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Color name
HEX #E3938C

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E3938C it is the complementary color #1C6C73. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E3938C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E3938C shade: #E89387, #F9A59A, #FFB7AD, #FFC9C0 and #FFDBD3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E3938C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E3938C shade: #E3938C, #D28179, #C16F66, #B05D53 and #9F4B40

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E3938C shade: #E3938C and #E38C8C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E3938C shade: #E3938C, #E3AA8C, #E3C28C, #E3D98C and #D5E38C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E3938C shade matches the following richer shades: #E3938C, #EE8980 and #FA7F74

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E3938C shade: #E3938C, #D79C97, #CCA6A3, #C0B0AE and #B4B9BA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E3938C shade: #E38CB4, #E38C9D, #E3918C, #E3A98C and #E3C08C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E3938C shade: #D35449, #DB736A, #E3938C, #EBB2AD and #F3D1CE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E3938C shade: #E3938C, #CBE38C and #8CA9E3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E3938C shade: #E3938C, #8CE391 and #918CE3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E3938C shade: #E3938C, #CBE38C, #8CDDE3 and #A38CE3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E3938C shade: #E3938C, #B1E38C, #8CDDE3 and #BD8CE3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 35 / 38 / 11

HEX #E3938C

RGB 227 147 140

HSL 4.83, 0.61%, 0.72%

LAB 68.82, 29.36, 16.26

 

Complementary color

CMYK 76 / 6 / 0 / 55

HEX #1C6C73

RGB 28 108 115

HSL 184.83, 0.61%, 0.28%

LAB 41.55, -20.7, -10.76

 

CMYK 0 / 37 / 42 / 9

HEX #E89387

RGB 232 147 135

HSL 7.42, 0.68%, 0.72%

LAB 69.31, 30.71, 19.8

 

CMYK 0 / 34 / 38 / 2

HEX #F9A59A

RGB 249 165 154

HSL 6.95, 0.89%, 0.79%

LAB 75.69, 29.75, 18.48

 

CMYK 0 / 28 / 32 / 0

HEX #FFB7AD

RGB 255 183 173

HSL 7.32, 1%, 0.84%

LAB 80.82, 24.81, 15.46

 

CMYK 0 / 21 / 25 / 0

HEX #FFC9C0

RGB 255 201 192

HSL 8.57, 1%, 0.88%

LAB 85.42, 17.87, 11.82

 

CMYK 0 / 14 / 17 / 0

HEX #FFDBD3

RGB 255 219 211

HSL 10.91, 1%, 0.91%

LAB 90.15, 11.24, 8.54

 

CMYK 0 / 35 / 38 / 11

HEX #E3938C

RGB 227 147 140

HSL 4.83, 0.61%, 0.72%

LAB 68.82, 29.36, 16.26

 

CMYK 0 / 39 / 42 / 18

HEX #D28179

RGB 210 129 121

HSL 5.39, 0.5%, 0.65%

LAB 62.32, 30.35, 17.62

 

CMYK 0 / 42 / 47 / 24

HEX #C16F66

RGB 193 111 102

HSL 5.93, 0.42%, 0.58%

LAB 55.75, 31.44, 19.16

 

CMYK 0 / 47 / 53 / 31

HEX #B05D53

RGB 176 93 83

HSL 6.45, 0.37%, 0.51%

LAB 49.11, 32.64, 20.94

 

CMYK 0 / 53 / 60 / 38

HEX #9F4B40

RGB 159 75 64

HSL 6.95, 0.43%, 0.44%

LAB 42.42, 33.93, 23.04

 

CMYK 0 / 35 / 38 / 11

HEX #E3938C

RGB 227 147 140

HSL 4.83, 0.61%, 0.72%

LAB 68.82, 29.36, 16.26

 

CMYK 0 / 38 / 38 / 11

HEX #E38C8C

RGB 227 140 140

HSL 0, 0.61%, 0.72%

LAB 67.26, 33.08, 14.09

 

CMYK 0 / 35 / 38 / 11

HEX #E3938C

RGB 227 147 140

HSL 4.83, 0.61%, 0.72%

LAB 68.82, 29.36, 16.26

 

CMYK 0 / 25 / 38 / 11

HEX #E3AA8C

RGB 227 170 140

HSL 20.69, 0.61%, 0.72%

LAB 74.17, 17.06, 23.61

 

CMYK 0 / 15 / 38 / 11

HEX #E3C28C

RGB 227 194 140

HSL 37.24, 0.61%, 0.72%

LAB 80.07, 4.33, 31.51

 

CMYK 0 / 4 / 38 / 11

HEX #E3D98C

RGB 227 217 140

HSL 53.1, 0.61%, 0.72%

LAB 85.93, -7.54, 39.16

 

CMYK 6 / 0 / 38 / 11

HEX #D5E38C

RGB 213 227 140

HSL 69.66, 0.61%, 0.72%

LAB 87.47, -17.94, 40.92

 

CMYK 0 / 35 / 38 / 11

HEX #E3938C

RGB 227 147 140

HSL 4.83, 0.61%, 0.72%

LAB 68.82, 29.36, 16.26

 

CMYK 0 / 42 / 46 / 7

HEX #EE8980

RGB 238 137 128

HSL 4.91, 0.76%, 0.72%

LAB 67.74, 37.48, 21.68

 

CMYK 0 / 49 / 54 / 2

HEX #FA7F74

RGB 250 127 116

HSL 4.93, 0.93%, 0.72%

LAB 67.1, 45.89, 27.77

 

CMYK 0 / 35 / 38 / 11

HEX #E3938C

RGB 227 147 140

HSL 4.83, 0.61%, 0.72%

LAB 68.82, 29.36, 16.26

 

