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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E39334 it is the complementary color #1C6CCB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E39334. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E39334 shade: #E8932F, #F9A542, #FFB755, #FFC968 and #FFDB7B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E39334. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E39334 shade: #E39334, #D28121, #C16F0E, #B05D00 and #9F4B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E39334 shade: #E39335, #E36435, #E33535 and #E33535

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E39334 shade: #E39335, #E3C235, #D5E335, #A6E335 and #77E335

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E39334 shade matches the following richer shades: #E39335 and #F69522

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E39334 shade: #E39335, #D09247, #BE905A, #AB8E6C and #998D7F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E39334 shade: #E33535, #E36335, #E39235, #E3C035 and #D7E335

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E39334 shade: #AE6917, #D27F1C, #E39335, #E8A759 and #EDBA7D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E39334 shade: #E39334, #63E335 and #4C35E3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E39334 shade: #E39334, #35E392 and #9235E3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E39334 shade: #E39334, #63E335, #3586E3 and #B435E3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E39334 shade: #E39334, #35E33A, #3586E3 and #E335DD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 35 / 77 / 11

HEX #E39334

RGB 227 147 52

HSL 32.57, 0.76%, 0.55%

LAB 67.61, 22.65, 59.61

 

Complementary color

CMYK 86 / 47 / 0 / 20

HEX #1C6CCB

RGB 28 108 203

HSL 212.57, 0.76%, 0.45%

LAB 46.02, 12.27, -55.73

 

CMYK 0 / 37 / 80 / 9

HEX #E8932F

RGB 232 147 47

HSL 32.43, 0.8%, 0.55%

LAB 68.19, 24.57, 62.31

 

CMYK 0 / 34 / 73 / 2

HEX #F9A542

RGB 249 165 66

HSL 32.46, 0.94%, 0.62%

LAB 74.47, 22.88, 61.47

 

CMYK 0 / 28 / 67 / 0

HEX #FFB755

RGB 255 183 85

HSL 34.59, 1%, 0.67%

LAB 79.49, 16.88, 58.64

 

CMYK 0 / 21 / 59 / 0

HEX #FFC968

RGB 255 201 104

HSL 38.54, 1%, 0.7%

LAB 83.98, 8.71, 54.94

 

CMYK 0 / 14 / 52 / 0

HEX #FFDB7B

RGB 255 219 123

HSL 43.64, 1%, 0.74%

LAB 88.62, 0.92, 51.4

 

CMYK 0 / 35 / 77 / 11

HEX #E39334

RGB 227 147 52

HSL 32.57, 0.76%, 0.55%

LAB 67.61, 22.65, 59.61

 

CMYK 0 / 39 / 84 / 18

HEX #D28121

RGB 210 129 33

HSL 32.54, 0.73%, 0.48%

LAB 61.23, 24.47, 60.1

 

CMYK 0 / 42 / 93 / 24

HEX #C16F0E

RGB 193 111 14

HSL 32.51, 0.86%, 0.41%

LAB 54.8, 26.54, 59.46

 

CMYK 0 / 47 / 100 / 31

HEX #B05D00

RGB 176 93 0

HSL 31.7, 1%, 0.35%

LAB 48.33, 28.85, 56.92

 

CMYK 0 / 53 / 100 / 38

HEX #9F4B00

RGB 159 75 0

HSL 28.3, 1%, 0.31%

LAB 41.85, 31.33, 51.71

 

CMYK 0 / 35 / 77 / 11

HEX #E39335

RGB 227 147 53

HSL 32.41, 0.76%, 0.55%

LAB 67.62, 22.69, 59.22

 

CMYK 0 / 56 / 77 / 11

HEX #E36435

RGB 227 100 53

HSL 16.21, 0.76%, 0.55%

LAB 57.75, 46.78, 49.46

 

CMYK 0 / 77 / 77 / 11

HEX #E33535

RGB 227 53 53

HSL 0, 0.76%, 0.55%

LAB 50.84, 65.4, 42.27

 

CMYK 0 / 77 / 77 / 11

HEX #E33535

RGB 227 53 53

HSL 0, 0.76%, 0.55%

LAB 50.84, 65.4, 42.27

 

CMYK 0 / 35 / 77 / 11

HEX #E39335

RGB 227 147 53

HSL 32.41, 0.76%, 0.55%

LAB 67.62, 22.69, 59.22

 

CMYK 0 / 15 / 77 / 11

HEX #E3C235

RGB 227 194 53

HSL 48.62, 0.76%, 0.55%

LAB 79.14, -2.16, 70.06

 

CMYK 6 / 0 / 77 / 11

HEX #D5E335

RGB 213 227 53

HSL 64.83, 0.76%, 0.55%

LAB 86.67, -24.51, 76.5

 

CMYK 27 / 0 / 77 / 11

HEX #A6E335

RGB 166 227 53

HSL 81.03, 0.76%, 0.55%

LAB 83.6, -43, 72.55

 

CMYK 48 / 0 / 77 / 11

HEX #77E335

RGB 119 227 53

HSL 97.24, 0.76%, 0.55%

LAB 81.36, -58.82, 69.64

 

CMYK 0 / 35 / 77 / 11

HEX #E39335

RGB 227 147 53

HSL 32.41, 0.76%, 0.55%

LAB 67.62, 22.69, 59.22

 

CMYK 0 / 39 / 86 / 4

HEX #F69522

RGB 246 149 34

HSL 32.55, 0.92%, 0.55%

LAB 70.32, 28.97, 69.16

 

CMYK 0 / 35 / 77 / 11

HEX #E39335

RGB 227 147 53

HSL 32.41, 0.76%, 0.55%

LAB 67.62, 22.69, 59.22

 

