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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E7B5EF it is the complementary color #184A10. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E7B5EF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E7B5EF shade: #ECB5EA, #FDC7FD, #FFD9FF, #FFEBFF and #FFFDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E7B5EF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E7B5EF shade: #E7B5EF, #D6A3DC, #C591C9, #B47FB6 and #A36DA3

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E7B5EF shade: #E6B3EE, #EEB3E6, #EEB3D6, #EEB3C7 and #EEB3B7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E7B5EF shade: #E6B3EE, #D6B3EE, #C6B3EE, #B6B3EE and #B3B3EE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E7B5EF shade matches the following richer shades: #E6B3EE, #EBACF5 and #F1A4FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E7B5EF shade: #E6B3EE, #E0BBE7, #DBC2DF, #D6CAD8 and #D0D1D0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E7B5EF shade: #C6B3EE, #D5B3EE, #E5B3EE, #EEB3E7 and #EEB3D7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E7B5EF shade: #D070DF, #DB91E7, #E6B3EE, #F1D5F5 and #FCF7FD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E7B5EF shade: #E7B5EF, #EEB6B3 and #B3EECE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E7B5EF shade: #E7B5EF, #EEE5B3 and #B3EEE5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E7B5EF shade: #E7B5EF, #EEB6B3, #BCEEB3 and #B3EBEE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E7B5EF shade: #E7B5EF, #EEC8B3, #BCEEB3 and #B3D9EE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 24 / 0 / 6

HEX #E7B5EF

RGB 231 181 239

HSL 291.72, 0.64%, 0.82%

LAB 79.77, 27.86, -21.95

 

Complementary color

CMYK 68 / 0 / 78 / 71

HEX #184A10

RGB 24 74 16

HSL 111.72, 0.64%, 0.18%

LAB 27.1, -29.19, 28.29

 

CMYK 0 / 23 / 1 / 7

HEX #ECB5EA

RGB 236 181 234

HSL 302.18, 0.59%, 0.82%

LAB 80.08, 28.56, -18.74

 

CMYK 0 / 21 / 0 / 1

HEX #FDC7FD

RGB 253 199 253

HSL 300, 0.93%, 0.89%

LAB 86.42, 27.99, -19.16

 

CMYK 0 / 15 / 0 / 0

HEX #FFD9FF

RGB 255 217 255

HSL 300, 1%, 0.93%

LAB 90.83, 19.56, -13.56

 

CMYK 0 / 8 / 0 / 0

HEX #FFEBFF

RGB 255 235 255

HSL 300, 1%, 0.96%

LAB 95.12, 10.21, -7.19

 

CMYK 0 / 1 / 0 / 0

HEX #FFFDFF

RGB 255 253 255

HSL 300, 1%, 1%

LAB 99.51, 1.01, -0.73

 

CMYK 3 / 24 / 0 / 6

HEX #E7B5EF

RGB 231 181 239

HSL 291.72, 0.64%, 0.82%

LAB 79.77, 27.86, -21.95

 

CMYK 3 / 26 / 0 / 14

HEX #D6A3DC

RGB 214 163 220

HSL 293.68, 0.45%, 0.75%

LAB 73.32, 28.46, -21.59

 

CMYK 2 / 28 / 0 / 21

HEX #C591C9

RGB 197 145 201

HSL 295.71, 0.34%, 0.68%

LAB 66.78, 29.09, -21.22

 

CMYK 1 / 30 / 0 / 29

HEX #B47FB6

RGB 180 127 182

HSL 297.82, 0.27%, 0.61%

LAB 60.12, 29.77, -20.84

 

CMYK 0 / 33 / 0 / 36

HEX #A36DA3

RGB 163 109 163

HSL 300, 0.23%, 0.53%

LAB 53.35, 30.51, -20.42

 

CMYK 3 / 25 / 0 / 7

HEX #E6B3EE

RGB 230 179 238

HSL 291.86, 0.63%, 0.82%

LAB 79.18, 28.42, -22.32

 

CMYK 0 / 25 / 3 / 7

HEX #EEB3E6

RGB 238 179 230

HSL 308.14, 0.63%, 0.82%

LAB 79.69, 29.56, -17.16

 

