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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E3934E it is the complementary color #1C6CB1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E3934E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E3934E shade: #E89349, #F9A55C, #FFB76F, #FFC982 and #FFDB95

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E3934E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E3934E shade: #E3934E, #D2813B, #C16F28, #B05D15 and #9F4B02

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E3934E shade: #E3934E, #E36B4E and #E34E4E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E3934E shade: #E3934E, #E3BB4E, #E3E34E, #BAE34E and #92E34E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E3934E shade matches the following richer shades: #E3934E and #F3923E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E3934E shade: #E3934E, #D2945F, #C2956F, #B19780 and #A19890

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E3934E shade: #E34E5A, #E3694E, #E3914E, #E3B94E and #E3E04E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E3934E shade: #C1691E, #DD7D2A, #E3934E, #E9A972 and #EEBE95

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E3934E shade: #E3934E, #82E34E and #554EE3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E3934E shade: #E3934E, #4EE391 and #914EE3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E3934E shade: #E3934E, #82E34E, #4EA0E3 and #AF4EE3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E3934E shade: #E3934E, #55E34E, #4EA0E3 and #DC4EE3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 35 / 66 / 11

HEX #E3934E

RGB 227 147 78

HSL 27.79, 0.73%, 0.6%

LAB 67.83, 23.92, 48.12

 

Complementary color

CMYK 84 / 39 / 0 / 31

HEX #1C6CB1

RGB 28 108 177

HSL 207.79, 0.73%, 0.4%

LAB 44.44, 2.12, -43.2

 

CMYK 0 / 37 / 69 / 9

HEX #E89349

RGB 232 147 73

HSL 27.92, 0.78%, 0.6%

LAB 68.39, 25.7, 51.33

 

CMYK 0 / 34 / 63 / 2

HEX #F9A55C

RGB 249 165 92

HSL 27.9, 0.93%, 0.67%

LAB 74.71, 24.27, 49.8

 

CMYK 0 / 28 / 56 / 0

HEX #FFB76F

RGB 255 183 111

HSL 30, 1%, 0.72%

LAB 79.77, 18.59, 46.56

 

CMYK 0 / 21 / 49 / 0

HEX #FFC982

RGB 255 201 130

HSL 34.08, 1%, 0.75%

LAB 84.3, 10.78, 42.63

 

CMYK 0 / 14 / 42 / 0

HEX #FFDB95

RGB 255 219 149

HSL 39.62, 1%, 0.79%

LAB 88.97, 3.34, 39.01

 

CMYK 0 / 35 / 66 / 11

HEX #E3934E

RGB 227 147 78

HSL 27.79, 0.73%, 0.6%

LAB 67.83, 23.92, 48.12

 

CMYK 0 / 39 / 72 / 18

HEX #D2813B

RGB 210 129 59

HSL 27.81, 0.63%, 0.53%

LAB 61.41, 25.46, 49.64

 

CMYK 0 / 42 / 79 / 24

HEX #C16F28

RGB 193 111 40

HSL 27.84, 0.66%, 0.46%

LAB 54.93, 27.21, 50.95

 

CMYK 0 / 47 / 88 / 31

HEX #B05D15

RGB 176 93 21

HSL 27.87, 0.79%, 0.39%

LAB 48.4, 29.19, 51.62

 

CMYK 0 / 53 / 99 / 38

HEX #9F4B02

RGB 159 75 2

HSL 27.9, 0.98%, 0.32%

LAB 41.86, 31.36, 51.12

 

CMYK 0 / 35 / 66 / 11

HEX #E3934E

RGB 227 147 78

HSL 27.79, 0.73%, 0.6%

LAB 67.83, 23.92, 48.12

 

CMYK 0 / 53 / 66 / 11

HEX #E36B4E

RGB 227 107 78

HSL 11.68, 0.73%, 0.6%

LAB 59.34, 44.61, 38.25

 

CMYK 0 / 66 / 66 / 11

HEX #E34E4E

RGB 227 78 78

HSL 0, 0.73%, 0.6%

LAB 54.38, 57.68, 32.22

 

CMYK 0 / 35 / 66 / 11

HEX #E3934E

RGB 227 147 78

HSL 27.79, 0.73%, 0.6%

LAB 67.83, 23.92, 48.12

 

CMYK 0 / 18 / 66 / 11

HEX #E3BB4E

RGB 227 187 78

HSL 43.89, 0.73%, 0.6%

LAB 77.53, 2.68, 58.78

 

CMYK 0 / 0 / 66 / 11

HEX #E3E34E

RGB 227 227 78

HSL 60, 0.73%, 0.6%

LAB 87.88, -17.6, 69.58

 

CMYK 18 / 0 / 66 / 11

HEX #BAE34E

RGB 186 227 78

HSL 76.51, 0.73%, 0.6%

LAB 84.96, -34, 65.65

 

CMYK 36 / 0 / 66 / 11

HEX #92E34E

RGB 146 227 78

HSL 92.62, 0.73%, 0.6%

LAB 82.7, -48.57, 62.58

 

CMYK 0 / 35 / 66 / 11

HEX #E3934E

RGB 227 147 78

HSL 27.79, 0.73%, 0.6%

LAB 67.83, 23.92, 48.12

 

CMYK 0 / 40 / 74 / 5

HEX #F3923E

RGB 243 146 62

HSL 27.85, 0.88%, 0.6%

LAB 69.44, 30.2, 57.88

 

CMYK 0 / 35 / 66 / 11

HEX #E3934E

RGB 227 147 78

HSL 27.79, 0.73%, 0.6%

LAB 67.83, 23.92, 48.12

 