CMYK 0 / 30 / 66 / 18

HEX #D09247

RGB 208 146 71

HSL 32.85, 0.59%, 0.55%

LAB 65.3, 16.07, 48.07

 

CMYK 0 / 24 / 53 / 25

HEX #BE905A

RGB 190 144 90

HSL 32.4, 0.43%, 0.55%

LAB 63.04, 10.93, 35.24

 

CMYK 0 / 17 / 37 / 33

HEX #AB8E6C

RGB 171 142 108

HSL 32.38, 0.27%, 0.55%

LAB 60.86, 6, 22.21

 

CMYK 0 / 8 / 17 / 40

HEX #998D7F

RGB 153 141 127

HSL 32.31, 0.11%, 0.55%

LAB 59.3, 2.04, 9.08

 

CMYK 0 / 77 / 77 / 11

HEX #E33535

RGB 227 53 53

HSL 0, 0.76%, 0.55%

LAB 50.84, 65.4, 42.27

 

CMYK 0 / 56 / 77 / 11

HEX #E36335

RGB 227 99 53

HSL 15.86, 0.76%, 0.55%

LAB 57.57, 47.25, 49.27

 

CMYK 0 / 36 / 77 / 11

HEX #E39235

RGB 227 146 53

HSL 32.07, 0.76%, 0.55%

LAB 67.39, 23.22, 58.99

 

CMYK 0 / 15 / 77 / 11

HEX #E3C035

RGB 227 192 53

HSL 47.93, 0.76%, 0.55%

LAB 78.63, -1.13, 69.58

 

CMYK 5 / 0 / 77 / 11

HEX #D7E335

RGB 215 227 53

HSL 64.14, 0.76%, 0.55%

LAB 86.82, -23.69, 76.69

 

CMYK 0 / 40 / 87 / 32

HEX #AE6917

RGB 174 105 23

HSL 32.58, 0.77%, 0.39%

LAB 50.88, 21.78, 52.86

 

CMYK 0 / 40 / 87 / 18

HEX #D27F1C

RGB 210 127 28

HSL 32.64, 0.76%, 0.47%

LAB 60.75, 25.43, 61.3

 

CMYK 0 / 35 / 77 / 11

HEX #E39335

RGB 227 147 53

HSL 32.41, 0.76%, 0.55%

LAB 67.62, 22.69, 59.22

 

CMYK 0 / 28 / 62 / 9

HEX #E8A759

RGB 232 167 89

HSL 32.73, 0.76%, 0.63%

LAB 73.23, 16.04, 49.06

 

CMYK 0 / 22 / 47 / 7

HEX #EDBA7D

RGB 237 186 125

HSL 32.68, 0.76%, 0.71%

LAB 78.81, 10.96, 37.85

 

CMYK 0 / 35 / 77 / 11

HEX #E39334

RGB 227 147 52

HSL 32.57, 0.76%, 0.55%

LAB 67.61, 22.65, 59.61

 

CMYK 56 / 0 / 77 / 11

HEX #63E335

RGB 99 227 53

HSL 104.14, 0.76%, 0.55%

LAB 80.65, -64.28, 68.72

 

CMYK 67 / 77 / 0 / 11

HEX #4C35E3

RGB 76 53 227

HSL 247.93, 0.76%, 0.55%

LAB 37.17, 58.59, -83.84

 

CMYK 0 / 35 / 77 / 11

HEX #E39334

RGB 227 147 52

HSL 32.57, 0.76%, 0.55%

LAB 67.61, 22.65, 59.61

 

CMYK 77 / 0 / 36 / 11

HEX #35E392

RGB 53 227 146

HSL 152.07, 0.76%, 0.55%

LAB 80.61, -61.05, 27.58

 

CMYK 36 / 77 / 0 / 11

HEX #9235E3

RGB 146 53 227

HSL 272.07, 0.76%, 0.55%

LAB 44.52, 67.78, -71.48

 

CMYK 0 / 35 / 77 / 11

HEX #E39334

RGB 227 147 52

HSL 32.57, 0.76%, 0.55%

LAB 67.61, 22.65, 59.61

 

CMYK 56 / 0 / 77 / 11

HEX #63E335

RGB 99 227 53

HSL 104.14, 0.76%, 0.55%

LAB 80.65, -64.28, 68.72

 

CMYK 77 / 41 / 0 / 11

HEX #3586E3

RGB 53 134 227

HSL 212.07, 0.76%, 0.55%

LAB 55.43, 7.5, -54.19

 

CMYK 21 / 77 / 0 / 11

HEX #B435E3

RGB 180 53 227

HSL 283.79, 0.76%, 0.55%

LAB 49.25, 73.56, -63.6

 

CMYK 0 / 35 / 77 / 11

HEX #E39334

RGB 227 147 52

HSL 32.57, 0.76%, 0.55%

LAB 67.61, 22.65, 59.61

 

CMYK 77 / 0 / 74 / 11

HEX #35E33A

RGB 53 227 58

HSL 121.72, 0.76%, 0.55%

LAB 79.61, -72.83, 65.75

 

CMYK 77 / 41 / 0 / 11

HEX #3586E3

RGB 53 134 227

HSL 212.07, 0.76%, 0.55%

LAB 55.43, 7.5, -54.19

 

CMYK 0 / 77 / 3 / 11

HEX #E335DD

RGB 227 53 221

HSL 302.07, 0.76%, 0.55%

LAB 56.19, 81.43, -48.68

 

Description

Color code: HEX #E39334 | qconv.com Color code: HEX #E39334 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 227 red, 147 green and 52 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
227 147 52 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 35 magenta, 77 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 35% 77% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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