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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E7A6D5 it is the complementary color #18592A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E7A6D5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E7A6D5 shade: #ECA6D0, #FDB8E3, #FFCAF6, #FFDCFF and #FFEEFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E7A6D5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E7A6D5 shade: #E7A6D5, #D694C2, #C582AF, #B4709C and #A35E89

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E7A6D5 shade: #E7A6D5, #E7A6C3, #E7A6B2 and #E7A6A6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E7A6D5 shade: #E7A6D5, #E7A6E6, #D6A6E7, #C4A6E7 and #B3A6E7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E7A6D5 shade matches the following richer shades: #E7A6D5, #F09DD9 and #F994DD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E7A6D5 shade: #E7A6D5, #DEAFD1, #D5B8CD, #CCC1C9 and #C3CAC5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E7A6D5 shade: #D6A6E7, #E7A6E7, #E7A6D6, #E7A6C4 and #E7A6B3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E7A6D5 shade: #D665B6, #DE85C6, #E7A6D5, #F0C6E4 and #F8E7F3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E7A6D5 shade: #E7A6D5, #E7C4A6 and #A6E7DE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E7A6D5 shade: #E7A6D5, #D6E7A6 and #A6D6E7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E7A6D5 shade: #E7A6D5, #E7C4A6, #A6E7B7 and #A6C9E7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E7A6D5 shade: #E7A6D5, #E7D8A6, #A6E7B7 and #A6B5E7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 28 / 8 / 9

HEX #E7A6D5

RGB 231 166 213

HSL 316.62, 0.58%, 0.78%

LAB 75.49, 31.2, -14.32

 

Complementary color

CMYK 73 / 0 / 53 / 65

HEX #18592A

RGB 24 89 42

HSL 136.62, 0.58%, 0.22%

LAB 32.93, -31.83, 21.33

 

CMYK 0 / 30 / 12 / 7

HEX #ECA6D0

RGB 236 166 208

HSL 324, 0.65%, 0.79%

LAB 75.86, 32.05, -10.98

 

CMYK 0 / 27 / 10 / 1

HEX #FDB8E3

RGB 253 184 227

HSL 322.61, 0.95%, 0.86%

LAB 82.22, 31.39, -11.59

 

CMYK 0 / 21 / 4 / 0

HEX #FFCAF6

RGB 255 202 246

HSL 310.19, 1%, 0.9%

LAB 87.07, 25.82, -14.44

 

CMYK 0 / 14 / 0 / 0

HEX #FFDCFF

RGB 255 220 255

HSL 300, 1%, 0.93%

LAB 91.53, 17.99, -12.51

 

CMYK 0 / 7 / 0 / 0

HEX #FFEEFF

RGB 255 238 255

HSL 300, 1%, 0.97%

LAB 95.84, 8.66, -6.11

 

CMYK 0 / 28 / 8 / 9

HEX #E7A6D5

RGB 231 166 213

HSL 316.62, 0.58%, 0.78%

LAB 75.49, 31.2, -14.32

 

CMYK 0 / 31 / 9 / 16

HEX #D694C2

RGB 214 148 194

HSL 318.18, 0.45%, 0.71%

LAB 69.02, 31.87, -13.76

 

CMYK 0 / 34 / 11 / 23

HEX #C582AF

RGB 197 130 175

HSL 319.7, 0.37%, 0.64%

LAB 62.45, 32.6, -13.15

 

CMYK 0 / 38 / 13 / 29

HEX #B4709C

RGB 180 112 156

HSL 321.18, 0.31%, 0.57%

LAB 55.78, 33.36, -12.48

 

CMYK 0 / 42 / 16 / 36

HEX #A35E89

RGB 163 94 137

HSL 322.61, 0.27%, 0.5%

LAB 49, 34.17, -11.71

 

CMYK 0 / 28 / 8 / 9

HEX #E7A6D5

RGB 231 166 213

HSL 316.62, 0.58%, 0.78%

LAB 75.49, 31.2, -14.32

 

