #E390D9

RGB 227 144 217

HSL 307.23, 0.6%, 0.73%

LAB 70.38, 42.25, -24.31

 

Complementary color

CMYK 75 / 0 / 66 / 56

HEX #1C6F26

RGB 28 111 38

HSL 127.23, 0.6%, 0.27%

LAB 40.83, -40.33, 32.85

 

CMYK 0 / 38 / 9 / 9

HEX #E890D4

RGB 232 144 212

HSL 313.64, 0.66%, 0.74%

LAB 70.77, 42.98, -20.89

 

CMYK 0 / 35 / 7 / 2

HEX #F9A2E7

RGB 249 162 231

HSL 312.41, 0.88%, 0.81%

LAB 77.13, 42.25, -21.46

 

CMYK 0 / 29 / 2 / 0

HEX #FFB4FA

RGB 255 180 250

HSL 304, 1%, 0.85%

LAB 82.27, 38.07, -23.82

 

CMYK 0 / 22 / 0 / 0

HEX #FFC6FF

RGB 255 198 255

HSL 300, 1%, 0.89%

LAB 86.44, 29.52, -20.16

 

CMYK 0 / 15 / 0 / 0

HEX #FFD8FF

RGB 255 216 255

HSL 300, 1%, 0.92%

LAB 90.59, 20.08, -13.92

 

CMYK 0 / 37 / 4 / 11

HEX #E390D9

RGB 227 144 217

HSL 307.23, 0.6%, 0.73%

LAB 70.38, 42.25, -24.31

 

CMYK 0 / 40 / 6 / 18

HEX #D27EC6

RGB 210 126 198

HSL 308.57, 0.48%, 0.66%

LAB 63.92, 43, -23.78

 

CMYK 0 / 44 / 7 / 24

HEX #C16CB3

RGB 193 108 179

HSL 309.88, 0.41%, 0.59%

LAB 57.38, 43.75, -23.18

 

CMYK 0 / 49 / 9 / 31

HEX #B05AA0

RGB 176 90 160

HSL 311.16, 0.35%, 0.52%

LAB 50.78, 44.47, -22.47

 

CMYK 0 / 55 / 11 / 38

HEX #9F488D

RGB 159 72 141

HSL 312.41, 0.38%, 0.45%

LAB 44.13, 45.1, -21.6

 

CMYK 0 / 37 / 4 / 11

HEX #E390D9

RGB 227 144 217

HSL 307.23, 0.6%, 0.73%

LAB 70.38, 42.25, -24.31

 

CMYK 0 / 37 / 14 / 11

HEX #E390C3

RGB 227 144 195

HSL 323.13, 0.6%, 0.73%

LAB 69.62, 38.56, -13.26

 

CMYK 0 / 37 / 24 / 11

HEX #E390AC

RGB 227 144 172

HSL 339.76, 0.6%, 0.73%

LAB 68.94, 35.08, -1.44

 

CMYK 0 / 37 / 34 / 11

HEX #E39096

RGB 227 144 150

HSL 355.66, 0.6%, 0.73%

LAB 68.37, 32.15, 10.06

 

CMYK 0 / 37 / 37 / 11

HEX #E39090

RGB 227 144 144

HSL 0, 0.6%, 0.73%

LAB 68.23, 31.42, 13.21

 

CMYK 0 / 37 / 4 / 11

HEX #E390D9

RGB 227 144 217

HSL 307.23, 0.6%, 0.73%

LAB 70.38, 42.25, -24.31

 

CMYK 5 / 37 / 0 / 11

HEX #D790E3

RGB 215 144 227

HSL 291.33, 0.6%, 0.73%

LAB 69.43, 40.36, -31.4

 

CMYK 15 / 37 / 0 / 11

HEX #C090E3

RGB 192 144 227

HSL 274.7, 0.6%, 0.73%

LAB 67.05, 33.38, -35.27

 

CMYK 25 / 37 / 0 / 11

HEX #AA90E3

RGB 170 144 227

HSL 258.8, 0.6%, 0.73%

LAB 64.99, 26.88, -38.63

 

CMYK 35 / 37 / 0 / 11

HEX #9490E3

RGB 148 144 227

HSL 242.89, 0.6%, 0.73%

LAB 63.17, 20.69, -41.62

 

CMYK 0 / 37 / 4 / 11

HEX #E390D9

RGB 227 144 217

HSL 307.23, 0.6%, 0.73%

LAB 70.38, 42.25, -24.31

 

CMYK 0 / 44 / 5 / 7

HEX #EE85E1

RGB 238 133 225

HSL 307.43, 0.76%, 0.73%

LAB 69.75, 52.64, -29.58

 

CMYK 0 / 51 / 6 / 2

HEX #F97AEA

RGB 249 122 234

HSL 307.09, 0.91%, 0.73%

LAB 69.47, 62.6, -34.86

 

CMYK 0 / 37 / 4 / 11

HEX #E390D9

RGB 227 144 217

HSL 307.23, 0.6%, 0.73%

LAB 70.38, 42.25, -24.31

 

CMYK 0 / 28 / 3 / 15

HEX #D89BD1

RGB 216 155 209

HSL 306.89, 0.44%, 0.73%

LAB 71.31, 31.4, -18.58

 

CMYK 0 / 19 / 2 / 20

HEX #CDA7C8

RGB 205 167 200

HSL 307.89, 0.28%, 0.73%

LAB 72.75, 19.51, -11.57

 