CMYK 0 / 30 / 55 / 18

HEX #D2945F

RGB 210 148 95

HSL 27.65, 0.56%, 0.6%

LAB 66.3, 17.56, 37.12

 

CMYK 0 / 23 / 43 / 24

HEX #C2956F

RGB 194 149 111

HSL 27.47, 0.4%, 0.6%

LAB 65.05, 11.95, 26.56

 

CMYK 0 / 15 / 28 / 31

HEX #B19780

RGB 177 151 128

HSL 28.16, 0.24%, 0.6%

LAB 64.19, 6.1, 15.7

 

CMYK 0 / 6 / 11 / 37

HEX #A19890

RGB 161 152 144

HSL 28.24, 0.08%, 0.6%

LAB 63.38, 1.86, 5.38

 

CMYK 0 / 66 / 60 / 11

HEX #E34E5A

RGB 227 78 90

HSL 355.17, 0.73%, 0.6%

LAB 54.57, 58.4, 25.5

 

CMYK 0 / 54 / 66 / 11

HEX #E3694E

RGB 227 105 78

HSL 10.87, 0.73%, 0.6%

LAB 58.96, 45.58, 37.8

 

CMYK 0 / 36 / 66 / 11

HEX #E3914E

RGB 227 145 78

HSL 26.98, 0.73%, 0.6%

LAB 67.38, 24.99, 47.6

 

CMYK 0 / 19 / 66 / 11

HEX #E3B94E

RGB 227 185 78

HSL 43.09, 0.73%, 0.6%

LAB 77.03, 3.72, 58.24

 

CMYK 0 / 1 / 66 / 11

HEX #E3E04E

RGB 227 224 78

HSL 58.79, 0.73%, 0.6%

LAB 87.09, -16.13, 68.78

 

CMYK 0 / 46 / 84 / 24

HEX #C1691E

RGB 193 105 30

HSL 27.61, 0.73%, 0.44%

LAB 53.53, 30.11, 53.69

 

CMYK 0 / 43 / 81 / 13

HEX #DD7D2A

RGB 221 125 42

HSL 27.82, 0.72%, 0.52%

LAB 61.83, 31.47, 57.91

 

CMYK 0 / 35 / 66 / 11

HEX #E3934E

RGB 227 147 78

HSL 27.79, 0.73%, 0.6%

LAB 67.83, 23.92, 48.12

 

CMYK 0 / 27 / 51 / 9

HEX #E9A972

RGB 233 169 114

HSL 27.73, 0.73%, 0.68%

LAB 74.14, 17.33, 37.52

 

CMYK 0 / 20 / 37 / 7

HEX #EEBE95

RGB 238 190 149

HSL 27.64, 0.72%, 0.76%

LAB 80.28, 11.77, 27.25

 

CMYK 0 / 35 / 66 / 11

HEX #E3934E

RGB 227 147 78

HSL 27.79, 0.73%, 0.6%

LAB 67.83, 23.92, 48.12

 

CMYK 43 / 0 / 66 / 11

HEX #82E34E

RGB 130 227 78

HSL 99.06, 0.73%, 0.6%

LAB 81.97, -53.76, 61.57

 

CMYK 63 / 66 / 0 / 11

HEX #554EE3

RGB 85 78 227

HSL 242.82, 0.73%, 0.6%

LAB 42.65, 46.24, -74.79

 

CMYK 0 / 35 / 66 / 11

HEX #E3934E

RGB 227 147 78

HSL 27.79, 0.73%, 0.6%

LAB 67.83, 23.92, 48.12

 

CMYK 66 / 0 / 36 / 11

HEX #4EE391

RGB 78 227 145

HSL 146.98, 0.73%, 0.6%

LAB 81.07, -57.59, 28.79

 

CMYK 36 / 66 / 0 / 11

HEX #914EE3

RGB 145 78 227

HSL 266.98, 0.73%, 0.6%

LAB 48.28, 56.68, -65.39

 

CMYK 0 / 35 / 66 / 11

HEX #E3934E

RGB 227 147 78

HSL 27.79, 0.73%, 0.6%

LAB 67.83, 23.92, 48.12

 

CMYK 43 / 0 / 66 / 11

HEX #82E34E

RGB 130 227 78

HSL 99.06, 0.73%, 0.6%

LAB 81.97, -53.76, 61.57

 

CMYK 66 / 30 / 0 / 11

HEX #4EA0E3

RGB 78 160 227

HSL 206.98, 0.73%, 0.6%

LAB 63.6, -4.26, -41.22

 

CMYK 23 / 66 / 0 / 11

HEX #AF4EE3

RGB 175 78 227

HSL 279.06, 0.73%, 0.6%

LAB 51.96, 62.94, -59.26

 

CMYK 0 / 35 / 66 / 11

HEX #E3934E

RGB 227 147 78

HSL 27.79, 0.73%, 0.6%

LAB 67.83, 23.92, 48.12

 

CMYK 63 / 0 / 66 / 11

HEX #55E34E

RGB 85 227 78

HSL 117.18, 0.73%, 0.6%

LAB 80.41, -65.62, 59.45

 

CMYK 66 / 30 / 0 / 11

HEX #4EA0E3

RGB 78 160 227

HSL 206.98, 0.73%, 0.6%

LAB 63.6, -4.26, -41.22

 

CMYK 3 / 66 / 0 / 11

HEX #DC4EE3

RGB 220 78 227

HSL 297.18, 0.73%, 0.6%

LAB 58.24, 72.88, -48.87

 

Description

Color code: HEX #E3934E | qconv.com Color code: HEX #E3934E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 227 red, 147 green and 78 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
227 147 78 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 35 magenta, 66 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 35% 66% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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