CMYK 0 / 28 / 16 / 9

HEX #E7A6C3

RGB 231 166 195

HSL 333.23, 0.58%, 0.78%

LAB 74.95, 28.23, -5.27

 

CMYK 0 / 28 / 23 / 9

HEX #E7A6B2

RGB 231 166 178

HSL 348.92, 0.58%, 0.78%

LAB 74.49, 25.66, 3.38

 

CMYK 0 / 28 / 28 / 9

HEX #E7A6A6

RGB 231 166 166

HSL 0, 0.58%, 0.78%

LAB 74.2, 23.98, 9.54

 

CMYK 0 / 28 / 8 / 9

HEX #E7A6D5

RGB 231 166 213

HSL 316.62, 0.58%, 0.78%

LAB 75.49, 31.2, -14.32

 

CMYK 0 / 28 / 0 / 9

HEX #E7A6E6

RGB 231 166 230

HSL 300.92, 0.58%, 0.78%

LAB 76.05, 34.21, -22.73

 

CMYK 7 / 28 / 0 / 9

HEX #D6A6E7

RGB 214 166 231

HSL 284.31, 0.58%, 0.78%

LAB 74.41, 28.97, -25.94

 

CMYK 15 / 28 / 0 / 9

HEX #C4A6E7

RGB 196 166 231

HSL 267.69, 0.58%, 0.78%

LAB 72.75, 23.31, -28.63

 

CMYK 23 / 28 / 0 / 9

HEX #B3A6E7

RGB 179 166 231

HSL 252, 0.58%, 0.78%

LAB 71.3, 18.11, -30.98

 

CMYK 0 / 28 / 8 / 9

HEX #E7A6D5

RGB 231 166 213

HSL 316.62, 0.58%, 0.78%

LAB 75.49, 31.2, -14.32

 

CMYK 0 / 35 / 10 / 6

HEX #F09DD9

RGB 240 157 217

HSL 316.63, 0.73%, 0.78%

LAB 74.6, 39.62, -17.75

 

CMYK 0 / 41 / 11 / 2

HEX #F994DD

RGB 249 148 221

HSL 316.63, 0.89%, 0.78%

LAB 73.89, 47.8, -20.92

 

CMYK 0 / 28 / 8 / 9

HEX #E7A6D5

RGB 231 166 213

HSL 316.62, 0.58%, 0.78%

LAB 75.49, 31.2, -14.32

 

CMYK 0 / 21 / 6 / 13

HEX #DEAFD1

RGB 222 175 209

HSL 316.6, 0.42%, 0.78%

LAB 76.55, 22.62, -10.64

 

CMYK 0 / 14 / 4 / 16

HEX #D5B8CD

RGB 213 184 205

HSL 316.55, 0.26%, 0.78%

LAB 77.78, 13.95, -6.74

 

CMYK 0 / 5 / 1 / 20

HEX #CCC1C9

RGB 204 193 201

HSL 316.36, 0.1%, 0.78%

LAB 79.15, 5.28, -2.63

 

CMYK 3 / 0 / 2 / 21

HEX #C3CAC5

RGB 195 202 197

HSL 137.14, 0.06%, 0.78%

LAB 80.67, -3.32, 1.65

 

CMYK 7 / 28 / 0 / 9

HEX #D6A6E7

RGB 214 166 231

HSL 284.31, 0.58%, 0.78%

LAB 74.41, 28.97, -25.94

 

CMYK 0 / 28 / 0 / 9

HEX #E7A6E7

RGB 231 166 231

HSL 300, 0.58%, 0.78%

LAB 76.09, 34.39, -23.22

 

CMYK 0 / 28 / 7 / 9

HEX #E7A6D6

RGB 231 166 214

HSL 315.69, 0.58%, 0.78%

LAB 75.52, 31.37, -14.82

 

CMYK 0 / 28 / 15 / 9

HEX #E7A6C4

RGB 231 166 196

HSL 332.31, 0.58%, 0.78%

LAB 74.98, 28.39, -5.78

 

CMYK 0 / 28 / 23 / 9

HEX #E7A6B3

RGB 231 166 179

HSL 348, 0.58%, 0.78%

LAB 74.52, 25.8, 2.87

 