CMYK 0 / 8 / 1 / 24

HEX #C2B2C0

RGB 194 178 192

HSL 307.5, 0.12%, 0.73%

LAB 74.26, 8.23, -5.04

 

CMYK 4 / 0 / 3 / 26

HEX #B6BDB7

RGB 182 189 183

HSL 128.57, 0.05%, 0.73%

LAB 75.92, -3.55, 2.18

 

CMYK 15 / 37 / 0 / 11

HEX #C190E3

RGB 193 144 227

HSL 275.42, 0.6%, 0.73%

LAB 67.15, 33.68, -35.11

 

CMYK 5 / 37 / 0 / 11

HEX #D790E3

RGB 215 144 227

HSL 291.33, 0.6%, 0.73%

LAB 69.43, 40.36, -31.4

 

CMYK 0 / 37 / 4 / 11

HEX #E390D9

RGB 227 144 217

HSL 307.23, 0.6%, 0.73%

LAB 70.38, 42.25, -24.31

 

CMYK 0 / 37 / 14 / 11

HEX #E390C3

RGB 227 144 195

HSL 323.13, 0.6%, 0.73%

LAB 69.62, 38.56, -13.26

 

CMYK 0 / 37 / 24 / 11

HEX #E390AD

RGB 227 144 173

HSL 339.04, 0.6%, 0.73%

LAB 68.96, 35.22, -1.96

 

CMYK 0 / 63 / 7 / 18

HEX #D24EC3

RGB 210 78 195

HSL 306.82, 0.59%, 0.56%

LAB 55.17, 65.28, -35.63

 

CMYK 0 / 49 / 6 / 14

HEX #DB6FCE

RGB 219 111 206

HSL 307.22, 0.6%, 0.65%

LAB 62.41, 54.7, -30.52

 

CMYK 0 / 37 / 4 / 11

HEX #E390D9

RGB 227 144 217

HSL 307.23, 0.6%, 0.73%

LAB 70.38, 42.25, -24.31

 

CMYK 0 / 25 / 3 / 8

HEX #EBB1E4

RGB 235 177 228

HSL 307.24, 0.59%, 0.81%

LAB 78.87, 29.28, -17.34

 

CMYK 0 / 14 / 2 / 5

HEX #F3D2EF

RGB 243 210 239

HSL 307.27, 0.58%, 0.89%

LAB 87.67, 16.39, -9.96

 

CMYK 0 / 37 / 4 / 11

HEX #E390D9

RGB 227 144 217

HSL 307.23, 0.6%, 0.73%

LAB 70.38, 42.25, -24.31

 

CMYK 0 / 25 / 37 / 11

HEX #E3AB90

RGB 227 171 144

HSL 19.52, 0.6%, 0.73%

LAB 74.49, 16.99, 21.88

 

CMYK 37 / 0 / 10 / 11

HEX #90E3CC

RGB 144 227 204

HSL 163.37, 0.6%, 0.73%

LAB 84.6, -30.35, 3.26

 

CMYK 0 / 37 / 4 / 11

HEX #E390D9

RGB 227 144 217

HSL 307.23, 0.6%, 0.73%

LAB 70.38, 42.25, -24.31

 

CMYK 4 / 0 / 37 / 11

HEX #D9E390

RGB 217 227 144

HSL 67.23, 0.6%, 0.73%

LAB 87.83, -15.96, 39.44

 

CMYK 37 / 4 / 0 / 11

HEX #90D9E3

RGB 144 217 227

HSL 187.23, 0.6%, 0.73%

LAB 82.43, -20.17, -12.12

 

CMYK 0 / 37 / 4 / 11

HEX #E390D9

RGB 227 144 217

HSL 307.23, 0.6%, 0.73%

LAB 70.38, 42.25, -24.31

 

CMYK 0 / 25 / 37 / 11

HEX #E3AB90

RGB 227 171 144

HSL 19.52, 0.6%, 0.73%

LAB 74.49, 16.99, 21.88

 

CMYK 37 / 0 / 32 / 11

HEX #90E39A

RGB 144 227 154

HSL 127.23, 0.6%, 0.73%

LAB 83.55, -39.96, 27.91

 

CMYK 37 / 11 / 0 / 11

HEX #90C9E3

RGB 144 201 227

HSL 198.8, 0.6%, 0.73%

LAB 78.02, -11.98, -18.75

 

CMYK 0 / 37 / 4 / 11

HEX #E390D9

RGB 227 144 217

HSL 307.23, 0.6%, 0.73%

LAB 70.38, 42.25, -24.31

 

CMYK 0 / 14 / 37 / 11

HEX #E3C390

RGB 227 195 144

HSL 36.87, 0.6%, 0.73%

LAB 80.39, 4.26, 29.85

 

CMYK 37 / 0 / 32 / 11

HEX #90E39A

RGB 144 227 154

HSL 127.23, 0.6%, 0.73%

LAB 83.55, -39.96, 27.91

 

CMYK 37 / 22 / 0 / 11

HEX #90B0E3

RGB 144 176 227

HSL 216.87, 0.6%, 0.73%

LAB 71.23, 1.46, -29.11

 

Description

Color code: HEX #E390D9 | qconv.com Color code: HEX #E390D9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 227 red, 144 green and 217 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
227 144 217 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 37 magenta, 4 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 37% 4% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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