CMYK 0 / 25 / 10 / 7

HEX #EEB3D6

RGB 238 179 214

HSL 324.41, 0.63%, 0.82%

LAB 79.2, 26.81, -9.25

 

CMYK 0 / 25 / 16 / 7

HEX #EEB3C7

RGB 238 179 199

HSL 339.66, 0.63%, 0.82%

LAB 78.78, 24.39, -1.75

 

CMYK 0 / 25 / 23 / 7

HEX #EEB3B7

RGB 238 179 183

HSL 355.93, 0.63%, 0.82%

LAB 78.37, 21.99, 6.34

 

CMYK 3 / 25 / 0 / 7

HEX #E6B3EE

RGB 230 179 238

HSL 291.86, 0.63%, 0.82%

LAB 79.18, 28.42, -22.32

 

CMYK 10 / 25 / 0 / 7

HEX #D6B3EE

RGB 214 179 238

HSL 275.59, 0.63%, 0.82%

LAB 77.7, 23.31, -24.7

 

CMYK 17 / 25 / 0 / 7

HEX #C6B3EE

RGB 198 179 238

HSL 259.32, 0.63%, 0.82%

LAB 76.33, 18.3, -26.92

 

CMYK 24 / 25 / 0 / 7

HEX #B6B3EE

RGB 182 179 238

HSL 243.05, 0.63%, 0.82%

LAB 75.05, 13.43, -28.99

 

CMYK 25 / 25 / 0 / 7

HEX #B3B3EE

RGB 179 179 238

HSL 240, 0.63%, 0.82%

LAB 74.82, 12.53, -29.36

 

CMYK 3 / 25 / 0 / 7

HEX #E6B3EE

RGB 230 179 238

HSL 291.86, 0.63%, 0.82%

LAB 79.18, 28.42, -22.32

 

CMYK 4 / 30 / 0 / 4

HEX #EBACF5

RGB 235 172 245

HSL 291.78, 0.78%, 0.82%

LAB 78.32, 35.07, -27.35

 

CMYK 5 / 35 / 0 / 1

HEX #F1A4FD

RGB 241 164 253

HSL 291.91, 0.96%, 0.82%

LAB 77.49, 42.65, -32.89

 

CMYK 3 / 25 / 0 / 7

HEX #E6B3EE

RGB 230 179 238

HSL 291.86, 0.63%, 0.82%

LAB 79.18, 28.42, -22.32

 

CMYK 3 / 19 / 0 / 9

HEX #E0BBE7

RGB 224 187 231

HSL 290.45, 0.48%, 0.82%

LAB 80.27, 20.85, -16.95

 

CMYK 2 / 13 / 0 / 13

HEX #DBC2DF

RGB 219 194 223

HSL 291.72, 0.31%, 0.82%

LAB 81.28, 13.93, -11.19

 

CMYK 1 / 6 / 0 / 15

HEX #D6CAD8

RGB 214 202 216

HSL 291.43, 0.15%, 0.82%

LAB 82.64, 6.68, -5.45

 

CMYK 0 / 0 / 0 / 18

HEX #D0D1D0

RGB 208 209 208

HSL 120, 0.01%, 0.82%

LAB 83.74, -0.52, 0.37

 

CMYK 17 / 25 / 0 / 7

HEX #C6B3EE

RGB 198 179 238

HSL 259.32, 0.63%, 0.82%

LAB 76.33, 18.3, -26.92

 

CMYK 11 / 25 / 0 / 7

HEX #D5B3EE

RGB 213 179 238

HSL 274.58, 0.63%, 0.82%

LAB 77.61, 23, -24.84

 

CMYK 4 / 25 / 0 / 7

HEX #E5B3EE

RGB 229 179 238

HSL 290.85, 0.63%, 0.82%

LAB 79.08, 28.1, -22.47

 

CMYK 0 / 25 / 3 / 7

HEX #EEB3E7

RGB 238 179 231

HSL 307.12, 0.63%, 0.82%

LAB 79.72, 29.74, -17.65

 