CMYK 0 / 53 / 15 / 16

HEX #D665B6

RGB 214 101 182

HSL 316.99, 0.58%, 0.62%

LAB 58.96, 54.18, -22.25

 

CMYK 0 / 40 / 11 / 13

HEX #DE85C6

RGB 222 133 198

HSL 316.18, 0.57%, 0.7%

LAB 66.81, 43.17, -19.24

 

CMYK 0 / 28 / 8 / 9

HEX #E7A6D5

RGB 231 166 213

HSL 316.62, 0.58%, 0.78%

LAB 75.49, 31.2, -14.32

 

CMYK 0 / 18 / 5 / 6

HEX #F0C6E4

RGB 240 198 228

HSL 317.14, 0.58%, 0.86%

LAB 84.23, 19.78, -9.26

 

CMYK 0 / 7 / 2 / 3

HEX #F8E7F3

RGB 248 231 243

HSL 317.65, 0.55%, 0.94%

LAB 93.27, 7.82, -3.74

 

CMYK 0 / 28 / 8 / 9

HEX #E7A6D5

RGB 231 166 213

HSL 316.62, 0.58%, 0.78%

LAB 75.49, 31.2, -14.32

 

CMYK 0 / 15 / 28 / 9

HEX #E7C4A6

RGB 231 196 166

HSL 27.69, 0.58%, 0.78%

LAB 81.41, 8.02, 19.68

 

CMYK 28 / 0 / 4 / 9

HEX #A6E7DE

RGB 166 231 222

HSL 171.69, 0.58%, 0.78%

LAB 87.26, -22.23, -2.21

 

CMYK 0 / 28 / 8 / 9

HEX #E7A6D5

RGB 231 166 213

HSL 316.62, 0.58%, 0.78%

LAB 75.49, 31.2, -14.32

 

CMYK 7 / 0 / 28 / 9

HEX #D6E7A6

RGB 214 231 166

HSL 75.69, 0.58%, 0.78%

LAB 89.02, -16.27, 29.84

 

CMYK 28 / 7 / 0 / 9

HEX #A6D6E7

RGB 166 214 231

HSL 195.69, 0.58%, 0.78%

LAB 82.9, -11.66, -13.43

 

CMYK 0 / 28 / 8 / 9

HEX #E7A6D5

RGB 231 166 213

HSL 316.62, 0.58%, 0.78%

LAB 75.49, 31.2, -14.32

 

CMYK 0 / 15 / 28 / 9

HEX #E7C4A6

RGB 231 196 166

HSL 27.69, 0.58%, 0.78%

LAB 81.41, 8.02, 19.68

 

CMYK 28 / 0 / 21 / 9

HEX #A6E7B7

RGB 166 231 183

HSL 135.69, 0.58%, 0.78%

LAB 86.34, -29.99, 16.91

 

CMYK 28 / 13 / 0 / 9

HEX #A6C9E7

RGB 166 201 231

HSL 207.69, 0.58%, 0.78%

LAB 79.41, -4.87, -18.67

 

CMYK 0 / 28 / 8 / 9

HEX #E7A6D5

RGB 231 166 213

HSL 316.62, 0.58%, 0.78%

LAB 75.49, 31.2, -14.32

 

CMYK 0 / 6 / 28 / 9

HEX #E7D8A6

RGB 231 216 166

HSL 46.15, 0.58%, 0.78%

LAB 86.43, -2.37, 26.57

 

CMYK 28 / 0 / 21 / 9

HEX #A6E7B7

RGB 166 231 183

HSL 135.69, 0.58%, 0.78%

LAB 86.34, -29.99, 16.91

 

CMYK 28 / 22 / 0 / 9

HEX #A6B5E7

RGB 166 181 231

HSL 226.15, 0.58%, 0.78%

LAB 74.14, 5.93, -26.69

 

Description

Color code: HEX #E7A6D5 | qconv.com Color code: HEX #E7A6D5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 231 red, 166 green and 213 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
231 166 213 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 28 magenta, 8 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 28% 8% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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