CMYK 0 / 27 / 30 / 16

HEX #D79C97

RGB 215 156 151

HSL 4.69, 0.44%, 0.72%

LAB 69.79, 21.33, 11.32

 

CMYK 0 / 19 / 20 / 20

HEX #CCA6A3

RGB 204 166 163

HSL 4.39, 0.29%, 0.72%

LAB 71.39, 13.46, 6.81

 

CMYK 0 / 8 / 9 / 25

HEX #C0B0AE

RGB 192 176 174

HSL 6.67, 0.13%, 0.72%

LAB 73.1, 5.38, 3.09

 

CMYK 3 / 1 / 0 / 27

HEX #B4B9BA

RGB 180 185 186

HSL 190, 0.04%, 0.72%

LAB 74.79, -1.54, -1.12

 

CMYK 0 / 38 / 21 / 11

HEX #E38CB4

RGB 227 140 180

HSL 332.41, 0.61%, 0.72%

LAB 68.3, 38.35, -6.86

 

CMYK 0 / 38 / 31 / 11

HEX #E38C9D

RGB 227 140 157

HSL 348.28, 0.61%, 0.72%

LAB 67.67, 35.16, 5.12

 

CMYK 0 / 36 / 38 / 11

HEX #E3918C

RGB 227 145 140

HSL 3.45, 0.61%, 0.72%

LAB 68.37, 30.43, 15.63

 

CMYK 0 / 26 / 38 / 11

HEX #E3A98C

RGB 227 169 140

HSL 20, 0.61%, 0.72%

LAB 73.93, 17.59, 23.29

 

CMYK 0 / 15 / 38 / 11

HEX #E3C08C

RGB 227 192 140

HSL 35.86, 0.61%, 0.72%

LAB 79.57, 5.38, 30.85

 

CMYK 0 / 60 / 65 / 17

HEX #D35449

RGB 211 84 73

HSL 4.78, 0.61%, 0.56%

LAB 52.59, 49.41, 32.29

 

CMYK 0 / 47 / 52 / 14

HEX #DB736A

RGB 219 115 106

HSL 4.78, 0.61%, 0.64%

LAB 60.21, 39.66, 23.48

 

CMYK 0 / 35 / 38 / 11

HEX #E3938C

RGB 227 147 140

HSL 4.83, 0.61%, 0.72%

LAB 68.82, 29.36, 16.26

 

CMYK 0 / 24 / 26 / 8

HEX #EBB2AD

RGB 235 178 173

HSL 4.84, 0.61%, 0.8%

LAB 77.59, 20.02, 10.61

 

CMYK 0 / 14 / 15 / 5

HEX #F3D1CE

RGB 243 209 206

HSL 4.86, 0.61%, 0.88%

LAB 86.56, 11.4, 5.88

 

CMYK 0 / 35 / 38 / 11

HEX #E3938C

RGB 227 147 140

HSL 4.83, 0.61%, 0.72%

LAB 68.82, 29.36, 16.26

 

CMYK 11 / 0 / 38 / 11

HEX #CBE38C

RGB 203 227 140

HSL 76.55, 0.61%, 0.72%

LAB 86.76, -21.72, 39.87

 

CMYK 38 / 26 / 0 / 11

HEX #8CA9E3

RGB 140 169 227

HSL 220, 0.61%, 0.72%

LAB 69.11, 4.27, -32.4

 

CMYK 0 / 35 / 38 / 11

HEX #E3938C

RGB 227 147 140

HSL 4.83, 0.61%, 0.72%

LAB 68.82, 29.36, 16.26

 

CMYK 38 / 0 / 36 / 11

HEX #8CE391

RGB 140 227 145

HSL 123.45, 0.61%, 0.72%

LAB 83.21, -42.62, 32.02

 

CMYK 36 / 38 / 0 / 11

HEX #918CE3

RGB 145 140 227

HSL 243.45, 0.61%, 0.72%

LAB 61.93, 22.2, -43.58

 

CMYK 0 / 35 / 38 / 11

HEX #E3938C

RGB 227 147 140

HSL 4.83, 0.61%, 0.72%

LAB 68.82, 29.36, 16.26

 

CMYK 11 / 0 / 38 / 11

HEX #CBE38C

RGB 203 227 140

HSL 76.55, 0.61%, 0.72%

LAB 86.76, -21.72, 39.87

 

CMYK 38 / 3 / 0 / 11

HEX #8CDDE3

RGB 140 221 227

HSL 184.14, 0.61%, 0.72%

LAB 83.36, -23.19, -10.76

 

CMYK 28 / 38 / 0 / 11

HEX #A38CE3

RGB 163 140 227

HSL 255.86, 0.61%, 0.72%

LAB 63.42, 27.15, -41.14

 

CMYK 0 / 35 / 38 / 11

HEX #E3938C

RGB 227 147 140

HSL 4.83, 0.61%, 0.72%

LAB 68.82, 29.36, 16.26

 

CMYK 22 / 0 / 38 / 11

HEX #B1E38C

RGB 177 227 140

HSL 94.48, 0.61%, 0.72%

LAB 85.09, -31.2, 37.37

 

CMYK 38 / 3 / 0 / 11

HEX #8CDDE3

RGB 140 221 227

HSL 184.14, 0.61%, 0.72%

LAB 83.36, -23.19, -10.76

 

CMYK 17 / 38 / 0 / 11

HEX #BD8CE3

RGB 189 140 227

HSL 273.79, 0.61%, 0.72%

LAB 65.84, 34.69, -37.17

 

Description

Color code: HEX #E3938C | qconv.com Color code: HEX #E3938C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 227 red, 147 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
227 147 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 35 magenta, 38 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 35% 38% 11% C M Y K

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Provide designers and agencies with accurate color values.

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