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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E39DD2 it is the complementary color #1C622D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E39DD2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E39DD2 shade: #E89DCD, #F9AFE0, #FFC1F3, #FFD3FF and #FFE5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E39DD2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E39DD2 shade: #E39DD2, #D28BBF, #C179AC, #B06799 and #9F5586

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E39DD2 shade: #E29BD1, #E29BBE, #E29BAB and #E29B9B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E39DD2 shade: #E29BD1, #E19BE2, #CD9BE2, #BA9BE2 and #A79BE2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E39DD2 shade matches the following richer shades: #E29BD1, #ED91D6 and #F786DC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E39DD2 shade: #E29BD1, #D8A5CC, #CEB0C7, #C4BAC1 and #B9C4BC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E39DD2 shade: #CD9BE2, #E09BE2, #E29BD2, #E29BBF and #E29BAC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E39DD2 shade: #D05BB4, #D97BC2, #E29BD1, #ECBBE0 and #F5DBEE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E39DD2 shade: #E39DD2, #E2BA9B and #9BE2D7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E39DD2 shade: #E39DD2, #D2E29B and #9BD2E2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E39DD2 shade: #E39DD2, #E2BA9B, #9BE2AC and #9BC4E2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E39DD2 shade: #E39DD2, #E2CF9B, #9BE2AC and #9BAEE2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 31 / 7 / 11

HEX #E39DD2

RGB 227 157 210

HSL 314.57, 0.56%, 0.75%

LAB 72.96, 34.15, -16.54

 

Complementary color

CMYK 71 / 0 / 54 / 62

HEX #1C622D

RGB 28 98 45

HSL 134.57, 0.56%, 0.25%

LAB 36.31, -34.22, 23.86

 

CMYK 0 / 32 / 12 / 9

HEX #E89DCD

RGB 232 157 205

HSL 321.6, 0.62%, 0.76%

LAB 73.34, 34.98, -13.16

 

CMYK 0 / 30 / 10 / 2

HEX #F9AFE0

RGB 249 175 224

HSL 320.27, 0.86%, 0.83%

LAB 79.72, 34.29, -13.76

 

CMYK 0 / 24 / 5 / 0

HEX #FFC1F3

RGB 255 193 243

HSL 311.61, 1%, 0.88%

LAB 84.93, 30.03, -16.07

 

CMYK 0 / 17 / 0 / 0

HEX #FFD3FF

RGB 255 211 255

HSL 300, 1%, 0.91%

LAB 89.43, 22.7, -15.67

 

CMYK 0 / 10 / 0 / 0

HEX #FFE5FF

RGB 255 229 255

HSL 300, 1%, 0.95%

LAB 93.68, 13.31, -9.32

 

CMYK 0 / 31 / 7 / 11

HEX #E39DD2

RGB 227 157 210

HSL 314.57, 0.56%, 0.75%

LAB 72.96, 34.15, -16.54

 

CMYK 0 / 34 / 9 / 18

HEX #D28BBF

RGB 210 139 191

HSL 316.06, 0.44%, 0.68%

LAB 66.47, 34.86, -15.97

 

CMYK 0 / 37 / 11 / 24

HEX #C179AC

RGB 193 121 172

HSL 317.5, 0.37%, 0.62%

LAB 59.88, 35.62, -15.36

 

CMYK 0 / 41 / 13 / 31

HEX #B06799

RGB 176 103 153

HSL 318.9, 0.32%, 0.55%

LAB 53.2, 36.4, -14.67

 

CMYK 0 / 47 / 16 / 38

HEX #9F5586

RGB 159 85 134

HSL 320.27, 0.3%, 0.48%

LAB 46.43, 37.2, -13.86

 

CMYK 0 / 31 / 8 / 11

HEX #E29BD1

RGB 226 155 209

HSL 314.37, 0.55%, 0.75%

LAB 72.37, 34.72, -16.88

 

CMYK 0 / 31 / 16 / 11

HEX #E29BBE

RGB 226 155 190

HSL 330.42, 0.55%, 0.75%

LAB 71.78, 31.58, -7.28

 