CMYK 0 / 25 / 10 / 7

HEX #EEB3D7

RGB 238 179 215

HSL 323.39, 0.63%, 0.82%

LAB 79.23, 26.97, -9.75

 

CMYK 7 / 50 / 0 / 13

HEX #D070DF

RGB 208 112 223

HSL 291.89, 0.63%, 0.66%

LAB 61.93, 54.14, -40.9

 

CMYK 5 / 37 / 0 / 9

HEX #DB91E7

RGB 219 145 231

HSL 291.63, 0.64%, 0.74%

LAB 70.23, 41.82, -32.32

 

CMYK 3 / 25 / 0 / 7

HEX #E6B3EE

RGB 230 179 238

HSL 291.86, 0.63%, 0.82%

LAB 79.18, 28.42, -22.32

 

CMYK 2 / 13 / 0 / 4

HEX #F1D5F5

RGB 241 213 245

HSL 292.5, 0.62%, 0.9%

LAB 88.39, 15.24, -12.07

 

CMYK 0 / 2 / 0 / 1

HEX #FCF7FD

RGB 252 247 253

HSL 290, 0.6%, 0.98%

LAB 97.76, 2.72, -2.29

 

CMYK 3 / 24 / 0 / 6

HEX #E7B5EF

RGB 231 181 239

HSL 291.72, 0.64%, 0.82%

LAB 79.77, 27.86, -21.95

 

CMYK 0 / 24 / 25 / 7

HEX #EEB6B3

RGB 238 182 179

HSL 3.05, 0.63%, 0.82%

LAB 78.98, 19.83, 9.38

 

CMYK 25 / 0 / 13 / 7

HEX #B3EECE

RGB 179 238 206

HSL 147.46, 0.63%, 0.82%

LAB 89.48, -25.02, 9.48

 

CMYK 3 / 24 / 0 / 6

HEX #E7B5EF

RGB 231 181 239

HSL 291.72, 0.64%, 0.82%

LAB 79.77, 27.86, -21.95

 

CMYK 0 / 4 / 25 / 7

HEX #EEE5B3

RGB 238 229 179

HSL 50.85, 0.63%, 0.82%

LAB 90.54, -4.66, 25.54

 

CMYK 25 / 0 / 4 / 7

HEX #B3EEE5

RGB 179 238 229

HSL 170.85, 0.63%, 0.82%

LAB 90.04, -20.41, -1.71

 

CMYK 3 / 24 / 0 / 6

HEX #E7B5EF

RGB 231 181 239

HSL 291.72, 0.64%, 0.82%

LAB 79.77, 27.86, -21.95

 

CMYK 0 / 24 / 25 / 7

HEX #EEB6B3

RGB 238 182 179

HSL 3.05, 0.63%, 0.82%

LAB 78.98, 19.83, 9.38

 

CMYK 21 / 0 / 25 / 7

HEX #BCEEB3

RGB 188 238 179

HSL 110.85, 0.63%, 0.82%

LAB 89.44, -26.87, 23.47

 

CMYK 25 / 1 / 0 / 7

HEX #B3EBEE

RGB 179 235 238

HSL 183.05, 0.63%, 0.82%

LAB 89.47, -17, -7.25

 

CMYK 3 / 24 / 0 / 6

HEX #E7B5EF

RGB 231 181 239

HSL 291.72, 0.64%, 0.82%

LAB 79.77, 27.86, -21.95

 

CMYK 0 / 16 / 25 / 7

HEX #EEC8B3

RGB 238 200 179

HSL 21.36, 0.63%, 0.82%

LAB 83.31, 10.32, 15.51

 

CMYK 21 / 0 / 25 / 7

HEX #BCEEB3

RGB 188 238 179

HSL 110.85, 0.63%, 0.82%

LAB 89.44, -26.87, 23.47

 

CMYK 25 / 9 / 0 / 7

HEX #B3D9EE

RGB 179 217 238

HSL 201.36, 0.63%, 0.82%

LAB 84.68, -7.84, -14.39

 

Description

Color code: HEX #E7B5EF | qconv.com Color code: HEX #E7B5EF | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 231 red, 181 green and 239 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
231 181 239 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, 24 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 24% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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