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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E7A036 it is the complementary color #185FC9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E7A036. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E7A036 shade: #ECA031, #FDB244, #FFC457, #FFD66A and #FFE87D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E7A036. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E7A036 shade: #E7A036, #D68E23, #C57C10, #B46A00 and #A35800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E7A036 shade: #E7A036, #E77036, #E74036 and #E73636

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E7A036 shade: #E7A036, #E7D036, #CEE736, #9FE736 and #6FE736

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E7A036 shade matches the following richer shades: #E7A036 and #F9A324

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E7A036 shade: #E7A036, #D59C48, #C3995A, #B0956C and #9E917E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E7A036 shade: #E73F36, #E76E36, #E79D36, #E7CC36 and #D2E736

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E7A036 shade: #B57515, #DA8D19, #E7A036, #EBB15B and #F0C380

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E7A036 shade: #E7A036, #5CE736 and #5636E7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E7A036 shade: #E7A036, #36E79D and #9D36E7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E7A036 shade: #E7A036, #5CE736, #3680E7 and #C136E7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E7A036 shade: #E7A036, #36E744, #3680E7 and #E736D8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 31 / 77 / 9

HEX #E7A036

RGB 231 160 54

HSL 35.93, 0.79%, 0.56%

LAB 71.14, 17.49, 62.36

 

Complementary color

CMYK 88 / 53 / 0 / 21

HEX #185FC9

RGB 24 95 201

HSL 215.93, 0.79%, 0.44%

LAB 42.15, 19.63, -60.84

 

CMYK 0 / 32 / 79 / 7

HEX #ECA031

RGB 236 160 49

HSL 35.61, 0.83%, 0.56%

LAB 71.69, 19.42, 64.95

 

CMYK 0 / 30 / 73 / 1

HEX #FDB244

RGB 253 178 68

HSL 35.68, 0.98%, 0.63%

LAB 77.96, 17.82, 64.29

 

CMYK 0 / 23 / 66 / 0

HEX #FFC457

RGB 255 196 87

HSL 38.93, 1%, 0.67%

LAB 82.61, 10.22, 61.13

 

CMYK 0 / 16 / 58 / 0

HEX #FFD66A

RGB 255 214 106

HSL 43.49, 1%, 0.71%

LAB 87.19, 2.16, 57.7

 

CMYK 0 / 9 / 51 / 0

HEX #FFE87D

RGB 255 232 125

HSL 49.38, 1%, 0.75%

LAB 91.89, -5.48, 54.38

 

CMYK 0 / 31 / 77 / 9

HEX #E7A036

RGB 231 160 54

HSL 35.93, 0.79%, 0.56%

LAB 71.14, 17.49, 62.36

 

CMYK 0 / 34 / 84 / 16

HEX #D68E23

RGB 214 142 35

HSL 35.87, 0.72%, 0.49%

LAB 64.77, 19.23, 62.66

 

CMYK 0 / 37 / 92 / 23

HEX #C57C10

RGB 197 124 16

HSL 35.8, 0.85%, 0.42%

LAB 58.34, 21.22, 61.84

 

CMYK 0 / 41 / 100 / 29

HEX #B46A00

RGB 180 106 0

HSL 35.33, 1%, 0.35%

LAB 51.85, 23.47, 59.4

 

CMYK 0 / 46 / 100 / 36

HEX #A35800

RGB 163 88 0

HSL 32.39, 1%, 0.32%

LAB 45.31, 25.98, 54.11

 

CMYK 0 / 31 / 77 / 9

HEX #E7A036

RGB 231 160 54

HSL 35.93, 0.79%, 0.56%

LAB 71.14, 17.49, 62.36

 

CMYK 0 / 52 / 77 / 9

HEX #E77036

RGB 231 112 54

HSL 19.66, 0.79%, 0.56%

LAB 60.64, 42.5, 52.1

 

CMYK 0 / 72 / 77 / 9

HEX #E74036

RGB 231 64 54

HSL 3.39, 0.79%, 0.56%

LAB 52.86, 63.1, 44.09

 

CMYK 0 / 77 / 77 / 9

HEX #E73636

RGB 231 54 54

HSL 0, 0.79%, 0.56%

LAB 51.72, 66.3, 42.87

 

CMYK 0 / 31 / 77 / 9

HEX #E7A036

RGB 231 160 54

HSL 35.93, 0.79%, 0.56%

LAB 71.14, 17.49, 62.36

 

CMYK 0 / 10 / 77 / 9

HEX #E7D036

RGB 231 208 54

HSL 52.2, 0.79%, 0.56%

LAB 83.11, -7.58, 73.5

 

CMYK 11 / 0 / 77 / 9

HEX #CEE736

RGB 206 231 54

HSL 68.47, 0.79%, 0.56%

LAB 87.26, -29.2, 76.56

 

CMYK 31 / 0 / 77 / 9

HEX #9FE736

RGB 159 231 54

HSL 84.41, 0.79%, 0.56%

LAB 84.37, -47.21, 72.84

 

CMYK 52 / 0 / 77 / 9

HEX #6FE736

RGB 111 231 54

HSL 100.68, 0.79%, 0.56%

LAB 82.27, -62.49, 70.1

 

CMYK 0 / 31 / 77 / 9

HEX #E7A036

RGB 231 160 54

HSL 35.93, 0.79%, 0.56%

LAB 71.14, 17.49, 62.36

 

CMYK 0 / 35 / 86 / 2

HEX #F9A324

RGB 249 163 36

HSL 35.77, 0.95%, 0.56%

LAB 73.84, 22.94, 71.59

 

CMYK 0 / 31 / 77 / 9

HEX #E7A036

RGB 231 160 54

HSL 35.93, 0.79%, 0.56%

LAB 71.14, 17.49, 62.36

 