CMYK 0 / 31 / 24 / 11

HEX #E29BAB

RGB 226 155 171

HSL 346.48, 0.55%, 0.75%

LAB 71.25, 28.72, 2.47

 

CMYK 0 / 31 / 31 / 11

HEX #E29B9B

RGB 226 155 155

HSL 0, 0.55%, 0.75%

LAB 70.86, 26.54, 10.78

 

CMYK 0 / 31 / 8 / 11

HEX #E29BD1

RGB 226 155 209

HSL 314.37, 0.55%, 0.75%

LAB 72.37, 34.72, -16.88

 

CMYK 0 / 31 / 0 / 11

HEX #E19BE2

RGB 225 155 226

HSL 299.15, 0.55%, 0.75%

LAB 72.85, 37.42, -25.49

 

CMYK 9 / 31 / 0 / 11

HEX #CD9BE2

RGB 205 155 226

HSL 282.25, 0.55%, 0.75%

LAB 70.81, 31.12, -28.8

 

CMYK 18 / 31 / 0 / 11

HEX #BA9BE2

RGB 186 155 226

HSL 266.2, 0.55%, 0.75%

LAB 69.02, 25.24, -31.71

 

CMYK 26 / 31 / 0 / 11

HEX #A79BE2

RGB 167 155 226

HSL 250.14, 0.55%, 0.75%

LAB 67.39, 19.54, -34.37

 

CMYK 0 / 31 / 8 / 11

HEX #E29BD1

RGB 226 155 209

HSL 314.37, 0.55%, 0.75%

LAB 72.37, 34.72, -16.88

 

CMYK 0 / 39 / 10 / 7

HEX #ED91D6

RGB 237 145 214

HSL 315, 0.72%, 0.75%

LAB 71.63, 44.4, -20.64

 

CMYK 0 / 46 / 11 / 3

HEX #F786DC

RGB 247 134 220

HSL 314.34, 0.88%, 0.75%

LAB 70.87, 54.02, -25.01

 

CMYK 0 / 31 / 8 / 11

HEX #E29BD1

RGB 226 155 209

HSL 314.37, 0.55%, 0.75%

LAB 72.37, 34.72, -16.88

 

CMYK 0 / 24 / 6 / 15

HEX #D8A5CC

RGB 216 165 204

HSL 314.12, 0.4%, 0.75%

LAB 73.46, 25.09, -12.59

 

CMYK 0 / 15 / 3 / 19

HEX #CEB0C7

RGB 206 176 199

HSL 314, 0.23%, 0.75%

LAB 75.01, 14.77, -7.64

 

CMYK 0 / 5 / 2 / 23

HEX #C4BAC1

RGB 196 186 193

HSL 318, 0.08%, 0.75%

LAB 76.5, 4.79, -2.28

 

CMYK 6 / 0 / 4 / 23

HEX #B9C4BC

RGB 185 196 188

HSL 136.36, 0.09%, 0.75%

LAB 78.13, -5.27, 2.7

 

CMYK 9 / 31 / 0 / 11

HEX #CD9BE2

RGB 205 155 226

HSL 282.25, 0.55%, 0.75%

LAB 70.81, 31.12, -28.8

 

CMYK 1 / 31 / 0 / 11

HEX #E09BE2

RGB 224 155 226

HSL 298.31, 0.55%, 0.75%

LAB 72.75, 37.11, -25.66

 

CMYK 0 / 31 / 7 / 11

HEX #E29BD2

RGB 226 155 210

HSL 313.52, 0.55%, 0.75%

LAB 72.4, 34.89, -17.38

 

CMYK 0 / 31 / 15 / 11

HEX #E29BBF

RGB 226 155 191

HSL 329.58, 0.55%, 0.75%

LAB 71.81, 31.74, -7.79

 

CMYK 0 / 31 / 24 / 11

HEX #E29BAC

RGB 226 155 172

HSL 345.63, 0.55%, 0.75%

LAB 71.28, 28.86, 1.96

 