CMYK 0 / 27 / 66 / 16

HEX #D59C48

RGB 213 156 72

HSL 35.74, 0.63%, 0.56%

LAB 68.31, 12.85, 51.08

 

CMYK 0 / 22 / 54 / 24

HEX #C3995A

RGB 195 153 90

HSL 36, 0.47%, 0.56%

LAB 65.84, 8.12, 38.82

 

CMYK 0 / 15 / 39 / 31

HEX #B0956C

RGB 176 149 108

HSL 36.18, 0.3%, 0.56%

LAB 63.18, 4.19, 25.4

 

CMYK 0 / 8 / 20 / 38

HEX #9E917E

RGB 158 145 126

HSL 35.63, 0.14%, 0.56%

LAB 60.8, 1.61, 11.83

 

CMYK 0 / 73 / 77 / 9

HEX #E73F36

RGB 231 63 54

HSL 3.05, 0.79%, 0.56%

LAB 52.74, 63.44, 43.96

 

CMYK 0 / 52 / 77 / 9

HEX #E76E36

RGB 231 110 54

HSL 18.98, 0.79%, 0.56%

LAB 60.25, 43.48, 51.71

 

CMYK 0 / 32 / 77 / 9

HEX #E79D36

RGB 231 157 54

HSL 34.92, 0.79%, 0.56%

LAB 70.43, 19.09, 61.68

 

CMYK 0 / 12 / 77 / 9

HEX #E7CC36

RGB 231 204 54

HSL 50.85, 0.79%, 0.56%

LAB 82.08, -5.55, 72.56

 

CMYK 9 / 0 / 77 / 9

HEX #D2E736

RGB 210 231 54

HSL 67.12, 0.79%, 0.56%

LAB 87.54, -27.59, 76.92

 

CMYK 0 / 35 / 88 / 29

HEX #B57515

RGB 181 117 21

HSL 36, 0.79%, 0.4%

LAB 54.66, 18.14, 56.9

 

CMYK 0 / 35 / 89 / 15

HEX #DA8D19

RGB 218 141 25

HSL 36.06, 0.79%, 0.48%

LAB 64.98, 21.25, 65.91

 

CMYK 0 / 31 / 77 / 9

HEX #E7A036

RGB 231 160 54

HSL 35.93, 0.79%, 0.56%

LAB 71.14, 17.49, 62.36

 

CMYK 0 / 25 / 61 / 8

HEX #EBB15B

RGB 235 177 91

HSL 35.83, 0.78%, 0.64%

LAB 75.98, 12.12, 51.35

 

CMYK 0 / 19 / 47 / 6

HEX #F0C380

RGB 240 195 128

HSL 35.89, 0.79%, 0.72%

LAB 81.35, 7.73, 39.61

 

CMYK 0 / 31 / 77 / 9

HEX #E7A036

RGB 231 160 54

HSL 35.93, 0.79%, 0.56%

LAB 71.14, 17.49, 62.36

 

CMYK 60 / 0 / 77 / 9

HEX #5CE736

RGB 92 231 54

HSL 107.12, 0.79%, 0.56%

LAB 81.67, -67.26, 69.32

 

CMYK 63 / 77 / 0 / 9

HEX #5636E7

RGB 86 54 231

HSL 250.85, 0.79%, 0.56%

LAB 38.53, 60.27, -83.84

 

CMYK 0 / 31 / 77 / 9

HEX #E7A036

RGB 231 160 54

HSL 35.93, 0.79%, 0.56%

LAB 71.14, 17.49, 62.36

 

CMYK 77 / 0 / 32 / 9

HEX #36E79D

RGB 54 231 157

HSL 154.92, 0.79%, 0.56%

LAB 82.04, -60.21, 23.86

 

CMYK 32 / 77 / 0 / 9

HEX #9D36E7

RGB 157 54 231

HSL 274.92, 0.79%, 0.56%

LAB 46.41, 70.07, -70.61

 

CMYK 0 / 31 / 77 / 9

HEX #E7A036

RGB 231 160 54

HSL 35.93, 0.79%, 0.56%

LAB 71.14, 17.49, 62.36

 

CMYK 60 / 0 / 77 / 9

HEX #5CE736

RGB 92 231 54

HSL 107.12, 0.79%, 0.56%

LAB 81.67, -67.26, 69.32

 

CMYK 77 / 45 / 0 / 9

HEX #3680E7

RGB 54 128 231

HSL 214.92, 0.79%, 0.56%

LAB 54.02, 12.74, -58.69

 

CMYK 16 / 77 / 0 / 9

HEX #C136E7

RGB 193 54 231

HSL 287.12, 0.79%, 0.56%

LAB 51.55, 76.33, -62.05

 

CMYK 0 / 31 / 77 / 9

HEX #E7A036

RGB 231 160 54

HSL 35.93, 0.79%, 0.56%

LAB 71.14, 17.49, 62.36

 

CMYK 77 / 0 / 71 / 9

HEX #36E744

RGB 54 231 68

HSL 124.75, 0.79%, 0.56%

LAB 80.93, -73.13, 63.63

 

CMYK 77 / 45 / 0 / 9

HEX #3680E7

RGB 54 128 231

HSL 214.92, 0.79%, 0.56%

LAB 54.02, 12.74, -58.69

 

CMYK 0 / 77 / 6 / 9

HEX #E736D8

RGB 231 54 216

HSL 305.08, 0.79%, 0.56%

LAB 56.67, 81.23, -45.03

 

Description

Color code: HEX #E7A036 | qconv.com Color code: HEX #E7A036 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 231 red, 160 green and 54 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
231 160 54 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 31 magenta, 77 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 31% 77% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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