CMYK 0 / 56 / 13 / 18

HEX #D05BB4

RGB 208 91 180

HSL 314.36, 0.55%, 0.59%

LAB 56.27, 56.79, -25.29

 

CMYK 0 / 43 / 11 / 15

HEX #D97BC2

RGB 217 123 194

HSL 314.68, 0.55%, 0.67%

LAB 64.01, 46.09, -21.31

 

CMYK 0 / 31 / 8 / 11

HEX #E29BD1

RGB 226 155 209

HSL 314.37, 0.55%, 0.75%

LAB 72.37, 34.72, -16.88

 

CMYK 0 / 21 / 5 / 7

HEX #ECBBE0

RGB 236 187 224

HSL 314.69, 0.56%, 0.83%

LAB 81.16, 23.57, -11.74

 

CMYK 0 / 11 / 3 / 4

HEX #F5DBEE

RGB 245 219 238

HSL 316.15, 0.57%, 0.91%

LAB 89.97, 12.17, -6

 

CMYK 0 / 31 / 7 / 11

HEX #E39DD2

RGB 227 157 210

HSL 314.57, 0.56%, 0.75%

LAB 72.96, 34.15, -16.54

 

CMYK 0 / 18 / 31 / 11

HEX #E2BA9B

RGB 226 186 155

HSL 26.2, 0.55%, 0.75%

LAB 78.26, 9.96, 21.12

 

CMYK 31 / 0 / 5 / 11

HEX #9BE2D7

RGB 155 226 215

HSL 170.7, 0.55%, 0.75%

LAB 85.13, -24.43, -1.7

 

CMYK 0 / 31 / 7 / 11

HEX #E39DD2

RGB 227 157 210

HSL 314.57, 0.56%, 0.75%

LAB 72.96, 34.15, -16.54

 

CMYK 7 / 0 / 31 / 11

HEX #D2E29B

RGB 210 226 155

HSL 73.52, 0.55%, 0.75%

LAB 87.22, -16.74, 33

 

CMYK 31 / 7 / 0 / 11

HEX #9BD2E2

RGB 155 210 226

HSL 193.52, 0.55%, 0.75%

LAB 81.05, -13.89, -13.6

 

CMYK 0 / 31 / 7 / 11

HEX #E39DD2

RGB 227 157 210

HSL 314.57, 0.56%, 0.75%

LAB 72.96, 34.15, -16.54

 

CMYK 0 / 18 / 31 / 11

HEX #E2BA9B

RGB 226 186 155

HSL 26.2, 0.55%, 0.75%

LAB 78.26, 9.96, 21.12

 

CMYK 31 / 0 / 24 / 11

HEX #9BE2AC

RGB 155 226 172

HSL 134.37, 0.55%, 0.75%

LAB 84.14, -33.03, 19.49

 

CMYK 31 / 13 / 0 / 11

HEX #9BC4E2

RGB 155 196 226

HSL 205.35, 0.55%, 0.75%

LAB 77.24, -6.57, -19.33

 

CMYK 0 / 31 / 7 / 11

HEX #E39DD2

RGB 227 157 210

HSL 314.57, 0.56%, 0.75%

LAB 72.96, 34.15, -16.54

 

CMYK 0 / 8 / 31 / 11

HEX #E2CF9B

RGB 226 207 155

HSL 43.94, 0.55%, 0.75%

LAB 83.53, -1.05, 28.29

 

CMYK 31 / 0 / 24 / 11

HEX #9BE2AC

RGB 155 226 172

HSL 134.37, 0.55%, 0.75%

LAB 84.14, -33.03, 19.49

 

CMYK 31 / 23 / 0 / 11

HEX #9BAEE2

RGB 155 174 226

HSL 223.94, 0.55%, 0.75%

LAB 71.37, 5.38, -28.29

 

Description

Color code: HEX #E39DD2 | qconv.com Color code: HEX #E39DD2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 227 red, 157 green and 210 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
227 157 210 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 31 magenta, 7 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 31% 7% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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